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This is the first ambitious attempt to read “Kyogyoshinsho”, the main work of Shinran, the founder of Jodo Shinshu, by making full use of his knowledge not only of Buddhist and Shin Buddhist studies but also of Western philosophy, including Hegel and Heidegger.

Hinduism is a religion that unites faith and life practice, and the prototype of the Hindu world was developed in the Code of Manu, compiled around AD. This book introduces the Manusmriti, which still influences Indian society and people's values today.
The idea of the correspondence between the macrocosm and the microcosm is deepened into an awareness of the unity of the Supreme Reality Brahman and the individual essence Atman. This is the best introduction to Indian thought, based on the early Upanishads, that elucidates the essence of ancient Indian wisdom and mystical thought that provides insight into the roots of life.
Based on a foundation of philosophical speculation on modernity and pre-modernity, Eastern and Western traditions, and the historical transformation of religions, Nishitani speaks clearly in simple language from a broad and deep perspective on the issues facing Buddhism in the modern world. This is a record of a lecture given by Nishitani in his 70s.
This is an excellent overview of the development of Pure Land Buddhism in Japan, analyzing it from a doctrinal perspective and evaluating it in relation to the general state of society.

The “Nirvana Sutra” conveys the Buddha's legacy, which includes the Buddha's everlasting abode and all-pervading Buddha nature (everyone has the potential to become a Buddha). This is an excellent book that explains the process of its formation and the content of its ideas in an easy-to-understand manner. What is the essence of the “Nirvana Sutra,” which has had a great influence on Japanese Buddhism.
Shinichi Hisamatsu is a rare philosopher who transcended Western modernity and continued to investigate the path to “absolute autonomy,” a way of living unhindered and unrestricted by anything. This book contains essays that show the core of Hisamatsu's philosophy as well as his autobiographical essay, “Memories of a Life as an Academician.
What is “Dependent Co-arising” and who taught it? And who taught it? This groundbreaking essay explores the origin and development of the fundamental thought that pervades Buddhist history, and reveals its original form.
What are all sentient beings and what is the Buddha nature? Do all people possess the nature to become a Buddha? This is the most important discussion for truly understanding Buddhism.
Is Wittgenstein a “philosopher” or a “religious man”? A solitary soul is torn between strong reason and “reconciliation with God.

228 pp., thread-sewn softcover
1 color offset, size: 135 x 200 cm
First edition, third printing: 1000
Language(s): French / English
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Authors: Félicia Atkinson, François Bayle, François J. Bonnet, Drew Daniel, Brunhild Ferrari, Beatriz Ferreyra, Stephen O’Malley, Jim O’Rourke, Eliane Radigue, Régis Renouard Larivière, Espen Sommer Eide, Daniel Teruggi, Chris Watson.

To resonate: re-sonare. To sound again—with the immediate implication of a doubling. Sound and its double: sent back to us, reflected by surfaces, diffracted by edges and corners. Sound amplified, swathed in an acoustics that transforms it. Sound enhanced by its passing through a certain site, a certain milieu. Sound propagated, reaching out into the distance. But to resonate is also to vibrate with sound, in unison, in synchronous oscillation. To marry with its shape, amplifying a common destiny. To join forces with it. And then again, to resonate is to remember, to evoke the past and to bring it back. Or to plunge into the spectrum of sound, to shape it around a certain frequency, to bring out sonic or electric peaks from the becoming of signals.
Resonance embraces a multitude of different meanings. Or rather, remaining always identical, it is actualised in a wide range of different phenomena and circumstances. Such is the multitude of resonances evoked in the pages below: a multitude of occurrences, events, sensations, and feelings that intertwine and welcome one other. Everyone may have their own history, everyone may resonate in their own way, and yet we must all, in order to experience resonance at a given moment, be ready to welcome it. The welcoming of what is other, whether an abstract outside or on the contrary an incarnate otherness ready to resonate in turn, is a condition of resonance. This idea of the welcome is found throughout the texts that follow, opening up the human dimension of resonance, a dimension essential to all creativity and to any exchange, any community of mind. Which means that resonance here is also understood as being, already, an act of paying attention, i.e. a listening, an exchange.
Addressing one or other of the forms that this idea of resonating can take on (extending—evoking—reverberating—revealing—transmitting), each of the contributions brought together in this volume reveals to us a personal aspect, a fragment of the enthralling territory of sonic and musical experimentation, a territory upon which resonance may unfold.
The book has been designed as a prism and as a manual. May it in turn find a unique and profound resonance in each and every reader.
— The Editors

AMBIENT × KYOTO - AMBIENT KYOTO is the world's premier ambient-themed audiovisual arts festival held in the world cultural city of Kyoto. AMBIENT KYOTO and Meditations have collaborated to create a new line of fully organic, natural hand-dyed tote bags from South India, which are now available for order at Meditations.
The tote bags are natural dyed in Auroville, South India, using local organic cotton canvas, Ayurvedic herbs, and indigo that has been fermented and aged for years.

"With this I would like to make this the final chapter of my prayer (Lautreamont / Takashi Mizutani)"
Les Rallizes Denudes - Takashi Mizutani, and his words.
Photographs by original member Nakamura Nakamura and "Les Rallizes Denudes Poems" in three languages: Japanese, English, and French. Editorial commentary by philosopher Yoshihiko Ichida. Contribution by Soji Suzuki.
Flowers of Ibiscus.
Recorded in 1969 / Includes a CD with 20:19 of never-before-released sound recordings.

Mary Ellen Bute: Polka Graph (1947), Color Rhapsodie (1948) and Abstronic (1952)
Jordan Belson: Mandala (1953), Meditation (1971) and Chakra (1972)
Charles Dockum: Mobilcolor Performance at the Guggenheim (1952), Demonstration of Mobilcolor Projector (documentary, 1966) and Mobilcolor Performance Film (1969)
Barry Spinello, Sonata for Pen, Brush and Ruler (1968)
Jules Engel: Landscape (1971), Mobiles (1978) and Play-Pen (1986)
