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SPECTRES 3 ‘Ghosts In The Machine / Fantômes dans la machine’ (Book)
SPECTRES 3 ‘Ghosts In The Machine / Fantômes dans la machine’ (Book)Shelter Press
This time focusing on “Ghosts In The Machine”, or rather - the applications of AI and Machine Learning in the domain of music making, the foreward sets the tone “…the artificial, the artefact, is always the extra-human brainchild of a human, all too human dream.” Inside, Steve Goodman reflects on his “IT” sound installation about the myth of Golem, Bill Orcutt explores repetition and automatism in music, Florian Hecker and Robin Mackay investigate their electroacoustic pieces ‘FAVN' and ‘Inspection (Maida Vale Project)’, Lucy Railton in conversation with Peter Zinovieff (R.I.P.) with a heartbreaking final line, Akira Rabelais’ semi-impenetrable but ultimately rewarding Lyre-mangled auto-fiction and, of course, Roland Kayn on Cybernetic Music. Lots more to explore inside.
SPECTRES 1 ‘Composing Listening / Composer l’écoute’ (Book)
SPECTRES 1 ‘Composing Listening / Composer l’écoute’ (Book)Shelter Press

228 pp., thread-sewn softcover
1 color offset, size: 135 x 200 cm
First edition, third printing: 1000
Language(s): French / English

Authors: Félicia Atkinson, François Bayle, François J. Bonnet, Drew Daniel, Brunhild Ferrari, Beatriz Ferreyra, Stephen O’Malley, Jim O’Rourke, Eliane Radigue, Régis Renouard Larivière, Espen Sommer Eide, Daniel Teruggi, Chris Watson.

Graham Lambkin - Came to Call Mine (Book)Graham Lambkin - Came to Call Mine (Book)
Graham Lambkin - Came to Call Mine (Book)Penultimate Press

Came to Call Mine is an extensive full-color art book by visionary musician, artist, and writer Graham Lambkin. Playing out like a children’s book for adults, Came to Call Mine features 50 hand-drawn illustrations coupled with simplistic corresponding texts. Lambkin’s mischievous combination of figurative and abstract elements lends Came to Call Mine a jarring, dreamlike quality, confusing the eye by placing innocent childlike totems against a darker adult undercurrent.

Came to Call Mine is released as a deluxe softcover book designed by Maja Larsson, with lithograph printing on Munken pure rough, lynx, and polar paper stock in an edition of 400 copies.

Selections from Graham Lambkin’s new book Came to Call Mine (Penultimate Press, 2014)

Broken Music: Artists' Recordworks (Book)Broken Music: Artists' Recordworks (Book)
Broken Music: Artists' Recordworks (Book)PRIMARY INFORMATION
Includes enclosed flexi-disc of the Arditti Quartet performing Knizak's Broken Music. "Facsimile edition of the definitive guide to records by artists Broken Music is an essential guide and discography for recordings and audio works by visual artists, originally published in 1989 and edited by Ursula Block (founder of Gelbe Musik in Berlin) and Michael Glasmeier. Records chosen for the publication revolved around four criteria: record covers created as original work by visual artists; record or sound producing objects (sculptures); books and publications that contain a record or recorded media object; and records or recorded media that have sound by visual artists. Hundreds of works are documented by artists such as Vito Acconci, albrecht d., Joseph Beuys, Laurie Anderson, Guillaume Apollinaire, Karel Appel, Antonin Artaud, John Baldessari, Hugo Ball, Harry Bertoia, William S. Burroughs, John Cage, Henri Chopin, Henning Christiansen, William Copley, Philip Corner, Merce Cunningham, Hanne Darboven, Jim Dine, Jean Dubuffet, Marcel Duchamp, Fischli/Weiss, R. Buckminster Fuller, Allen Ginsberg, Philip Glass, Jack Goldstein, Hans Haacke, Richard Hamilton, Bernard Heidsieck, Isidore Isou, Marcel Janco, Allan Kaprow, Martin Kippenberger, Milan Knízák, Christina Kubisch, Laibach, John Lennon, Hermann Nitsch, Claes Oldenburg, Yoko Ono, Dennis Oppenheim, Nam June Paik, Tom Philips, Robert Rauschenberg, The Red Crayola, Jim Rosenquist, Dieter Roth, Gerhard Rühm, Conrad Schnitzler, Kurt Schwitters, selten gehörte Musik, Richard Serra, Robert Smithson, Michael Snow, Jean Tinguely, Yoshi Wada, William Wegman and Lawrence Weiner, among others."
Sun Ra - Extensions Out, Plus: Four Poetry Books (1959/1972) (Book)
Sun Ra - Extensions Out, Plus: Four Poetry Books (1959/1972) (Book)CORBETT VS. DEMPSEY

Limited reprint. Corbett vs. Dempsey announce the release of four books of poetry by Sun Ra. Two of these were pamphlets that accompanied early Sun Ra albums issued in the late 1950s; the other two were published more than a decade later by Infinity Inc./Saturn Research. CvsD's reprints are fastidiously designed facsimiles of the original publications, marking the first time they have been available in their Ra-ordained form since they were published. An architect of Afrofuturism and one of the great musical thinkers of the 20th century, Ra's work extended far beyond jazz and even music to the realms of pageantry, performance, theater, philosophy, visual art, and literature. In the mid-1950s, he handed out leaflets and gave street corner lectures -- revisionist interpretations of the Bible and bold meditations on the status of African Americans in American society. A few years later, Ra began disseminating his poems in -- and sometimes on -- his albums. His debut, Jazz By Sun Ra, was issued in 1957 by the Boston-based Transition label, a short-lived company that sold records by subscription; this record contained a beautiful booklet, now as prized as the LP itself, with rare photographs and a selection of poems and proclamations, as well as the personnel and recording credits. Ra's Jazz In Silhouette was released two years hence on Saturn Records, the label he started with Alton Abraham, and it came with a mimeographed liner booklet -- now exceedingly rare -- that was folded, unstapled, as an ultra-economical accompaniment to the vinyl. The CvsD version folds this slim pamphlet of poetry into a slipcover with a classic photo portrait of Ra by Thomas "Bugs" Hunter on the back. Perhaps Ra's best-known book of poetry, reprinted in many alternative versions with different contents over the years, is The Immeasurable Equation; this incarnation restores the original Infinity Inc./Saturn Research version, published in Chicago in 1972 and distributed widely by the Arkestra, often from the bandstand. It features more than 60 of Ra's poems. Finally, perhaps the rarest of Ra's poetry books is Extensions Out: Immeasurable Equation Vol. II, which was also published by Infinity Inc./Saturn Research. This 8 1/2 x 11 inch book is a massive compendium of more than 130 poems, very much in step with the mimeo poetry publications of its era -- simple staple binding, one-sided pages -- featuring three photographs of artwork by Ayé Aton, a close ally of Ra's in this, the period of the Arkestra classic Space Is The Place, on which Aton plays percussion. Great care was taken to reproduce the special textured cover of this highly sought-after book. These four books are exclusively sold as a set. The first edition is limited to 1000 copies. Corbett vs. Dempsey is proud to represent the non-musical side of the Sun Ra Estate. The label gratefully acknowledges Irwin Chusid and Sun Ra LLC for the permission to release this historically rich chronicle of Ra's poetry, presented as he originally conceived it.

Introduction to Field Recording (Book)Introduction to Field Recording (Book)
Introduction to Field Recording (Book)フィルムアート社
From 1976 to 1979, Yuzuru Agi was arguably the one who spent the most words about Brian Eno in Japan. In this book, Yuzuru Agi and Eno, as well as the transition of the music scene, are highlighted by extracting and archiving sentences, record reviews, liner notes, etc. about Eno by Agi published in "Rock Magazine" magazine at that time. saw.
The words "obscure" and "ambient", which Eno advocated more than 40 years ago and were introduced through Aki, have already become widespread, and their meanings are expanding and changing. Agi's text is a valuable resource for understanding the historical background and how they were initially conveyed. -Satoru Higashi Seto, some excerpts from this book.
Yukio Fujimoto met Brian Eno as the same participating artist at the exhibition held in Denmark in 1992, and this interview mentions the essence of art through Eno, and the process of Eno's history. I think you can understand.
An interview that contains so many noticeable discourses.

Yuzuru Agi and Brian Eno's theme of Eno's creation, such as a text by Yu Hirayama, an interview with Satoru Higashi Seto, and a record review related to Brian Eno released in 1972-82, covering 40 titles by Shuta Hiraki. An easy-to-understand explanation of the essence.

With bonus CD: CD Credit Vanity 2002 The Voice of Brian Eno 1979.8.6 at New York
Rock Magazine No. 28 1979.12.1 Appendix Sono Sheet Reissue Board

Title: AGI 2 / ENO
Supervision: Yasuyuki Nakamura
Written by: Yukio Fujimoto, Satoru Higashi Seto, Mikihiko Kanoumi, Yu Hirayama, Shuta Hiraki
Price: \ 3,850 (tax included)
Release Date: June 30, 2022
Version: B5 (257×182×20mm)
Number of pages: 304 pages of text (16 pages of color)
Bookbinding: Normal
First Edition Benefits: 1 CD
Publisher: Kyou Records
Publisher: Studio Warp Co., Ltd.
SPECTRES 2 ‘Résonances / Resonances’ (Book)SPECTRES 2 ‘Résonances / Resonances’ (Book)
SPECTRES 2 ‘Résonances / Resonances’ (Book)Shelter Press

To resonate: re-sonare. To sound again—with the immediate implication of a doubling. Sound and its double: sent back to us, reflected by surfaces, diffracted by edges and corners. Sound amplified, swathed in an acoustics that transforms it. Sound enhanced by its passing through a certain site, a certain milieu. Sound propagated, reaching out into the distance. But to resonate is also to vibrate with sound, in unison, in synchronous oscillation. To marry with its shape, amplifying a common destiny. To join forces with it. And then again, to resonate is to remember, to evoke the past and to bring it back. Or to plunge into the spectrum of sound, to shape it around a certain frequency, to bring out sonic or electric peaks from the becoming of signals.
Resonance embraces a multitude of different meanings. Or rather, remaining always identical, it is actualised in a wide range of different phenomena and circumstances. Such is the multitude of resonances evoked in the pages below: a multitude of occurrences, events, sensations, and feelings that intertwine and welcome one other. Everyone may have their own history, everyone may resonate in their own way, and yet we must all, in order to experience resonance at a given moment, be ready to welcome it. The welcoming of what is other, whether an abstract outside or on the contrary an incarnate otherness ready to resonate in turn, is a condition of resonance. This idea of the welcome is found throughout the texts that follow, opening up the human dimension of resonance, a dimension essential to all creativity and to any exchange, any community of mind. Which means that resonance here is also understood as being, already, an act of paying attention, i.e. a listening, an exchange.
Addressing one or other of the forms that this idea of resonating can take on (extending—evoking—reverberating—revealing—transmitting), each of the contributions brought together in this volume reveals to us a personal aspect, a fragment of the enthralling territory of sonic and musical experimentation, a territory upon which resonance may unfold.
The book has been designed as a prism and as a manual. May it in turn find a unique and profound resonance in each and every reader. 
— The Editors

Omniverse Sun Ra (Book)Omniverse Sun Ra (Book)
Omniverse Sun Ra (Book)Art Yard

Revised and expanded second edition of Hartmut Geerken and Chris Trent's comprehensive reference Omniverse Sun Ra, originally published in 1994. Full-color 304-page hardcover book. French fold cover with metallic silver foil blocking on cyan faimei cloth. 290mm x 245mm portrait. Omniverse Sun Ra features many previously unpublished photographs of Sun Ra and His Arkestra in New York in 1966 and Germany in 1979 by Val Wilmer, and Hartmut Geerken's previously unpublished photographs from Heliopolis in Cairo, Egypt, in 1971, in addition to an updated comprehensive pictorial and annotated discography by Chris Trent, including chronological discography and alphabetical record title, composition, personnel, and record label indexes, as well as indexes of shellac 78RPM records, 45 RPM singles, jackets, and labels. Also includes essays and photo documents by Hartmut Geerken, Chris Trent, Amiri Baraka, Robert L. Campbell, Chris Cutler, Gabi Geist, Sigrid Hauff, Karl Heinz Kessler, Robert Lax, and Salah Ragab.

和ンダーグラウンドレコードガイドブック Another side of '70s Japanese folk & rock (Book)
和ンダーグラウンドレコードガイドブック Another side of '70s Japanese folk & rock (Book)Branco

河名伸江、原田ミツ、ひるあんどん、Mick Stevens等々、日本や南米を中心に世界各地の自主盤の最後の秘境とも言える、超絶オブスキュアな作品たちを現代へと再提示してきた日本の凄腕発掘レーベル〈branco〉、そして、その盟友とも言える日本のミュージシャンであり、小川直人、藤井政英(YBO²、バラナンブ)らと共にゴス・ロック・バンド、"餓鬼道"など数々のバンドで活動してきたベテラン、モリモト・アリオミ主宰の〈レコードの目〉による共同執筆。これぞ、世界クラスのコレクターの本気,,, 未だ知られざる日本の70年代、真の秘境と言える度を越してマニアックな傑作を一挙紹介した究極のディスクガイドが遂に到来です!


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