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Will Long, Dj Sprinkles - Long Trax (2CD)Will Long, Dj Sprinkles - Long Trax (2CD)
Will Long, Dj Sprinkles - Long Trax (2CD)Comatonse Recordings
¥2,948
Meditations bestseller! An encounter between an illusionary ambience that lets you experience an organic space and a classical house that shines deeply. The style is different, but the content is quiet, spatial, and artistic, and it is a universal content that is similar to Larry Heard's world view. It's a deep and radical masterpiece that silently tells us that house is an art and a noble message. A folded poster is attached to the PVC sleeve.
Andy Stott - Out (Version) / Love (Version) (7")
Andy Stott - Out (Version) / Love (Version) (7")MODERN LOVE
¥3,292
Modern Love with a new 7” series reserved for asymmetric bangers and pop diversions, opening with a double A-side from Andy Stott, his first single in 11 years. Inna bare, dancehall style ‘Out (Version)’ on the A side feels out skeletal drums and stabs for a pure adrenaline rush in the dance. On the AA, ’Love (Version)’ cranks martial drums for propulsion; a euphoric rhythm searching for a vocal. Aye it’s a special one. Some heat coming in this series, keep it locked.
DJ Kolt - Verdadeiro (12")DJ Kolt - Verdadeiro (12")
DJ Kolt - Verdadeiro (12")Príncipe
¥3,184
Dancefloor fire bombs from Kolt, a DJ and producer thus far mostly operating under the crew name Blacksea Não Maya (with Perigoso and Noronha). This is his first Retirement record. No quotation marks here, Kolt is actually stepping down from a fruitful decade-long career as DJ and producer. Fat, techno-ish, idiosyncratic big room afro mind melt sounding like no other hyped or non-hyped dance cuts out there. Futuristic and decidedly non-European in structure, this set of 4 tracks carries a more synthetic DNA than previous material, if we exclude his quasi-gothic slow burners in BNM's "Máquina de Vénus" LP. But in "Verdadeiro" Kolt is all virtual open arms and bare chest, appearing to satirize this idea of the megastar DJ. But what comes across is distinctive and alive (consequently deadly on the club sound system), wiping out the floor of any zombie-preset-DJ vibes. Take "Bateste" as an example: an evil bassline, wtf beeps, a vocal snippet prodding the dancers and a final blissful 30 seconds to ease you out. "Shaman" is the final track, its title just maybe nailing the atmosphere felt by people on the dancefloor. Shamelessly epic and in your face, a simulation of a throwback to a more clichéd clubland but just so left of centre that one can't find a complete correlation to fit the picture. Yes, we all go OMG.
Moodymann - DJ-Kicks (Moodymann) (3LP)
Moodymann - DJ-Kicks (Moodymann) (3LP)!7K
¥5,428
Following a year that saw the 50th entry in the long-running series released to wide acclaim, DJ-Kicks returns in 2016 another landmark edition. Iconic Detroit DJ and producer Moodymann is at the helm for his first ever multi-artist DJ mix compilation. Born Kenny Dixon Jr., Moodymann is a one-of-a-kind electronic music icon, hailing from, and wholly synonymous with the Motor City. He is an outspoken, impossibly charismatic artist who has been putting a distinctive and soulful stamp on house and techno since the early 90s. Melting together jazz, funk, soul, blues and rock in captivating ways, he is responsible for some of electronic music’s most definitive tracks, EPs and LPs on labels like Planet E, Peacefrog and his own KDJ and Mahogani Music imprints. As able to serve up the sweetest and most sensual sounds as he is the darkest and most depraved grooves, his own unique voice and stream of conscious musings infuse expertly sought-out samples for music that is decisively alive and authentic. Moodymann’s DJ sets are the stuff of legend. Often playing with his face hidden, Dixon eschews ubiquitous hits in favor of bringing the listener into his personal musical environment. He is not afraid to get on the mic, to speak his mind and to go against the grain. His unpredictable, esoteric sets are invariably treasure troves full of musical gems: some familiar, some unheard, and consistently surprising. And that’s what makes him such a perfect fit with DJ-Kicks, a series that invites contributors to indulge their inner most passions for an intimate listening experience. Across 75 minutes and 30 tracks, Moodymann does not disappoint: despite being a notorious vinyl fetishist, Dixon’s aim is to present music of quality, not to one-up fellow collectors. Rather than serving up ridiculously rare or hard-to-find records, he instead focuses on creating a libidinous, blues-drenched mood that takes in heart-breaking soul, gorgeous hip-hop and love-fuelled house. In addition to cuts from his own creative circle, the mix features 11 exclusive Moodymann edits. Like everything Kenny Dixon Jr. touches, DJ-Kicks showcases the taste, skill, and soul of a dance music original.
ISOR29 - Moon Phase Gardening (LP)ISOR29 - Moon Phase Gardening (LP)
ISOR29 - Moon Phase Gardening (LP)Second Circle
¥3,754
Second Circle are excited to welcome another new artist to the label, ISOR29, with a six track mini-album titled ‘Moon Phase Gardening’. ISOR29 is a new project from Colombian musician Tomas Garcia Station and follows on from his highly regarded 2020 debut release under the ‘Irie Nation’ moniker. The title ‘Moon Phase Gardening’ (also referred to as Gardening by the Moon or Planting by the Moon) draws upon the idea that the lunar cycle affects plant growth. Just as the Moon’s gravitational pull creates the tides of the oceans, it also creates more moisture in the soil, which encourages growth. Evolving out of forced time off, individual confrontation and the love for someone close, ‘Moon Phase Gardening’ was recorded in the living room of an old flat in Lisbon during the first lockdown. Using only a microphone, computer, Korg MS20, hang drum and a field recorder, ISOR29 channels Tomas’ musical vocabulary via electronics to reflect an immersive and self-reflective story bound to a uniquely powerful time and space.
disrupt - Arcade Addict / Proper Tings (7")disrupt - Arcade Addict / Proper Tings (7")
disrupt - Arcade Addict / Proper Tings (7")Jahtari
¥2,643
Two lost & found lofi nuggets from the Jahtari vault, appearing on 7" floppy disc for the very first time. "Arcade Addict" is the original Dub cut of Mikey Murka's "Sensi Addict", a version of the sweet Ujama classic that came out as a Jahtari Net-7" in 2006. Sprinkled with field recordings from early 80s Arcade Halls (done by kids with a walkman) this little oddity never made it to vinyl until now. "Proper Tings" on B is taken from a home made video from 2012, originally made to show the capabilities of a DIY Synth project using a Commodore C64 home computer sound chip, the growly SID synth. Sounds are made from scratch, sequenced out on a MPC - and the ensuing Dub jam turned out to be a lucky shot, eventually shaping up as Paul St. Hilaire's "Who Goes There". There's a raw, beautiful 8bit magic to this Dub, finally making it to wax for the first time. Check the video above to see how it was made.
Tzusing - 東方不敗 - 2023 Edition (LP)
Tzusing - 東方不敗 - 2023 Edition (LP)L.I.E.S.
¥4,679
Strong debut album by one of China’s most distinctive new industrial/dance music producers, Tzusing, for L.I.E.S.; portraying the Shanghai-based artist’s full breadth of kinky darkroom rhythms and sleazy cinematic arrangements. Under the title 東方不敗, meaning Invincible East, the record wraps an armoury of powerful percussion and native instrumentation around a narrative locus based on a swordsman character in a Jin Yong novel “who must make the ultimate sacrifice to attain knowledge and transform”. Coupled with the artist’s own observations on living in, and travelling around, Asia, it’s an urgent and gripping listen with a versatility and varied topography lending itself to DJ use and soundtracking industrial subterfuge alike. 日出東方 唯我不敗 starts out like ’05 sino grime or dubstep from a parallel dimension; Digital Properties trades in secretive choral code at a killer New Beta momentum which decelerates into the the wind-tunnel chug and pealing cyber-tribal chant of Esther. His signature triplets last heard on A Name Out Of Place wickedly come into play against sheer electric blue synth tone in King Of Hosts; we’re put thru an intense, Americanised club drill in Post-Soviet Models; and Torque Pulsations both literally and physically lives up to its name with a belly and spine-twysting EBM tattoo. TIP!
Normal Nada the Krakmaxter - Tribal Progressive Heavy Metal (LP)Normal Nada the Krakmaxter - Tribal Progressive Heavy Metal (LP)
Normal Nada the Krakmaxter - Tribal Progressive Heavy Metal (LP)Nyege Nyege Tapes
¥3,133
One of the most eccentric characters to emerge from Lisbon's musical underground, Teteu has operated under a variety of shadowy monikers including Qraqmaxter, CiclOFF, and Erre Mente. A gifted visual artist as well as a composer, he's known for developing a philosophical mythology with his drawings, mostly using a ballpoint pen to sketch out elaborate, anime-style projects. Normal Nada is Teteu's most enduring project, and a full eight years after the game-changing ep "Transmutação Cerebral" he has finally assembled his long-awaited debut album. "TRIBAL PROGRESSIVE HEAVY METAL" materializes into Nada's meta-kuduro multiverse, developed from his deep knowledge of African and Portuguese musical forms. Years ago, he was an established archivist and genre historian, sharing archival material, mixes and rips alongside his original tracks, and while his online presence has faded, his rate of production hasn't. His tracks are rooted in Angolan kuduro and tarraxinha structures, but Normal Nada uses this only as a starting point, poetically overlaying and superimposing elements from trap, bass music, heavy metal and ambient sources to tell a story that's personal and unique. Listening to the album is like channel hopping through an interplanetary animated matrix, blasting off from colorful opener 'Beautyful Caos' with its grinding syncopation, crash-landing on the subversive 'Batida Hard Trance 2' that dissolves awkward European dance tropes into industrial-strength Portuguese electronix, and scuttling towards the album's bizarre title track, that juxtaposes crunching, overdriven drones 'n tones with kinetic kuduro rhythms. 'Alive' is even more cacophonous, layering machine-strength orchestral hits over militaristic, rolling 4/4 beats and unsettled subs. Born and raised in the Republic of Guinea-Bissau in West Africa, Normal Nada migrated to Portugal at 13 and was based for many years in Lisbon's San Antonio Dos Cavaleiros housing projects, after previously having lived in the Algarve. Teteu's compositions are a spiked expression of Lisbon's patchwork of batida styles, making a direct link to West Africa's vibrant musical legacy. Now he's returned to Guinea-Bissau and his music reflects this outstretched knowledge and energy, with a 360 degree view of the world's complex assemblage of cultures and conflicts. The album's somber finale is the best representation of his philosophy, a minor-key downtempo slow-burner that could sit comfortably alongside Actress or tarraxinha pioneer DJ Znobia. Called 'Dedicated to the Homeless', it shines flickering neon light on the world's unseen population, searching for hope where too many of us choose to look away.
DJ Finale - Mille Morceau (Silver Vinyl LP)DJ Finale - Mille Morceau (Silver Vinyl LP)
DJ Finale - Mille Morceau (Silver Vinyl LP)Nyege Nyege Tapes
¥3,254
A member of of the Democratic Republic of Congo's Fulu Miziki band, the long-running eco activist collective forging experimental rhythmic music from repurposed trash, Kinshasa's DJ Finale dives into his country's history to brainstorm a dauntless hybrid dance sound. Kinshasa has long been a hotspot of musical fusion and innovation, and Finale builds on the popular template of soukous, or kwassa kwassa - a sound that developed in the mid-20th century from the rhythms of Cuban rumba and flexible emotionality of jazz. While soukous was initially performed with traditional instruments, Finale takes a minimal electronic approach, melting familiar rhythms into other Congolese trad-moderne styles like n'dombolo. 'Basss 30' bolts a brittle swinging beat over white noise bursts and acidic synth sounds; 'Pitschu Debou' features Fulu Miziki's Deboul on vocals, and folds soukous guitar riffs into a stark neo-trap frame; 'Tobandi' is raw and industrial, like Muslimgauze but aimed at the late night/early morning club set, with dangerous blasts of whirring electronics and jerky Congolese rhythms. "Mille Morceau" is a thoughtful mitigation of the Democratic Republic of Congo's past and present. It celebrates Kinshasa's rich history, while remaining proud of an energetic, youthful contemporary scene that's ready to look far beyond the borders.
Khotin - Beautiful You (Transparent Red Vinyl LP)Khotin - Beautiful You (Transparent Red Vinyl LP)
Khotin - Beautiful You (Transparent Red Vinyl LP)Ghostly International
¥3,377
Khotin by Vancouver producer Dylan Khotin-Foote is a reissue of the cassette release that sold out instantly at bandcamp in 2018! The profound ambient sound is a chill-out refinement of the unfathomable depth of the previous work, which is both immersive and sleepy, and has been beautifully incorporated into the lo-fi feel of the artwork while maintaining the vibrancy of the spiritual & naturalistic sound world. This is a masterpiece of beauty that cannot be described in words, with a profound sound world that creates a dreamy fantasy land on a windowsill in broad daylight, only to sink into the border between Hades and reality. A masterpiece of unspeakable beauty. Highly recommended for all music lovers from new age to ambient and Balearic.
Aphex Twin - ...I Care Because You Do (2LP+DL)
Aphex Twin - ...I Care Because You Do (2LP+DL)WARP
¥4,008
This is the second album after the transfer of the company, which was released in 1995, and is a compilation of songs created between 1990 and 1994. The album is a work that encompasses the dichotomy and diversity of the Aphex Twin, with acid, noise, and broken beats that could be described as "drill'n'bass," while following the ambient, IDM, and hardcore techno of the early days. The album contains 12 tracks, including the single "Ventolin," which is a strong industrial downtempo explosion, and "Alberto Balsalm," a song that is often mentioned alongside "Xtal. 180g vinyl.
Terre Thaemlitz - fagjazz (reissue) (2CD)Terre Thaemlitz - fagjazz (reissue) (2CD)
Terre Thaemlitz - fagjazz (reissue) (2CD)Comatonse Recordings
¥2,948
A special reissue of "Fagjazz," the double CD originally released in 2000 that introduced the world to the expression 「ベリー・ファッキング重低音」. Disc 1 compiles tracks from various Comatonse releases, many of which had previously only been available on vinyl. However, the real centerpiece of the release is Disc 2 "Superbonus," an hour long ambient-jazz track in 5/4 time only found here, for which Thaemlitz received an Honorable Mention in Digital Musics from the 1999 ORF Prix Ars Electronica competition. For the collectors, the versions of "Sloppy 42nds" and "Thirty Shades of Grey" found here are different than those found on Terre's Neu Wuss Fusion "Recalls" (C.030, 2021). Self-released on Comatonse Recordings with custom packaging hand assembled by Terre herself, the package includes two CDs in an archival vinyl pouch with one double-sided insert card (100mm x 100mm), phonograph style anti-static inner sleeve, and 4x4 panel poster insert printed on newsprint (472mm x 472mm).
sample-Terre Thaemlitz & Funk Shui: Superbonus(Excerpt)

sample-Chugga: Deep Space Probe(Excerpt)
sample-Comatonse.000: Pretty Mouth (He's Got One) (Excerpt)
sample-Terre's Neu Wuss Fusion: She's Hard (Excerpt)
DJ Sprinkles - Midtown 120 Blues (CD)
DJ Sprinkles - Midtown 120 Blues (CD)Comatonse Recordings
¥2,398

Dj Sprinkles’ debut full length album,continues with themes from 1998’s “Sloppy 42nds: A tribute to the 42nd Street transsexual clubs destroyed by Walt Disney’s buyout of Times Square” (a track recently featured on Ame’s “Coast2Coast” DJ mix compilation for NRK Records).

While the world celebrates the revial of New York House Music, constructing utopian fictions about the genre as it goes along, DJ Sprinkles retreats deep into the bowels of house. This is the rhythm of empty midtown dancefloors resonating with the difficulties of transgendered sex work, black market hormones, drug & alcohol addiction, racism, gender & sexual crises, unemployment, and censorship.

The title song of track1&2 is a real “strictly rhythm” house music. It’s a simple 4/4 beat with piano loop.maybe this is a real minimal house! Third track “Ball’r (madonna-free zone)” is a euphoric mid tempo house.this track reminds jan jelinek or larry heard.

Fourth track “Brenda’s $20 Dilemma” is a sequel of his fag jazz style.check the beautiful kuniyuki remix of this song(mule musiq 34). Fifth track “House Music Is Controllable Desire You Can Own” is a classic new york house style.if you like the record of jus-ed or that kind of artist,you like this song.

Sixth track “Sisters, I Don’t Know What This World Is Coming To” is a one of the highlight song on the album. Actually this track is not 4/4 beat house but very emotional powerfull music. Seventh track “Reverse Rotation” is a deep and madness beautiful song.When you listen this song,you associate the music of theo parrish or pepe bradock.

Eighth&nineth track are main songs of this album. “Grand Central, Pt. I (Deep Into the Bowel of House)” is associated the sound of jungle wonz or virgo. but this song is filled with somthing sadness.check the story about this album from terre,you will see…. http://www.comatonse.com/releases/midtown120blues.html This album is for a real house music lovers.

視聴-Midtown 120 Intro・ミッドタウン120イントロ
視聴-Midtown 120 Blues・ミッドタウン120ブルース
視聴-Reverse Rotation・後戻り
視聴-Grand Central, Pt. II (72 hrs. by Rail from Missouri)・グランドセントラル駅 パート2(列車でミズーリ州から72時間)

Squarepusher - Dostrotime (2LP)Squarepusher - Dostrotime (2LP)
Squarepusher - Dostrotime (2LP)Warp
¥4,400
Square Pusher, a prodigy who has always pursued all possibilities of music with a challenging stance, has released his latest album "Dostrotime" from "WARP RECORDS". Square Pusher, who handles not only the music but also everything from album artwork to T-shirt design, has completed this album with his own strong will and freedom, and it is a work of great satisfaction.
Lord Of The Isles & Ellen Renton - My Noise Is Nothing (LP)Lord Of The Isles & Ellen Renton - My Noise Is Nothing (LP)
Lord Of The Isles & Ellen Renton - My Noise Is Nothing (LP)AD 93
¥3,768
My Noise is Nothing’ is the collaborative LP between Lord of The Isles and Scottish poet Ellen Renton, set for release on the 29th September 2023. For the pair, both the poems and music came to them in a quick and concentrated period. Renton's poems were written during 2020 and capture something of that time- that feeling of having no obstacles between ourselves and our emotions. Especially the feeling of anger, which is expressed by Renton as a feeling that is not wholly negative but complicated, necessary, unifying and even joyful. Likewise, Lord Of The Isles’ dusky and unfurling production refuses obstacles- embracing experimental live recordings using pedals and vintage synths. It is warm and fuzzy, but most importantly organic, with all the imperfections and character of a living entity.
Basic Rhythm - The Bounce (12")Basic Rhythm - The Bounce (12")
Basic Rhythm - The Bounce (12")The Trilogy Tapes
¥3,075
TTT catch Basic Rhythm in neurotic hardstep flow on four cuts of the tightest D&B following his killer mixtape in this mode OG pirate radio DJ for Rude FM in the ‘90s, and multifaceted producer since the 2010s; Anthoney J Hart is a true survivor of the hardcore ‘nuum. ‘The Bounce’ chases up his superb ’23 mixtape, ‘Straight From the Bedroom’ with a high calibre selection of cuts relating to that session, nailing a dead tuff seam of millennium-era pressure that variously plays deep into, and fucks with, its classic form. Living up to his mantle, Hart’s ascetic production values keep everything chiselled and rictus, but with nuff funk in its flex, tying D&B back to roots in the rigidity of OG electro and betraying its foundational links to earliest dark garage and grime. The title tune shadowboxes with clinically compressed snares in dank negative space, and ‘Tubby’ ups the neuro factor with shearing synths and grinding, granite-cut bass wobble. ‘Fists in Pocket’ is pure early ‘00s warehouse menace straight out of a Loxy or Dylan DJ set, and ‘Unworthy’ rudely distorts the structure with noisier, eye-wobbling compression fuckry.TTT catch Basic Rhythm in neurotic hardstep flow on four cuts of the tightest D&B following his killer mixtape in this mode OG pirate radio DJ for Rude FM in the ‘90s, and multifaceted producer since the 2010s; Anthoney J Hart is a true survivor of the hardcore ‘nuum. ‘The Bounce’ chases up his superb ’23 mixtape, ‘Straight From the Bedroom’ with a high calibre selection of cuts relating to that session, nailing a dead tuff seam of millennium-era pressure that variously plays deep into, and fucks with, its classic form. Living up to his mantle, Hart’s ascetic production values keep everything chiselled and rictus, but with nuff funk in its flex, tying D&B back to roots in the rigidity of OG electro and betraying its foundational links to earliest dark garage and grime. The title tune shadowboxes with clinically compressed snares in dank negative space, and ‘Tubby’ ups the neuro factor with shearing synths and grinding, granite-cut bass wobble. ‘Fists in Pocket’ is pure early ‘00s warehouse menace straight out of a Loxy or Dylan DJ set, and ‘Unworthy’ rudely distorts the structure with noisier, eye-wobbling compression fuckry.
Speedy J - Ginger (2LP)
Speedy J - Ginger (2LP)Warp
¥4,400
Originally released in 1992
CV313 Infinit 1 (remastered) (12")
CV313 Infinit 1 (remastered) (12")Echospace
¥2,782
Nearly 15 years have passed since the original was release in 2010 with all tracks lovingly remastered for this new remastered edition; which also includes STL's first ever remix and sounds just as beautiful as the day we first heard it! Deep, reduced dub-techno with ethereal production nuances from Stephen Hitchell and Rod Modell. Both original tracks here reveal the duo's obsession with the likes of Maurizio, Basic Channel and Chain Reaction.
cv313 - Sailingstars (remastered) (12")
cv313 - Sailingstars (remastered) (12")Echospace
¥2,782
It's been nearly 15 years since this originally hit the shelves, which literally took the immersive atmospheric sound of Echospace and brought it right to the floor. With cv313's ''Sailingstars'' the spirit continues as they go on to preach the gospel of deep with a rippling exercise in space and bass. A sort of slow motion movement in tone and 38 hz sub frequency which nearly verges on the disturbing, a sonic threshold quite hard to achieve in a vinyl cut. The power of repetition and subtle atmosphere are clearly demonstrated here by bringing the listener to an almost hypnotic state within its melodic spatial grooves. The B side offers two immense reductions, equally effective providing a low end throb, analog spirit and organic textures captured in zero gravity, it's like truly sailing among the stars. Lovingly remastered and mixed down from the original analog 1/4'' reel to reel tape, strictly limited to 300 copies for the world.
Specter - BRUTUS (2009-2020) (CS)Specter - BRUTUS (2009-2020) (CS)
Specter - BRUTUS (2009-2020) (CS)Sound Signature
¥2,873
Chicago OG, Specter unleashes four cuts of deep house psychedelia that have been marinading in the archive, dedicated to his pal Brutus, pictured on the cover. R.I.P. little one. One of Sound Signature’s MVP’s, Andres Ordonez first really broke thru circa 2009 with a killer EP on Downbeat and his debut for Theo Parrish’s label, ‘Pipe Bomb’ in 2010 that really put him on the map. This new/old suite hails the singular producer during that era, and up to a few years ago, across four tunes that play to his wonkiest and jazziest machine tekkerz, comparable to waviest gear by Theo, Jamal Moss, Detroit’s Howard Thomas or even Michael J. Blood in their loose and dare-to-differ steez. Running in ever increasing circles, the vibes get progressively looser from the stop/start sequencer fuckry of ‘The Birth’, with its mazy B-line and intricate arps, thru to fizzing deep techno like MJB meets Legofeet on ‘The Spirit’, to a pair of 10 minute+ jams where he really gets lost in his thing, from the clipped strut and midi jazz spritz of ‘The Death’ to an outstanding finishing move of slow-mo cubist jazz house calculations in ‘The Ascension’.

Knopha - Kwong (12")
Knopha - Kwong (12")Mood Hut
¥2,661
Downtempo, Experimental, IDM … Knopha steps out on Mood Hut Records with ‘Kwong’. Ranging in tone from downtempo drum and bass to Herbert-like cut up house tunes, from esoteric pop to digital abstractions.
Maya Q -  It's Only Forever (12")
Maya Q - It's Only Forever (12")All My Thoughts
¥3,327
For Maya, this EP is a reflection on what it means to be home and the relationships which make it so, written over a two month period of some difficult transitions and changes. After struggling with some memories around what home meant to her in the past, some large personal life changes triggered and shaped how she feels about home now, after having been away from the US and living in the UK for nearly a decade. She explains that the music on this EP is also very much a love letter to her friends and family who share their stories with her, who make her time here worthwhile, and who ultimately make her feel at home. Musically the record spans seven tracks each with their own style. Some up-tempo breaksy cuts along with more delicate down-tempo melancholic moments, all of which are influenced by her upbringing in the US and also the UK. She uses sounds that she was listening to back when living in the US and other things that make her think of home such as pool field recordings and piano-lead indie music, as well as 00s RnB samples, all united by soft pads and vocal samples.
Thomas Brinkmann - Max Ernst 25 Anniversary (12")
Thomas Brinkmann - Max Ernst 25 Anniversary (12")Third Ear Recordings
¥3,084
This EP is 6 unreleased tracks in the Thomas Brinkmann celebrated Max Ernst series of 12", all with female names, released with names ordered alphabetically. Starting with. 1. Anna Beate, the series ran for 12 releases over the 2 years from 1998 to 2000. 2. Clara Doris 3. Erika Frauke 4. Gisela Heidi 5. Inge Jutta 6. Karin Lotte 7. Monika Nikola 8. Olga Petra 9. Susie Trixi 10. Ulla Vera 11. Wanda Xenia 12. Yvette Zara, followed. There was never an ep with Q and R. Number 9 is Susie and Trixie. The tapes were lost. But have come to light nearly 25 years later. So now, here is Q/R; Quila 1-3 and Romy 1-3. What we have here are the original tracks as intended for release, with some minor editing and rearranging for release now. The original series was very successful. The first 3 12", released at the same time were a sensation on release. Suddenly, Thomas Brinkmann was the name to check. Today, these Quila/Romy tracks may well have the same impact as the other tracks in the series had when they were released. There is still nothing that sounds like this music. It seems to be an example of a perfect melding of soul and machine. 25 five years later... a annniversary of sorts, offered up by the machines.
MK.06 - HANDLUNG003 (12"+DL)MK.06 - HANDLUNG003 (12"+DL)
MK.06 - HANDLUNG003 (12"+DL)Wandlung
¥2,977
Fabulous fresh BC / Chain Reaction schooled Dub Techno EP

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