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This is an excellent overview of the development of Pure Land Buddhism in Japan, analyzing it from a doctrinal perspective and evaluating it in relation to the general state of society.

The “Nirvana Sutra” conveys the Buddha's legacy, which includes the Buddha's everlasting abode and all-pervading Buddha nature (everyone has the potential to become a Buddha). This is an excellent book that explains the process of its formation and the content of its ideas in an easy-to-understand manner. What is the essence of the “Nirvana Sutra,” which has had a great influence on Japanese Buddhism.
Shinichi Hisamatsu is a rare philosopher who transcended Western modernity and continued to investigate the path to “absolute autonomy,” a way of living unhindered and unrestricted by anything. This book contains essays that show the core of Hisamatsu's philosophy as well as his autobiographical essay, “Memories of a Life as an Academician.
What is “Dependent Co-arising” and who taught it? And who taught it? This groundbreaking essay explores the origin and development of the fundamental thought that pervades Buddhist history, and reveals its original form.
What are all sentient beings and what is the Buddha nature? Do all people possess the nature to become a Buddha? This is the most important discussion for truly understanding Buddhism.
Is Wittgenstein a “philosopher” or a “religious man”? A solitary soul is torn between strong reason and “reconciliation with God.

228 pp., thread-sewn softcover
1 color offset, size: 135 x 200 cm
First edition, third printing: 1000
Language(s): French / English
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Authors: Félicia Atkinson, François Bayle, François J. Bonnet, Drew Daniel, Brunhild Ferrari, Beatriz Ferreyra, Stephen O’Malley, Jim O’Rourke, Eliane Radigue, Régis Renouard Larivière, Espen Sommer Eide, Daniel Teruggi, Chris Watson.

To resonate: re-sonare. To sound again—with the immediate implication of a doubling. Sound and its double: sent back to us, reflected by surfaces, diffracted by edges and corners. Sound amplified, swathed in an acoustics that transforms it. Sound enhanced by its passing through a certain site, a certain milieu. Sound propagated, reaching out into the distance. But to resonate is also to vibrate with sound, in unison, in synchronous oscillation. To marry with its shape, amplifying a common destiny. To join forces with it. And then again, to resonate is to remember, to evoke the past and to bring it back. Or to plunge into the spectrum of sound, to shape it around a certain frequency, to bring out sonic or electric peaks from the becoming of signals.
Resonance embraces a multitude of different meanings. Or rather, remaining always identical, it is actualised in a wide range of different phenomena and circumstances. Such is the multitude of resonances evoked in the pages below: a multitude of occurrences, events, sensations, and feelings that intertwine and welcome one other. Everyone may have their own history, everyone may resonate in their own way, and yet we must all, in order to experience resonance at a given moment, be ready to welcome it. The welcoming of what is other, whether an abstract outside or on the contrary an incarnate otherness ready to resonate in turn, is a condition of resonance. This idea of the welcome is found throughout the texts that follow, opening up the human dimension of resonance, a dimension essential to all creativity and to any exchange, any community of mind. Which means that resonance here is also understood as being, already, an act of paying attention, i.e. a listening, an exchange.
Addressing one or other of the forms that this idea of resonating can take on (extending—evoking—reverberating—revealing—transmitting), each of the contributions brought together in this volume reveals to us a personal aspect, a fragment of the enthralling territory of sonic and musical experimentation, a territory upon which resonance may unfold.
The book has been designed as a prism and as a manual. May it in turn find a unique and profound resonance in each and every reader.
— The Editors

AMBIENT × KYOTO - AMBIENT KYOTO is the world's premier ambient-themed audiovisual arts festival held in the world cultural city of Kyoto. AMBIENT KYOTO and Meditations have collaborated to create a new line of fully organic, natural hand-dyed tote bags from South India, which are now available for order at Meditations.
The tote bags are natural dyed in Auroville, South India, using local organic cotton canvas, Ayurvedic herbs, and indigo that has been fermented and aged for years.

Mary Ellen Bute: Polka Graph (1947), Color Rhapsodie (1948) and Abstronic (1952)
Jordan Belson: Mandala (1953), Meditation (1971) and Chakra (1972)
Charles Dockum: Mobilcolor Performance at the Guggenheim (1952), Demonstration of Mobilcolor Projector (documentary, 1966) and Mobilcolor Performance Film (1969)
Barry Spinello, Sonata for Pen, Brush and Ruler (1968)
Jules Engel: Landscape (1971), Mobiles (1978) and Play-Pen (1986)

Includes Download Code for the live recording and a new remix "View 2 Electro" (remix of "View2" from the
album "A View").
Compuma : Electronics, Synthesizer
Naoyuki Uchida:Dub Mix
Kiyotaka Sumiyoshi:Movie
"A View" release party held at WWW Shibuya on Sept.30 2022 has been reproduced on video. Video footage
was added to the live recording from the show.
Mastered by Naoyuki Uchida ( except “View 2 Electro” by hacchi )
Produced by Compuma for Something About Productions 2023
Design : Satoshi Suzuki

This Meditations Classic Logo T-shirt is inspired by Hinduism and the Sadhu. The body is a 6-ounce T-shirt made by Gildan. The Color is Orange.(not Red)
| S | M | L | XL | |
| Length | 66.0 | 70.0 | 71.0 | 72.0 |
| Width | 50.0 | 56.5 | 61.0 | 64.5 |
| Sleeve Length | 59.0 | 59.0 | 59.0 | 59.0 |
| shoulder width | 49.5 | 55.0 | 59.0 | 65.0 |
