MERCHANDISE
64 products
"Tens of millions of people have seen these films. nobody knows who made them. Curled up on our couches in the wee hours of the morning, in reruns, and nostalgic You Tube forwards, filmmaker Al Jarnow has touched our lives and changed the way we look at the world without us ever knowing. Beginning with his work for a certain public television show that featured a big yellow bird, Al Jarnow captured life's scientific minutia and boiled it down for easy consumption between cookie eating monsters and counting vampires. Coupling time-lapse, stop motion, and cell animation with simple objects found in every day life, Jarnow deconstructed the world for an entire generation. From the third floor of his Long Island gingerbread home, his mind wandered beyond the confines of educational programming. Delving into New York's avant-garde film scene alongside Harry Smith, Jonas Mekas and Stan Brakhage, Jarnow created a body of awe-inspiring films that remain in the collections of MOMA and Pompideau Center. Employing the archival skills honed during the excavation of over 40 full-length albums, Celestial Navigations marks The Numero Group's first foray into the world of cinema. The 45 films collected have been transferred and color corrected from the original 16mm prints, along with fully remastered sound. Special features include a 30-minute documentary on Jarnow's creative process, as well as film playlists designed for both children and adults alike. The deluxe package includes a 60-page book loaded to the gills with essays, ephemera, storyboards, photos, and a complete film index, all housed in the iconic Numero slipcase." Region 0; color and B&W; full screen; total running time: 110 minutes. Includes a 60-page full color book.
Garment Dyed T--sh
| S | M | L | |
| length | 66.0 | 71.0 | 73.0 |
| width | 47.0 | 52.0 | 54.0 |
| sleeve length | 18.0 | 21.0 | 22.0 |
| shoulder width | 46.0 | 50.0 | 52.0 |
To resonate: re-sonare. To sound again—with the immediate implication of a doubling. Sound and its double: sent back to us, reflected by surfaces, diffracted by edges and corners. Sound amplified, swathed in an acoustics that transforms it. Sound enhanced by its passing through a certain site, a certain milieu. Sound propagated, reaching out into the distance. But to resonate is also to vibrate with sound, in unison, in synchronous oscillation. To marry with its shape, amplifying a common destiny. To join forces with it. And then again, to resonate is to remember, to evoke the past and to bring it back. Or to plunge into the spectrum of sound, to shape it around a certain frequency, to bring out sonic or electric peaks from the becoming of signals.
Resonance embraces a multitude of different meanings. Or rather, remaining always identical, it is actualised in a wide range of different phenomena and circumstances. Such is the multitude of resonances evoked in the pages below: a multitude of occurrences, events, sensations, and feelings that intertwine and welcome one other. Everyone may have their own history, everyone may resonate in their own way, and yet we must all, in order to experience resonance at a given moment, be ready to welcome it. The welcoming of what is other, whether an abstract outside or on the contrary an incarnate otherness ready to resonate in turn, is a condition of resonance. This idea of the welcome is found throughout the texts that follow, opening up the human dimension of resonance, a dimension essential to all creativity and to any exchange, any community of mind. Which means that resonance here is also understood as being, already, an act of paying attention, i.e. a listening, an exchange.
Addressing one or other of the forms that this idea of resonating can take on (extending—evoking—reverberating—revealing—transmitting), each of the contributions brought together in this volume reveals to us a personal aspect, a fragment of the enthralling territory of sonic and musical experimentation, a territory upon which resonance may unfold.
The book has been designed as a prism and as a manual. May it in turn find a unique and profound resonance in each and every reader.
— The Editors
228 pp., thread-sewn softcover
1 color offset, size: 135 x 200 cm
First edition, third printing: 1000
Language(s): French / English
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Authors: Félicia Atkinson, François Bayle, François J. Bonnet, Drew Daniel, Brunhild Ferrari, Beatriz Ferreyra, Stephen O’Malley, Jim O’Rourke, Eliane Radigue, Régis Renouard Larivière, Espen Sommer Eide, Daniel Teruggi, Chris Watson.
"Yoga Vasishta weaves together many stories and commentaries to explain the ultimate teachings. It will be a marvelous discovery not only for philosophers, but even for modern psychologists and scientists. While most of the existing scriptures were preached by God to His devotees, the Yoga Vasishta is a teaching addressed to God. It is a teaching given by the sage Vasishta to Rama, God.
The philosophy of Yoga Vasishta, which provides a true understanding of the creation of the world, is very close to the doctrine of Kashmir Shiva, and the core of its teachings is "All is Consciousness. It includes the material world as you see it, as it is. This is the absolute truth. The world is nothing but the play of consciousness." (From Swami Muktananda's Preface)
Revised and expanded second edition of Hartmut Geerken and Chris Trent's comprehensive reference Omniverse Sun Ra, originally published in 1994. Full-color 304-page hardcover book. French fold cover with metallic silver foil blocking on cyan faimei cloth. 290mm x 245mm portrait. Omniverse Sun Ra features many previously unpublished photographs of Sun Ra and His Arkestra in New York in 1966 and Germany in 1979 by Val Wilmer, and Hartmut Geerken's previously unpublished photographs from Heliopolis in Cairo, Egypt, in 1971, in addition to an updated comprehensive pictorial and annotated discography by Chris Trent, including chronological discography and alphabetical record title, composition, personnel, and record label indexes, as well as indexes of shellac 78RPM records, 45 RPM singles, jackets, and labels. Also includes essays and photo documents by Hartmut Geerken, Chris Trent, Amiri Baraka, Robert L. Campbell, Chris Cutler, Gabi Geist, Sigrid Hauff, Karl Heinz Kessler, Robert Lax, and Salah Ragab.
Meditations Classic Logo x Champion 7oz.
| S | M | L | |
| length | 65.0 | 72.5 | 76.0 |
| width | 50.5 | 54.5 | 60.0 |
| sleeve length | 22.5 | 22.5 | 24.0 |
| shoulder width | 47.5 | 53.0 | 56.0 |
100% Heavyweight Organic Cotton Canvas Printed Artwork 60cm x 40cm x 13cm Made with love & care by our friendly team in Portugal
100% Heavyweight Organic Cotton Canvas Printed Artwork 60cm x 40cm x 13cm Made with love & care by our friendly team in Portugal
Dogū (meaning "clay figures") are small humanoid and animal figurines made during the late Jōmon period (14,000–400 BC) of prehistoric Japan.A Dogū come exclusively from the Jōmon period. By the Yayoi period, which followed the Jōmon period, Dogū were no longer made. There are various styles of Dogū, depending on exhumation area and time period. According to the National Museum of Japanese History, the total number found throughout Japan is approximately 15,000. Dogū were made across all of Japan, except Okinawa. Most of the Dogū have been found in eastern Japan and it is rare to find one in western Japan. The purpose of the Dogū remains unknown and should not be confused with the clay haniwa funerary objects of the Kofun period (250 – 538). wikipedia
All proceeds will be donated to the Embassy of Ukraine in Japan for humanitarian aid. （we had hoped to donate to the candle master to help with their living expenses, but could not get in touch with him).
This candle is made of beeswax mixed with propolis produced by bees, which was used as a "natural antibiotic" in ancient Rome and has been traditionally used for medicinal purposes in Eastern Europe. Today, it is also known as a supplement that helps with antioxidant functions, and the actual feeling is dense and meditative. The light is twice as bright as that of a regular beeswax candle and has more of the unique sweet scent of beeswax. The only size available is this short one (for the reason that it is just the right size to vaporize propolis well).
A beeswax candle made by a craftsman in the mountains of Ukraine and actually used in a local monastery. It has a high antibacterial effect, and with its warm light, it is also very effective for meditation and healing.
Burning time about 12 hours
Diameter 55 x Height 30 mm
All proceeds will be donated to the Embassy of Ukraine in Japan for humanitarian aid. （we had hoped to donate to the candle master to help with their living expenses, but could not get in touch with him).
A beeswax candle made by a craftsman in the mountains of Ukraine and actually used in a local monastery. It has a high antibacterial effect, and with its warm light, it is also very effective for meditation and healing.
Burning time about 15 hours
Diameter 34 x Height 190 mm
All proceeds will be donated to the Embassy of Ukraine in Japan for humanitarian aid. （we had hoped to donate to the candle master to help with their living expenses, but could not get in touch with him).
A beeswax candle made by a craftsman in the mountains of Ukraine and actually used in a local monastery. It has a high antibacterial effect, and with its warm light, it is also very effective for meditation and healing.
Burning time about 32 hours
Diameter 36 x Height 290 mm
All proceeds will be donated to the Embassy of Ukraine in Japan for humanitarian aid. （we had hoped to donate to the candle master to help with their living expenses, but could not get in touch with him).
A beeswax candle made by a craftsman in the mountains of Ukraine and actually used in a local monastery. It has a high antibacterial effect, and with its warm light, it is also very effective for meditation and healing.
Burning time about 100 hours
Diameter 68 x Height 510 mm
