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A Zen master or an expert on chance? A specialist in mushrooms or a performance artist? The inventor of new sounds or a cook? An author or an anarchist? John Cage was all of these things.
On the occasion of his centenary in fall 2012, this documentary by Oscar-winner Allan Miller and Emmy-winner Paul Smaczny pays tribute to the most fascinating American avant-garde composer John Cage. Shot in America, Germany and Japan, the program premieres rare archival footage; presenting concert excerpts and a set of short episodes, featuring associates of Cage and contemporary artists, playfully delineating different aspects of John Cage.
The documentary features interviews with Yoko Ono, David Tudor, Christian Wolff, Steffen Schleiermacher, Irvine Arditti, Toshio Hosokawa, Mayumi Miyata, Calvin Tomkins and many others.


228 pp., thread-sewn softcover
1 color offset, size: 135 x 200 cm
First edition, third printing: 1000
Language(s): French / English
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Authors: Félicia Atkinson, François Bayle, François J. Bonnet, Drew Daniel, Brunhild Ferrari, Beatriz Ferreyra, Stephen O’Malley, Jim O’Rourke, Eliane Radigue, Régis Renouard Larivière, Espen Sommer Eide, Daniel Teruggi, Chris Watson.


Came to Call Mine is an extensive full-color art book by visionary musician, artist, and writer Graham Lambkin. Playing out like a children’s book for adults, Came to Call Mine features 50 hand-drawn illustrations coupled with simplistic corresponding texts. Lambkin’s mischievous combination of figurative and abstract elements lends Came to Call Mine a jarring, dreamlike quality, confusing the eye by placing innocent childlike totems against a darker adult undercurrent.
Came to Call Mine is released as a deluxe softcover book designed by Maja Larsson, with lithograph printing on Munken pure rough, lynx, and polar paper stock in an edition of 400 copies.
Selections from Graham Lambkin’s new book Came to Call Mine (Penultimate Press, 2014)




Garment Dyed T--sh
S | M | L | |
length | 66.0 | 71.0 | 73.0 |
width | 47.0 | 52.0 | 54.0 |
sleeve length | 18.0 | 21.0 | 22.0 |
shoulder width | 46.0 | 50.0 | 52.0 |





Limited reprint. Corbett vs. Dempsey announce the release of four books of poetry by Sun Ra. Two of these were pamphlets that accompanied early Sun Ra albums issued in the late 1950s; the other two were published more than a decade later by Infinity Inc./Saturn Research. CvsD's reprints are fastidiously designed facsimiles of the original publications, marking the first time they have been available in their Ra-ordained form since they were published. An architect of Afrofuturism and one of the great musical thinkers of the 20th century, Ra's work extended far beyond jazz and even music to the realms of pageantry, performance, theater, philosophy, visual art, and literature. In the mid-1950s, he handed out leaflets and gave street corner lectures -- revisionist interpretations of the Bible and bold meditations on the status of African Americans in American society. A few years later, Ra began disseminating his poems in -- and sometimes on -- his albums. His debut, Jazz By Sun Ra, was issued in 1957 by the Boston-based Transition label, a short-lived company that sold records by subscription; this record contained a beautiful booklet, now as prized as the LP itself, with rare photographs and a selection of poems and proclamations, as well as the personnel and recording credits. Ra's Jazz In Silhouette was released two years hence on Saturn Records, the label he started with Alton Abraham, and it came with a mimeographed liner booklet -- now exceedingly rare -- that was folded, unstapled, as an ultra-economical accompaniment to the vinyl. The CvsD version folds this slim pamphlet of poetry into a slipcover with a classic photo portrait of Ra by Thomas "Bugs" Hunter on the back. Perhaps Ra's best-known book of poetry, reprinted in many alternative versions with different contents over the years, is The Immeasurable Equation; this incarnation restores the original Infinity Inc./Saturn Research version, published in Chicago in 1972 and distributed widely by the Arkestra, often from the bandstand. It features more than 60 of Ra's poems. Finally, perhaps the rarest of Ra's poetry books is Extensions Out: Immeasurable Equation Vol. II, which was also published by Infinity Inc./Saturn Research. This 8 1/2 x 11 inch book is a massive compendium of more than 130 poems, very much in step with the mimeo poetry publications of its era -- simple staple binding, one-sided pages -- featuring three photographs of artwork by Ayé Aton, a close ally of Ra's in this, the period of the Arkestra classic Space Is The Place, on which Aton plays percussion. Great care was taken to reproduce the special textured cover of this highly sought-after book. These four books are exclusively sold as a set. The first edition is limited to 1000 copies. Corbett vs. Dempsey is proud to represent the non-musical side of the Sun Ra Estate. The label gratefully acknowledges Irwin Chusid and Sun Ra LLC for the permission to release this historically rich chronicle of Ra's poetry, presented as he originally conceived it.

Deben Bhattacharya (1921-2001) was a field recordist, poet, filmmaker, musicologist, and amateur ethnomusicologist, based in Calcutta and Paris. Highly influential, it would not be too bold a stretch to say that his work shaped how we listen to the world: he produced a vast number of LPs, CDs, videos, and radio shows of traditional music from India, Asia, Africa, the Middle East, and Europe from 1953 until his death in 2001. Never before published, Paris to Calcutta: Men and Music on the Desert Road features over four hours of music and is Deben's impressionistic account of a 1955 journey overland, in a converted milk delivery van, from France to India collecting and exploring music along the Desert Road from Europe into India. With four CDs of recordings, photographs, Deben's original recording notes, musical transcriptions, and more. An amazing glimpse into a time long gone and essential listening for anyone interested in folk and world music traditions. Produced and edited by Robert Millis (Indian Talking Machine (2015) and Victrola Favorites (DTD 011CD, 2009). "Actually, I think my playing is probably more derived from the folk music records that I heard; Middle Eastern music, Indian music... for years I had something called Music On The Desert Road, which was an album with all kinds of different ethnic music. I used to listen to that all the time." --Frank Zappa, 1993 (from an interview in Guitarist Magazine, talking about an LP released by Deben in 1956 using a few edited versions of the music included on this compilation.) 160 pages, cloth bound cover with four CDs: 45 pages of photographs and 50 pages of detailed recording notes. Introductions by Jharna Bose Bhattacharya, Robert Millis and WG Archer.
Includes recordings of: Students of the Salonica Quaker Girl's School Dance of Jerissos,Saban Akdao, Hasan Sayin, Reza Argin, Jumma Ali, Vakkas Kaplan, Feizi Kaplan, Hüseyin Eroğlu, Raif Karsligil, Imam and congregation of the mosque at Kilis, Dervish worshippers in the house of Sheikh Saud Mawlawi, Nour Hanbali, Antone Noweh, Doureid Laham, Bashraf Sama'i Taatyus, Andalusi Muwashshah, Hazim, Suleiman and friends, Al-Haj Hashim Mohammad, Shu'aib Ibrahim, Abdul-KArim Al Azawi, Shu'aib Ibrahim, Khalil Akrawi, Ostad Zareen Panje Bel, Gulfa-e-Ghani and Zareef, Ostad Abol-Hassan Saba, Sher Khoda, Darioosh Sefvat, Hamedanian, Shapoore Delshadi, Eskandare Ebrahimi and Orchestra, Eskandare Ebrahimi , Muhammad Hussein, Dost Muhammad, Abdul Kader, Saroj Narang, Jyotish CH. Choudhury, Kalipada Das, Bhona, Mangal Mukerjee, and Jai Chand Bhagat and Babu.


"Tens of millions of people have seen these films. nobody knows who made them. Curled up on our couches in the wee hours of the morning, in reruns, and nostalgic You Tube forwards, filmmaker Al Jarnow has touched our lives and changed the way we look at the world without us ever knowing. Beginning with his work for a certain public television show that featured a big yellow bird, Al Jarnow captured life's scientific minutia and boiled it down for easy consumption between cookie eating monsters and counting vampires. Coupling time-lapse, stop motion, and cell animation with simple objects found in every day life, Jarnow deconstructed the world for an entire generation. From the third floor of his Long Island gingerbread home, his mind wandered beyond the confines of educational programming. Delving into New York's avant-garde film scene alongside Harry Smith, Jonas Mekas and Stan Brakhage, Jarnow created a body of awe-inspiring films that remain in the collections of MOMA and Pompideau Center. Employing the archival skills honed during the excavation of over 40 full-length albums, Celestial Navigations marks The Numero Group's first foray into the world of cinema. The 45 films collected have been transferred and color corrected from the original 16mm prints, along with fully remastered sound. Special features include a 30-minute documentary on Jarnow's creative process, as well as film playlists designed for both children and adults alike. The deluxe package includes a 60-page book loaded to the gills with essays, ephemera, storyboards, photos, and a complete film index, all housed in the iconic Numero slipcase." Region 0; color and B&W; full screen; total running time: 110 minutes. Includes a 60-page full color book.


The words "obscure" and "ambient", which Eno advocated more than 40 years ago and were introduced through Aki, have already become widespread, and their meanings are expanding and changing. Agi's text is a valuable resource for understanding the historical background and how they were initially conveyed. -Satoru Higashi Seto, some excerpts from this book.
Yukio Fujimoto met Brian Eno as the same participating artist at the exhibition held in Denmark in 1992, and this interview mentions the essence of art through Eno, and the process of Eno's history. I think you can understand.
An interview that contains so many noticeable discourses.
Yuzuru Agi and Brian Eno's theme of Eno's creation, such as a text by Yu Hirayama, an interview with Satoru Higashi Seto, and a record review related to Brian Eno released in 1972-82, covering 40 titles by Shuta Hiraki. An easy-to-understand explanation of the essence.
With bonus CD: CD Credit Vanity 2002 The Voice of Brian Eno 1979.8.6 at New York
Rock Magazine No. 28 1979.12.1 Appendix Sono Sheet Reissue Board
Title: AGI 2 / ENO
Supervision: Yasuyuki Nakamura
Written by: Yukio Fujimoto, Satoru Higashi Seto, Mikihiko Kanoumi, Yu Hirayama, Shuta Hiraki
Price: \ 3,850 (tax included)
ISBN:9784864000420
Release Date: June 30, 2022
Version: B5 (257×182×20mm)
Number of pages: 304 pages of text (16 pages of color)
Bookbinding: Normal
First Edition Benefits: 1 CD
Publisher: Kyou Records
Publisher: Studio Warp Co., Ltd.






To resonate: re-sonare. To sound again—with the immediate implication of a doubling. Sound and its double: sent back to us, reflected by surfaces, diffracted by edges and corners. Sound amplified, swathed in an acoustics that transforms it. Sound enhanced by its passing through a certain site, a certain milieu. Sound propagated, reaching out into the distance. But to resonate is also to vibrate with sound, in unison, in synchronous oscillation. To marry with its shape, amplifying a common destiny. To join forces with it. And then again, to resonate is to remember, to evoke the past and to bring it back. Or to plunge into the spectrum of sound, to shape it around a certain frequency, to bring out sonic or electric peaks from the becoming of signals.
Resonance embraces a multitude of different meanings. Or rather, remaining always identical, it is actualised in a wide range of different phenomena and circumstances. Such is the multitude of resonances evoked in the pages below: a multitude of occurrences, events, sensations, and feelings that intertwine and welcome one other. Everyone may have their own history, everyone may resonate in their own way, and yet we must all, in order to experience resonance at a given moment, be ready to welcome it. The welcoming of what is other, whether an abstract outside or on the contrary an incarnate otherness ready to resonate in turn, is a condition of resonance. This idea of the welcome is found throughout the texts that follow, opening up the human dimension of resonance, a dimension essential to all creativity and to any exchange, any community of mind. Which means that resonance here is also understood as being, already, an act of paying attention, i.e. a listening, an exchange.
Addressing one or other of the forms that this idea of resonating can take on (extending—evoking—reverberating—revealing—transmitting), each of the contributions brought together in this volume reveals to us a personal aspect, a fragment of the enthralling territory of sonic and musical experimentation, a territory upon which resonance may unfold.
The book has been designed as a prism and as a manual. May it in turn find a unique and profound resonance in each and every reader.
— The Editors

"Yoga Vasishta weaves together many stories and commentaries to explain the ultimate teachings. It will be a marvelous discovery not only for philosophers, but even for modern psychologists and scientists. While most of the existing scriptures were preached by God to His devotees, the Yoga Vasishta is a teaching addressed to God. It is a teaching given by the sage Vasishta to Rama, God.
The philosophy of Yoga Vasishta, which provides a true understanding of the creation of the world, is very close to the doctrine of Kashmir Shiva, and the core of its teachings is "All is Consciousness. It includes the material world as you see it, as it is. This is the absolute truth. The world is nothing but the play of consciousness." (From Swami Muktananda's Preface)


Revised and expanded second edition of Hartmut Geerken and Chris Trent's comprehensive reference Omniverse Sun Ra, originally published in 1994. Full-color 304-page hardcover book. French fold cover with metallic silver foil blocking on cyan faimei cloth. 290mm x 245mm portrait. Omniverse Sun Ra features many previously unpublished photographs of Sun Ra and His Arkestra in New York in 1966 and Germany in 1979 by Val Wilmer, and Hartmut Geerken's previously unpublished photographs from Heliopolis in Cairo, Egypt, in 1971, in addition to an updated comprehensive pictorial and annotated discography by Chris Trent, including chronological discography and alphabetical record title, composition, personnel, and record label indexes, as well as indexes of shellac 78RPM records, 45 RPM singles, jackets, and labels. Also includes essays and photo documents by Hartmut Geerken, Chris Trent, Amiri Baraka, Robert L. Campbell, Chris Cutler, Gabi Geist, Sigrid Hauff, Karl Heinz Kessler, Robert Lax, and Salah Ragab.