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The tenth and final anthology from Blank Forms explores the early electronic work of French composer Éliane Radigue, whose radical approach to feedback, analog synthesis, and composition on tape has long evaded historical and technical interpretation. Combining key texts, newly translated primary documents, interviews, and commissioned essays, this compendium interrogates the composer’s idiosyncratic compositional practice, which both embraces and confounds the iterative nature of magnetic tape, the subtleties of amplification, and the very experience of listening.
Among these entries is an in-depth overview by cellist Charles Curtis, a close collaborator of Radigue’s, examining the composer’s earliest experiments with feedback techniques and analog synthesis, her eventual shift to composing for unamplified instruments and live performers, and her unique aesthetic configurations of time and presence. A number of detailed conversations between the composer and researchers Georges Haessig, Patrick de Haas, Ian Nagoski, and Bernard Girard provide crucial insights into her working methods at different points throughout her career. Religious studies scholar Dagmar Schwerk reflects upon Radigue’s profound synthesizer work Trilogie de la Mort (1988–93) in the context of Tibetan Buddhist thought and its history, while texts by musicians Daniel Silliman and Madison Greenstone examine, in notably different ways, the technical characteristics of Radigue’s sound practice. Sketches for unrealized work, contemporary reviews, concert programs, and other ephemera mapping the performance history of Radigue’s early work are presented together for the first time. The anthology concludes with a roundtable discussion between Curtis, Greenstone, and Anthony Vine, untangling the knot of paradoxes at the center of Radigue’s artistic practice to trace the thread of her continued “ethos of resistance.”

phatmedia presents 'UK Rave Flyers 1988–1989' - including over 800 flyers from iconic events like Shoom, Hedonism, Future, Spectrum, Land Of Oz, Apocalypse Now, Hypnosis, Sunrise, RIP, Coozz, Trip, Sin, Genesis, Rage, Wetworld, Rave At The Cave, Boilerhouse, Trip City, the Hacienda and many more one-off / smaller promotions.
"phatmedia presents UK Rave Flyers 1988–1989 is a deluxe book showcasing original flyers from the breakthrough years of UK acid house. Sourced from the phatmedia archive and beyond, it captures the raw energy of a scene that exploded from underground parties into a nationwide movement.
Featuring high-quality reproductions of flyers promoting warehouse raves, club nights and early promoters, the book highlights the DIY creativity and bold visual style that defined the era. It’s a visual journey through the scene’s formative years, with the narrative led by the flyers themselves, interspersed with quotes from DJs, designers, promoters and ravers - including Dave Little, Andy Boilerhouse, Pez, Steve Reid (Shoom), Ellis Dee, Chalk E White, Nicky Holloway, Mr C, Ratpack & many more - plus, photos from clubs of the era taken by Dave Swindells, Kevin Cummins, Peter J Walsh and Gavin Watson.. This commentary offers cultural context, making this an essential document of one of the most radical and influential moments in British youth culture.
“We would be lost without Dave’s incredible documentation of flyer history. If we didn’t have his absolute precision in sharing dates within the timeline. So much of the exact history would be lost. phatmedia is an asset to the entire rave scene and history.” - Billy Daniel Bunter
“Rave flyers capture an essential piece of cultural history. More than just advertisements, they reflect the creative energy of the early rave scene and serve as a window into the underground music culture of the time. Each flyer tells a story about the events, people, and communities that helped shape the movement.” - Eddie Richards
“This book is more than just a collection of flyers; it’s a time machine. It’s a tribute to the birth of a culture that shook the world. We built something from nothing. Every flyer, every illegal rave, every risk we took, it created a movement that would become a multi-million pound industry.” - DJ Phantasy"
Garment Dyed T--sh
| S | M | L | |
| length | 66.0 | 71.0 | 73.0 |
| width | 47.0 | 52.0 | 54.0 |
| sleeve length | 18.0 | 21.0 | 22.0 |
| shoulder width | 46.0 | 50.0 | 52.0 |
For five decades, Michael Smith’s performance art has inhabited bland domestic spaces, mass media and its promise to keep us company and failing business ventures that misread the moment. Through art installations, theater, video, television and live performances, Smith’s comedic work lives inside the identity models that both constitute and disassociate our shared experience. His two performance personae, Mike and Baby Ikki, plumb the depths of American and culture to perform the discrepancies between what is promulgated by controlling interest and what actually exists in the reality of our day-to-day worlds. MIKE’S BOX is an immersive 8-disc DVD collection of his work up until now, including the complete collaborative video work of Smith with both Joshua White and Doug Skinner, collaborations with William Wegman, Seth Price, Mike Kelley and many others. It is accompanied by a richly illustrated book with an essay by Tim Griffin, featuring documentation from shows exhibited at the New Museum of Contemporary Art, the Whitney Museum of American Art, and Museo Jumex, along with filmed conversations between the artist, curators and collaborators.
MIKE'S BOX includes 8 DVDs along with a 128-page booklet packaged in a printed slipcase.
