BESTSELLERS

An amazing document of the life experiment that was the Organic Music Society. This super quality audio, recorded by RAI (the italian public broadcasting company) in 1976 for television, documents a quartet concert focused on vocals compositions and improvisations. Here, Don Cherry and his family-community’s musical belief emerges in its simplicity, with the desire to merge the knowledge and stimuli gained during numerous travels across the World in a single sound experience. Don's pocket-trumpet is melted with the beats of the great Brazilian percussionist Nana Vasconcelos, the Italian guitar of Gian Piero Pramaggiore, and the tanpura drone of Moki. A pure hippie aesthetic, like in an intimate ceremony, filters a magical encounter between Eastern and Western civiliziations, offering different suggestions of sound mysticism: natural acoustics in which individual instruments and voices are part of a wider pan-tribal consciousness. A desert Western landscape marries Asian and Latin atmospheres. Indigenous contributions with berimbau explorations find fossil sounds of rattles and clap-hands invocations. Influences of Indian mantra singing are combined with eternal African voices or with folkish-Latin guitar rhythms , while flute and drums evoke distant dances. In the Organic Music everything becomes an act of devotion and love, an ecstatic dwell in the dimension of a sacred free-rejoice.

"Arthur Russell's most extraordinary work, World of Echo is reissued in this remastered vinyl edition by Audika Records. 18 tracks are featured including drumless versions of his disco classics 'Let's Go Swimming,' 'Tree House,' and 'Wax The Van' along with four previously unreleased tracks. Originally released in 1986, World Of Echo is a deeply intimate and meditative work of awe-inspiring grace and remains a timeless work of sublime beauty. Arthur's aim was to achieve what he calls 'the most vivid rhythmic reality,' with just cello, voice, and echoes. Arthur achieved all of this and more on one of the most incredible albums you will ever hear."

Limited edition CD, self-released and independent. Comes in a reverse board, 6 panel package including all 6 drawings.

Includes the tracks Chartreuse, Rose, Lavender, Lime, Grey, and Violet.

早くも第2弾が登場です！今回は女性アーティストがメインとのこと。最早誰からも忘れ去られた、浮世離れしてうっとりとさせられる別世界的室内楽ジャズ！60年代に南米エクアドル・キトで活動していた知られざるスイートスポット的レーベル〈Caife〉に残された魅力的なカタログを専門家によるガイドのもと一挙24曲紹介したコンピレーション・アルバムが〈Honest Jon's〉から登場。空前のオイル・ブームとクンビアなど国外から流入する音楽スタイルに押し流される前、エクアドルのムジカ・ナショナルの黄金時代と呼ばれた時期に残された、土着とメスチーソの伝統が融合した痛々しいまでに美しく幻想的にしてユートピア的な音楽の数々を捉えた傑作コンピ！これはまさしく未知のゾーンです。豪華フルサイズ&フルカラー・ブックレットが付属。

This is a very rare album from the Saturn era in 1979. This is like MOODYMANN?!!!!! Please open the door to the Cosmos!

2 x LP in die cut card inner sleeves, in wide spine outer sleeve with thumb cut and embossed cover, postcard sticker insert, download card insert

A1 Acroyear2
A2 777
B1 Rae
B2 Melve
B3 Vose In
B4 Fold4,Wrap5
C1 Under BOAC
C2 Corc
C3 Caliper Remote
D1 Arch Carrier
D2 Drane2

This is the first full-length album in two years from NY-based genius Madteo, who has released strong titles on prestigious labels such as DDS, Sähkö Recordings, and Hinge Finger. The album is the first full-length album in two years, and it is a collection of unorthodox sounds, dub-wise memories, sweat, and blood. This is a huge album that is sure to attract fans of Actress, Demdike Stare, and Theo Parrish!

The long awaited third volume. New age, Balearic, and ambient listeners should check out Good Morning Tapes, a cult label in the current experimental scene based in France, which is home to the likes of D.K., Anthony Naples, and Tapes. This is the first time in a year that the label has released a showcase compilation album featuring all of their label mates who have been getting a lot of attention lately. Nueen, a producer/visual artist based in Barcelona, Spain, who also released a masterpiece of ambient music on Quiet Time Tapes, and Saphileaum, a multimedia artist from Georgia who was born and raised in a music/art family, are among the gorgeous labelmates. This comp is great guide to Good Morning Tapes.

Recommended for fans of Bjork, Radiohead, Gabi and Holly Herndon. Maarja Nuut is a female singer and violinist from Estonia who has collaborated with dub and ambient wizards Sun Araw and Pjusk (12k, Dronarivm). The album features guest drummer Nicolas Stocker on several tracks. The album opens with the percussive and cosmic electrified jazz of "Hinged". On "Kutse Tantsule_A Call To Dance," he sings with a freshness reminiscent of Bjork, over a minimal rhythm of sparkling synths. A Feast" is a hypnagogic and haunting minimalist dance-pop song. This is an important electronic pop album of the year that is recommended to a wide range of listeners, from contemporary jazz to trip-hop to new age listeners. Mastered by Rafael Anton Irisarri (!), a master of modern classical/drone music.

With a lineup that includes Jamire Williams, Makaya McCraven, and Makaya McCraven, he delivers excellent, cutting-edge jazz and beat, from his own original compositions to Coltrane covers. This is a timeless masterpiece that was released on HEADZ in Japan.

Meditations bestseller! Originally released as a self-pressed in 2018 in a limited edition of only 50 copies. A collaboration between L.A. saxophonist Sam Gendel, best known as the leader of the jazz trio Inga, and bassist Sam Wilkes, whose unique sound has been described as psychedelic, outsider and meditative, and Jon Hassell's Fourth World.This is a collaboration between Sam Gendel, a saxophonist from LA, and Sam Wilkes, a bassist from LA. You will be into a vortex of dope music. This is a work of confidence, in which a sophisticated jazz mind is incorporated into a unique and experimental sound full of the free spirit of the West Coast, and sublimated into a unique sound that is even meditative. The muffled soundscape with the perfect amount of salt makes the listener feel even better.

In 1982, La Monte Young and Marian Zazeela used two tambouras to create a document that will go down in history. They are also a strong tribute to their Guru = Pandit Pran Nath. The thick drones of the tambouras create a moiré-like effect, and the meditative state itself is brought out in this highly pure meditative work. There are many sources of minimal and drone music, but I've never heard anything that brings about such a spiritual transformation. It's like something that's been flowing for thousands of years, and it's in a perfect state that can't be cut down or added to. The 44-page booklet is included.

Ambient 1 (Music For Airports)" is a milestone in the history of the music world left behind by Brian Eno, the godfather of ambient music, who has spun it like a renewal of the grand flow of time, from Erik Satie to Hiroshi Yoshimura and Satoshi Ashikawa. Virgin EMI Records is proud to present this 180G heavyweight, remaster version of the classic album! This is the first release from Ambient, a label established in 1979 to specialize in environmental music. This is the first release from Ambient, established in 1979 as a label specializing in environmental music, and was born from the idea of playing music to purify the air in airports. Not many words are needed to describe this music. It's the kind of music you want to listen to in the blank hour before going to bed, when you close your smartphone or computer, and soak it in forever.

180-gram LP version with embossed chessboard artwork print and printed inner sleeve. In celebration of the 2016 35th anniversary of the December 12, 1981, recording of Manuel Göttsching's legendary E2-E4, one of electronic music's most influential recordings, Göttsching's MG.ART label presents an official reissue, carefully overseen by the master himself. Includes liner notes by Manuel Göttsching, archival photos, and an excerpt of David Elliott's review in Sounds from June 16, 1984. "As the story is sometimes told, Göttsching stopped in the studio for a couple of hours in 1981 and invented techno. E2-E4 is the most compelling argument that techno came from Germany-- more so than any single Kraftwerk album, anyway. The sleeve credits the former Ash Ra Tempel leader with 'guitar and electronics', but few could stretch that meager toolkit like Göttsching. Over a heavenly two-chord synth vamp and simple sequenced drum and bass, Göttsching's played his guitar like a percussion instrument, creating music that defines the word 'hypnotic' over the sixty minutes . . . A key piece in the electronic music puzzle that's been name-checked, reworked and expanded upon countless times." --Mark Richardson, Pitchfork

Jan Jelinek is a German producer of minimal electronic music, and his masterpiece from 2001 has been hard to find for a long time. This is a monotone, minimalist inner-zone piece that uses abstract sampling from old jazz records as the centerpiece, with click and dub textures typical of Pole's ~scape label, and minimalist, small movements that intersect and expand endlessly. The content is universal enough to endure even after 20 years, and nowadays it is highly recommended for listeners other than techno and electronica. Mastered by the trusted Rashad Becker, the sound quality is outstanding.

The album was released in 1993 at the same time as YMO's "Techno Don". The long-awaited analog reissue of "MEDICINE COMPILATION", a masterpiece of Hosono's lounge and ambient music, released in 1993 at the same time as YMO's "Technodon", is now available for the first time in Japan! A masterpiece that represents Hosono's ambient period, comparable to his three Monado Sightseeing Series albums and "Love, Peace & Trance", now on vinyl! A masterpiece in the history of new age and ambient music. This is the ultimate ambient music that invites the listener into another world. The album also includes self-covered songs such as "Honey Moon" with Akiko Yano on duo vocals, and "AIWOIWAIAOU" with a funk touch. This is the first analog version in Japan. Obi included.

The 1st album of the legend of Jon Hassell, a masterpiece of ambient / minimal masterpiece selection and a generous compliment to Brian Eno, is finally remastered !!

The memorable debut of the genius Jon Hassell, the masterpiece "Vernal Equinox", which remains in the history of experimental music, will be released on March 20, 2020 (Friday), as the title means "Vernal Equinox". >, The long-awaited recurrence is decided.

Selected as one of the 50 best ambient albums of all time by Pitchfork, this is John Hassell's first official release released on Lovely Music in 1977. At the same time, it is a super important thing that remains in the history of experimental music, which was positioned as the first work of the "Fourth World" series that fused field recording, electric jazz, ambient, and world music with the concept of combining Western and non-Western music. Written. David, an electronic musician known as a pioneer of biofeedback music, and percussion by Brazilian world-famous percussionist Nana Vasconcelos, featuring the sound of a mysterious trumpet processed with acoustic signals, which is also Hassel's trademark. -The supreme ensemble including the synthesizer by Rosenboom creates a quiet, meditative and original acoustic beauty. For this reissue, the sound source will be remastered from the original master tape at that time, and the CD will be commercialized for the first time in 30 years, and the analog record will be commercialized for the first time in 42 years.

"Drawing" cover, aka "Old Donuts," the unofficial name for the original edition of J Dilla's Donuts 2/LP with an illustrated sleeve, the way the vinyl was originally released in 2006.

Midori Takada (1951-) is a composer and percussionist who is very popular overseas as one of the last treasures of Japanese ambient, new age, and minimal new music. WRWTFWW in Switzerland and Palto Flats in New York! After making her debut as a soloist with the Berlin Radio Symphony, she began to explore traditional music in the 1980s, traveling throughout Africa and Asia. In the 1980s, he began to travel around Africa and Asia to explore traditional music. He has had many sessions with musicians from Ghana, Burkina Faso, Senegal, Korea, etc. (in Japan, with Masahiko Sato and Tadashi Suzuki, a director), and has established his own musicality with spirituality by integrating the dynamic musicianship of Africa and the static spirit of Asia based on the integral concept of consistency between sound and the human body. He established his own musicality with spirituality. In addition to the oriental and misty ambience, there is a minimalist piece with marimba reminiscent of Steve Reich, and a shamanic and spiritual percussion piece that seems to be a mixture of Japanese drums and African percussion. Perhaps it is because he is also familiar with ambient and experimental music, but this is a masterpiece that you can listen to over and over again, with a spirit that is completely different from the New Age works that abound in the Western world.

"9.0" and "Best New Reissue"! Deluxe Edition - Classic Gatefold Tip-On Jacket including exclusive liner notes and pictures. First official release. Mastered from the original master tapes.

"There was a time when the strength of a musician's vision transcended all labels; here is a chance to dip into that pool again, and emerge not just refreshed, but alive again with the sense that we all can live in that world again, but most importantly raise the flag for excellence. Fantastic." --Jim O'Rourke

An unholy grail of near-mythical status is finally now available in the form of this first-ever reissue. Masahiko Sato composed this elusive, sensual, psychedelic free jazz score for the stunning 1973 Japanese witchcraft animation Belladonna of Sadness (Kanashimi no Belladonna) directed by Eiichi Yamamoto. Since the mid-2000s, Belladonna of Sadness has risen from the ashes and now shines brighter than ever. Now, on the eve of its third or fourth global DVD release in 2015, fans no longer have to settle for third-generation VHS telecine dubs or stuff their wish-lists into the hands of lucky friends visiting Tokyo. Belladonna has been used as nightclub projections by clued-up VJs and been restored by discerning feminist folk singers and improv bands while influencing illustrators, fashion designers, and other creative types along the way. Original copies of the soundtrack, however, are much less likely to rear their heads, with prices literally doubling each time the original stock copies swap hands among the same Italian dealers at central European record fairs. Italian soundtracks are expensive anyway, but this one, originally released by the Italian Cinevox label in 1975, has extra credentials. Finders Keepers Records and Sato himself agreed that this record should finally be liberated among those who know the magic words. With the decision to keep this album "strictly Sato," a track from the original release has been removed -- the main orchestral love theme by Asei Kobayashi and Mayumi Tachibana -- which in all honesty is very much detached from Sato's psychedelic soundtrack. Kept intact, however, are the songs sung and penned by Sato's wife at the time, Chinatsu Nakayama, including the track titled "TBFS," which only appears on the master tapes and never actually made it onto the theatrical cut of the film (though the theme is briefly alluded to, with different instrumentation, in a cut-scene available on the German DVD release). This reissue project also marks the beginning of a longer intended relationship between Finders Keepers and Masahiko Sato, exploring his recorded work in film music, jazz, and avant-garde composition.

“Our journals and recording equipment were ultimately confiscated and stolen by the MNLF rebels. We escaped with a single cassette, the clothes on our back, and our lives.”―David Blair Stiffler In 1988, David Blair Stiffler risked life and limb to document under-recorded cultural groups living lives of extreme isolation in the mountainous Philippine regions of Nueva Ecija, Aurora, and Luzon. These are the fruits of that expedition. In the grand tradition of ethnographic recordings that made up the majority of Folkways' vast and significant catalog comes Music from the Mountain Provinces. By the mid-1980s, David Blair Stiffler was already a most-decorated recordist, with eight Folkways LPs under his belt. These are among the most obscure documents in the entire Folkways catalog. Although the works of Jose Maceda and Nicole Revel heavily documented much of the Philippines' countryside inhabitants with a thorough and sober effort protracted over the decades, Stiffler brought his own panache into the equation, capturing gorgeous and revelatory moments from some of the archipelago's least visited regions. Even without the harrowing tale of himself and his crew being taken hostage, contained within is a rare aural experience. These masters, originally intended for release on Folkways, were shelved when Stiffler returned home to news of Folkways founder Moses Asch’s death.

Luc Ferrari, a master who continues to influence and be evaluated. Held at the Palais Galliera in Paris in 1975, an unreleased work with four soundtracks designed for multimedia / audiovisual performances is now available in 2LP. It is a multimedia work that spans four rooms, each with the theme of Power / Profit / Violence / Pollution. Gatefold sleeve specifications. Limited edition of 500 copies from .

Alga Marghen very proudly presents Opus 17, a major turning-point in the sonic oeuvre of Eliane Radigue. Finished in 1970, it was the last work composed with feedback materials. From that experimental period, Opus 17 preserves a plastic character: a music made of rough sonic phenomena, at once harsh and granular, possessing a quality of materiality and tactility. Its vibrations structure the air surrounding the listener with densities, thicknesses, indeed with palpable movement. Her compositions are frames which let us hear these phenomena, open frameworks from the sonic installations of her Endless Musics and here reinserted in the five scenes making up Opus 17. In 1970, in her studio of very rudimentary means, she developed a completely unique body of work centered on sounds produced by feedback. Opus 17 has the quality of showing off the sum of the achieved techniques and methods. Eliane Radigue's music has never been rooted in ideas but in practice, the intimate experience of things in the wild which she has known how to tame. This dialog both intense and poetic which she keeps up with the solid matter of sound finds a remarkable concretization in Opus 17. It is to be underlined that with Opus 17 Eliane Radigue inaugurates a technique of composition which will be her footprint, her trademark: imperceptible transformations. For that she has developed a technique of meticulous mixings, based on the slow passage from one section to the next. Imperceptible all during the piece, we pass, ceaselessly and without noticing the changes, from one frequency flux to another. Time is suspended, smoothed out, stretched. It is this technique which Eliane Radigue will be essentially using for all the electronic works to come and which she will never cease to refine and render always more subtle. Opus 17 is the great panoramic voyage through material sound, its electronic phenomena detailed as if in a microscope. As Rhys Chatham recalls: "Eliane Radigue (...) had just moved to New York and had the idea of acquiring an analog modular synthesizer, which is why she worked at NYU in order to try out the possibilities of the Buchla 100 series which we had there. One day, while gossiping, she invited me to her loft, which was just on the corner. She had me listen to a piece composed in France; the piece called 'Opus 17'. (...) What I heard changed to course of my life as a composer. (...) That piece, impressive source of inspiration, gave the impression of being in a grand cathedral, both for the sensation of immensity of being in such a large cathedral, as for the effect of being so close to God." Opus 17 was created at the artistic center of Verderonne on May 23, 1970, for the Fête en blanc (i.e. White Festival) organized by the visual artists Antoni Miralda, Joan Rabascall, Dorothée Selz and Jaume Xifra. Previously unreleased,