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Lanark Artefax - Metallur (12")Lanark Artefax - Metallur (12")
Lanark Artefax - Metallur (12")AD 93
Emerging from a generative paradox of laser precision and fluid dynamism, Metallur fuses percussive, metallic force with warping tempos and a field of ethereal resonance and debris. The result is an insurgent, elemental, time-smearing of hyperspace, where "tellurian beats merge with alien glossolalia and vocal samples blip tesseracts of human affect into a ghostly, melodic aether". Music for a crushed infinity.

Maria Somerville - All My People (Revised Edition) (LP)Maria Somerville - All My People (Revised Edition) (LP)
Maria Somerville - All My People (Revised Edition) (LP)Not On Label
All My People (self-released on 1 March 2019 and distributed by Rush Hour)

V.A. - Triángulos De Luz Y Espacios De Sombra (2LP)V.A. - Triángulos De Luz Y Espacios De Sombra (2LP)
V.A. - Triángulos De Luz Y Espacios De Sombra (2LP)Seance Centre
Triángulos De Luz Y Espacios De Sombra (Triangles of Light and Spaces of Shadow) is a collection of visionary Mexican electronic music sourced from obscure cassettes, CDs, private pressings, and personal archives, presented by Séance Centre and Smiling C. These works trace an expansive scene of prescient musicians who created a unique speculative cosmology, forging Mesoamerican mythologies with innovative sonic technologies. From the mid-80s through the 90s, a network of Mexican musicians embarked on a journey to craft a musical expression distinct from the mainstream musical culture that dominated the airwaves and record industry. Based around practices of collaboration, ethnomusicology, electronic experimentation and home-recording, these artists traversed territories at the very edges of genre and musical form. Myth-scientists Antonio Zepeda, José Luis Fernández Ledesma, Jorge Reyes, Isaac Alva, and La Fábula venture into the periphery of the new age, incorporating Pre-Columbian rhythms and melodies into their dream-like compositions. Vistas Fijas, Armando Velasco, Eblen Macari, and Gabo move through radical new wave territories, utilizing guitars and drum machines to map their musical chronicles. Germán Bringas and Eugenio Toussaint traverse the jazz landscape, blending horns with electronics, improvising long uncharted expeditions. Pinning down a unified sound for these artists is challenging, yet they collectively cohabitate the capacious space of "ambient," employing diverse expressions through various imaginative modalities. What distinguishes these artists is a distinctly transhistorical approach which vividly imagines sonic possible worlds. In an attempt to situate themselves within a culturally and historically complex landscape, many of the artists on the compilation reactivate ancient Mesoamerican music traditions, those of the Aztecs, Maya, and Olmecs. Their electronic compositions are intricate tapestries woven with the haunting melodies of pre-Hispanic flutes and ocarinas, resonating alongside the echoes of ancient percussive marvels like the teponaztli and huéhuetl. Ritualistic chants, undulating synths, and atavistic rhythms intertwine, conjuring a hypnotic mosaic of chimeric sound. Natural and acoustic sounds are juxtaposed within a synthetic habitat, as if towering skyscrapers cast a shadow across ancient pyramids. Rather than longing for an impossible past, these works evoke fantastical visions suspended in dreams, glimpses into the mythical realm of the hummingbirds. The title "Triángulos De Luz Y Espacios De Sombra" (Triangles of Light and Spaces of Shadow) is inspired by a public access TV show of the same name that showcased several artists featured in this compilation. Imagining triangular prisms of light superimposed on otherworldly shadows feels apt for these illusory and phantasmagoric sounds. The space between these two opposing but interdependent images is the resonant juncture where these artists create their auditory oracles. This compilation highlights the prophetic luminaries of this underground community of musicians, with many of these songs previously unreleased or only available on fugitive formats until now. This double LP release features 17 tracks remastered from reel-to-reel, DAT, and cassette masters. It includes two inserts with an essay by Mexico City based music journalist David Cortés on both Spanish and English, accompanied by archival photos of the artists and artifacts featured on the compilation. The first edition comes adorned in a luminescent sticker illustrating a solar eclipse. RIYL: Outro Tempo, Durutti Column, Jon Hassell, Música Esporádica, Finis Africae

Operating Theatre - Spring Is Coming With A Strawberry In The Mouth / Rapid Eye Movements (2LP)Operating Theatre - Spring Is Coming With A Strawberry In The Mouth / Rapid Eye Movements (2LP)
Operating Theatre - Spring Is Coming With A Strawberry In The Mouth / Rapid Eye Movements (2LP)Allchival
Presenting our second look at the music of Roger Doyle and Operating Theatre, a little known proto synth-pop act and experimental theatre group that he led, what you have here is a remastered and repackaged collection of two very different sides of this project. In reverse chronological order the second disc contains music from the United Dairies release of 1979 – ‘Rapid Eye Movements’. Experimental tape work heavily influenced by the French school of music concretists and recorded at various points during the 70s in Finland, Holland and Ireland, although it is most certainly a Roger Doyle solo record the label ran by Nurses With Wounds John Fothergill decided to release it under the group name for reasons now lost to the fog of time. After this a volte-face towards a more accessible sound, coming via his friendship with future Hollywood actress Olwen Fouéré and her connection to the theatre. It also featured the vocals of a young Spanish immigrant Elena López- bucking the 80’s trend by moving to, rather than, from Dublin. With Fouéré adding the theatrical element to the group (an almost essential part of any early 80s synth act) alongside pulsing synths, brass, a vocoder and the electro acoustic production talents of Doyle himself, it was the first time a Fairlight sampler was used in an Irish studio setting and gives a prescient but alternative take on the new wave sound that came to dominate the charts soon after. Doyle’s work on the newly released Fairlight sampler had brought him to the attention of U2’s Bono who had seen a feature about his sampling experimentations and reached out to him for piano lessons. This led to a deal on the bands embryonic Mother records for what Doyle calls his first “popular song” - Queen of No Heart - which alongside “Spring is Coming” made up the backbone of the EP which was released some years later (1986) on the Mother Records label. Established by U2 in 1984 and initially intended to launch Irish bands, many of the acts – including this one – were subsequently unhappy about the label’s haphazard approach to releases and lack of promotion. The record was released as a die cut 7 inch with the two main tracks and a 12 inch EP with additional tracks – ‘Part of My Make-Up’ / ‘Atlantean’ / ‘Satanasa’. The Mother experience was for Doyle and the rest of the group a frustrating one with no promotional plan and no tour. After that Operating Theatre as a quasi pop project ‘just kind of fizzled out’ says Doyle. Doyle, the musical maverick at the heart of the act, continues to produce to this day and has released 30 albums. A frequent collaborator we round out the record with a remix from another Irish outsider - Morgan Buckley of the Wino Boys.
Skyjack - Light Cycle (LP)
Skyjack - Light Cycle (LP)As-Shams
Kyle ShepherdやShane Cooperも参加。南アフリカの重鎮ジャズ・トリオとスイスのリード&ブラス界の大物2人組が出会うとこうなる!10年以上に渡り、コンテンポラリー・アフリカン・ヨーロピアン・ジャズの革新な勢力としての評判を築いてきたSkyjackによる3作目となる2024年度最新作『Light Cycle』が〈AS-SHAMS〉より満を持して登場!ディープなグルーヴとスリリングなライディング、前衛的な実験性を軸に、ステージでもスタジオでも大活躍する彼らのメンバー全員の作曲をフィーチャーした作品。サイエンス・フィクションの冒険でもあり、センチメンタルな旅でもある本作は、広大な宇宙のサウンドスケープと、記憶や民間伝承の確かな土台を調和させた野心的で完成度の高い逸品に仕上がっています。
Mad Professor - Dub Me Crazy Part Five: Who Knows The Secret Of The Master Tape? (LP)
Mad Professor - Dub Me Crazy Part Five: Who Knows The Secret Of The Master Tape? (LP)Ariwa
Recorded & mixed at Ariwa Sound Studio, Peckham Published by Ariwa Music. Track A2 "Fast Forward Into Dub": was used as a sample in the song "Blue Room" by The Orb.
Gaussian Curve - Winter Sun / Fever Dream (12")Gaussian Curve - Winter Sun / Fever Dream (12")
Gaussian Curve - Winter Sun / Fever Dream (12")Music From Memory
Music From Memory are happy to announce the return of Gaussian Curve. Gigi Masin, Jonny Nash and Marco Sterk’s much-loved trio are back for the first time since their 2016 sophomore album 'The Distance', presenting two new tracks entitled 'Winter Sun' and 'Fever Dream'. Both tracks originate from recording sessions that took place in Amsterdam in 2016 for 'The Distance'. Despite not finding a place on the final album and being left as unfinished sketches for six years, the tracks represent an important part of the Gaussian Curve story which the band felt compelled to complete. Coinciding with the decision to perform a handful of live shows in 2022, they finally revisited the sketches, mixing and arranging them with the goal of giving them the full release that they deserve. The trio’s trademark sound hits from first moments of 'Winter Sun'; a lush slow builder with all the classic GC ingredients; Nash’s airy and spacious guitar lines interplay with Masin’s warm rhodes, underpinned by Sterk’s subtle use of electronics and the minimal rhythm of a CR-78 drum machine. On 'Fever Dream', the trio subtly expand their palette; a gently building 303 bass line and 808 rhythm form the foundations of the piece, with Masin’s vocals adding to a slow-burning intensity. Arguably a fuller sound hinting at new areas of exploration for the trio, but unmistakably Gaussian Curve. MFM67 will be released in 12” vinyl and digital format, comes with artwork by Qiu Yang, design by Steele Bonus.
Ryoji Ikeda - Ryoji Ikeda EP (12")
Ryoji Ikeda - Ryoji Ikeda EP (12")Sähkö Recordings

Two tracks taken from his first and third album released early/mid 90's - both previously never released on vinyl. Space was newly mixed by Ryoji Ikeda for this EP.

Ryoji Ikeda was born in 1966 in Gifu, Japan. He lives and works in Paris, France and Kyoto, Japan. He's one of the most influential minimal electronic musicians and sound artists of our time and also works as a cutting edge visual artist

Women's Hour (LP)Women's Hour (LP)
Women's Hour (LP)L.I.E.S.
"A brittle metronome in a delirious tension landscape, WOMEN'S HOUR are a Glasgow based experimental post-punk duo featuring Contort Yourself head honcho Murray CY and artist Jenny Wicks. Creating noise, harmony and disquiet washed in synth and repetitive guitar, rough beats and distorted vocals, WOMEN'S HOUR are constantly trying to embrace the shouting in their heads." On this, their debut release, a 12 track lp, a true to form jagged 80s post-punk affair, the two piece bring to life the day to day in the grim North through their music. One can almost feel the chill coming from the brittle window panes of the dank drafty flats, filled with asbestos paint, busted heaters, and no hot water flowing for who knows how long. Desperate, urgent, coming close to falling apart, yet pulling it together to make it through to the next song...this is as "British" as it gets (yes we know Scotland is its own thing guys, don't shoot) The sun hasn't shown its face for many months, wind blows through the deserted streets, change jingles around in your pocket, a hungry dog barks. This is the music of Women's Hour. Limited to 300 copies, one time pressing. Includes insert and art by Jenny Wicks of Women's Hour.
The Habitat Ensemble (LP)
The Habitat Ensemble (LP)Music From Memory
Music From Memory is excited to introduce the self-titled debut album of Habitat Ensemble, a new musical collective headed up by musician Marius Houschyar. The collective originates deep in the south of the Czech Republic, on the border with Austria, amongst the idyllic hills and fields of a village called Maříž, where a summer school of outsiders and creatives have been gathering since the 1990s. Enriching each other through intercultural exchange, summer school participants have created a unique gathering of artistic expression and interdisciplinary research. Originally grown out of the idea of translating the unique energy of the community and its environment into a musical journey where each member makes their own individual contribution, during the summer of August 2022, Habitat Ensemble became an exciting vehicle for connection and co-creation. Whether it be musical experimentation, composition, poetry, song or dance, Habitat Ensemble, having started as a series of multidisciplinary workshops, slowly developed into a unique musical recording. The album serves to conjure the unique nature, community, experimentation surrounding the school and the collective’s search for harmony across all of these, both musical and spiritual. MFM065 will be released in LP and digital format, comes with artwork by David McFarline, and is expected to release in November 2023.
Opa - Back Home (LP)
Opa - Back Home (LP)Far Out Recordings
Meaning ‘Hi’ in Uruguayan slang, Opa are a South American jazz-funk phenomenon. Fusing Uruguay’s native Candombe rhythms with North American jazz and pop music, Opa’s space-age synthesizers, boisterous grooves and compositional magic expressed a distinctive Afro-Uruguayan voice within the global jazz vernacular: a voice which remains as vital and unique today as when it was recorded, almost half a century ago. Having migrated to New York from Montevideo in the early seventies, Opa were heard playing in a nightclub by renowned producer and label owner Larry Rosen. At Holly Place Studios between July and August 1975, Rosen oversaw Opa’s first recordings using a four track TEAC 3340. The album would become home to some of Opa’s hardest hitting funk jams, with moments of songwriting wonderment and soulful pop and rock progressions combining with the jazz-funk fusion Opa would become known for. Mysteriously (for reasons unknown to the band), Opa’s debut was shelved and remained so until the mid-1990s. But the Back Home recordings were used as demos, gaining Opa a record deal with Milestone Records and the subsequent release of two cult-favourite albums: Goldenwings (1976) and Magic Time (1977). Opa would also collaborate with North American titans including bassist Ron Carter, producer Creed Taylor and Brazilian icons Airto Moreira, Flora Purim, Hermeto Pascoal and Milton Nascimento. In more recent years Opa’s music has found new audiences after being sampled by Captain Murphy (aka Flying Lotus) and Madlib. For fans of Azymuth, Weather Report, Cortex and The Headhunters.
Tomosugu Nakamura - Moon Under Current (LP)Tomosugu Nakamura - Moon Under Current (LP)
Tomosugu Nakamura - Moon Under Current (LP)Teinei

Japanese ambient woven with organic minimal sounds and field recordings.

This marks the fourth vinyl release from Japanese ambient artist Tomotsugu Nakamura. His previous vinyl releases with prominent French ambient label LAAPS and other international labels have consistently sold out. This bold project delves into the fusion of sound and music, employing acoustic elements and analog synthesis within a spatial framework.
The sleeve, inspired by ink painting, is the second work from the up-and-coming art label "teinei," dedicated to producing records that double as art pieces for display. (It will be released simultaneously with Haruhisa Tanaka's Nayuta, the inaugural release from the same label.)

R.N.A. Organism - R.N.A.O Meets P.O.P.O (LP)R.N.A. Organism - R.N.A.O Meets P.O.P.O (LP)
R.N.A. Organism - R.N.A.O Meets P.O.P.O (LP)Mesh-Key
A key document of the late ’70s experimental music scene in Kansai, Japan, R.N.A. Organism’s R.N.A.O Meets P.O.P.O (first released by legendary Osaka label Vanity Records in 1980) is a hallucinatory trip of dubby bass, churning guitars, sputtering rhythm boxes, twisted vocals and unidentifiable sound effects. With the vinyl out of print for decades now, Mesh-Key is honored to present this deluxe, fully authorized reissue, sourced from the miraculously well-preserved, original reel-to-reel tapes. Carefully remastered by Stephan Mathieu, this album has never sounded better.
Sangre Voss - Brogkl EP (12")Sangre Voss - Brogkl EP (12")
Sangre Voss - Brogkl EP (12")Third Place Records
Sangre Voss returns with the idiosyncratic ‘Brogkl EP’ this March, marking five years of Third Place. In the five years since his debut ‘Dance Class’ 12” on Will Hofbauer’s Third Place in 2019, London-via-Devon producer Sangre Voss has continued to melt minds and confuse dancefloors with his singular, head-turning productions. Having featured on Rhythm Section and Fabric Records, he’s also appeared on The Wire’s Below The Radar compilation series and on labels Control Freak, International Extraterrestrial Music, and more. Here though, the label’s main gun returns with four curious and brilliant productions. ‘Smyyre Myyrgu’ leads with folky strings and stabs as chunky percussion and mystical pads unfurl throughout. ‘Ersatz Terrasse’ is a floaty slow-fast affair, sliding through bright keys, skippy drums, and otherworldly effects. On the flip, ‘density of aha’ sees trippy, sluggish vocals and punchy drums combine, forming a bedrock for twisted, randomised synths. The title track ‘Brogkl’ turns up the heat with wonky leads, heavy low end, and wild guitar-like twangs to close out the record, ending another essential offering from the thrilling and always unique musical mind of Sangre Voss.

re:ni - BeautySick (12")re:ni - BeautySick (12")
re:ni - BeautySick (12")Timedance
Having been part of the family for quite some time now, Lauren Bush aka re:ni joins the Timedance roster with an incredibly potent quartet of Techno infused bass-bin weaponry. « BeautySick » sees re:ni plunging into a world of intoxicating serpentine grooves. Spectral vocal slabs chime like echoes of a distant hallucinatory trance, while industrial drumworks find a mesmerizing counterpoint in eerie dubwise atmospheres. These four compositions not only showcase re:ni's sonic evolution but also explore the transient moments where darkness converges with light. They stand as a testament to the sonic prowess of one or favorite dancefloor sorceress. Picture Hajime Sorayama’s ‘Sexy Robot’ in front of an unreasonably large stack of speakers at a dimly lit sound-system dance; this is the soundtrack.
V.A. - Feeling Everything, All At Once (CS)V.A. - Feeling Everything, All At Once (CS)
V.A. - Feeling Everything, All At Once (CS)Redstone Press
Celebrating our tenth release, we proudly present "Feeling Everything, All At Once" - a compelling VA compilation featuring music from our current label family and introducing some talented debutants from Scotland. RED010 marks a powerful statement of intent as we look to the next five years and beyond whilst reflecting on our achievements so far, what we aspire to accomplish and how we can continue to push the sounds that resonate with us. Although it has taken time to reach this milestone, our commitment to quality over quantity remains unwavering. This compilation serves not only as a collection of club-ready tracks but also as a longform piece suitable to more passive listening. With a total of 14 tracks, it stands as our most extensive release yet, expanding our label family to well over 20 artists. The digital release will be complemented by a physical cassette, perfect for playing in the dusty tape deck of your mate's Vauxhall Corsa as you head to that mad rave in the countryside everyone is talking about. We are thrilled to announce our collaboration with the Scottish Action for Mental Health (SAMH) on this project with all the profits being donated to this cause. Both Lewis & Ethan have their own personal experiences with mental health difficulties and strongly believe that SAMH is absolutely vital in facilitating the provision and promotion of mental health care, support & information. A massive thank you to all those involved in making this happen and their generosity in donating their time and talent to the project.

Dip Friso (LP)Dip Friso (LP)
Dip Friso (LP)Real Landscape
This self-titled LP marks the fifth release of Scottish artist Murray Collier’s Dip Friso project, his longest running alias and the solitary vanguard of his own Real Landscape imprint. Across the six tracks he delivers another collection of warped percussive loops, heavily manipulated guitar work and psychedelic sound experiments that drift between popular music forms ('I’ll Get to Hiding') and whittled down takes on electric blues and shoegaze ('Another Country’). The former features the instantly recognisable croon of Still House Plants vocalist Jess HK embellishing a backdrop of tape loop alchemy, an inspired pairing given the shared history of Glasgow dwelling. ‘Thin Ayrshire’ (written with Hannan Jones) treads a similar path with Collier’s own beyond-unrecognisable voice featuring, broken suddenly by a brief flash of 12th Isle’s Loris S. Sarid & Innis Chonnel’s ‘Spalted Water Portal’ thanks to a recycled tape spool. ‘A Sorry Business’ takes on avant-jazz inspired puddle skronk, a stunted casio bleep propelling forward guitar dirge and cymbal crashes, whilst Australian minimal wave heroes The Systematics are paid homage via a farewell cover of their track ‘Midnight on Balancing Day’ (here ‘Midnight’). All in, the album sees the project incorporating more instrumentation and a full use of vocalists, leaning less heavily on gauzy sample collage styles and providing a more introspective look at the hazy, dubwise world Collier has been building for the past half a decade." Fergus Clark

Purelink - Signs (LP)Purelink - Signs (LP)
Purelink - Signs (LP)Peak Oil
The latest by Chicago trio Purelink unspools an alchemical suite of fractal ambient, dusted dub tech, and interstitial electronica, born from a spirit of unity and flux: “All hands on the mixer, forever finding the sound.” Since forming in 2020, Tommy Paslaski (aka Concave Reflection), Ben Paulson (aka kindtree), and Akeem Asani (aka Millia) have convened regularly in a shared studio to workshop, swap samples, and hone their collective muse via “the endless possibilities of a laptop,” seeking “something different than we would make on our own.” Distilled from extended compositions prepared and performed across 2022 in Chicago, Kansas City, New York, and Los Angeles, Signs captures their chemistry at its most liquid and immaterial, mapped in mutating systems of glitch, glass, rhythm, and space. It’s music alternately subdued and subterranean, elevated and remote, attuned to the flickering sentience of outer spheres.

Ulla & Ultrafog - It Means A Lot (LP)Ulla & Ultrafog - It Means A Lot (LP)
Ulla & Ultrafog - It Means A Lot (LP)Motion Ward
For fans of Sean McCann's Recital works to Yusaku Arai ”a two”. Collabolation album of ambient master Ulla & Japanese Experimental musician Ultrafog.
Abschaum - Quand Viennent les Serpents (LP)Abschaum - Quand Viennent les Serpents (LP)
Abschaum - Quand Viennent les Serpents (LP)Macadam Mambo
After more than 6 years of silence, Abschaum is finally back with a new album, and it was about time because this new opus is sublime!! ‘Shamanic’ Chris (Abschaum’s mastermind), made alone this magnificent piece of Folk, Ambient, Kraut music, that he carefully recorded in the mountains of Jura, experimenting with his guitar and a little electronic set-up, composing beautiful melodies and singing French lyrics with powerful voice to bring us to another level of harmonies, the all merged with special atmospheres that are not without remembering Eno or Froese sometimes. In our opinion, this record could easily been recognise as a timeless masterpiece in the future.

Cousin - HomeSoon (12")
Cousin - HomeSoon (12")Mood Hut
On New Year's morning, Cousin took a weary-eyed walk... ‘HomeSoon’ he thought, whilst cutting to the path by the Angophora Forest. As he made it down to the overgrown sidewalk, he caught a sudden sense of warmth from the surrounding flora. On closer focus, it was as if the plants and flowers had come alive...pulsing forward down the path as they bounced, smiled, and sneered all around him. Against logic, he was struck by an almost Garsonian desire to communicate with them. This feeling lingered, persisting through several studio sessions. The music written over this period makes up this EP. How directly this experience informed the music is hard to say. What effect it had on the surrounding plant life is even harder to tell… we do hope, however, through listening to it, you’re a little more tuned in to them.
Kirk Degiorgio presents As One - Reflections (30th Anniversary Edition) (2x12")Kirk Degiorgio presents As One - Reflections (30th Anniversary Edition) (2x12")
Kirk Degiorgio presents As One - Reflections (30th Anniversary Edition) (2x12")Lapsus Records
Although 30 years after its birth this fundamental electronic gem called 'Reflections' has achieved cult status, it is worth remembering that it all started in 1993 in a small apartment in Waterloo, London, with the help of a mixer and a bunch of hardware synth and drum machines of hardware, with the mastodontic Oberheim OB-8 synthesizer as the main partner. While in the UK the vast majority of kids showed a certain rejection of what came from North America in the form of electro, Kirk Degiorgio, under his alias As One, embraced it openly and incorporated it into his productions along with influences from other genres that he had already adored since he was young, such as jazz, soul or funk, thus becoming one of the true early adopters of Detroit techno in the UK. If we look back, 'Reflections' is a challenge in itself, and even more so considering what the consumption pattern of electronic music was in the early 90s. This timeless album fits into the delicate border between being enough club to work on the dance floor, and still being musical and cerebral enough to be listened to at home. A milestone that, whether premeditated or not, Degiorgio more than achieved. Three decades later Lapsus Records has been able to access the pre-masters extracted from the original DATs to build a special 30th anniversary edition within its Perennial series. For the occasion, this reissue not only offers the tracks included in the first edition, it also adds the songs 'The Priestess' –never released on vinyl before– and Forgotten Memory –until now unreleased and rediscovered in one of the DATs dating back to 1992 from the 'Reflections' recording sessions. We are therefore facing the definitive edition of an album that, despite coexisting with the explosion of the rave movement, would pave the path for the UK-Detroit connection.

a.s.o. (LP)
a.s.o. (LP)Low Lying Records
Here is the debut, self-titled album from a.s.o., singer/songwriter Alia Seror-O’Neill, and producer Lewie Day. ‘a.s.o.’ is a thematic consolidation of the previous three singles and an impressive artistic progression. Day and Seror-O’Neill show they’ve mastered the format of the radio-friendly pop song and found how to subvert it completely. Across eleven songs, they have built a rich and compelling body of work. We know where we are now, emotionally complex, trip-hop torch songs for club freaks. But the palette has broadened to encompass ethereal dream pop à la Cocteau Twins, slow-burning AOR-soul, and dubwise stylings. As a result, ‘a.s.o.’ is a satisfyingly coherent listen but never a musical monoculture. Variously there are nods toward Julee Cruise, Fleetwood Mac, and the uneasy listening of Portishead. It’s an album that wears its influences lightly, is never weighed down by them, and always sure of its own identity. It’s anchored by Alia’s unique voice. Her words speak of restraint and release, taking us from the elegiac to the euphoric. This elegantly crafted, perfect pop music sounds like it has had enough of your shit. And Day’s music is the perfect foil; deep, slightly menacing, restrained, and powerful. The album has a cinematic texture, as with David Lynch; the seemingly familiar becomes uncanny and strange the closer we look. a.s.o. take our emotions for a joyride before leaving us floating in space. ‘a.s.o.’ is a journey; by its end, we all are changed.

Tujiko Noriko - From Tokyo To Naiagara (LP+DL)Tujiko Noriko - From Tokyo To Naiagara (LP+DL)
Tujiko Noriko - From Tokyo To Naiagara (LP+DL)Keplar
Keplar presents the first-ever vinyl edition of the 2003 album »From Tokyo to Naiagara« by Tujiko Noriko. This reissue with new artwork by Joji Koyama is an abridged version of the album as Tomlab label owner Tom Steinle and producer Aki Onda had originally intended to publish it alongside the original CD version. Written by the France-based Tujiko while she still lived in Japan, »From Tokyo to Naiagara« followed up on her two seminal Mego albums and marked a turning point in both the artist’s career and personal life: While she was preparing to leave Japan behind, she succinctly connected the dots between her experiments in pop music and her interest for more abstract sounds. Tujiko worked primarily with a Yamaha synthesizer and an MPC sampler while also incorporating contributions by other musicians such as Onda, Riow Arai and Sakana Hosomi into the pieces. Sometimes approaching an IDM and clicks’n’cuts-style production or working with trip-hop and hip-hop beats while using conventional song structures in the most unconventional of ways, the album showcases her multifaceted influences and skills as a singer and musician to full effect. Tujiko fondly remembers the time when she made the album. »I had a lot of time for myself back then and I didn’t even feel like I was very busy,« she says today. She describes producing it in close collaboration with Onda, who would relocate to New York City shortly after, as »quite Tokyo and very local.« They explored parts of the city that they hadn’t yet been to for a photography project (finding, among other things, a coin laundry called Naiagara—a transliteration of Niagara). This left its mark on a record that mixes melancholia with joy. The driving opener »Narita Made,« named after one of Tokyo’s airports, already makes this clear: Tujiko’s wistful vocals and lyrics like »I miss you terribly« emphasises the sense of bittersweetness that forms the common thread for a sonically diverse and stylistically open-ended album—this music is looking back while moving forward. It is probably no surprise that its reissue too evokes tender memories of Onda and Steinle in Tujiko, while also reminding her of what lies ahead. »I have so much more to do and not enough time for that,« she muses, before quickly adding: »But I also feel less alone having that album again.« Influenced in equal parts by the experience of strolling through previously unknown Tokyoite back alleys and thinking about the paths not (yet) taken, »From Tokyo to Naiagara« is precisely that: the perfect travel companion for a journey that leads its listeners from past to future.

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