NEW ARRIVALS

Telemakus' "Eight Ring Revival" via Good Problem Studios. "The upcoming album from Telemakus, featuring an all-star supporting cast of musicians: Flying Lotus, Karriem Riggins, Mndsgn, Liv.e, Sparklmami, Miguel Atwood-Ferguson, Swarvy, Chino Corvalán, Nicole McCabe and more. Pressed via Good Neighbor on a Cosmic Black record made from eco-conscious, 100% recyclable PET plastic. All songs written, performed, engineered & arranged by Telemakus, except where noted “Five Hands Pt. 1” written and co-produced by Swarvy, “Revival” co-produced by Mndsgn, Karriem Riggins “By Any Feet Necessary” co-produced by Karriem Riggins “2054” co-produced by Karriem Riggins"

Latest EP from Lewisham, London born and based Coby Sey – and inaugural release on Coby’s new label, Cardinal Loom, created 10 years after founding and initiating the label and collective CURL with Mica Levi and Brother May.

This EP consists of 5 instrumental songs: 3 new songs and 2 pre-existing songs, all led by piano and keyboards. The mini-LP version comes with 3 more songs, exclusive to vinyl.

“I’ve spent years devoting my time collaborating with artists and musicians, in the studio or live on tour. In rare moments of solitude, I sit in front of a piano or my trusty DX keyboard, play melodies I have in my head and pour it out. These recordings are some of these moments.” 

The vinyl version of ‘Passengers’ is extended to a mini-LP with 3 vinyl only tracks ‘Crossing’, ‘Seen In Another’ and ‘Extended Capacity’, new vinyl only recordings of ‘Face’ and ‘To’ alongside existing songs ‘Dusk’, ‘Passengers’ and ‘Dawn’.

Music From Memory presents Mood Programs – Extended Play, the debut release from LA MARR, a new project conceived by Ron Trent. The first in an ongoing series for the label, it explores Trent’s fascination with mood, acoustics and the emotional impact of sound within physical space.Drawing inspiration from ambient music, dub, New Age, Krautrock, New Wave and HiFi sound system culture, LA MARR channels decades of sonic exploration into a refined contemporary framework. Built from a blend of analogue techniques and modern production methods, the project focuses on depth, warmth and carefully crafted atmospheres.Across the two tracks, 'Good Magic' and 'Clear', shimmering synth patterns, drifting pads, organic percussion and subtle low-end movement combine to create meditative, spacious compositions. Thoughtfully constructed and richly atmospheric, Mood Programs – Extended Play reflects Trent’s ongoing pursuit of sound as an immersive and transformative experience.

On his standout debut LP, DJ Grzyb marshals a rudely squashed swamp dance at the head of his octet, The Make-Believe Ensemble, landing with early support by Nathan Gregory Wilkins, babyschön, Skyrager (Psychemagick), Tom Ravenscroft, Elena Colombi The lessons of dub, new age ambient and Italian cosmic disco that fed into the proto-Goa melange continue to inspire DJ Grzyb and his band of slow disco marauders on this trippy 14-track journey. Their first venture unfolds as a sort of album-cum-mixtape, all handling a vast array of East-West instruments - from brass and woodwind sections to sitar, tanpura, and trad. Thai khaen, ching, pi phu Thai - in a wandering sort of cinematic, narrative-driven fashion. It’s almost entirely yoked to a purposefully slow pace, but does prang out a sore thumb ‘The Three Deaths’ ft. Naphta, aiming it all squarely at the feet of Vladimir Ivkovic or Andrew Weatherall fiends.

A collaborative, improvisational, and free-form trio project led, produced, and mixed by Nathan Haines with Joe Kaptein (keyboards) and Elijah Whyte (drums), recorded in just one day at Auckland Lab Studios. "The Soft Chaos captures the essence of music “in the moment “ - the interaction of three musicians within the improvisation. It embodies the true spirit and essence of “jazz” - music created spontaneously, yet within the boundaries of an art form that has influenced the sound of modern music and many genres for nearly a century. The Soft Chaos showcases live, in-the-moment, top-quality musicianship with a vintage vibe reminiscent of classic 1970s experimental jazz rock, but with a modern jazz-house aesthetic, featuring live human lead drums and synthesisers rather than programmed beats."

Originally released in 1996, DJ Shadow's Endtroducing..... remains one of electronic music's defining albums. Recognised by Guinness World Records as the first album created entirely from samples, it reshaped hip-hop, electronic music and modern production. This 30th Anniversary Edition celebrates the lasting impact of a record that continues to inspire artists and producers three decades on.

Loving You To Death is very much about being with someone who is hurting you by hurting themself, knowing you should leave but that you can’t live without them. It’s mostly about one night, or one period of time? I don’t really know anymore, but maybe you can relate. Before writing this I was obsessed with stretching out my little moody riffs into long drawn out ambient pieces, throwing them through the morphagene and seeing what happens. But there is just way too much sound design around me, everything is so slick and impressive and boring and unmemorable. So I tried to keep everything bare, to accept the recordings as they are and to do it without a band. Long live mid-fi, dramatic relationships, obsessiveness, sing-song melodies and unprofessionalism, and huge thanks to Ariana, Matt, Adam, Yas, Nik, Victor, Ouri, Ziggy, my mom, Alan, and everyone else I drove crazy while making this.

Kikagaku Moyo's debut album exerts an elemental power. Enlivening their sound with sitars, percussive drums, theremins, wind instruments and ethereal vocals, the band manages to sound powerfully spacious and lazily serene all at once. Their songs can be light as air, or heavy as earth. Many evolve out of intense experiences of engagement with the natural world. The album’s first track, “Can You Imagine Nothing?” was written over a night spent jamming on a suspended footbridge in remote mountains. As the song progressed the bridge began to sway, making band members feel as though they were floating weightless in midair. =Band Description= Kikagaku Moyo started in the summer of 2012 busking on the streets of Tokyo. Though the band started as a free musiccollective, it quickly evolved into a tight group of multi-instrumentalists. Kikagaku Moyo call their sound psychedelicic because it encompasses a broad spectrum of influence. Their music incorporates elements of classical Indian music, Krautrock, Traditional Folk, and 70s Rock. Most importantly their music is about freedom of the mind and body and building a bridge between the supernatural and the present. Improvisation is a key element to their sound.

Mystica Tribe & Scopeotaku - MYSTICA TRIBE MEETS SCOPEOTAKU artwork (2) Mystica Tribe & Scopeotaku - MYSTICA TRIBE MEETS SCOPEOTAKU artwork (3) Mystica Tribe & Scopeotaku - MYSTICA TRIBE MEETS SCOPEOTAKU artwork (4) Mystica Tribe & Scopeotaku - MYSTICA TRIBE MEETS SCOPEOTAKU artwork (5) Mystica Tribe & Scopeotaku - MYSTICA TRIBE MEETS SCOPEOTAKU artwork (6) Mystica Tribe & Scopeotaku - MYSTICA TRIBE MEETS SCOPEOTAKU artwork (7) Mystica Tribe & Scopeotaku - MYSTICA TRIBE MEETS SCOPEOTAKU artwork (8) Mystica Tribe & Scopeotaku - MYSTICA TRIBE MEETS SCOPEOTAKU artwork (9) Mystica Tribe & Scopeotaku - MYSTICA TRIBE MEETS SCOPEOTAKU artwork Mystica Tribe & Scopeotaku - MYSTICA TRIBE MEETS SCOPEOTAKU artwork (2) Mystica Tribe & Scopeotaku - MYSTICA TRIBE MEETS SCOPEOTAKU artwork (3) Mystica Tribe & Scopeotaku - MYSTICA TRIBE MEETS SCOPEOTAKU artwork (4) Mystica Tribe & Scopeotaku - MYSTICA TRIBE MEETS SCOPEOTAKU artwork (5) Mystica Tribe & Scopeotaku - MYSTICA TRIBE MEETS SCOPEOTAKU artwork (6) Mystica Tribe & Scopeotaku - MYSTICA TRIBE MEETS SCOPEOTAKU artwork (7) Mystica Tribe & Scopeotaku - MYSTICA TRIBE MEETS SCOPEOTAKU artwork (8) Mystica Tribe & Scopeotaku - MYSTICA TRIBE MEETS SCOPEOTAKU artwork (9) Buying Options CD (Compact Disc) Available Now SPS26126 CD | Release date: 8th October 2026 £14.99 LP (Black Vinyl) Available Now SPS26126 | Release date: 8th October 2026 £25.49 LP (Colour Vinyl) Available Now SPS26126 CV | Release date: 8th October 2026 £30.49 Blue vinyl with hand written insert. Mystica Tribe and Scopeotaku, having formed an international dub alliance, release "Mystica Tribe Meet Scopeotaku" via 13 / Silentes. "Taking their sounds into melodic experimental electronic dub territory. Previously, both have fused their own cultures and personalities into numerous dub releases. Now they are expanding their parameters by collaborating on a project that encompasses both their love for psychedelic and electronic audio combined with heavyweight dub reggae rhythms. Mystica Tribe is the musical alias of Tokyo, Japan based producer Taka Noda. Drawing on a wide range of influences from dub, soul, bass and rhythm & blues. Mystica Tribe has been developing a very distinctive sound that exists in a weird freaked out zone, between dub and techno. Noda is especially interested in deep psychedelic music and this is reflected in his productions. Which are equally suited for late night listening sessions or on bent broken dancefloors. Scopeotaku is the alter ego of Scott Prentice, a Glasgow, Scotland based artist. Scopeotaku has experimented with audio since purchasing a sampler and a four track cassette deck many many moons ago. His love for left-field dub and eccentric sounds have led him to create a variety of output, from industrial ambient, illbent electronics to mutant dub."

Two deep, meditative house tracks from Suze Ijó & Zopelar."On “Ritual of Dance,” Nhojj’s voice guides the listener onto a (makeshift) dance floor, as the track builds in intensity, mirroring the rising energy of a dance session. On the flip, “Groove Extracts” leans further into a stripped, hypnotic space. Driven by percussion, bass, and a wandering key solo. It draws you inward towards the more meditative side of losing yourself in the groove. Inviting the body to take over where the mind dissolves.Ritual of Dance EP is about the journey of dancing alone or together."

Making a bold change of direction as he toasts 45 years working in electronic music, Steve Rachmad dials up the symphonic dimension of his musical practice for Light and Time — a widescreen trip to techno's outer reaches. As one of the true originators of Dutch dance music, Rachmad brings a wealth of experience to his first album for Dekmantel even as he adopts new production methods to create his most ambient body of work to date. A strong melodic sensibility runs through all of Rachmad's work. His 1995 album The Secret Life Of Machines under his Sterac alias remains a landmark of lush, emotionally charged, deep-diving techno, while classic workouts like 'Helix' and 'Gnosis' (as Parallel 9) foregrounded powerful synth lines. Up until the upheaval of COVID, Rachmad's studio practice had been squarely focused on synths and drum machines, but when (along with the rest of the world) he was stuck at home reevaluating his situation, he found himself exploring the world of film scoring. Experimenting with Native Instruments' sampling software Kontakt, Rachmad taught himself how to arrange and layer orchestral instrumentation. Having rarely used sampling in his music before, the distinct fluctuations of recorded orchestral players opened up a new dimension that has become the foundation of Light and Time, the first of many albums Rachmad has ready to go in a more downtempo, home-listening vein. Throughout Light and Time, harmonious passages take centre stage as Rachmad audibly stretches out. At times the orchestral samples arrive in a pure, organic form, while elsewhere they merge and mutate into synthesised elements. His techno legacy manifests throughout, in abstract form. In lieu of strident beats, we're offered fractal, scratchy rhythms guiding uniquely shaped noise and natural sounding percussion with a human lilt. These fluctuations are no accident — they're a result of Rachmad playing much more of the album by hand after years in thrall to the precise machine pulse of arpeggios and sequences. The album never feels restricted by one dogmatic approach. At times, Rachmad's embrace of moody soundtrack composition fills the whole picture, as on haunting string piece 'The Field Of Reality'. Elsewhere he dips into low-slung electro soul for 'Invisible Warriors Of Light' while 'Cosmic Memories' revels in alien synthesis with a dramatic bite. 'Encrypted Instructions' tweaks and processes string samples through angular prisms to close the album out with an experimental flourish. Rachmad's long and winding history in electronic music naturally folds into these new modes of expression, and the end result is a sumptuous, many-sided album that showcases the hidden depths of a techno legend's musicality.

An auster and dialed compilation of 1920's and 1930's ballads. All plaintive solo vocals accompanied by the banjo. No dance songs. Instead you get intense very American tunes about existential angst, murder, love, mystical happenings and so on. The mana. As far as we know, this is the first record to compile purely hard hitting banjo ballads from the golden 78 era. A treasure....

The final installment in the Cairo Records soul series. A double LP with a gold foil cover and a 24 page 12 X12 full color liner note booklet. It's all classic soul and R&B! It's got rockers and deep ballads (mostly deep ballads). It's a winner....

Andy Stott returns to Modern Love with Late Loop, his first album in five years. Two voices sit at the centre of the record: Alison Skidmore, Stott's vocal partner for more than a decade, and Elaine Howley, working with him for the first time. They were given songs in various states of completion, some close to finished, others fragments or loops, often pitched down and slowed. The vocals were layered up, then carved back until only what was needed remained, carrying a set of songs mostly concerned with a separation. Stott began with no plan and a small set of constraints: no basslines, no reverb, no effects except a single delay unit. The album passed through several near-complete versions before settling - a drone record, something close to brass band concrète, a piece that might have ended up as an installation. Each was set aside because texture alone was not the point. He wanted songs. The methods stayed loose and primitive throughout. A drum machine was played through speakers and recorded back into the room, then pitched down until the rhythm sagged under its own weight. A pump organ was recorded through a microphone placed on the floor. Valves warming up and a mixing desk worn in over the years leave their mark on the sound. With no reverb or low end to lean on, the arrangements are left exposed, with an unusual clarity and fragility, every stitch on show. Downbeat, electronica and leftfield song sit side by side across the record, which gives up its detail gradually over repeated listening. Mastered by Rashad Becker. Cover photograph by Myriam Boulos.

Andy Stott returns to Modern Love with Late Loop, his first album in five years. Two voices sit at the centre of the record: Alison Skidmore, Stott's vocal partner for more than a decade, and Elaine Howley, working with him for the first time. They were given songs in various states of completion, some close to finished, others fragments or loops, often pitched down and slowed. The vocals were layered up, then carved back until only what was needed remained, carrying a set of songs mostly concerned with a separation. Stott began with no plan and a small set of constraints: no basslines, no reverb, no effects except a single delay unit. The album passed through several near-complete versions before settling - a drone record, something close to brass band concrète, a piece that might have ended up as an installation. Each was set aside because texture alone was not the point. He wanted songs. The methods stayed loose and primitive throughout. A drum machine was played through speakers and recorded back into the room, then pitched down until the rhythm sagged under its own weight. A pump organ was recorded through a microphone placed on the floor. Valves warming up and a mixing desk worn in over the years leave their mark on the sound. With no reverb or low end to lean on, the arrangements are left exposed, with an unusual clarity and fragility, every stitch on show. Downbeat, electronica and leftfield song sit side by side across the record, which gives up its detail gradually over repeated listening. Mastered by Rashad Becker. Cover photograph by Myriam Boulos.

A multifaceted artist between meta-theatre, music, and poetry. Toji Tojima builds "visible music" from voices, traditional instruments, and everyday objects. Modern folk infused with art wave and the apocalypses of the everyday.

If it's extreme, leave it to us. Challenging the sound, playing with the sound, laughing at the sound. A docking of debut recordings from the most talked-about street artists and "sound collages & sound gags" by pro musicians with eccentric ideas. An exciting, bold, and humorous "bright" New Wave omnibus album. Featuring artists like: Kaoru Sato (EP-4), Masumi Hara & BANANA, Shingo Tomoda, Chinju, Mammy, MUZEUM, and more.

Fukuoka, early '80s. In the backstreets of Hakata, between neon lights and moonlight, three figures shaped darkness and grey shades from the Far East. The "Moonlight" EP and all the Neo Museum rarities finally collected in one vinyl release: the most ritualistic and lunar side of Japanese new wave shines again.

‘Original & Vintage Dubs’ is a collection of 18 unique dub plate mixes from Fashion’s legendary A-Class Studio. The album features live and digital rhythms built in the 1980’s for various projects, some of which never saw an official release. The dub mixes were were initially shared to a select circle of sound system operators to be cut and played as exclusive dubs. For the past thirty years these tracks have been swopped and traded between collectors and members of the sound system fraternity, and now the time is right for the music to be made available to all dub addicts and music lovers, especially as the album has never been pressed on vinyl. The tracks on the 'Original & Vintage Dubs' album were all mixed at the A-Class Studio by the Dub Organiser.

Carl “Sherlock” Holmes started gigging in the early sixties forming Carl Holmes & the Commanders with whom he recorded a full length album for Atlantic in 1962 entitled Twist Party At The Roundtable. Later on he recorded a couple of 45’s for the Parkway and Verve labels. In May of 1966 a pre-Experience Jimi Hendrix gigged with the group but never recorded with them. After a final 45 for the local Philly label Black Jack, the group disbanded and Carl formed the Sherlock Holmes Investigation a solid outfit backed by a strong rhythm section packed with congas, vibes, flute, organ and sax. Philly’s Sigma Sound Studio was the place they recorded their sole album and Curtis R. Staten’s CRS Records was the label that released it. This album has it all! Smokin funk breaks in Black Bag, Investigation, Get Down Philly Town, It Ain't Right and some syncopated latin-inspired jams in Modesa. All these coupled nicely by some fine mellow numbers in Close To You, Think It Over and Your Game . And all but one (Bacharach/David's Close To You) written by a guy named Len Woods, a remarkable songwriter, no doubt! After Tramp Records has released four songs of this album on two 45RPM singles recently, the entire Investigation No.1 album is now available on CD. It even comes with a bonus track which has been originally released on 45RPM single only.

Originally released in 1980 and long regarded as one of the most avant‑garde statements of its era, Hansten Klork captures Metabolist at the intersection of post‑punk restlessness and uncompromising experimentalism. The album’s stark textures, motoric rhythms, and hypnotic minimalism reveal a band equally indebted to kraut‑rock repetition, post‑industrial atmospheres, and the austere clarity of minimalism—creating a distinct, unsettling sound that still sounds contemporary today. This reissue restores the original record in full and adds six rare bonus tracks drawn from the band’s singles (“Drömm/Slaves,” “Identify”) and the split 7‑inch with Die Form. These extras expand the album’s narrative, showcasing Metabolist’s willingness to push structural and sonic boundaries—short, fierce sketches and elongated, trance‑like explorations that map the group’s experimental trajectory.

You can recall John Lurie from his amazing performances in Jim Jarmusch ‘Permanente Vacation’ or ‘Stranger Than Paradise’ (even his cameo in Paris, Texas and Desperately Seeking Susan), but the long & tall man from Minneapolis is essentially an outstanding musician. From 1979 onwards he was the leader of The Lounge Lizards, a band he put together in downtown New York with the help of brother Evan (piano, organ), Arto Lindsay (on guitar), Steve Piccolo (on bass) and Anton Fier on drums. Their music was ironically labeled as "fake jazz", being their style a combination of punk rock attitude and no wave with strong doses of jazz. Over time they became increasingly appreciated for their originality which combined musical experiences gathered from all over the world, welcoming new members in the crew such as Tom Waits guitarist Marc Ribot. Their music still stood the test of time and their first live appearances are set to be remembered as wild and sophisticated at the same time.

Recorded again at the legendary Kerwax Studio by Christophe Chavanon, fully on analog tape and gear, Witchthroat Serpent's latest LP “DEMONS LEFT TO ROAM” is yet another hymn to the last century’s sordid dreams and fears, moral panic and the creepy costumes from Halloween in the 30’s. Huge and gritty walls of guitars, rumbling stereo bass and plundering ritual drums. Songs of horror tales and satanic litanies, carried by haunted vocals.

From 1993, a hallmark UK Dub album returns to the light. Pressed in small run and extremely hard to find. Produced at Earthquake Studio by TNT Roots and Winston Dread. Raw, undiluted music reflecting the evolution of Dub and contains the seeds of all their future work. Heavy sounds that stand the test of time. Back on the streets after 30 years,fully restored and remastered to honor the dubplate masters of UK Sound System culture.