MUSIC

DINTE sub-label 333 returns with this double A-sided 45, lifting two of the choicest cuts from Devon Russell's LP of Curtis Mayfield cover versions - previously reissued for the first release on the imprint back in 2022, and long since sold out. Originally released in the early 80s on the High Music label, produced by Earl "Chinna" Smith with assistance from the great Mutaburaka. "We grew up on the sounds of Curtis Mayfield and The Impressions. Everyone in Jamaica loved them. His death was a terrible thing, but while there is life, there is hope." - Devon Russell, 1994

Regarded as one of the finest releases to emerge from Chicago’s legendary Cadet label, Marlena Shaw’s The Spice of Life stands as her definitive masterpiece. Released in 1969, the album showcases Shaw’s remarkable expressive range, elevated by the meticulous arrangements of Richard Evans and Charles Stepney. Together, they crafted a soul‑jazz landmark where lush orchestration, sharp rhythmic sensibility, and Shaw’s commanding vocal presence come together with striking clarity.

Step into the golden era of soul-jazz with the long-awaited vinyl reissue of “Vibrations” by Roy Ayers Ubiquity — a record that captures the unmistakable warmth, groove, and sophistication that defined Roy Ayers’ sound at its peak. Originally released in 1976, “Vibrations” stands as a cornerstone in Ayers’ catalog, marking a moment where his signature blend of jazz, funk, and soul reached a refined, deeply cohesive form. Building on the foundations laid in earlier works, this album presents a tighter, more focused musical vision without sacrificing the lush textures and emotional depth that made his music resonate worldwide. Roy Ayers was a pioneering vibraphonist, composer, and producer whose influence stretches far beyond jazz into R&B, neo-soul, and hip-hop. Often referred to as the “Godfather of Neo Soul,” Ayers crafted a sound that feels both timeless and forward-thinking, pairing silky vocals with hypnotic grooves and rich instrumental arrangements. His work throughout the 1970s helped shape the sonic DNA of modern Black music, and “Vibrations” is one of its purest expressions. The album flows effortlessly between moods: from the jazz-inflected elegance of ‘Searching’ to the irresistible funk pulse of ‘The Memory,’ the dancefloor-ready ‘One Sweet Love to Remember,’ and the laid-back, atmospheric title track ‘Vibrations.’ Each track showcases a masterful balance between musicianship and groove, brought to life by a stellar ensemble of collaborators who elevate every moment. Beyond its original impact, “Vibrations” has taken on a second life through hip-hop. Its grooves, breaks, and melodies have been extensively sampled by generations of producers and artists, becoming a foundational source for crate diggers and beatmakers alike. Tracks from the album have been reinterpreted and flipped by influential names such as A Tribe Called Quest, J Dilla, Dr. Dre, and Common, cementing its legacy as a vital bridge between 1970s soul-jazz and contemporary hip-hop culture. After almost two decades out of print, we are pleased to present this much-needed vinyl reissue of an essential album in Roy Ayers’ career. Whether you’re discovering it for the first time or returning to a beloved classic, this album remains an essential piece of musical history. Pressed on 180g vinyl.

In "Everybody Loves the Sunshine" (1976), Roy Ayers seamlessly blends genres, creating a timeless sound that continues to influence musicians and DJs around the world. He makes the vibraphone the central instrument, a jazz-funk approach that defines his unique style. Over time, the album has remained an essential reference in Roy Ayers' discography and in the history of 70s Black music. Summertime soul classic! 180g vinyl.

A modern MPB jewel. Jazz harmonies and cosmic pop . 2025 Remastered.

“One of the most important singers and songwriters in Brazil”

João Donato, to the newspaper O Globo

Released in 2022, Tulipa Ruiz's Habilidades Extraordinárias (HabEx) showcases one of Brazil's most inventive voices. Blending MPB, jazz, pop, and psychedelic textures, the album reveals Tulipa's rich harmonic vision and fearless creativity.

From the hypnotic "Samaúma" to the infectious "Estardalhaço," HabEx flows between improvisation and groove. The duet “O Recado da Flor” with João Donato — one of his final recordings — bridges generations, mixing Donato’s bossa-jazz swing and Fender Rhodes warmth with Tulipa’s luminous voice. "Pluma Black" (feat. Negro Leo) explores avant-jazz abstraction, while "Novelos" and the title track evoke Hermeto Pascoal and Stevie Wonder-era soul-jazz.

Praised across Brazil, HabEx established Tulipa Ruiz as a key figure in modern MPB, combining melodic sophistication, humor, and emotional depth. A decade after her breakthrough and a Latin Grammy win, she continues expanding Brazilian pop and jazz.

Tulipa Ruiz is a Latin Grammy-winning singer, songwriter, and illustrator from São Paulo. Raised in a musical home—her father Luiz Chagas played with Itamar Assumpção, and her brother Gustavo Ruiz remains her longtime producer—she emerged from the Vanguarda Paulista lineage with a bold, genre-blending sound. Fusing MPB, soul, pop, and rock her music is joyful, layered, and unmistakably her own. Since her breakout Efêmera (2010), Tulipa has become one of Brazil’s most distinctive voices, with five acclaimed albums, collaborations with Elza Soares and Milton Nascimento, and performances at global festivals from Montreux to Lollapalooza.

Stepping Into Tomorrow is a 1974 album by jazz trumpeter Donald Byrd. The AllMusic review by Andy Kellman awards the album with four out of five stars.

Tennessee's Oliver James, a time-capsule of classic R&B sound, returns to the Colemine label with two new tunes pressed onto one must-have 45. The A-side features his first new track since 2022. '1-2-3' is an upbeat soul stomper à la Memphis and Stax. Nick DeVan and Vincent John (Eraserhood Sound) co-wrote the track; they finalized the instrumentals but were stumped on the lyrics. That's when James was called in, and he used his time working at a church to shape the lyrics that eventually became this number. The B-side was a collaborative effort with Nashville's gritty-funk ensemble The Gripsweats. It's an earnest song with lyrics inspired by James & DeVan's commiseration. "I'm no stranger to love that I used to know'," laments James; his favorite line of the song. Cushioned by lush string and horn arrangements, 'Nothing Is Forever' is a melancholy and heartfelt foil to the A.

Tennessee's Oliver James, a time-capsule of classic R&B sound, returns to the Colemine label with two new tunes pressed onto one must-have 45. The A-side features his first new track since 2022. '1-2-3' is an upbeat soul stomper à la Memphis and Stax. Nick DeVan and Vincent John (Eraserhood Sound) co-wrote the track; they finalized the instrumentals but were stumped on the lyrics. That's when James was called in, and he used his time working at a church to shape the lyrics that eventually became this number. The B-side was a collaborative effort with Nashville's gritty-funk ensemble The Gripsweats. It's an earnest song with lyrics inspired by James & DeVan's commiseration. "I'm no stranger to love that I used to know'," laments James; his favorite line of the song. Cushioned by lush string and horn arrangements, 'Nothing Is Forever' is a melancholy and heartfelt foil to the A.

Following the massive success of their sophomore album Fading Forward, Les Imprimés, by popular demand, press two standout tracks from the album on the coveted 7” format.The A side, “You & I,” is a feel-good, upbeat homage to the kind of love that endures “through the chaos and the blunders.” Punchy drums and keys create an undeniable two-stepper for frontman Morten Martens’ vocals to float above. Dreamers dream and dancers dance as Martens paints a picture of a devoted, understanding love that few are lucky enough to find. On the B side, Les Imprimés offer their take on the classic slow jam. “Miss The Days” unfolds gradually, with slow pulsing drums and building instrumentation that evoke longing and nostalgia. Martens sings of simpler times impossible to forget—moments free of adult responsibilities, when “it was you and me, hand in hand, sometimes wasted…” Ama Li joins him on vocals, transforming the track into a killer modern take on the classic soul duet, a tune sure to resonate far and wide.

Wanda Felicia’s stunning debut album on Timmion Records, Now Is The Time…, delivers a dynamic selection of soul that feels both timeless and refreshingly present. Backed by the analog grooves of Cold Diamond & Mink, Felicia brings forth a suite of stories sunk in vintage grooves but made just right for any time.

With roots in New York’s house and acid jazz scenes – and after spending decades away from the spotlight – Wanda resurfaces with a seasoned voice and spirit, ready to impress anybody with a beating heart. Each track on Now Is The Time… feels lived-in: from the shuffling bounce of “Stuck On You” to the blooming optimism of “Flowers in the Garden” and the introspective funky poetics of “Reflections of Love.”

Throughout the album, Felicia’s delivery is effortless, elevated by Cold Diamond & Mink’s rich but tightly knit palette of rhythm section and horn riffs. Together they create a rootsy soundscape that channels late 1960s to early 1970s soul with a modern touch. Whether you’re drawn in by the beat balladry of “All in the Game” or the southern soul of “Until You’re Mine,” this album creates its own space beyond trends – celebrating craft, emotion, and timeless groove.

Market East finally shares their most important statement to the world in the form of their debut LP, French Street. The group, composed of Kurt Cain on vocals, Vincent John on vocals, bass, guitar and keys, and Maxwell Perla on vocals, drums and percussion, deliver their signature celestial three part harmonies over arrangements that have never sounded so rich and compelling.

French Street is extremely soulful and the vocals are lush, like if the Zombies recorded at Muscle Shoals. The lyrics are poetic and nostalgic, as the group wrote songs about their bygone “golden” years. Back then, the boys didn’t have much besides each other and their shared love of music. Vocalist Kurt Cain lived in a small rowhome in North Philadelphia on a nearly deserted alley named French Street. It was here that Cain, John, and Perla came together every week to escape reality and get high off sharing music. They developed a deep appreciation for all things 60s and 70s, from Simon & Garfunkel to the Moments, and everything in between.

All these years later, and Market East has created a classic record of their own. From the baroque pop of the title track and the roaring soul of “Roses,” to the Latin flavors of “Echoes of My Heart” and the orchestral flares of “Everyday, Springtime,” Market East shows their impressive range. Recorded to analog tape in Philadelphia, the record was produced by the band and Eraserhood Sound. Grab your copy of this timeless classic today.

Emeralds, the sophomore long player from Parlor Greens, finds the trio serving up a beautifully curated sampler of what funky organ music can be. On Parlor Greens’ debut LP In Green We Dream, they announced their existence boldly to the welcoming arms of funky instrumental fans around the world. Now, two years later, they’re back to up the ante. Three true masters of their respective crafts: Tim Carman (Canyon Lights, formerly of GA-20) on drums, Jimmy James (True Loves) on guitar, and Adam Scone (Scone Cash Players, The Sugarman 3) on organ. Seasoned and soulful pros coming together to make infectiously funky instrumental jams.

Parlor Greens are truly in top form: tour tight and more confident than ever in who they are and where they’re going. The album’s opener, “Eat Your Greens,” kicks the doors off with a Charles Earland-inspired four on the floor beat, with Jimmy and Scone driving the tune down the tracks like an overloaded freight train, it simply cannot be stopped. On “Red Dog,” the group channels the absolute heaviest shade of early R&B with Jimmy’s crunchy guitar paving the way for both he and Scone to take scorching solos. “Lion’s Mane” shows a slightly more sophisticated side of the trio, with nods to one of Scone’s organ mentors, the incomparable Dr. Lonnie Smith. Not to be outdone by his bandmates, Tim Carman shows off why he plays the best shuffle this side of the Mississippi on “Letter To Brother Ben,” a gospel-tinged shuffler.

And while the results are stronger than ever, the mood of this second cooking session was much different. The first time these three met in Loveland at Colemine’s Portage Lounge studio was marked by a certain freshness. It was new, it was the first time they had all played together. It was exciting, it was unknown territory. The session for Emeralds weighed much heavier on all three members. All three dealing with personal tragedies in their individual lives, the session truly served as a genuine moment of joy for the group. Just three talented musicians, writing and playing music now as friends in a familiar environment. No moment is the weight of the session more obvious than with the album’s closer, “Queen Of My Heart,” a tune Jimmy wrote for his mother shortly after she passed away.

So with a heavy and soulful heart, Colemine Records is beyond proud to present the sophomore effort from three maestros. Parlor Greens presents…Emer

El Michels Affair's limited edition 7-inch single Anticipate b/w Indifference features two tracks from their latest album 24 Hr Sports. With guest appearances by Clairo and Shintaro Sakamoto, the release blends vintage soul with a modern sensibility.

Strut presents the second studio album from Brian Auger’s Oblivion Express and a firm favourite with Auger aficionados, the “little known masterpiece” A Better Land from 1971. Marking a clear evolution from their more jazz-rock leaning debut, the band shifts into a mellower direction on these tracks, echoing the feel of Befour released in the Trinity's later years. A Better Land embraces warmer, more melodic and understated compositions, primarily written by guitarist Jim Mullen. With its languid and spacious approach, the album brings an grounded message to make the most of the simple pleasures in life with a hopeful, but wary, eye to the future. Musically, Auger brings acoustic guitars, country rock melodies and three-part vocal harmonies into his musical palette. Key tracks include the groove-driven title track ‘A Better Land’, the sparse ‘Dawn of Another Day,’ (sampled by Air and Black Milk among others) while ‘Fill Your Head With Laughter’ returns to Auger's trademark driving Hammond-led sound, akin to early Traffic. The record features the Brian Auger’s unique sound on organ and electric piano, joined by Jim Mullen on guitar, Barry Dean on bass and Robbie McIntosh on drums and percussion, with Auger, Mullen and Dean all contributing vocals. Mullen co-wrote seven of the album’s nine tracks, with additional contributions from Alan Gorrie (later of Average White Band). These songwriters should take immense pride in their work as Auger’s favourite singer of all time, Sarah Vaughan, recognised the quality of these compositions by covering three of them; ‘Trouble’, ‘On “Thinking It Over’, and ‘Tomorrow City’ for her 1972 album A Time in My Life. This new official Strut reissue is curated by Greg Boraman of Impressive Collective in collaboration with Brian and Karma Auger. Fully remastered by Cosmic Audio, it is presented as a high-quality single LP replica edition.

For the debut release on our new Soft Rock For Hard Times imprint, Suzanne Kraft covers Sugarcane's unforgettable soft-rock-meets-modern-soul ballad "What You Do To Me." Originally released as a limited 45 and featured on WDVE's first Pittsburgh Rocks compilation in 1980, and then featured on Soft Rock for Hard Times Vol. 2 in 2014. Recorded and produced by Suzanne Kraft with a pitch perfect synthesizer solo by Jordan Czamanski, this version expertly matches the original song's private press essence with a full sound and dynamic arrangement that is recognizably Suzanne Kraft. Secret Circuit delivers an extraordinarily heavy dub on the flip, launching Suzanne Kraft's cover forward with bass and drums under waves of delay and echo, bouncing the song towards the iconic synth solo which Secret Circuit sends into pure soundsystem bliss. The Universal Cave crew whipped up a bonus Atmos Mix for the digital release, easing the song into downtempo, chilled-out arpeggiation directed squarely at horizontal listeners everywhere.

The album will be released on February 13, 2026

Strut proudly presents the debut album from producer, songwriter and multiinstrumentalist, Momoko Gill. Fresh from her critically acclaimed collaboration Clay recorded with cult electronic artist Matthew Herbert, Momoko steps forward in her own right for the first time with her remarkable debut solo album.

Momoko has long been one of the UK electronic and jazz scene’s best-kept secrets. A self-taught drummer, producer, songwriter, and vocalist, she has brought her unique touch to collaborations with Alabaster DePlume, Matthew Herbert, Coby Sey, Tirzah, and Nadeem Din-Gabisi (her musical foil in An Alien Called Harmony). Extensive touring behind the drum kit, at the keys and in front of the mic have honed her compositional and production instincts.

With Momoko, Gill emerges into the spotlight with an album that is entirely her own. Throughout, you can hear the stylistic flavours of jazz musicians as much as singer-songwriters, experimental artists and electronic producers. Though Gill rejects imitation, sculpting her sound through feel and expression rather than tradition. Based in London and having grown up in Japan and the US, Gill channels her breadth of perspective through her musical ideas and storytelling, with a unique voice developed through instinct, collaboration and solitary study.

The album’s eleven tracks take in a wide spectrum with the jazz-infused groove of ‘No Others’ and harmony-drenched, reflective ‘Heavy’ contrasting with the dark, confrontational sound of 'Shadowboxing' leading into an eerie left-field instrumental beat, ‘Test A Small Area' and the impressive 50-person choir on ‘When Palestine Is Free’ (which includes heavyweights Shabaka Hutchings, Soweto Kinch, Alabaster DePlume, Coby Sey, Marysia Osu and more). It is a deeply personal and poetic recording and showcases the full uncompromising range of Momoko’s vison, presented in her own voice.

Momoko was produced by Momoko Gill, recorded at Total Refreshment

Centre, mixed by Matthew Herbert and mastered by Alex Gordon at Abbey Road Studios.

Colemine is proud to present the first new music from the Delvon Lamarr Organ Trio in over four years. These tunes were taken from the I Told You So sessions and from a forthcoming full length LP. The super funky “Chicken Leg” on the A-side and the slow burn “If I Could” on the flip. The personnel on this features Lamarr on Organ, the incomparable Jimmy James (Parlor Greens, True Loves) on guitar, and the deep pocket of Grant Schroff (Polyrhythmics, Champagne Bubblebath) on drums. I Told You So was one of DLO3's best selling and performing albums, so the forthcoming LP is surely one not to be missed!

Wanda Felicia drops a dynamite double-sider on Timmion Records with “Stuck On You” b/w “Flowers In The Garden” – two soulful standouts from her debut album Now Is The Time… Brought to life by the analog alchemy of Cold Diamond & Mink, they showcase the full range of Wanda’s timeless voice and songwriting finesse.

On the A-side, “Stuck On You” struts in as an upbeat soul shuffler, delivering infectious energy with tight rhythms, warm organ, and Wanda’s unmistakable presence at the helm. It’s a flirty love song that grooves with clarity and conviction, made for celebrations.

The flip side, “Flowers In The Garden”, slows things down into a mellow midtempo groove – a lyrical reflection on relationships and emotional growth told through the changing seasons of a blooming garden. With sweet harmonies, a soaring chorus, and a graceful sax solo by Pope Puolitaival, it’s a lush, radiant piece of soul craftsmanship.

Together, these tracks feel like two pages from a love letter – heartfelt, detailed, and dressed in the warm textures of analog soul. Whether dancing by yourself at home or cutting through on a selector’s set, this 7” is a sure keeper.

Wanda Felicia drops a dynamite double-sider on Timmion Records with “Stuck On You” b/w “Flowers In The Garden” – two soulful standouts from her debut album Now Is The Time… Brought to life by the analog alchemy of Cold Diamond & Mink, they showcase the full range of Wanda’s timeless voice and songwriting finesse. On the A-side, “Stuck On You” struts in as an upbeat soul shuffler, delivering infectious energy with tight rhythms, warm organ, and Wanda’s unmistakable presence at the helm. It’s a flirty love song that grooves with clarity and conviction, made for celebrations. The flip side, “Flowers In The Garden”, slows things down into a mellow midtempo groove – a lyrical reflection on relationships and emotional growth told through the changing seasons of a blooming garden. With sweet harmonies, a soaring chorus, and a graceful sax solo by Pope Puolitaival, it’s a lush, radiant piece of soul craftsmanship. Together, these tracks feel like two pages from a love letter – heartfelt, detailed, and dressed in the warm textures of analog soul. Whether dancing by yourself at home or cutting through on a selector’s set, this 7” is a sure keeper.

Market East finally shares their most important statement to the world in the form of their debut LP, French Street. The group, composed of Kurt Cain on vocals, Vincent John on vocals, bass, guitar and keys, and Maxwell Perla on vocals, drums and percussion, deliver their signature celestial three part harmonies over arrangements that have never sounded so rich and compelling.

French Street is extremely soulful and the vocals are lush, like if the Zombies recorded at Muscle Shoals. The lyrics are poetic and nostalgic, as the group wrote songs about their bygone “golden” years. Back then, the boys didn’t have much besides each other and their shared love of music. Vocalist Kurt Cain lived in a small rowhome in North Philadelphia on a nearly deserted alley named French Street. It was here that Cain, John, and Perla came together every week to escape reality and get high off sharing music. They developed a deep appreciation for all things 60s and 70s, from Simon & Garfunkel to the Moments, and everything in between.

All these years later, and Market East has created a classic record of their own. From the baroque pop of the title track and the roaring soul of “Roses,” to the Latin flavors of “Echoes of My Heart” and the orchestral flares of “Everyday, Springtime,” Market East shows their impressive range. Recorded to analog tape in Philadelphia, the record was produced by the band and Eraserhood Sound. Grab your copy of this timeless classic today.

An essential Roy Ayers album blending soulful jazz roots with crisp 1970s funk. Featuring Ayers' signature vibes, tight arrangements, and standout tracks like ‘The Boogie Back’ (sampled by the likes of NWA, 2Pac, De La Soul…) and ‘Change Up the Groove,’ this LP is a must-have for any fan of jazz-funk and vintage grooves. AUDIO: www.youtube.com/watch?v=HCE1TYS7a4w&list=PLeQdEEo-NQ4RiCGrVw6DbTmM4m0CGsMpF Un álbum esencial del catálogo de Roy Ayers, donde el jazz se funde con el funk setentero en su máxima expresión. Con el vibráfono como protagonista, ritmos pegadizos y arreglos sofisticados, incluye clásicos como ‘The Boogie Back’ (sampleado por multitud de artistas como NWA, 2 Pac, De La Soul…) y ‘Change Up the Groove’. Ideal para amantes del soul, jazz-funk y grooves elegantes..

ElectroSoul is the most collaborative and personal record yet from GRAMMY Award-nominated producer, songwriter, and multi-instrumentalist DJ Harrison.

Sparked by a sudden health scare in 2024, the album brought the Richmond, VA, native’s close-knit creative community into the studio. The result is a genre-melding testament to healing, recovery, rejuvenation and making the most of the present. Grounded in his Richmond roots and inspired by family, ElectroSoul moves with warmth, purpose, and groove.

Featured artists include Yazmin Lacey, Yaya Bey, Fly Anakin, Pink Siifu, Stones Throw labelmate Kiefer, Angélica Garcia, Miguel Atwood-Ferguson, and many more.

Mndsgn (born Ringgo Ancheta) grew up in south New Jersey, raised with Gospel music at church, and B-Boy culture at home. Experimenting with beat-making, he befriended fellow producer Knxwledge and the two formed the influential Klipmode collective (along with Devonwho and Suzi Analogue). Mndsgn's music flourished when he moved to Los Angeles, catching the attention of Stones Throw who released Yawn Zen (2014), an LP of introspective and mostly instrumental beat creations, punctuated by vocal cuts.

Body Wash is his second album for Stones Throw, a full set of realized songs that were only hinted at on Yawn Zen. Influences here include the likes of early SOLAR records material, Leon Sylvers III, Kashif, and Dave Grusin. These artists, Mndsgn says, "embodied that potent feeling in the early 80s boogie/funk/soul/jazz/fusion wave." He adds, "I was also digging back into some early 90s R&B sounds and started really imagining what it would be like if I had mashed the two eras together." He explains Body Wash as "a soul record that plays with nostalgic elements in a very dynamic & positive way. Think about it as a box of crayons for you to draw emotions with."

The album was built around a backstory, a loose narrative thread through which he could filter his unformed ideas. In the narrative, a homeless man encounters a mysterious woman who gives him shelter. She instructs him to bathe with a very peculiar body wash. As he soaks and sinks deeper in a thick lather of this unknown solution, the man finds himself transported to an alternate dimension. Mndsgn describes the story as a vessel "that would allow me to speak on topics that were universally relatable … The story actually became a true outlet for me to address worldly issues with Self." The resulting album also represents a dynamic step forward in songwriting. Without explicitly relating its plot or characters, the album as a whole turns on the story's key theme, the psychedelic, transformative power of love.

The album will be released on February 13, 2026

Strut proudly presents the debut album from producer, songwriter and multiinstrumentalist, Momoko Gill. Fresh from her critically acclaimed collaboration Clay recorded with cult electronic artist Matthew Herbert, Momoko steps forward in her own right for the first time with her remarkable debut solo album.

Momoko has long been one of the UK electronic and jazz scene’s best-kept secrets. A self-taught drummer, producer, songwriter, and vocalist, she has brought her unique touch to collaborations with Alabaster DePlume, Matthew Herbert, Coby Sey, Tirzah, and Nadeem Din-Gabisi (her musical foil in An Alien Called Harmony). Extensive touring behind the drum kit, at the keys and in front of the mic have honed her compositional and production instincts.

With Momoko, Gill emerges into the spotlight with an album that is entirely her own. Throughout, you can hear the stylistic flavours of jazz musicians as much as singer-songwriters, experimental artists and electronic producers. Though Gill rejects imitation, sculpting her sound through feel and expression rather than tradition. Based in London and having grown up in Japan and the US, Gill channels her breadth of perspective through her musical ideas and storytelling, with a unique voice developed through instinct, collaboration and solitary study.

The album’s eleven tracks take in a wide spectrum with the jazz-infused groove of ‘No Others’ and harmony-drenched, reflective ‘Heavy’ contrasting with the dark, confrontational sound of 'Shadowboxing' leading into an eerie left-field instrumental beat, ‘Test A Small Area' and the impressive 50-person choir on ‘When Palestine Is Free’ (which includes heavyweights Shabaka Hutchings, Soweto Kinch, Alabaster DePlume, Coby Sey, Marysia Osu and more). It is a deeply personal and poetic recording and showcases the full uncompromising range of Momoko’s vison, presented in her own voice.

Momoko was produced by Momoko Gill, recorded at Total Refreshment

Centre, mixed by Matthew Herbert and mastered by Alex Gordon at Abbey Road Studios.

Reissued for the first time on vinyl, here's Jamaican reggae singer George Faith second album, originally released on Hollywood Records in 1979. Amazing soulful reggae melodies backed by the likes of Sly & Robbie, Aston "Family Man" Barrett, Tommy McCook, Earl "Chinna" Smith and more. Produced by the one and only Bunny Lee at Harry J Studios, and mixed by Scientist at King's Tubby's Studios!