MUSIC

reissue of this impossible to find LP, 52 years after the Original !

Recorded in 1983 by roots reggae’s young prodigy Hugh Mundell and quietly released around 1987, the long‑hard‑to‑find hidden gem Arise finally returns in an official remastered edition.

Built on Bunny Lee’s classic riddims and topped with Carl Harvey’s free‑flowing, expressive guitar leads, Ecstasy Of Mankind

Reissued for the first time ever the debut album of the Jamaican singer/producer, releasesd in 1983 for Soul Beat records. An ultra rare album recorded at Joe Gibb’s studio with a great band: Sly& Robbie, Earl Chinna Smith, Winston Wright and more… All tracks remastered for the first time!

Lee 'Scratch' Perry’s Disco Devil Vol. 5 continues this run of late-’70s Black Ark material, where extended mixes, heavy bass and studio experimentation collide. As with previous volumes, this set gathers rare and sought-after discomixes, pairing vocal cuts with Perry’s unmistakable dub touch. Junior Murvin features prominently, while cuts from Twin Roots, Watty Burnett, Keith Texon and Michael Campbell round out the selection. Across the record, Perry’s production blurs the line between song and version, letting rhythms stretch, echo and unravel into deep, hypnotic territory. A vital snapshot of the Black Ark at full power, capturing the looseness and invention that defined Perry’s most celebrated era.

Re-up of vital 1975-’77 dubs by the wee legend, cooked up long, strong and odd at his fabled Black Ark Studio for DJ play and dancers’ satisfaction. The 4th in a slew of cherry-picking Perry comps scrolls farthest back into his golden era of productions with six top drawer examples of his innovative tekkerz developed at the storied Black Ark Studio. Up top, his psychoacoustic magick is in effect on an hypnotic Upsetter special edit of Augustus Pablo’s melodica meditation ‘Vibrate On’ and 8 mins of gorgeous choral harmonies and toasting to ‘History’ by Carlton Jackson, and Perry with his crackshot band on the Rasta devotional ’Stay Dread / Kingdom of Dub’ edit. Down below, ‘Babylon Deh Pon Fire’ sets flames to the B-side along with Junior Murvin’s signature falsetto on the anti-gravity steppa ‘Tedious’, and Raphael Green’s ‘Rasta Train.’

Vital 1977-’79 dubs by the wee legend, all cooked up long, strong and odd at his fabled Black Ark Studio for DJ play and dancers’ satisfaction. Holding 40 minutes of golden era dub heat, ‘Disco Devil Vol. 1’ spotlights Lee “Scratch” Perry at a crest of his innovative powers. The title cut is a certified all-timer, full of chants, cauldron bubble and ten tonnes of bass that would be sampled in a ‘90s anthem by The Prodigy. Likewise he takes all the time needed to crease your Clarks with a 9 min discomix of Junior Murvin’s sparrow-voiced trotter ‘Roots Train’, and nearly 10 mins of the unreleased Seven Leaves disco mix to ‘Such is Life’, cooling Lord creator’s croon on duskiest sway and FX balm, next to soul-stir fire of Winston Watson’s ‘Dispensation.’

Somewhat of a companion piece to our If I Had a Pair of Wings compilations from a few years back, exploring a similar period in Jamaican-recorded music though this time focusing in on gospel, mento & nyabinghi-influenced R&B sounds from the 1950s & early 60s.

The long-overdue revival of Bim Sherman’s catalog begins here. These essential recordings will become widely available again for the first time in decades, opening a new chapter in the appreciation of one of Jamaica’s most distinctive voices and representing a major moment for reggae and dub aficionados around the world. This reissue series will not only preserve his legacy but will also offer listeners the chance to experience the depth and timeless resonance of Sherman’s work in its full glory.

Bim Sherman—born Jarret Lloyd Vincent, in Westmoreland, Jamaica—holds a unique place in reggae history. Emerging in the mid 70s, his ethereal, haunting vocal style quickly set him apart from his contemporaries. He was soon collaborating with the top producers and musicians of the era, including Adrian Sherwood and the On-U Sound collective, bridging the gap between roots reggae and experimental dub and laying the groundwork for the fusion of Jamaican sounds with the vibrant underground scene in the UK. His career, from Kingston to London to Mumbai, was marked by an artistic daring and spiritual intensity that has earned him enduring respect across generations.

The centerpiece of this reissue campaign is Ghetto Dub from 1988, a record that distills Sherman’s artistry into its most potent form. Originally released in a limited number, the album embodies the stark yet soulful beauty of dub production. With its reverb-drenched drums, cavernous basslines, and echo-laden atmospherics, Ghetto Dub transforms Sherman’s various tracks into spectral presences that drift in and out of the mix. The arrangement and production—minimal yet profoundly textured—captures both the raw urgency of Jamaican street culture and the forward-looking experimentation of the UK dub scene. Each track unfolds like a meditation, balancing grit with grace, density with space. Ghetto Dub is more than an album; it is an immersive soundscape that reaffirms Bim Sherman as one of reggae’s most otherworldly and visionary figures.

Money Maker is a rare 1978 release by the great Jamaican organ wizard Jackie Mittoo. A must have instrumental reggae classic which blends a series of killer-riddims originally laid down at Studio One and Mittoo's highly infectious gritty funk organ work.

2026 repress. "Sister Nancy's 'Bam Bam' on the Stallag Riddim is arguably the most licensed dancehall track for advertising and film backgrounds with multiple uses since 2000. The song has also displayed amazing lasting power for club DJs, with its instantly recognizable hooks. This album, originally released in 1982, showcased Sister Nancy for the world on the heels of a hit that has only gotten bigger over the decades. This is the first legitimate re-issue of the album, since the death of producer and techniques label founder, Winston Riley. Demand will be strong for this rare gem."

This is the legendary Byron Lee and his Dragonaires carrying the flag of Jamaican Ska and Calypso! First released in 1964 on Kentone label this fine album sees the so called Jamaica's no1 band offering their special mixture of caribbean flavoured sounds. The album consists of a string of hits enhanced by a bunch of Kingston's Top Ska Singers such as Stranger & Patsy, Eric "Monty" Morris, The Charmers, Keith & Ken, The Maytals, Roy And Yvonne.

First released in 1964 under the expert production of Blackwell for Island Records, this remarkable album captures the essence of Jamaican soulful jazz through the extraordinary talent of Ernest Ranglin. As a pioneering guitarist and composer, Ranglin delivers an impeccable performance that blends the rich traditions of jazz with the vibrant rhythms of Jamaica.

Accompanied by a highly swinging rhythm section, featuring Malcolm Cecil on bass and Alan Ganley on drums, the album explores a captivating variety of moods and tempos. Ranglin seamlessly moves through fast-paced, catchy numbers, mid-tempo grooves, and heartfelt ballads, showcasing his versatility and masterful command of his instrument. The inclusion of subtle Latin flavors adds an additional layer of warmth and rhythmic complexity, making this collection a true sonic journey.

This release not only highlights Ranglin’s unique sound but also serves as a testament to the innovative spirit of Island Records during the 1960s. Jazz aficionados and new listeners alike will find themselves immersed in the timeless appeal of this record, which continues to inspire musicians and music lovers around the world.

Rediscover the soulful melodies and infectious rhythms of Ernest Ranglin’s work with this exceptional album—a jewel of Jamaican jazz history that remains as fresh and captivating today as it was over half a century ago.

Trinidad born legendary guitarist, Lynn Taitt, who brought the first wave of Rocksteady to the Island, and Gladdy Anderson who is well known for a Skatalites' pianist, they both got together to record this Rocksteady instrumental album 'Glad Sounds' at Federal Studio in 1968. Released from the Merritone label, which was managed under the Federal. The album depicts the hay day and best sound of Rocksteady as well as label itself. First time to be reissued by Dub Store Records. The forth reissue of the Story Of Federal program by Dub Store Records. The original UK issue was released on the Big Shot label with a different jacket design. Album tracks consist mainly of cover versions of popular tracks, which were produced by Coxsone Dodd, Bunny Lee and Sonia Pottinger. Lynn Taitt and Gladstone Anderson added gentle flavors to their versions by their distinctive instrumental plays. Also Federal's recording facility made possible to maintain this sound quality. Certainly, this is another classic album to add to your collection shelf!!

Strut present the first ever official compilation bringing together the complete in-demand reggae / disco singles of Risco Connection between 1979 and 1980.

Drummer “Drummie” Joe Isaacs had already created history as the house drummer at Studio 1 in Jamaica on countless pre-reggae classics before moving to Canada in 1968 and is credited with slowing down the fast pace of ska during the rocksteady era. With Risco Connection, Isaacs released a series of choice reggae / disco covers, from ‘Ain’t No Stopping Us Now’ and ‘Good Times’ to ‘I’m Caught Up (In A One Night Love Affair)’ and ‘It’s My House’ as limited 12” singles on his own Black Rose imprint. “Arriving in Canada, we were one of the first set of musicians out of Jamaica coming here,” explains Isaacs. “With Risco Connection, we wanted to try something new, songs that would have a crossover between disco and the rocksteady feeling and the right lyrics. We had trouble getting them well distributed widely at the time but people still picked up on the sound.”

Recorded at Glen Johansen’s small studio Integrated Sound in Toronto, musicians included Jamaican, US and Canadian players with Isaacs on drums and percussion, bassist Clarence Greer, guitarist Tony Campbell and keyboardist/singer Glen Ricketts. Isaacs also called on a number of great independent vocalists including Terry Hope (‘It’s My House’), Merlyn “Lorna” Brooks, (‘Caught Up’), Otis Gayle and Juliette Morgan (‘Bringing The Sun Out’ and ‘Sitting In The Park’) and Tobi Lark (‘Good Times’). The biggest hit of all the singles was Risco’s dynamite cover of McFadden and Whitehead’s ‘Ain’t No Stopping Us Now’. selling over 5,000 copies in Toronto and New York with the dub version becoming a firm favourite of David Mancuso at his famed Loft parties.

‘Risco Version’ brings together all of the vocal versions, dubs and extra tracks from the singles. Both formats feature an interview with Joe Isaacs and liner notes by journalist Angus Taylor. Audio is restored by Sean P and fully remastered and cut loud and proud by The Carvery. 

All rhythm tracks by Bunny Lee at Studio One. "This form of music started in the dance halls in the early '60s by some of the pioneer record producers. Mainly Lee 'Scratch' Perry and Bunny 'Striker' Lee, by both of whom I've been tremendously influenced... As a youth, from Jones and Trench Town, I've learned you must have an adequate power amplifier, right preamp and speakers... For the right sound and effect, King Tubby's 'the dubmaster' is a must, knowing when to bring in the rhythm and leggo the bass and drum. This album, it's clean, heavy and right effects; we digged into the rhythm vault and came up with ten of the hardest rhythm tracks. You'll be convinced that this is the King Of Dub." --

Originally released in 1978 on High Note, Dub Expression is a classic dub album recorded at Duke Reid’s famed Treasure Isle studio by his nephew, engineer Errol Brown. Working with the mighty studio band The Revolutionaries, Brown delivered dubbed-out takes on rhythms originally crafted for Marcia Griffiths, John Holt, Dennis Brown and more. Anchored by Lowell “Sly” Dunbar’s propulsive drums, The Revolutionaries channel the turbulent spirit of late-’70s Jamaica with militant precision. Though their line-up was ever-shifting, overlapping with other legendary session crews like The Professionals and The Aggrovators, The Revolutionaries were best known as the house band for Channel One during dub’s golden age. The decision to release the album under the band’s name—rather than crediting individual vocalists—was made by pioneering producer Sonia Pottinger, recognising the commercial power and creative force of the group itself. The result is a deep, heavy and unfiltered dub set that stands as one of the genre’s finest. Liner notes by JR Gonne.

Reissued for the very first time on vinyl here's Prince Alla's (aka Keith Blake) debut album, under the Ras Allah pseudonym, originally released on Tappa Zukie's Stars Records in 1978. Featuring a who's who of the roots reggae community with top notch contributions from the likes of Sly & Robbie, Earl ‘Chinna’ Smith, Don Drummond Jr., Bingy Bunny (Roots Radics) and more. Recorded at the almighty Black Ark and mixed at Tubby's. Produced and Arranged by Tappa Zukie.

Mandatory re-issue for this 1979 roots reggae smash

One of the Hidden Gems out of the Rockers Int Label released in 1995 this LP features so many classic Far East melodies from Pablo mixing the digital and analog formats to perfection with vocals by Pablo on the title track as well as Majestic Niyabinghi Drums and the finest musicians

Ken Boothe and Lloyd Charmers come together on a landmark release that bridges soulful vocals with the stripped-down power of drum and bass. Each song is followed by a raw version, offering a bold, unfiltered statement that points directly to the future of reggae. No filler here—just foundation music at its purest.

Jamaica's national treasure. Legendary Jamaican Jazz.

Internationally acclaimed guitarist Ernest Ranglin with piano genius Leslie Butler in a dazzling quartet. Recorded in 1965.

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Ernest Ranglin is a guitar player who represents Jamaica as well as one of the forefront personals who took Jamaican music to the world. As an arranger and a musical director, he contributed with his talent in the development of Jamaican music, including Ska and Reggae, from the origins. Musicians who have started their career at the time, still look up to him as a mentor and pay their respects. The internationally acclaimed guitarist Ernest Ranglin is currently pursuing his career without any musical boundaries at the age of over 80.

Treasurable 1st reissue of a 1982 roots reggae rarity, one of the only cuts by cousins Freddie & Dessie, and starring Beres Hammond in full fat remaster and new cut, thanks to the ceaseless search of Shella Records, who finally sourced a mint copy in Brazil.

"“Me Look Like A Lion But Me Humble Like A Man” Fredrick Dookie & Desmond Silpatt were cousins and close friends who, though not prolific, created one stunning reggae tune which has been near impossible to find for over 40 years.

Like artists from Supercat to Sheila Rickards, Freddie & Dessie are of Indo-Jamaican descent. They gravitated to music from an early age.

Recorded at Aquarius and arranged by Wire Lindo, the track features back up vocals from a young Beres Hammond.

"I have loved this song for a very long time and this exclusive reissue has been in the works for several years since I tracked down one half of the duo Dessie aka Desmond Silpatt who is now based in Florida." says Chris from Shella Records.

Freddie, who provides the song’s hypnotic vocal, was a devout Rasta man who sadly passed away in 2019. He is survived by Dessie, a renaissance man, inventor and author who has penned thousands of songs in his time."

The Heptones are without doubt one of Jamaica’s finest vocal groups. Emerging in the 60s at Studio One, they became a landmark for reggae harmonies. This 1978 album, produced by Winston ‘Niney the Observer’ Holness, features top musicians including George Fullwood, Sly Dunbar, Ansel Collins, Tony Chin, and Eric ‘Bingy Bunny’ Lamont. Recorded at Channel One and mixed at Harry J Studios by Sylvan Morris, it remains a stone-cold classic, true to its roots.