Jazz / Soul / Funk
1120 products
Following the incredible (and successful) compilation Taiwan Disco, the master minds behind Aberrant Records present this delicious record. Subtitled Disco Divas, Funky Queens and Psych Ladies from Asia from the 70s to the Early 90s you don't have to take a wild guess to figure out what you'll find here, a treasure trove filled with exotic jewels from Thailand, Taiwan, Malaysia, Singapore, Hong Kong, Indonesia, and South Korea, from Asian funk to psych-tinged awesomeness, disco madness and much more. Features Chailai & Sawanee, Chantana Kittiyapan, Lei Si Si, Ding Dai, Yasmin, Wong Foong Foong, XYZ, Fatimah Razak, Chen Qiong Mei, Sum Sum & Pan Pan, Grace Simon, and Hit Girls.
Sweet And Nice is the vital debut album from Jamaica’s undisputed first lady of song Marcia Griffiths. It's reggae at its most soulful. Slinking through a tight ten tracks of R&B and pop-sourced material, it became an instant best seller. 45 years after its initial release the LP is available again on vinyl, now as a double LP, with an extra record collecting 14 rare tracks.
Everything’s been remastered of course, including the original LP, so Sweet And Nice now sounds even sweeter, and even nicer.
These 28 tracks, 72 minutes in total, cover a wide range of musical styles and eras, from the 60s to the present, urban to rural, primarily by Thai vocalists and musicians, with contributions from Japan and the Philippines. 60s-America-style pop by Suri Yamuhi and the Babylon Band as well as contemporary EDM, trap and hip hop sounds are all present, but the core of this soundtrack are luk thung and molam classics from the 70s and 80s by Angkhanang Khunchai, On-uma Singsiri, Dao Bandon, Khwanta Fasawang and “The Countryside is Great” by Rungphet Laemsing, a pivotal song in the film. All tracks are complete versions, some incorporating dialogue from the film. This CD-only OST features English lyrics, and liner notes by the film’s directors Katsuya Tomita and Toranosuke Aizawa, plus Iwao Yamazaki, Young-G and MMM of the Kuzok team, and Soi 48. This is the first soundtrack release by EM Records.
TRACKS:
01. Pai Tuktuk Dwai - DJ Pai Dwai
02. Pai Massage Dwai - Young-G (stillichimiya/ Omiyuki CHANNEL)
03. The Smell of Money - Suri Yamuhi & The Babylon Band
04. You've Left Me Alone - Suri Yamuhi & The Babylon Band
05. Porra - XXXSSS Tokyo
06. Only Som Tam - On-uma Singsiri
07. The Countryside is Great - Rungphet Laemsing
08. Isan Radio
09. Bong Ja Bong (Pipe, oh Pipe!) - Dao Bandon
10. Burn! Burn! Burn! ~ Surfin' Dien Bien Phu - Suri Yamuhi & The Babylon Band
11. I Will Buy You Back - Bar Nong Khai Band
12. Samet Love - DJ Pai Dwai
13. That Goddam Motorsai - Khwanta Fasawang
14. The Stench of Night – from Chit Phumisak's poem - Surachai Jantimathawn
15. Saramanda - DJ Pai Dwai
16. Tamarind Leaf (molam) - Angkhanang Khunchai
17. Bahn Swairon - Khun Narin's Electric Phin Band
18. Khaen Whistle Reprise (JRP Tondo mix) - DJ Kensei feat. Tondo Tribe
19. Vang Vieng Bank (Change Yen to Lao) OST mix - DJ Kensei
20. Xieng Khouang's Daughter - Thong Boonma (lam), Le Boonma (khaen)
21. Get Em - XLII
22. Paun's House - Suri Yamuhi & The Babylon Band
23. Xanadu - Young-G (stillichimiya/ Omiyuki CHANNEL)
24. Kanom Party - Young-G (stillichimiya/ Omiyuki CHANNEL)
25. The Song of an Angel - Suri Yamuhi & The Babylon Band
26. Ying's Story - Subenja Pongkon
27. Isan Lam Phloen - Angkhanang Khunchai & The Ubon Phatthana Band
28. Full Moon (Atsani Phonlachan) - Yuzo Toyoda, Takeshi Yamamura
Limited reprint. Corbett vs. Dempsey announce the release of four books of poetry by Sun Ra. Two of these were pamphlets that accompanied early Sun Ra albums issued in the late 1950s; the other two were published more than a decade later by Infinity Inc./Saturn Research. CvsD's reprints are fastidiously designed facsimiles of the original publications, marking the first time they have been available in their Ra-ordained form since they were published. An architect of Afrofuturism and one of the great musical thinkers of the 20th century, Ra's work extended far beyond jazz and even music to the realms of pageantry, performance, theater, philosophy, visual art, and literature. In the mid-1950s, he handed out leaflets and gave street corner lectures -- revisionist interpretations of the Bible and bold meditations on the status of African Americans in American society. A few years later, Ra began disseminating his poems in -- and sometimes on -- his albums. His debut, Jazz By Sun Ra, was issued in 1957 by the Boston-based Transition label, a short-lived company that sold records by subscription; this record contained a beautiful booklet, now as prized as the LP itself, with rare photographs and a selection of poems and proclamations, as well as the personnel and recording credits. Ra's Jazz In Silhouette was released two years hence on Saturn Records, the label he started with Alton Abraham, and it came with a mimeographed liner booklet -- now exceedingly rare -- that was folded, unstapled, as an ultra-economical accompaniment to the vinyl. The CvsD version folds this slim pamphlet of poetry into a slipcover with a classic photo portrait of Ra by Thomas "Bugs" Hunter on the back. Perhaps Ra's best-known book of poetry, reprinted in many alternative versions with different contents over the years, is The Immeasurable Equation; this incarnation restores the original Infinity Inc./Saturn Research version, published in Chicago in 1972 and distributed widely by the Arkestra, often from the bandstand. It features more than 60 of Ra's poems. Finally, perhaps the rarest of Ra's poetry books is Extensions Out: Immeasurable Equation Vol. II, which was also published by Infinity Inc./Saturn Research. This 8 1/2 x 11 inch book is a massive compendium of more than 130 poems, very much in step with the mimeo poetry publications of its era -- simple staple binding, one-sided pages -- featuring three photographs of artwork by Ayé Aton, a close ally of Ra's in this, the period of the Arkestra classic Space Is The Place, on which Aton plays percussion. Great care was taken to reproduce the special textured cover of this highly sought-after book. These four books are exclusively sold as a set. The first edition is limited to 1000 copies. Corbett vs. Dempsey is proud to represent the non-musical side of the Sun Ra Estate. The label gratefully acknowledges Irwin Chusid and Sun Ra LLC for the permission to release this historically rich chronicle of Ra's poetry, presented as he originally conceived it.
Two years after “Morning Picture”, “Touch of Rain” was made in 1986 by skillfully incorporating the taste of fusion.
This work, which was played colorfully with many top musicians such as Masashi Akiyama on guitar and Hideo Yamaki on drums, will be reproduced as much as possible to reproduce the specifications at that time.
All the songs are composed by him, such as “What Do You Do When It’s Spring?”, Where the reverberation quietly sways in a transparent sound space, and “Empty Blues”, which has a moody saxophone scent. thing. While keeping the originality, it is a fresh and contemporary work.