Jazz / Soul / Funk

Abner Jay is an extraordinary one-man-band with one of the deepest emotive voices ever recorded. ¡ÈMan Walked On The Moon¡É features Abner material from two different periods. Side A opens with an early deep 1970¡Çs version of his signature song ¡ÈI¡Çm So Depressed,¡É which has never before been reissued on LP. The hit is followed by four previously unreleased songs from the same period - ¡ÈThe Royal Palm¡É (a classic train song), ¡ÈOld Black Joe,¡É ¡ÈI¡Çm A Hard Working Man,¡É and his paen to space travel, ¡ÈMan Walked On The Moon.¡É All are sung and played by Abner with his standard one man band set up - electric banjo, drums played by his feet, and harmonica. Side B of the LP features Abner¡Çs emotionally charged last recordings. These were made two months before Abner passed away, and here we nd him pensively playing acoustic guitar and singing. The songs are incredibly emotional and not for the faint of heart. These mournful tracks were previously released on a Mississippi 10¡É EP back in 2011 (¡ÈLast Ole Minstrel Man¡É) and is long out-of- print. This LP collects some of Abner¡Çs greatest work from across his career, all rare or previously unreleased classics! LP comes housed in an old school ¡Ètip on¡É jacket and includes a 20 page booklet with photos and a loving tribute to Abner Jay written by Jack Teague. All tracks fully licensed from Brandie Jay, Abner¡Çs daughter.

The latest work "Hear / Here", which is M's fifth work in total, was recorded in his hometown of San Francisco, where he produced the masterpiece 1st "Isophonic Bugiugi" (1980), which is his origin. He moved to New York in the early 80's. He suddenly moved to Israel in 2013, but returned to San Francisco last year. This latest composition collection "Hear / Here" was produced there.

Roland, who consistently produces works with improvisational composition, has a top-notch mix of electronics and acoustics, with a sense of Pharaoh Sanders, techno, electronic music, and classical music. The spirituality and ambientness, and the (

The latest work "Hear / Here", which is M's fifth work in total, was recorded in his hometown of San Francisco, where he produced the masterpiece 1st "Isophonic Bugiugi" (1980), which is his origin. He moved to New York in the early 80's. He suddenly moved to Israel in 2013, but returned to San Francisco last year. This latest composition collection "Hear / Here" was produced there.

Roland, who consistently produces works with improvisational composition, has a top-notch mix of electronics and acoustics, with a sense of Pharaoh Sanders, techno, electronic music, and classical music. The spirituality and ambientness, and the (

In the previous work "Isted Serenade", the amplification was modest and the emphasis was on the deep acoustic sound, but in this work, his new frontier is heard with the electro sound that has been synthesized (synthesized). On the surface, that's the case, but his philosophy "isophonic" is still pierced in the core, and what is expressed through Young's unique conprovisation (composition and improvisational compound word) is "isophonic. His world that continues from "Bugiugi". Therefore, the degree of discipline of the sound is different from that of the electro guys there, and the density is able to withstand deep listening. Also, the sound pressure and facial expression of the sound was a problem until the end of completion, and his realism still living in Brooklyn is reflected in the tension of this aggressive and tingling sound.

The fourth release from Roland P. Young on EM Records sees him moving ever deeper, earthbound and rooted, yet simultaneously flying further out, expanding his exploration of untethered celestial realms. Recorded in 2014 following a move to Tel Aviv, the title Confluences hints at the blend of cultures and histories in his new homeland, and is reflected in the music, which shows a range of cultural influences, filtered through Young's unique sensibility and vision. This is a calm, spiritual set, evidencing an inner comfort that was less prevalent on his Brooklyn-era recordings. This is not to imply that RPY is no longer searching; this release brings to fruition the promise of earlier recordings such as Isophonic Boogie Woogie [EM1045CD/HJLP] and Istet Serenade [EM1087CD/LP], made complete via Young's multi-instrumental chops on sax, bass clarinet, kalimba and keyboards working in tandem with his rhythm and bass programming skills, his multi-track studio mastery and an ever-evolving sense of musical form and drama. The confluences of cultures are of course swirling throughout this release, but also the confluences, as noted above, of the earthy and the celestial, as well as the temporal confluences of the past, present and future. Perhaps more than any of his previous releases, Confluences realizes Young's description of his own work as "Afro spiritual minimal electronic space music". Available on CD and LP, this release is the next stage of Roland P. Young's never-ending voyage. Get on board!

The fourth release from Roland P. Young on EM Records sees him moving ever deeper, earthbound and rooted, yet simultaneously flying further out, expanding his exploration of untethered celestial realms. Recorded in 2014 following a move to Tel Aviv, the title Confluences hints at the blend of cultures and histories in his new homeland, and is reflected in the music, which shows a range of cultural influences, filtered through Young's unique sensibility and vision. This is a calm, spiritual set, evidencing an inner comfort that was less prevalent on his Brooklyn-era recordings. This is not to imply that RPY is no longer searching; this release brings to fruition the promise of earlier recordings such as Isophonic Boogie Woogie [EM1045CD/HJLP] and Istet Serenade [EM1087CD/LP], made complete via Young's multi-instrumental chops on sax, bass clarinet, kalimba and keyboards working in tandem with his rhythm and bass programming skills, his multi-track studio mastery and an ever-evolving sense of musical form and drama. The confluences of cultures are of course swirling throughout this release, but also the confluences, as noted above, of the earthy and the celestial, as well as the temporal confluences of the past, present and future. Perhaps more than any of his previous releases, Confluences realizes Young's description of his own work as "Afro spiritual minimal electronic space music". Available on CD and LP, this release is the next stage of Roland P. Young's never-ending voyage. Get on board!

The fourth release from Roland P. Young on EM Records sees him moving ever deeper, earthbound and rooted, yet simultaneously flying further out, expanding his exploration of untethered celestial realms. Recorded in 2014 following a move to Tel Aviv, the title Confluences hints at the blend of cultures and histories in his new homeland, and is reflected in the music, which shows a range of cultural influences, filtered through Young's unique sensibility and vision. This is a calm, spiritual set, evidencing an inner comfort that was less prevalent on his Brooklyn-era recordings. This is not to imply that RPY is no longer searching; this release brings to fruition the promise of earlier recordings such as Isophonic Boogie Woogie [EM1045CD/HJLP] and Istet Serenade [EM1087CD/LP], made complete via Young's multi-instrumental chops on sax, bass clarinet, kalimba and keyboards working in tandem with his rhythm and bass programming skills, his multi-track studio mastery and an ever-evolving sense of musical form and drama. The confluences of cultures are of course swirling throughout this release, but also the confluences, as noted above, of the earthy and the celestial, as well as the temporal confluences of the past, present and future. Perhaps more than any of his previous releases, Confluences realizes Young's description of his own work as "Afro spiritual minimal electronic space music". Available on CD and LP, this release is the next stage of Roland P. Young's never-ending voyage. Get on board!

The KlapYaHandz label, a long-running labour of love helmed by Sok Visal, has been at the forefront of a revitalization of contemporary Cambodian culture since the beginning of the 21st century; it was the very first independent hip hop label in Cambodia, nurturing an ecosystem of rappers, producers and engineers, male and female, fusing hard-hitting Khmer-language hip hop rhymes with samples of Khmer traditional music and Golden Age hits, propelled by relentless grooves. Returning to his Cambodian homeland after a youth spent absorbing hip hop in France and the U.S., Visal’s energy and focus inspired a new musical generation; his love of Cambodian music as well as hip hop melded with his ear for jazz, funk and soul, and led to the creation of some very cool music from the artists he brought to his label. The 12 tracks on this CD are the very finest from the first decade of the KlapYaHandz galaxy. Hip hop, yes, but very definitely Cambodian hip hop, with traditional and Golden Age musical elements very prominent. Very cool, very Cambodian, very cosmopolitan, and very contemporary, but the past is always present, a love of musical history lighting the way forward.

+ 36-page booklet
+ English liner notes and lyrics
+ Liner notes written by Sok Visal and Sorany Var

Tracks:
1. Rin / Hip Hop [2001]
2. Phnom Penh Playaz / Ride With Us [2002]
3. Aping / Ereva Chanoy [2005]
4. Aping / Sangsa Lek 1 (feat. Dina) [2005]
5. Khmer Rap Boyz / Berk Chak [2007]
6. Kelly / K. E. L. L. Y. [2007]
7. Pou Khlaing / Yeak (feat. Adda) [2008]
8. Yungsterz / Luk Ko Luk Krobey [2008]
9. Khmer Kid / Laut Doch Besdoung (feat. Lisha) [2010]
10. Lisha / Srok Sre [2008]
11. Nen Tum / Dey Srok Khmer [2011]
12. Yungsterz / A yap [2011]

Revised and expanded second edition of Hartmut Geerken and Chris Trent's comprehensive reference Omniverse Sun Ra, originally published in 1994. Full-color 304-page hardcover book. French fold cover with metallic silver foil blocking on cyan faimei cloth. 290mm x 245mm portrait. Omniverse Sun Ra features many previously unpublished photographs of Sun Ra and His Arkestra in New York in 1966 and Germany in 1979 by Val Wilmer, and Hartmut Geerken's previously unpublished photographs from Heliopolis in Cairo, Egypt, in 1971, in addition to an updated comprehensive pictorial and annotated discography by Chris Trent, including chronological discography and alphabetical record title, composition, personnel, and record label indexes, as well as indexes of shellac 78RPM records, 45 RPM singles, jackets, and labels. Also includes essays and photo documents by Hartmut Geerken, Chris Trent, Amiri Baraka, Robert L. Campbell, Chris Cutler, Gabi Geist, Sigrid Hauff, Karl Heinz Kessler, Robert Lax, and Salah Ragab.