Japanese

Performance as if John Fay and Buckwards Sam Fark possessed, all 6 songs by cyber cowboy wandering in the digital jungle + Tomoki Kanda (CRUE-L Records)'s best remix recording! 2010s present tense TOKYO music cutting edge that looked like prewar country blues 100 years ago. The splendor that I haven't lost sight of myself for many years.

Formed in 1978 and still active, Yin Hunting Rotten is a heretic presence in Japanese indie games with its overwhelming name and works. They are an "impossible" group who were in the Tokyo / Yokohama underground scene in the early 80's but were not influenced by punk-post-punk itself.
Members Naoyuki Masuda (g), Masamichi Oyama (key), and Atsushi Harada (dr) met through a surrealist research douujinshi, and based on the idea of converting to the sound of "automatic writing", improvisation was the main axis. Started activities. He released various works in 1980-84, but his name was difficult to read, his songs were like symbols, and his titles and works with pure white bindings that didn't even have a sword were all crushed, but his unique personality was unparalleled. Since then, it has been a mysterious existence and has received strong support until now.
 This "Houaku" was recorded in 1985, but after many twists and turns, it will be submitted here as a "new work" and a second album. The recorded music was recorded by improvisational performance based on the image recalled from the video by projecting a photograph taken by Masuda in Spain into the studio, and it was edited and completed later.
Using an electrified / synthesized instrument, the amorphous music that sometimes looks like Sun Ra (unintentional) is timeless, and it's hard to tell when and where it works. The unknownness is a word of "cool !!" "I learned for the first time at this time that the time difference of" several decades "in improvisation does not mean much. I think there is no such thing as" evolution of rising shoulders "in music," (Atsushi Harada, commentary. Than)
 Following this work, "Initial Works" will be released to celebrate the 35th anniversary of the band's formation! First, the unreleased original complete version, a remaster of the sound quality dramatically improved, presented in 2014 Japan Indie's hottest work !!

Osharaku is a traditional Japanese form of musical entertainment, featuring mainly voice, shamisen and percussion, with a repertoire of folk and popular songs, performed by farmers and fishermen for local audiences. This compilation, 28 tracks compiled by Riyo Mountains, is the fourth release in the EM Records/Riyo Mountains Japanese folk series. These recordings feature legendary osharaku masters, recorded in their homes, brilliantly capturing the casual warmth of vitality characteristic of the style. Osharaku is unique in its use of shamisen, originally an “uptown” urban instrument, in a “downtown” non-urban setting. These joyous tracks, all recorded in the 1960s and 70s, are available as a 2-CD set or a single 12” vinyl LP, with English translations and rare photos.

CHINZADOPENESS, Stillichimiya (Young-G, MMM, Dengaryu, Mr. Maru, Big Ben) participated!

Here is the latest version of HIPHOP that America doesn't know yet. Juu, a Thai talent who represents Asia and locals from the opposite direction of 88rising, and therefore creates completely fresh music that can be used globally. Captain Beefheart with Autotune? Is it a drake on a buffalo? The 1st full album "New Luk Thung" is finally dropping!

Who is Juu? Thai HIPHOP scene where attractive acts appear one after another. Among them, Juu is respected as an OG, but it is extremely difficult to catch its existence from outside Thailand. Singing in Thai, there is no physical, OMK (One Mekong) traces the trace that existed only on Youtube and succeeded in contact. In 2017, he was finally invited to perform his first live concert in Japan, revealing his unusual musicality and character. The groove of the hi-hat that is too thick and finely carved is that of TRAP or later, but the flow that expands and contracts freely, the linguistic sense that mixes English, Thai, Japanese, Koshu valve, and the rich Thai music classic All of them (and their funny personalities) showed that they were in a completely different dimension from the world-famous TRAP copycats.

This is Juu's first full-length album, which was completed in about two years after the talents and OMK members collaborated with each other and started co-production with the lead of Stillichimiya / OMK's Young-G. Most of the tracks are in Young-G's hands, and the sound is also full of ambitions that reflect OMK's attitude. Thai instruments such as chin, cowbell, cane and pin are used everywhere, but never used for exotic seasoning. In order to inject the original beats and grooves in Thailand, they are inevitably incorporated. And what oozes out in the mellow song is the flow (singing heart) that is similar to Luk Thung and Japanese enka. They create an indescribable "new song feeling" through Juu's background HIPHOP and reggae.

As the title "New Luk Thung" shows, this work is a Pattaner (* 2) of the dying Thai song genre Luk Thung (* 1) with cutting-edge HIPHOP. Like HIPHOP, this music called Luk Thung cites (samples) and revives past classical music many times. And like HIPHOP, the lyrics (lyrics) are also very important music. The feature of this work is that the manners common to Luk Thung and HIPHOP have been completely digested without contradiction. The title of this work comes from Juu telling Young-G that "this is New Luk Thung" in the process of production, but this is an inevitable name. This work is both "latest HIP HOP" and "latest Luk Thung". In the world of Juu's poetry, which is respected as the best "master poet" in the Thai HIPHOP world, please check out the complete translation, which was extremely difficult to translate.

The first and last physical version of the popular signboard series of Ano (t) raks, a label that shows a new trend in Japanese indie pop. City music BREEZE created by up-and-coming musicians passes through the heart.

Anotoracs was established in 2012 "to introduce domestic indie pop artists buried in the net". Mainly for distribution, today's city music was launched, and the talents of the new generation of 2010s such as Shin Rizumu, Miho Tsujibayashi, Navel Suke, and Sodapop were introduced and attracted a lot of attention, so keep an eye on future trends. There are many fans in the UK, US and Europe, and we cannot take our eyes off the future trends, such as the establishment of a new label under the umbrella of a large CD shop and the launch of another label.

This time around the 3rd year since its inauguration, Dai Ogasawara, who sponsored the elite track of the 2014 signboard series "Light Wave", re-selected the song and summarized it as "Light Wave: Today & Tomorrow". This is presented as a current record of what's next, from which anyone can experience what Annotrax calls Indie Pop / City Music tomorrow. The CD version and the LP version have different album appearances due to different song selection and jackets. 2010s Japanese indie pop must-listen!

Also pay attention to the sound that has been greatly reborn by thorough mastering of all songs (including some remixes)!


+ Japanese / English notation with lyrics and commentary
+ Commentary: Ryohei Matsunaga

Captain Ganja + Haruomi Hosono + A. Russell !? This is the rumored Pure Land Dub New Age Base! A natural talent who fell in love with that Tapes, a new album of all 7FO songs has been completed !!!! A fluffy daydream experience with Nirvana BGM with a faint grassy scent. Offers from leading labels such as RVNG and Bokeh Versions are coming in, and the attention is rising overseas overseas, but Japan is left behind? I hear a voice saying, but wait! We kept waiting for this talent to stone and explode, and finally it was time to awaken !!!!!! The decisive difference between 7FO and conventional electronic music writers is that it treats ambient-new age synth electronics with natural ethnicity like dub-reggae, with a feeling that Westerners do not have. That's the point. That sense is the reason why it produces the sound that the times demand, and is supported by RVNG-like new age-electronic music, new roots revival to extreme bass music, and La Monte Young to Equiknoxx fans. In a metaphorical way, what would happen if Haruomi Hosono from the YEN-Monad period appeared in the 2010s base scene? That is, it still has a mysterious potential. If you tell someone who doesn't know anything about the charm of "Ryu no Nukegara", you can get the true value straight away! ?? Natural high additive-free chill-out decision board that will be a landmark of 7FO that told that Tapes "There is no reason for me to make music ..." (The binding by Hiroto Higuchi is this sound Successful visualization.)

YPY is back with his third full-length album, his second on EM Records, following his 2016 debut “Zurhyrethm”. YPY is the solo alias of Osaka-based Koshiro Hino, who has honed his rhythmic instincts as leader of the acclaimed Japanese band “goat” and the sound installation/theatre project “GEIST” and “Virginal Variations”. His preoccupation with propulsion is on full display here, across five tracks of varying density and intensity, all thoroughly beat-oriented, with skeins of synthesized and sampled sound stretching to the horizon, rising from a bedrock of minimal drum machine pulses, all lovingly embraced in a cassette-borne sonic fug. The cover image and title hearken back to Hino’s past, with the image obscurely referencing his yesteryear green mohawk, and the title derived from Talking Heads, but this effervescent album, though recorded using cassette technology, is not a sad tale of nostalgia, rather a look at a present/pleasant reality. Available on digital, 12-inch vinyl and CD. Cover drawings by NAZE.

Composition / Performance: Koshiro Hino
Cello on "All Wounds": Yuki Nakagawa
Mastering: Takuto Kuratani (Ruv Bytes)
Binding picture: NAZE

12 "LP version: Uses quality lacquer / stamper cut by Dubplates & Mastering.
CD version: Spread paper jacket specifications

The third folk song series supervised by the Tayo Mountains, this time in Gunma! The definitive version of the heavyweight Bon Odori "Kizaki Ondo", in which abnormal boost bass and distorted Kodama swirl, is released in the original version of the local preservation society and the old and new doubles of the current TRAP version. This will overturn your view of folk songs! ??

"Yagibushi" is the first folk song to be recorded in Japan and is popular as one of the largest dunks in the folk song world. .. This song is just crazy. The killer of killer that makes any folk music dance tune hazy in front of the dangerous force! Did you make a mistake in adjusting the EQ in the studio? A massive low beat with distorted bass and strange reverberation that makes you doubt your ears. And the lyrics in the form of a persuasion (Note 2) that tells the story of Meshimori onna (Note 1) who lives at night in Hanamachi. It's neither a Chicago-born ghetto base nor an Atlanta-born trap. It is a Japanese folk song that was brought up in the life of Kita-Kantou.

This time, with the cooperation of the Kizaki Ondo Preservation Society, we remastered and recorded the locally recorded versions of 1980 and 1965 that trapped the hustle and bustle of the night of Bon Odori. As a new attempt, Clark Naito's new recording Kizaki Ondo was also recorded there. MC / track maker Clark Naito, who raps garage punk on sampled tracks and is also active in the Gorge area, has a sense of connecting Bo Diddley and bass music with the term "3 minutes R & R". The collaboration between Minyo Mountains and Clark Naito created a modern version of Kizaki Ondo with contemporary trap beats and sweet synths. This is an extension of the act of "putting folk songs on a turntable and making a roaring sound" at the Soi48 party, and is a proposal for "a new way to enjoy folk songs." Please enjoy it simply as cool music.

The other day, Koshiro Hino, who succeeded in the Tokyo premiere of his masterpiece "Virginal Variations" as a composer, is finally attracting attention from both inside and outside the country. His solo unit YPY's worldwide distribution album is finally released. The undisputed 2010s talent, Hino, is a track maker / musician who emerged from the club scene, but due to his strong writer's ability to be inversely proportional to his low waist, he couldn't fit in an underground box, and the creative power that erupted. The state of holding down. YPY is devoted to live performances and recordings every day, but in reality there are few releases and the value of this work is quite high. This album reveals an early impulsive and multifaceted rhythmic quest that is different from the stoic attitude of his band, goat. This time, his ally, Yosuke Yukimatsu, gave advice on song selection, and Hino's urge was firmly established in the album. One of the characteristics of YPY is that it has a compressed and massive sound and the style is electronic music, but it has a strange organic feeling like a living thing like the indigenous music of Africa, which is a cassette tape for sound making. It is also related to the use of. The title song "Zurirezumu" is a mysterious work that takes advantage of the equipment trouble that happened by chance, and is YPY's first recording!

"The trajectory from the initial impulse of Koshiro Hino = YPY as a track maker, not as a brain of goat, bonanzas. However, the trajectory does not mean that it is heading straight somewhere. , The path is constantly ZURE. Why. Because he is constantly trying. Why keep trying. It is to explore the possibilities hidden there. Here is a fragment of Koshiro Hino so far. And the pieces from now on will also ZURE polyrhythmically. Are your ears listening to the sound of the heart? John Cage continued to question the possibility of hearing. The possibility awaits us. ing."
-Yosuke Yukimatsu
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"I listened to it and thought," It's the sound of a live house! " There is no so-called chord feeling or melody, it is not noise, it is not music that can be heard only by "sound", it is not dance music, but it is a familiar sound. Is it physical music? It is a playful work. You should listen to it first without thinking about anything. -Phew

Enter a world unknown! Birdfriend is a cassette label run by Japanese musician/composer Koshiro Hino, aka YPY, who is also a founding member of the Osaka band goat. This compilation, available on CD and double vinyl, features 18 tracks by Japanese artists, from 2013-2017, previously available only on hard-to-find cassettes on the Birdfriend label, now available to you, the curious and courageous listener, worldwide on EM Records. Rejoice and enjoy the fractured rhythms and future-now timbres, questing intelligences and D.I.Y. energy, conveyed to you through hand-made synths, custom electronics, synths and samplers. Compiled by Hino, who also provides liner notes and cover art, these Japanese artists share a love of texture, semi-skewed rhythm, simple-yet-evolving structure, and a sense of humour; yet despite these similarities, there is a great variety across this release, making for an exciting and cohesive musical experience.

+ Double 12" set
+ Gatefold sleeve
+ English liner notes
+ Artist bio/photo/discography

Tracks:

Side A:
1. Sofheso - M.N.L
2. Shimetta-inu - Bird Peck at Dead Dog
3. NEW MANUKE - Fastest Motor
4. YPY - BFMIX B-3
5. JMT Synth Pinosaku - Tansun

Side B:
1. Shimettainu - Dog is Surrounded by Birds
2. UNBE - Vector Milk
3. YPY - The Damo UFO
4. Micro Futoshi - Reforest 1
5. Inoue Shirabe - Sleep Talk

Side C:
1. Futoshi Moriyama - Time Limit
2. OPQ - ENT
3. Futoshi Moriyama - Nico Electro
4. H. Takahashi - 4
5. Micro Futoshi - Reforest 2
6. UNBE - 5 Cubic Meters

Side D:
1. Bonnounomukuro - Enter the Exit
2. Futoshi Moriyama - Piano and Sampler

This double A-sided 7-inch features two new cool, sophisticated and funky melodic pop songs from Bank. Tight bass lines, multi-hued percussion, snappily intertwining guitars, yearning melodies and clever production touches abound. These Tokyo veterans evince their love of all varieties of funky pop from recent decades in these two sweet sides.