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唯識思想では、菩薩が仏になる道筋を、虚妄分別の止滅から意言分別の智慧の獲得として明らかにし、さらに、仏の正覚の智慧を、無分別智と無分別後得智に分けて明らかにすることで、自利利他を完成した仏の智慧の根本を明らかにしている。
唯識思想が説く仏の智慧を基本として、浄土教で説かれる法蔵菩薩と阿弥陀仏の根源的意味を明らかにすることで、往相回向・還相回向が説かれる意義を明確にする。

序文

第一章 「虚妄分別」と「意言分別」とは
　一、ラトナーカラシャーンティの唯識説――虚妄分別の成立
　二、虚妄分別（煩悩）と菩提について
　三、虚妄分別とは何か
　四、虚妄分別（迷い）から意言分別（智慧）へ
　五、ラトナーカラシャーンティの、梵文『般若波羅蜜多論』の「菩薩の修道論」
　六、「意言分別」も、「虚妄分別」のアーラヤ識の如く、種子を有する
　七、「意言分別」とは何か
　八、意言分別とはどのような分別であるか
　九、意言分別と解脱（唯識の真観）
　十、「虚妄分別」より「意言分別」へ、さらに「無分別智（唯識の真観）」へ――「蛇・藤蔓・四塵の譬」によって解説する
　十一、「無分別智」の成立
　十二、梵文『入無分別陀羅尼経』を引用して、「無分別智・無分別後得世間智」を解説する
　十三、釈尊の「金剛座」での沈黙と、その後の伝道、説法の開始
　十四、無分別智の行者は「唖人の如く」、無分別後得智の行者は「非唖人の如し」
　十五、「無分別智」は無分別であるのに、何故、「智」であるか

第二章 『無量寿経優波提舎願生偈註』（浄土論）
　一、『浄土論』の修行者は法蔵菩薩である
　二、「一法句者謂清浄句」とは
　三、一法（法身、無分別智、清浄句）と一法句（受用身と変化身、後得清浄世間智）について

第三章　曽我先生の法蔵菩薩＝阿摩羅識説に菩薩像を問う
　一、阿摩羅識（amalavijnana）とは何か
　二、阿摩羅識という言葉が消えて「幻師」という言葉が現れる
　三、「幻師」という言葉は『摂大乗論』に引き継がれる
　四、菩薩は因果の相を、幻師の如く了別する
　五、菩薩は無分別後得智・幻術師・受用身（仏身）である

第四章　唯識より浄土教の菩薩像を問う
　一、「往相廻向」「還相廻向」について改めて問う
　二、金剛法座の釈尊に「往相、還相」論は可能であるか
　三、『浄土論註』の還相廻向に対する小川説批判
　四、菩薩はすでに受用身（仏身）である
　五、「巧方便廻向」について小川説を批判する――菩薩は衆生に先がけてすでに成仏している
　六、「善巧摂化」と十波羅蜜
　七、十波羅蜜とは何であるか
　八、『大乗荘厳論』等より、浄土教の菩薩像を問う
　九、菩薩の「往相廻向」「還相廻向」について

結び
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昭和11年、石川県白山市に生まれる。昭和34年、大谷大学文学部仏教学科卒業。昭和39年、名古屋大学大学院印度哲学専攻、博士課程単位取得。名古屋大学文学部助手、名城大学教授を歴任。 現在、名古屋大学名誉教授。文学博士(論文博、名古屋大学)。真宗大谷派嗣講。瑞宝章受章。
主な著書に、『インド後期唯識思想の研究』、『アビダルマ仏教とインド思想』(共著)、『「いのち」の意味』、『真宗の「命観」――私たち人間が仏となること』、『「人間の悪」に対する裁きと救い』、『悪人、善鸞は救われましたか?』、『文学者 三島由紀夫と仏教』、『世親の浄土論と瑜伽行唯識』、『浄土論の唯識思想』ほか。

 

Morio Agata cuts "Submarine" and "Airplane" as singles from his 1980 incidental masterpiece and world-important work "Norimono Zukan"! 7" Analog Limited Edition!

Morio Agata's incidental masterpiece from 1980. The important work "The Vehicle Book", which later influenced Jim O'Rourke and the rest of the world, has been officially re-released on CD and LP in the U.S., and the LP has been distributed exclusively in Japan. [Completely limited edition

1977 "I Love You." Morio Agata, who had disappeared from the stage for about two years after his major work "Eien no Toukoku" (Eternal Faraway Country), which he had been working on since its release, was approached by Yuzuru Agi, editor-in-chief of Rock Magazine, the sharpest cultural music magazine in Osaka and the leader of Vanity Records, and in November 1979, in order to reset the music for the coming 80's, he created the album in two days. In November 1979, he created the "Vehicle Pictorial Book" in two days in order to reset the course for the coming 80s. This was an important work that became the basis for Morio Agata, who soon became a child of A, formed Virgin VS, and once again enjoyed success in the first half of the 80s.

 

Formed in Hakata before relocating to Tokyo in 1984, Akebonojirushi quickly established themselves as one of the most adventurous acts in Japan’s underground music scene. The six-piece band defied easy categorization, blending sharp-edged New Wave textures with the groove and freedom of Funk-Jazz, then distilling it all into daring, unpredictable Pop songs. Originally released in 1987 on the influential DIW label, Paradise Mambo captured the energy of a vibrant era when Japanese musicians were fearlessly expanding the boundaries of sound. Brimming with angular rhythms, infectious basslines, and a playful yet avant-garde spirit, the album remains a shining document of 80s Japanese postmodernism—both accessible and experimental, danceable yet completely uncompromising. Now reintroduced to a new generation of listeners, Paradise Mambo stands not only as a time capsule of the bubbling Tokyo music scene of the late 80s, but also as a timeless example of bold creativity. This reissue shines a spotlight on a band that deserves renewed recognition for their adventurous vision and genre-blurring artistry.

The Greatest Enlightener of the 20th Century, Admired by Jung and Gandhi!
"Who am I? This is the first time that a person has been taught that consciousness is the only real truth.
"He taught that "consciousness is the only real truth.
The book is presented in a question-and-answer format that summarizes his perspective on various issues.

"When the mind is still, the whole world is still. The mind is the cause of everything.
When it is quieted, the original natural state will appear by itself."

Kumachan Seal: solo project of Japanese vocalist/keyboardist/songwriter Sairi Ojima, who has been playing in numerous indie bands, including Neco Nemuru, since her teens. She began her solo career in 2013, and released her first cassette in 2017. This EM Records release is her first CD/LP album, with all compositions by Ojima, who co-produced the album. Each of the eleven songs reveals beguiling layers of detailed and surprising sounds, with Ojima’s DIY sonic core embroidered by vibrant and colorful beats and guitar from EM artist Le Makeup and the quintessential ambient-pop synths and keyboards of fellow EM-er Takao. Le Makeup mixed ten of the eleven songs, with Takao mixing “China Sandwich”. The heart of Ojima’s musical identity is her clear, aqueous voice; apart from one instrumental, all the tracks here feature that mellifluous voice, but in an interesting twist, only half the songs have lyrics, with the remainder employing her wordless voice as melodic and textural elements. Although Kumachan Seal can be heard as a sort of bedroom pop filtered through ambient music and the new-age revival, listeners will note that the final two songs, “Atsumono” and “Tiny Cell”, are respectively a slightly skewed four-on-the-floor track and a lightly skanking Doo-wop-flavored confection, slightly reminiscent of the UK’s Brenda Ray. 
This album, full of Ojima’s calm and cool observation of the world, is available on CD, LP and DL, and includes an English lyric sheet. 

Kumachan Seal: solo project of Japanese vocalist/keyboardist/songwriter Sairi Ojima, who has been playing in numerous indie bands, including Neco Nemuru, since her teens. She began her solo career in 2013, and released her first cassette in 2017. This EM Records release is her first CD/LP album, with all compositions by Ojima, who co-produced the album. Each of the eleven songs reveals beguiling layers of detailed and surprising sounds, with Ojima’s DIY sonic core embroidered by vibrant and colorful beats and guitar from EM artist Le Makeup and the quintessential ambient-pop synths and keyboards of fellow EM-er Takao. Le Makeup mixed ten of the eleven songs, with Takao mixing “China Sandwich”. The heart of Ojima’s musical identity is her clear, aqueous voice; apart from one instrumental, all the tracks here feature that mellifluous voice, but in an interesting twist, only half the songs have lyrics, with the remainder employing her wordless voice as melodic and textural elements. Although Kumachan Seal can be heard as a sort of bedroom pop filtered through ambient music and the new-age revival, listeners will note that the final two songs, “Atsumono” and “Tiny Cell”, are respectively a slightly skewed four-on-the-floor track and a lightly skanking Doo-wop-flavored confection, slightly reminiscent of the UK’s Brenda Ray. 
This album, full of Ojima’s calm and cool observation of the world, is available on CD, LP and DL, and includes an English lyric sheet. 

Limited re-pressing of the memorable first album by Happy End, released on August 5, 1970, in heavy vinyl (black).

This is a limited reissue analog record (color) of the last album “Happy End” released in 1973 by the legendary Happy End (Haruomi Hosono, Eiichi Otaki, Takashi Matsumoto, and Shigeru Suzuki), an essential band in the story of Japanese pop music. Recorded at Sunset Sound Recorders studio in Los Angeles, the album is a masterpiece among masterpieces that transcends generations and has gained worldwide support as a work that offers a glimpse into the musicality of each member's subsequent solo activities. Produced by Van Dyke Parks.

Limited reissue in heavy black vinyl of the second Happy End album released on November 20, 1971, which is highly acclaimed as a classic Japanese Rock album.

"When I was little, I could open the window and go right up to the roof. I didn't have a balcony, so I would lie on the roof and watch the night sky." A dream to be releasing the first vinyl edition of Yahho no Potori, a treasured recording by one of our most cherished contemporary Japanese folk outfits, Eddie Marcon. Comprised of the core duo of Eddie Corman and Jules Marcon, Eddie Marcon was formed in Himeji in 2001, following Corman's involvement in noise-rock duo Coa and Shinsuke Michishita's fabled psychedelic outfit, LSD March. Marking a stylistic shift into delicate, acoustic territories, the duo would release dozens of albums and singles, mostly self-released through their Pong-Kong imprint, that have seen little distribution outside of Japan. An'archives helped us source some of their recent 7" singles, while Preservation, who compiled their earliest works in 2005, remains the only other label outside of Japan to have released their work exclusively. Recorded over a particularly humid summer and autumn, Yahho no Potori sees Eddie Marcon drifting from the delicate psychedelia of their debut EP (2002) into traditional song-based structures, first hinted at in their preceding and debut album, Aoi Ashioto (2005). A document of tenderness, wistfulness and joy, Marcon's deft yet effortless guitar strum sets a stylish backdrop for Corman's voice to ascend. Desirous yet self-assured, Corman breathes life into an intimate space adorned by the elegant instrumentation of Yashuhisa Mizatani, Yoriro Tatekawa, Ran Mizutani and Saya Ueno, whose ingenuous collaborative instinct has been gifted to listeners through collectives such as Tenniscoats, Maher Shalal Hash Baz and Spirit Fest. Here, she also lends her engineering prowess, having produced the entire album. Devotees of ambitious yet beautifully understated songwriting will find much to adore in the songs of Eddie Marcon, and followers of Reiko and Tori Kudo, Nagisa Ni Te, Ai Aso, and those curious about the wider contemporary Japanese underground, will not be surprised by the inclusion of the album's devastating climax, 'Toratolion', in Morr Music's Minna Miteru compilation in 2020. An intense and heartbreaking piece where Corman's voice takes centre stage, it remains a favourite amongst listeners and a centrepiece of Eddie Marcon's live performances. Released on vinyl on June 14 with remastered audio, faithful artwork and Japanese lyric sheet, A Colourful Storm is proud to give new life to a shimmering, underappreciated gem.

In conjunction with the 2025 re-pressing of the Nora Guthrie "Emily's Illness/Home Before Dark” 7-inch single, we have here, in the same format, a lovely cover of the latter tune, performed by Eddie Marcon, a band based in Himeji, Japan. The band’s vocalist Eddie Corman and musician/producer Shintaro Sakamoto wrote the Japanese lyrics for this gorgeous version, recorded in 2024 and originally unintended for public release; however, this slice of sweetness, delivered by the full band comprising guitar, keyboards, bass, percussion and wistful winds is now available to the lucky listener. The flipside, recorded in 2025, is an intriguingly ghostly recomposed version for cello and flute by TORSO, a Tokyo instrumental duo, who used the basic tracks from the Eddie Marcon version of “Home Before Dark" as a ‘guide’ before finally deleting the basic tracks.

This book is also called the modern Upanishads. This is the story of a great enlightened man who, without formal education, lived in a village on the outskirts of Bombay, running an ordinary grocery store, but met a guru and realized the True Self in just three years.
Since its first publication in 1973, the book has been highly praised and read as one of the most important scriptures of our time.
The first translation in Japan.

This book is the ultimate answer to Ramana Maharshi's question, "Who am I? This book is the ultimate answer to Ramana Maharshi's question, "Who am I?

I am.
I am, and because I am, everything is.
"There is no answer to the question, "Who am I? There is no answer to this question.
No experience can answer it.
No experience can answer it, because the Self is beyond experience.
Sri Nisargadatta Maharaj

The Ashtavakra Gita (Sanskrit: अष्टावक्रगीता; IAST: aṣṭāvakragītā) or Song of Ashtavakra is a classical text in the Advaita Vedanta tradition in the form of a dialogue between the sage Ashtavakra and Janaka, king of Mithila. -Wikipedia

80年代レゲエ界に革命を起こした最強のリディム"Sleng Teng”に乗せた沖縄民謡、ウチナースレンテンプロジェクトがついに始動。待望の7インチリリースが決定！

 

Churashima NavigatorのNu-dohとISLAND HERLEMのSHINGO (MC)のDJユニット島's (シマーズ) による、80年代レゲエ界に革命を起こしたリディム "Sleng Teng"に乗せた沖縄民謡のわらべうた「赤田首里殿内」を7インチでリリース。カップリングには「てぃんさぐぬ花」を比嘉いつみ(唄、三線)そして、宮古島出身のBlack Wax、浜田真理子のサポート等で活躍するMARINO（Sax）をフィーチャー。録音、編集は沖縄を代表するアーティストHARIKUYAMAKUが担当。

 

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1980年代、ジャマイカのダンスホール・シーンにコンピューターライズド革命を起こしたモンスター・リディム"Sleng Teng（スレンテン）”。沖縄で、詠み人知らずの唄として古くから歌い継がれてきた民謡「赤田首里殿内（あかたすんどぅんち）」、「てぃんさぐぬ花」。島’sのDJ Nu-dohが25年もの間、構想をあたため続けてきた「Sleng Teng×沖縄民謡」のチャンプルー・プロジェクトがついに実現した。そもそもは「"Sleng Teng”を聞いて、これは音階的に沖縄民謡が絶対合うとピンときた」のが始まりだと言う。かつて名曲「バイバイ沖縄」が生まれたように、レゲエと沖縄民謡は惹かれ合う。それを直感できるのは、まさにうちなーんちゅの血というべきか。「赤田首里殿内」は、もとは琉球王朝時代に首里殿内にて弥勒（みるく）様を迎える祭礼で歌われていた唄。今では“シーヤープー シーヤープー”などの囃子に合わせて、子どもたちが体を使って遊ぶ童歌としても親しまれている。「てぃんさぐぬ花」は、親の教えを心に染めなさいと歌う教訓歌。両曲とも沖縄では幼い頃から耳にすることの多い代表的な民謡だが、たとえうちなーぐちがわからない人でも、ふとメロディーを口ずさんでしまえるキャッチーさがある。その選曲の意図には「気軽に親しめる曲で世界中に沖縄の唄が広がってほしい」というDJ Nu-dohの切な願いがある。「必ず会って話をして音楽を作る」をモットーに、参加アーティストと友小（どぅしぐゎー）の絆を育み、音遊び、唄遊びを共にして完成した入魂作。25年越しに実った“ウチナースレンテン”が、2024年、世界に羽ばたく。

 

文／岡部徳枝

Nu-dohとHarikuyamakuを中心とするプロジェクト「ウチナースレンテン」。2作目にして最終章となる今作のテーマは”エイサー”。前作よりもさらにダンサブルな内容となっている。
A面の「くーだーかー〜スンサーミー」ではボーカルに大城琢、Saxに前作同様宮古島出身のMARINO、そしてスティールパン奏者のトンチが参加。
南国感満載な仕上がりになった。 AA面の「唐船どーい」では今沖縄で最も勢いのあるYUKINO INAMINEをボーカルに迎え、MCは前作に引き続きSHINGOをフィーチャーしている。最高の琉球ダンスホールが完成。

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DJ Nu-doh（Churashima Navigator／島‘ｓ）とトラックメーカー／ダブエンジニアのHarikuyamakuを中心に、ダンスホール・リディム"Sleng Teng（スレンテン）”と沖縄民謡のチャンプルーを実現した「ウチナースレンテンプロジェクト」の第2弾。
本作のテーマは、沖縄の旧盆に行われる伝統芸能「エイサー」。先祖崇拝を重んじる沖縄では、旧暦7月13日にご先祖を迎え、15日に送るまで、各地で青年会がエイサーの演舞を繰り広げる。
今回の2曲は、そのエイサーの現場で定番曲として根付いているビッグ・チューンだ。「くーだーかー〜スンサーミー」（原題「久高万寿主節」）は、
何かと話題の多い人物“久高万寿主（くだかまんじゅーしゅ）”のうわさ話を歌い、「クユイヌ ハナシヌ ウームッサー（＝今宵の話のおもしろさ）」と盛り上げる楽曲。
歌三線は、師匠・大城美佐子から薫陶を受けた民謡唄者、大城琢。リディムに合わせて独自の“間”を作り出した歌い回しは、実はレゲエ好きという感覚が冴え渡った絶妙な仕上がり。
さらに宮古島からサックス奏者のMARINO、スティールパン奏者トンチが参加し、南国の風を感じさせるフレーズで楽曲の世界観を色彩豊かに拡張している。 “唐から船が来たぞー！”という掛け声で始まり、即興の歌詞で歌われることも多い「唐船（とうしん）ドーイ」は、祝いの席など沖縄の暮らしに欠かせないカチャーシーの代表格であり、エイサーではクライマックスで熱狂の渦を巻き起こす楽曲。
Harikuyamakuと“ダブ×民謡”のタッグで海外からも注目されている唄者、YUKINO INAMINEがその熱気を艶やかな歌声と早弾きの三線で見事に表現。
さらに島’sのSHINGOがエモーショナルなMCで畳み掛け、高揚感あふれるチューンに仕上げている。
琉球民謡に潜在するうちなーんちゅ独自のリズム感覚とジャマイカ産80年代ダンスホール・リディムの共鳴が証明された重要作。入魂の琉球ダンスホール！

文／岡部徳枝

"The Countryside Is Great" by Runepet Laemsin, the song in the play that became the theme song for "Bangkok Nights" (included on the soundtrack CD). It would be great if I could hear this instrumental thing! The first thing that came to our minds when we dreamed was Emerson Kitamura, who we all love! This 70s Thai funk Luk Thung classic "Country is good" was overly picopico covered with Emmasolo 18th synth & rhythm box, and cooked in 2 versions of instrumental and dub!

Another highlight is the killer, slightly dreamy version featuring mmm (Mimaimo) on vocals, which wipes out the image of the 70s disco hit "Rock Your Baby" famous for Kiyoshi Matsutakeya / Tomatos version. And another happy song is a DOPE instrumental tune that was reconstructed by interpreting the songs from Ankanan Kunchai's 1st album as bass music, and its name is "Ramprun Salab Korn Sawan Bassline", Thai music enthusiast, techno, dubstep. PURE dance cut that pushes to step and trap fans. The strongest and most fun 12-inch with 4 songs that I've been waiting for! (Binding: Shinsuke Takagi / Soi48)

A tribute to the latest work "Bangkok Nights" by Kuzoku, a movie production group that is active under the banner of "regaining the audience to the cinema". Release is vinyl 12 inch only. Thailand-Bangkok-Isan asks you by sound what Taoyuan Township is.

The fourth installment is a tremendous tremor in the movie world !? A rainy day Ozawa & Babylon band is here! Luk Thung's masterpiece "Country is good" competition cover 12 inches sent by a strong battle with Kufuki & Otsu Rifu! The biggest problem in the series!?!

That's right, that Ozawa (*)! Who knows that Ozawa, a former Self-Defense Forces member who disappeared at the end of the appearance of pimping in Tanya Street in "Bangkok Nights", then hid in Japan and had a session with his friends? The gang chose the retitled cover "Return to the Countryside" of the 70s Luk Thung masterpiece "The Countryside Is Great" that broke in "Bangkok Nights". Iwao Yamazaki (Babylon Band), who is also the sound clerk of "Bangkok Nights", performed the recording mix with the lyrics of the air tribe director Aizawa who brilliantly incorporated the spirit of Luke Thun, whose lyrics are important, into Japanese. I have made the word Luke Tung! Impossible Ozawa (Director Tomita) singing enthusiastically + Shin-chan's dialogue in the play inevitably makes Air Tribe fans faint in agony, but stillichimiya fans are happy with Young-G's opening scratch, and the latter half of DEEP dub MIX and masterpieces that develop into trippy psychedelic Contents!

The coupling features a unique synthesizer quartet that also made its debut in the UK, Kufuki's charisma of poetry girls, Otsu Rifu, and Japanese dialects. A metamorphosis electronic new folk song version that was played with a drum. World music fans and big daffodils are also monsters !!!!!!!!!!!!

New album by Kafka's Ibiki, a three-piece band comprised of Jim O'Rourke, Eiko Ishibashi, and Tatsuhisa Yamamoto. Recorded live performance in Tokyo in 2023 by Joe Talia, the album was re-edited, mixed, and mastered by Jim O'Rourke.

Jim O’Rourke
Jim O’Rourke is a musician, composer and filmmaker whose borderless activity goes beyond the common labels Alternative, Post-rock, Experimental-pop, Film music, Free music, Jazz, Americana, Contemporary music and continues to defy classification.

Eiko Ishibashi
Eiko Ishibashi is a Japanese multi-instrumentalist whose work has ranged from acclaimed singer-songwriter albums to scores for film, television, theater and exhibitions to improvised music. She has collaborated with international artists such as Jim O’Rourke, Keiji
Haino, Charlemagne Palestine, Merzbow, Giovanni Di Domenico, Oren Ambarchi, and many others. Her own records have been released by Drag City, Black Truffle, and Editions Mego, amongst others.
Amongst her film scores is Ryusuke Hamaguchi’s Oscar-winning 2021 film “Drive My Car” for which she won the “Discovery of the Year” award at The World Soundtrack Awards and the “Best Original Music” award at the Asian Film Awards.
In 2023, she composed music for Hamaguchi’s latest film “Evil Does Not Exist” and also unveiled a new project named “GIFT”. The project features a silent film by Hamaguchi, which was specially created to accompany her live performance.

Tatsuhisa Yamamoto
Tatsuhisa Yamamoto is a drummer from Yamaguchi, Japan well known throughout the country for his work with a surprisingly wide range of musicians and theatre groups. He performed on the acclaimed Drag City records “The Dreams My Bones Dream” by Eiko Ishibashi, “Simple Songs” by Jim O’Rourke, and with several Japanese singers including Ichiko Aoba, UA, Kahimi Karie, Tavito Nanao, phew, Kenta Maeno, and Seiichi Yamamoto.
His wide interests have led him to be drummer of choice for Free Jazz legend Akira Sakata, as well as composer/performer in many restagings of Terayama Shuji’s works, film scores for NHK, and regular performances with artists as wide ranging as Keiji Haino, Oren Ambarchi, Giovanni Di Domenico and more. He has toured extensively throughout Europe in improvised music settings and with the theatre group Swanny. His 2020 release, ashioto on Black Truffle Records was selected as 2020’s Best Underground Record by MOJO Magazine.

At long last, this legendary gem returns! A coveted treasure among Japanese jazz collectors, the album showcases bassist Hideto Kanai directing a 17‑member big band in a powerful and forward‑thinking exploration of orchestral jazz.

Psychedelic trance ritual music! It is an imaginary and vast horizon. From the percussion instrument group "Kodo", which has its roots in Sado, great performance of Kenta Taku Yutaku, a unit consisting kodo! Reminds me of Mohammad Reza Mortazavi or Ricardo Villalobos & Oren Ambarchi "Hubris"!!

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Kenta Taku Yu Tataku 2nd Album
Physical release on cassette tape along with digital release. The cassette is limited to 100!

Imagine from the sound.
Create sound.

The "sound" that overflows from Kenta Nakagome and Yuta Sumiyoshi, who chose the media "cassette" in an era where they can listen to anything with various streaming services, is particular about their own sound and the sound that only two people can make "NAYUTA". It became a work called.
Please prepare a cassette deck and fully enjoy the difference in texture and sound quality peculiar to analog that can never be reproduced digitally.
Also pay attention to the cassette design that you want to collect and the bonus stickers that come with it!

0on Zero-on, a label run by the percussion group "Kodo 鼓童" which has its roots on Sado Island, has released a cassette recording of a solo performance by percussionist Yuta Sumiyoshi, a member of the "Kodo" group. 

KENTATAKU YUTATAKU’s 3rd album “Zero On” is the eponymous first release on Kodo’s new label 0on.
Featuring four improvisational tracks, ranging from large ensemble works without musical instruments to vast sound collages, KENTATAKU YUTATAKU’s latest work is packed full of heart, soul, and fresh new sound.
Limited release of 200 cassettes + download code. 

Goja means “chaotic” or “nonsensical” in various Japanese regional dialects.

This new work is packed with freely rambling music that leaps over the boundaries of orthodox musical instruments, homemade ones, and random objects. Listen out for taiko, drums, bits of wood, and a piano, marimba, accordion, rhythm machine, effector, wooden washtub, pot, impact screwdriver, power tool charger, and more…

Features 8 tracks. Download code available.

Guernica, a retro song techno-pop unit formed by former 8 1/2 Halmens member Koji Ueno, actress/singer Jun Togawa, and illustrator/lyricist Hotaruichi Ota, released their stunning first album on the Alpha/YEN label in 1982 under the production of Haruomi Hosono. The “Special Enlarged Version” was released on CD in 2016 with all remaining unreleased material on the YEN label, and is now being released as a double-LP “Super Special Enlarged Version” with new artwork under the art direction of Hotaruichi Ota, a member of the unit. The “Special Enlarged Version” will be released as a double-LP “Super Special Enlarged Version. This product is part of the “ALFA55” project to celebrate the 55th anniversary of Alpha Music.