stroom.tv

'Teratai Åkande' explores electronic techniques transforming sounds, melodies, and rhythms from balinese gamelan. It's an interaction and synthesis of acoustic and electronic expressions, exploring an imagined territory between two otherwise separate cultural worlds. On 'Teratai Åkande' the Copenhagen-based producer and electronic musician Anton Friisgaard travels new paths, as he explores gamelan music from his own artistic perspective in close collaboration with Balinese musicians, afliated with Ubud’s acclaimed Gamelan scene. After experiencing a concert with the Gamelan ensemble 'Gamelan Salukat' at Roskilde Festival in 2018, Friisgaard became inspired to contact Dewa Alit from the ensemble. With the aim of bringing forth a unique expression through the meeting of two distinct musical traditions, Friisgaard traveled to Ubud, Bali to record, compose and improvise in close collaboration with artists from the esteemed Gamelan scene in Ubud. The result is 'Teratai Åkande', which features Pande Made Gangga Sentana, I Nyoman Suwida, Dewa Badukz, Suryana Putra and Pande Made Gangga of Gamelan Salukat. Anton Friisgaard (fka Hviledag) is an electronic producer and musician based in Copenhagen. Known primarily for his experimental work with tape loops and ambient soundscapes, he’s become an established figure both in the Danish music scene as well as internationally.

After travelling to India, Indonesia, Thailand, Bali and Java in his younger days, Cybe released three cassette tapes. "Tropisch Verlangen” now compiles a series of ten wonderful handcrafted analogue electronics from those tapes, sounding like lush fields of electronic wheat swaying in voltage controlled wind. It reads as a musical travelogue from a Dutch musician from Haarlem, who listened to way too much Gong and went searching for inspiration, sound recordings and instruments in the East in the early eighties. Right up my alley, and hopefully yours too.

A refracted audiobook soundtracking the bathing culture of the Ottoman Baths in Budapest, cut-up from Dalia Neis’ metaphysical thriller ‘The Swarm’ ( The Elephants Press, 2023). theelephants.net/ephemera/the-swarm This is the fourth iteration of their Trans-Danubian odyssey, beginning in Dali Muru & The Polyphonic Swarm’s LP, before drifting into book form, radio show, and now audiobook. This audiobook is an updated, revised version of the original NTS show broadcasted in January 2022.

Recorded and produced during late night sessions from 2019-2022 while re-watching archive episodes of the German TV show Space Night from the late 90s.

The 3th album by MEROPE (2018) with arrangements of Lithuanian folk songs and own compositions. A unique trio sound with a blend of acoustic instruments, voice, el. guitar and electronics. Naktes presents a world full of wonder, inspired by the atmosphere of the night. After the release of Merope 'Salos' (STRLP-051 / gran21) we decided to repress Merope's previous album Naktes too. A collaboration with Stroom & granvat.

London hyper-connector label Accidental Meetings hustle exclusive work by Jay Glass Dubs’ Wild Terrier Orchestra, Rupert Clervaux, Susu Laroche, Bruce, Luke Lund, FUMU, Ausschuss, Dijit, memotone, Giant Swan’s Robin Stewart and more in aid of charity for victims of the Pakistan floods Converging from myriad disciplines, the artists on board all channel a certain mix of self-reflective solemnity, intensity and optimism into their musics here. We’re particularly struck by the cold tonal abstraction and grind of Bruce’s away day ‘Self Doubt’, and likewise the haunting shape of Abu Ama’s trampling Arabic drums, charred drone and ululations on ‘Away With You’, the anxious grapple of FUMU on ‘Tougher than Dartmoor Tundra’, and a pair of meditative wonders pivoting around Dimitris Papadatos in the autotuned dub prayer ‘The Creatures in Defence’ as Jay Glass Dubs with X. YPNO, or the radiant microtonal ritualism to ‘Osman Takas’ by his Wild Terrier Orchestra. Egypt’s Youth affiliate Dijit also charms with the sitar-laced illbient downstroke of ’Sharq’, MAL’s Ausschuss lays down gravelly drill shades away from Mobbs in ‘True Partner’, and Angel Hunt serves a set highlight of Arabic-inflected 2-step on ‘Rainham Steel’, chiming with club-adjacent tackle in Luke Lund’s Beau Wanzer-esque grinder ‘Imposter (Bristol Action)’, the Muslimgauze-like percussive rattle of Rupert Clervaux an HMOT’s ‘Zum F/F’, plus Livity Sound paralleling rhythmic workout from Saskia and the restless uptempo slug of Robin Stewart .iframe style="border: 0; width: 350px; height: 373px;" src="https://bandcamp.com/EmbeddedPlayer/album=2639086951/size=large/bgcol=ffffff/linkcol=333333/artwork=none/transparent=true/" seamless>Islands by Merope

Am I ever gonna be the one? Do I ever wanna be with someone? Am I ever gonna be the one? Will I ever end up being someone?

Alum of Belgium’s legendary Insane Music series and Hawai’s ’SNX’ boxset, Patrick Stas takes his Stroom bow with a posthumous archival survey of melancholic delicacies made under multiple pseudonyms. The haunting work of Patrick Stas (1995-2020) is emblematic of the early ‘80s Belgian tape scene’s creative fecundity and dare-to-differ DIY discipline. As a musician and co-founder of tape label Home Produkt, he was a key part of a home-brewed movement whose rhizomic organisation forged links between outlier artists across the region and would naturally lay the roots for independent, experimental musicks to follow. Although originally intended for release in 2018, ‘If Paul K .'s Life Was a Movie, This Would Be the Soundtrack of His Death’ sadly sees the light of day as a posthumous dedication to his personalised oeuvre as Stas passed away in late 2020, leaving these 10 songs as spellbinding testament to a creative life well lived. Pulled from exceedingly rare cassettes and unreleased demos, the cherry-picked goods spell out Stas’ web of styles spanning gloaming post-punk goth with early band General Thî et les fourmis to his wavey organ dub as Albert Et Guido and solo kinks under the Paul K alias. Each imparts a fine flavour of various aspects to Stas’ musical personalities, but linked by a puckered taste for neo-gothic lowlands vibes that resonate his peers such as Bene Gesserit, Tara Cross or Enno Velthuys and share a certain twist of foggy nostalgia for Belgian ballrooms that dials up comparison to noted mayo admirer Leyland Kirby in his Intrigue & Stuff phase, even with protoplasmic traces of new beat in its slow pacing typical of Belgian dance music.

Japanese obscure dream pop gem! Two elevator bangers to get through the gloomy holiday season by Japanese artist, Sonoko, probably made somewhere in the 90's. Merry ye ye