metaphon

Even though only being fully terminated 50 years after its conception, ‘Azabu’ can be regarded as the starting point of Michael Ranta’s creative self-discovery. The recordings that form the base of ‘Azabu’ were mostly made in the Tokyo district with the same name (Azabu-Juban). Next to abstracted field recordings ‘Azabu’ is also pervaded by a rich variety of percussion, string and wind instruments, all played by Ranta himself. Subsequently Ranta edited, layered and processed the recordings at the NHK electronic music studio in Tokyo. Both pieces display a vast array of acoustic, electronic and concrete sound events meticulously sequenced to a complex fusion symbolizing the entire spectrum of earthly and heavenly sounds. Dynamic extremes evoke a restless flight through space, or through the depths of human subconsciousness, between dream and reality. Ultimately the music disappears, like a dot in the sky gradually fading into nothingness – an “ascension” that closes the loop in a ritual of life that can begin anew again at any time.

More than any other of Ranta's releases this album shows his multiple roots and ideas as a composer, percussionist and concrete/electronic musician, building a seamless bridge between Eastern and Western avantgarde. Ranta is one of those rare composers able to organically melt his wide artistic span into a singular but yet diverse universe morphing his rich vocabulary as a percussionist with the Oriental esoteric tradition, the psychedelic underground and the realm of electronic minimalism.

The only time this ensemble got together before was for the singular and legendary 'Wired' session recorded in 1970 and published on the Deutsche Grammophon box set 'Free Improvisation' in 1974. The Wired session also included Karl-Heinz Böttner while this release of 'Mu' just has the trio of Ranta, Lewis and Plank. Mu got recorded a few months after the 'Wired' session, in Plank's studio, but never got released strangely enough. Yet it's a true hidden treasure of marvellous minimal psychedelic improvisations with an oriental touch controlled and mixed by 'Diabolis in Musica' Conny Plank. Although the intense recording session ended early in the morning the mixdown was still done straight afterwards of which this is the direct result for MU1, Mu2, and Mu4. For Mu 3 Michael Ranta added live percussion to the original tape mix and dedicated it to Mike Lewis. Due to circumstances and moving to different continents they never had the chance to meet again.

Previously unreleased live recording from the Ranta archives. The creative duo of Michael Ranta and Takehisa Kosugi performed many times in the 1970’s and 1980’s. On this outstanding performance, recorded at the Japanese Culture Institute in Cologne in 1987, the application of an advanced multi delay system, independently utilized by both players, plays a central role. The smartly treated cyclic tapestry of the delay system (modulated, transformed, harmonized) injects additional dimensions to the highly coordinated improvisation with voice, percussion, violin and electronics, creating interactive ‘composition-like’ textures being ‘Multiple Musics’.

Nicole Lachartre: “Mundus” 3LP box – Metaphon 012 - 2023 Hardboard linen LP box with silkscreened titles, 12 page booklet with track info and text by Vincent de Roguin and Mark Harwood, notes by Lachartre and a rare portrait photo from 1969. Edition of 200 copies Available through the La Scie Dorée webshop First ever release of French composer, musicologist and writer Nicole Lachartre (1934-1991). This 3LP set comprises most of her electronic music and musique concrète compositions recorded in the 60’s and 70’s, all previously unreleased. Lachartre had a classical formation, studied with a.o. Darius Milhaud, Iannis Xenakis and Michel Philippot. Her broad formation and interest as well as her profound commitment and singular vision created a solitary voice even within the field of electronic music and musique concrète, strangely enough unheard till this day. Her first tape composition from 1968 was recorded in Pierre Henry’s Apsome studio and most of her other electronic and electro-acoustic compositions included in this box set were recorded at the IPEM in Ghent.

Rolf Gehlhaar (1943-2019) was an instrumental and electronic music composer, and a pioneer in computer controlled interactive music. He grew up in the US where he studied philosophy and composition at Yale University. In 1967 he moved back to Germany to become Stockhausen’s personal assistant and member of his performing ensemble. In 1969 Gehlhaar co-founded, along with Johannes Fritsch (Metaphon 012) and David Johnson, the Feedback Studios in Cologne, a new-music performance center and publishing house. He later moved to England, where he became in 1979 a founding member of the Electro-Acoustic Music Association and later on senior lecturer in design and digital media. Gehlhaar's compositions include symphonies, instrumental works, experimental and electronic music, interactive computer controlled music and everything in between. The three previously unreleased tracks on this LP only show a glimpse of the versatility of his adventurous and innovative musical ideas. The LP comes with a foldout insert including photos and extensive program notes.

Toshi Ichiyanagi, Michael Ranta and Takehisa Kosugi originally got together in the summer of 1975 for an open-air concert in Sapporo. The concert felt like a great success but was unfortunately not recorded. As the desire arose to record together, they managed to arrange a studio session in the NHK Studio in Tokyo, with presence of sound engineers. What was supposed to be a soundcheck for this session became the session itself: a haunting 50-minute séance of intense avantgarde improvisation using a large instrumentation and live processing (tape echo, ring modulation, phasing). A trident travelogue of the momentum masterfully controlled by the ensemble spirit, transcending the boundaries of psychedelic underground. Official reissue of this underground classic from 1975, originally released in a tiny edition on the small Japanese Iskra label. As the original master tapes of these recordings seem to be lost, the master had to be taken from an unplayed original LP copy. It was carefully restored and mastered by Jos Smolders with amazing result.