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Nearly a decade ago, music fans were entranced by a viral clip of two young women playing improvisatory music on mandolin. The video quickly made the rounds across the Internet, with viewers drawn to their virtuosic performances on the small instruments. Known as the Mandolin Sisters, the duo’s mesmerizing skill integrated the rippling resonances of the mandolin within the ever-deep world of Carnatic music — a journey of sound that made time melt away.
The Mandolin Sisters have traveled the world playing their music, including a celebrated European tour after the popularity of their video. Until now, they’ve yet to release a full-length record that properly captures their infinite sonic universe. Discostan is proud to release the first vinyl release by the Mandolin Sisters, remastered and available in a limited run. Over the course of seven songs on the record (with one long bonus track available for digital download), the Sisters showcase their dedication to revitalizing centuries-old songs with a pulsating new energy.
Even before the two sisters could read, the duo have been singularly devoted to the expression of Carnatic music through this unlikely instrument in South Indian classical music for a quarter century. Over their career they have played more than 3,500 shows — performances that have taken them from Chennai — the center of the Carnatic universe — to Europe and South America.
The mandolin is only a recent addition to the world of Carnatic music. However, there is no disputing the role that Uppalapu Srinivas (more widely known as simply U. Srinivas) played in bringing the instrument to wider acclaim and as a respected part of South Indian classical music. A child prodigy like the sisters themselves, Srinivas was soon bringing alive age-old traditions on an unlikely instrument.
Today, the Mandolin Sisters are carrying on the legacy of Srinivas. Sreeusha relates to the way he interpreted the instrument in the tradition: “Playing Carnatic music on mandolin is like finding a way through a jungle or a forest, through which you have to forge your own path. Because of the speed with which the instrument is played, you cannot learn by watching another player. It is like learning a language without a script.”
Through their renditions of eight standards, the Mandolin Sisters imbue their signature sound onto raga compositions drawn from the deep well of the Carnatic tradition. Because of the amount of improvisation in Carnatic music, no song is ever played the same twice. Each performer adjusts the song every time to create an all-new version, even playing them for years. While they are inspired by deep tradition and the mastery of Srinivas and others, their search for new paths is unrelenting. In the words of Sireesha: “In Carnatic music there’s no end to learning, it keeps going. It’s like a sea. No matter how deep you go, there is always more depth.”
