Impatience

Uncle Reed In The Purple Mine is the debut record by a new duo, Amkarahoi. Uncle Reed In The Purple Mine conjures ghosts of 90s chill out tents, aqueous ambient, exploratory turn of the century IDM and echoes of jammy dub. Amkarahoi is named for a remote region of Eastern Siberia an intimidating car and boat journey from the nearest city - several songs are named after rivers - and the record was borne from a largely improvised show in Saint Petersburg, later overdubbed and mixed down in the studio. The combination of heady, melancholic synthscapes, unexpected samples and the loose, spontaneous nature of it’s genesis make for a unique, compelling proposition. Kirenga alternately swells and submerges ravey pads and shifting kicks, coming up midway for air before plunging again, and Cutima peppers the stereo field with foreboding stabs, collapsing drums and faintly nightmarish ambience before emerging from the darkness with gently plucked erhu. Handa’s simple four note piano loop and cuckoo vocal sample lament blooms into an engulfing E rush, before Mogoul threatens serotonin syndrome with it’s loved up lead and stuttering morning after nostalgia. Chininga ekes out a gentle groove over which is laid a hazy, head nodding shimmer, and on Djegda they finally submit and throw down a speedy breakbeat for some more classically vintage fire twirling shapes. Amkarahoi is Nikita Chepurnoi and Sergey Dmitriev. Chepurnoi has released records as Minereed on his own Echotourist imprint, and as part of The Patience and Copacabana on Hair Del. Dmitriev has made music as Purple Uncle for Echotourist, Hair Del and Nazlo. They’re currently based in Armenia (Dmitriev) and Europe (Chepurnoi). RIYL - Vladislav Delay, The Orb, GAS, Global Communication, Biosphere, Seefeel.

Bristol multi-instrumentalist, producer and nature freak Will Yates offers a new record from his Memotone alias, an expansive, hypothetical revue titled How Was Your Life? Launching from terrains recognizable to fans of Will’s extensive, restless discography, How Was Your Life? packs up his penchant for baroque druid folk, homespun electronics and weightless woodwinds and explodes them into glistening, fractal star dust. Instigated by the purchase of an antiquated Y2K era guitar synthesizer, the record was produced over the first half of 2022, in a large part the result of in-studio improvisation. Where Will’s previous releases under various guises have often been conceived by conceptual frameworks, HWYL? was carved by equipment that offered both possibilities and parameters that Will relished and explored to the nth degree. The Roland GR33 not only provided sublime guitar sounds but also empowered the guitar to convincingly mimic fretless bass, tabla and a vast percussive array, also summoning an artillery of uniquely outre atmospheres over the course of the record. The resulting concoction sounds familiar yet subtly, unshakeably otherworldly, shaping up as perhaps the most honed, energized and beatific Memotone album to date. Paradise Drips gently lifts off with wobbly guitar, randomized sequences and unidentifiable percussive elements situating us somewhere in an unearthly realm, before Open World zaps the serotonin receptors and gushes with ecstatic warmth, it’s quietly insistent soft disco shuffle and levitational fretless driving towards a totally blissed and very soft “drop”. Forest Zone sees Memotone deep in the green, with a loose, propulsive groove and dancing flutes stumbling into a medieval ritual in the clearing halfway through, and Glow In The Dark deftly bounces between spacey ambience and an undulating no wave vamp. Carved By The Moon is a delightfully melted classical cut, while Canteen Sandwich offers the record’s most explicitly nod to modernity in the form of a nimble drum workout with samurai synths and melodic percussion that heaves towards a genuine peak. Lonehead immediately backs right off, viscerally melancholic clarinet and bubbling fx making for the records most hefty introspective moment, before Walking Backwards simmers all the way down on an wistful arpeggio, rooting back in earthly reality with charmed rhythms and jazzy tunings. Catharsis complete, Memotone is onto the next incarnation. Will Yates has been making music as Memotone since 2010, releasing music on labels like Black Acre, Disktopia and Accidental Meetings, also releasing music as O.G. Jigg and Half Nelson. He’s worked as a producer, session musician and live performer on a broad spectrum of projects, and recently provided source sounds that made up Batu’s “Opal” on Timedance.

Collaborators since 2020 who have also made music with AIR Krew, Russian producer Piper Spray and multimedia artist Lena Tsibizova present their first album-length work in ‘Leaving Memory’. Compelling freak zone music encompassing ambient, outsider pop, dub and industrial elements and weaving them into a coherent sonic patchwork.