Techno / House
436 products
2 x LP in die cut card inner sleeves, in wide spine outer sleeve with thumb cut and embossed cover, postcard sticker insert, download card insert
A1 Acroyear2
A2 777
B1 Rae
B2 Melve
B3 Vose In
B4 Fold4,Wrap5
C1 Under BOAC
C2 Corc
C3 Caliper Remote
D1 Arch Carrier
D2 Drane2
2 x LP in printed inners with spot UV, in wide spine outer with spot UV, download card insert
A1 Cipater
A2 Rettic AC
A3 Tewe
B1 Cichli
B2 Hub
C1 Calbruc
C2 Recury
D1 Pule
D2 Nuane
The album also features remixes by Kuniyuki, Bartosz Kruczynski, Knopha, Yoshiharu Takeda and more. The album "We hear the last decades dreaming" (SAGCD035) is the first release under the Chari Chari name in 18 years and marks the return of the independent label "Seeds And Ground" by Kaoru Inoue, who has been active as a DJ and producer for over 25 years. In addition to a series of remix EPs (three analog releases) from "We hear the last decades dreaming" (SAGCD035), the first album under the Chari Chari name in 18 years, a new album with additional unreleased tracks has already arrived.
The fascinating team of remixers includes Kuniyuki, a treasure from the north (Sapporo) who has been active overseas, and Chida, a veteran house DJ who has opened up DJ gigs overseas on his own. Chida, a veteran house DJ who has been active in the underground scene for a long time, and Mamazu (Hole & Holland), a DJ/producer who has been very active in the underground scene in recent years. The album also includes two tracks of self-rework by Kaoru Inoue himself.
Also based in Warsaw, Poland, Takeda's rave-revival sound production under the name Earth Trax has become a hot topic, and under his own name, he has been releasing excellent new music on the popular German digger label Growing Bin. "Bartosz Kruczyński, who is based in Warsaw, Poland, and has released two excellent New Age-style albums under the name Earth Trax, and Knopha, a popular underground DJ in Xiamen, China, whose two previously released analog EPs sold out in an instant. The album also includes a number of reworks by overseas artists.
Master drummer Jaki Liebezeit was very pleased that the craft of drum making has not changed much over the course of time. Be it that a skin is stretched over a drum with cords or bolts or be it that the skin is out of plastic or animal hide – the principle remains the same: Either enclose a hollow space without which there would be no sound (just imagine a drum filled with clay!).
The same applies to the perception of rhythm.
Everything is reduced to the essential: the hollow space in the centre.
It is the invisible that matters.
All tracks on the second Drums Off Chaos EP revolve around this vacant space in the middle.
A centre that is filled with – nothing.
The focus is on abstract, grooving drum music.
Rhythms are reduced to their elementary nucleus to such an extent that they can be perceived as clearly singular but also as universal.
And something emerges that follows universal laws such as gravity, ergonomics and acoustics.
“Play what the drum demands,” was one of Jaki’s sayings.
Together with him, Drums Off Chaos took this to heart. The EP centres on rhythms that are based on simple numerical relationships allowing their richness to unfurl from within.
OKTEMBER is the second EP release under Wolfgang Voigt’s mythical GAS project (it follows "Modern“ on Profan, 1995). The 2 compositions were originally released in 1999 on Mille Plateaux, and then reissued partially in 2016 on GAS “BOX”. OKTEMBER is finally released on Voigt's own label KOMPAKT, pressed on 180 gram vinyl in its original artwork.
This reissue features “Tal ‘90“ (instead of the original A side) – a predecessor to the GAS project originally recorded in 1990 under the alias TAL, it was released as a part of the Pop Ambient 2002 collection. With its sampled strings, horns and guitars, "Tal 90” soundtracks a more uplifting side to what is typically accustomed to being the sound of GAS. The title track “Oktember” is a dense, hypnotic affair that conjures a unique vision of dub techno that few have been able to replicate.
A monumental soundtrack to uncertain times.
A collection album that covers the ten generations of the solitary genius Burial will be released
The 2006 debut album "Burial" and the following year's second album "Untrue" have been established, and although their identity and identity are still unknown, their overwhelmingly original sound is UK garage-dubstep. By extension, Burial left a big impact as one of the representative artists of the 0's beyond the category of club music. The genius who continued to be silent revived with the EP work "Street Halo" in 2011 when he entered a new decade, and although expectations for the release of the third album increased, he suddenly continued to release EPs and singles after that, " I continued to search for new expressions after "Untrue". This work is a collection album that covers the steps that Burial left on Hyperdub in the Ten's, and walked to the unexperienced zone with listeners, seeking dismantling of the post dubstep that he had built himself, release from the scale and development of the track. A total of 17 songs, 150 minutes, including 6 songs from the first CD version of the song, are recorded on a 2-CD set. From "Street Halo" and "Loner", which presented a deep house mode with a hasty 4/4 beat, to "Kindred", which is an 11-minute self-collage of your own world view, and more emotional without being bound by the beat. "Rival Dealer" that develops a unique story, "Truant" that has one of the best sunlight ambiences in history, "Come Down To Us" that is a popular song representing Burial in the Tens, and recent single "State Forest". The pieces of the lonely genius, including the burial ambient track, are rearranged in the order of the intentional songs, and are completed here as one big lyric poem.
Disc 1 contains 4 new WW songs (1 song remixed and remastered), Disc 2 contains re-editing of up-and-coming German creators / skaters and DJ slingshots, and Koshiro Hino (YPY) + Yosuke Yukimatsu (YY). Includes reconstruction by the new unit YYPYY. In fact, Wicked Witch, who has been playing music for a long time, has desolate acid funk, "Funky by U" like Indian base music, "Under Your Spell 2016" and stoned. The condition is overwhelming (I do not know what the aim is again this time). DJ Slyngshot is an experimental and 80s flavour hard beat re-edited with a mix of early Chicago house / old school / techno. On the other hand, Hino and Yukimatsu are metamorphosis tunes that dragged WW into another dark side (
M Records will deliver the world debut of Mari Sekine, a percussionist who is active in the band! With over 10 minutes of masterpieces, you can easily control more than 15 types of percussion instruments such as kalimba, marimba, udu drum, goblet drum, djembe, talking drum, cajon, berimbau, etc. by multiple recording, and combine them with tape reverse rotation and voice. Unsurprisingly, this "Beginning" is Sekine's first "solo" recording. And it is clear from listening to this song that Sekine's musicianship was not cultivated yesterday and today. Midori Takada's fans, who seem to be the biggest hidden talents in recent years, will be surprised and welcomed. Overdubbing by multi-percussionists is also found in contemporary music, but has there ever been a work that has such overwhelming power and is compatible with everything from home listening to the floor? Expectations are high for the 1st album being produced!
The coupling is a angry funky uppercut that extracts the tribal component of "Beginning" with REMIX by the popular DJ Lena Villikens!
* "Beginning" is a rework of the song released as her 1st single "midori" (Tongs International), returning to the original title at the beginning of the recording, extending it almost three times, and reworking it into a reggae disco 12-inch composition.
Mari Sekine Profile:
Touched percussion instruments at university and started activities after graduation. After working as a JAZZ FUNK band, he joined the big band "Shibusashirazu" in 2000. Currently, he is active in sessions such as Goko Nishikawa (ex. Shang Shang Typhoon) "Hoshi no Hibuya", Michiro Endo (ex. THE STALIN) "THE END", percussion instrument group "Orquesta Nudge! Nudge!" There are many activities in theatrical works, such as Kazuyoshi Kushida's "Caucasus's White Ink Ring", "Sunshine Bo", "Sanjin Yoshizo", "Kiri no Yozo", Yang Jung Eun's "Peer Gynt", and the theater group "Kaze". Participated in "Matsurowanu Min" and "Mud Rear" of "Brick Dance".
Florian Meyer, who toured domestically with YPY, now explodes a foreign talent as a solo name Don't DJ, rather than a member of The Durian Brothers and Institut Für Feinmotorik. According to him, this work "has become a relatively easy-to-hear category for me." A double-sided mini-album with the theme of the hyperspace world, which seems to be named after Sun Ra's masterpiece "Space Is the Place" (1973), of that "Authentic Exoticism" (2016). A work that seems to be an evolved version. The title is not Date, but side A, which is a digital possession of the world of San La, and instead, side AA has a scale like Ethiopia or Indonesia. Expressed ethnic exo techno sound. It's still an experimental attempt, but his talent is the pop finish. A-2 is a collaboration with Derek Pyotr and enthusiasts should pay attention!
A 2020s new generation compilation with a digital release as the default generation, and a
All "S.D.S" works are based on D.I.Y home recording, which does not need to give the term of bedroom pop, and are a mixture of musical languages such as electronic music, trap, indie pop, bass music, and EDM / ADM. It's a hip-hop expression, but the position is shifted from the mainstream of the current hip-hop, rather it is a tune closer to electronic music, or vice versa, and there are also irregular works that are difficult to explain, and it is full of works that bother critics. Amalgam is the heart of reality. This phenomenon is common to the creators of "S.D.S", which is why it is important to listen individually to who is playing what kind of music. Betting on sense, ideas and spirit, the passion for making music lies behind the atmosphere of creativity, sharp dedication, and daring boldness in Japan's current underground scene.
* Profiles / photos / discography / lyrics of all artists are fully posted on the CD / LP version liner. You can also use it as an artist directory.
Curation / Explanation: CVN
Song selection: CVN + Yuki Emura
Binding: Daiki Miyama
+ Mastering for CD
+ 36-page booklet included, wide case used
+ Artist profile & photo / discography / lyrics (translation) posted
+ Japanese / English notation
Tracks:
A1. Dove "Irrational"
A2. Lil Soft Tennis "Feelin'Love"
A3. Tamanaramen "angel number"
A4. Karavi Roushi and Aquadab "Tokyoite --Val Kilmer (Love Her)" = new song =
A5. valknee + ANTIC "The Best SSS in Life (2020 Mix)"
A6. NTsKi "Labyrinth of Summer (KM Remix)"
B1. seaketa "good"
B2. Menace No "Lucky Guess"
B3. lIlI "Nightmare"
B4. CVN "without u feat. Itaq" = new song =
B5. S Satoh "MLC"
B6. Le Makeup "Ray" = new song =
Composition / Performance: Koshiro Hino
Cello on "All Wounds": Yuki Nakagawa
Mastering: Takuto Kuratani (Ruv Bytes)
Binding picture: NAZE
12 "LP version: Uses quality lacquer / stamper cut by Dubplates & Mastering.
CD version: Spread paper jacket specifications