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A collection album that covers the ten generations of the solitary genius Burial will be released
The 2006 debut album "Burial" and the following year's second album "Untrue" have been established, and although their identity and identity are still unknown, their overwhelmingly original sound is UK garage-dubstep. By extension, Burial left a big impact as one of the representative artists of the 0's beyond the category of club music. The genius who continued to be silent revived with the EP work "Street Halo" in 2011 when he entered a new decade, and although expectations for the release of the third album increased, he suddenly continued to release EPs and singles after that, " I continued to search for new expressions after "Untrue". This work is a collection album that covers the steps that Burial left on Hyperdub in the Ten's, and walked to the unexperienced zone with listeners, seeking dismantling of the post dubstep that he had built himself, release from the scale and development of the track. A total of 17 songs, 150 minutes, including 6 songs from the first CD version of the song, are recorded on a 2-CD set. From "Street Halo" and "Loner", which presented a deep house mode with a hasty 4/4 beat, to "Kindred", which is an 11-minute self-collage of your own world view, and more emotional without being bound by the beat. "Rival Dealer" that develops a unique story, "Truant" that has one of the best sunlight ambiences in history, "Come Down To Us" that is a popular song representing Burial in the Tens, and recent single "State Forest". The pieces of the lonely genius, including the burial ambient track, are rearranged in the order of the intentional songs, and are completed here as one big lyric poem.
Shaped noiseA major sanctuary of the tip system of the presidency <Cosmo RhythmaticThe latest work from > has just boiled the world,Mika VainioFinnish experimental hero, alongsideSasu RipattithingVladislav Delayof2014Year masterpiece "VisaStock!2014I wasn't allowed to enter the US tour at the beginning of the year, the tour schedule itself was canceled, and there was a gap in the schedule.2One work made in a week. In the abstract atmosphere, sharp sounds such as synth drone-glitch noise, minimal electronics, and post-industrial are deeply blended to create a historic sound field. A dark and chic sound design, a truly architectural beauty! <Mille Plateaux>or<Raster-Noton> Fans will be a must-have.
Familiar with Moog's minimal drone work, analog&An American composer who has released his own line of electronic music with a special playing method that mixes digital musical instrument composition./Videographer,Richard Lainhart (1953-2011)。John CageorDavid Tudor、Phill Niblock、David BehrmanHe has also worked with great people such asNYA great sanctuary of contemporary music [Experimental Intermedia Foundation] Under the umbrella [XI Records] Left in2001Yearly work, stocked!! This music that resonates forever is a terrifying depth.1975From the year1989Summarized works up to the year2Disc set masterpieceCD.. The technique of processing Tam Tam, Japanese temple bells, vibraphones, voices, etc. with a bow-playing multi-track recorderAndrew ChalkIt is reminiscent of the work of, but the sound is alsoOrganumI used the period and the guitarAndrew ChalkEcstatic meditative drone that is quite close to the work of(Disc 2teethAeolian String EnsembleIs also like).. An amazing gem that I would like people who listen to drones to listen to!
This is the final stock out of print. A new age hymn born from a tape collage of natural sounds. "Songs Of Gold, Incandescent", a masterpiece cassette released in 2014 by Lieven Martens Moana, also known as Dolphins Into The Future, has been released on CD as an Expanded Edition.
here5It was recorded over the years, and in parallel with the ambient and electronic music works of the New Age vein, many field recordings have been released so far, but in this work, I get lost in the fictitious island country. The feeling is especially wonderful.Dolphins Into The FutureMarked pocopoco electrons ensemble with animal breathing1Beginning with the song, the recording of the water that springs from the fumaroles of the volcano, gospel, piano tunes, and the transition to environmental sounds are exquisite.Sweeten The MangoNot only collecting environmental sounds and related sounds, but alsoDolphins --LievenThe love of nature, the island and the sea is reflected in the gentle and mysterious color of the sound, and the core part is stronger than ever.
When Tony Conrad visited Germany in 1972, he met the avant-garde rock band'Faust'created by the country, and this session was realized.
It seems that Tony Conrad had instructed the drummer to "keep the beat unchanged", but the drums with the shamanic and rock dynamism that the number of notes was cut off to the limit are exactly the same. Oriental and trancey violin drones that are directly related to the "Permanent Music Theater" intersect endlessly minimally. In each of Avant-Rock-Indian music, only the most psychedelic elements meet at the atomic level, and the extreme content seems to have been transformed from the existing music composition. Carefully mastered from the original master tape, Jim O'Rourke is in charge of the liner notes.
TRAP beats born in Atlanta in the United States have become a common language in the world and continue to produce replicas, and as in Asia, many acts appear and disappear, and rappers from countries such as South Korea, Thailand, and Indonesia have been attracting attention for a long time nowadays. "YouTube play XX million times!" "Instagram follower XX million people!" Such phrases flew around, and the rapper made full use of social media to aim for monetization from a single buzz. It is JUU4E that strongly expresses and continues to create original HIP HOP.
JUU4E is a rapper who has been respected as an OG in Thailand, where young talents are appearing one after another, and has established a unique standing position. In the previous work "New Luk Thung" (2019), under the production of Young-G of stillichimiya / OMK, a masterpiece that is the latest HIPHOP and the latest Luk Thung by eclectic Thai omnivorous ghetto song, Luk Thung with HIP HOP. I made it. This work shocked both inside and outside the country, such as being nominated for the prestigious RIN (Rap is Now) annual best in Thailand, but when this "New Luk Thung" was released, in fact, this work "Idiot World" was already produced. Was starting.
This work is all self-produced by JUU4E. The lyric that interweaves Thai, Japanese and English, the stretchable flow, and the track that has a lower center of gravity than the previous work and is boiled down in dubby are the same as the previous work that chewed HIP HOP / TRAP and made it completely own, but it should be noted. Is a point where you can feel the intention to strongly represent
If you touch this work by biting the information that floods the net with HIP HOP hot in Asia, you're lucky. I want you to be stupid by all means being overwhelmed by the lyrics that challenge the "stupid world" head-on and the sound that is bitten by overwhelming freedom.
Here is the latest version of HIPHOP that America doesn't know yet. Juu, a Thai talent who represents Asia and locals from the opposite direction of 88rising, and therefore creates completely fresh music that can be used globally. Captain Beefheart with Autotune? Is it a drake on a buffalo? The 1st full album "New Luk Thung" is finally dropping!
Who is Juu? Thai HIPHOP scene where attractive acts appear one after another. Among them, Juu is respected as an OG, but it is extremely difficult to catch its existence from outside Thailand. Singing in Thai, there is no physical, OMK (One Mekong) traces the trace that existed only on Youtube and succeeded in contact. In 2017, he was finally invited to perform his first live concert in Japan, revealing his unusual musicality and character. The groove of the hi-hat that is too thick and finely carved is that of TRAP or later, but the flow that expands and contracts freely, the linguistic sense that mixes English, Thai, Japanese, Koshu valve, and the rich Thai music classic All of them (and their funny personalities) showed that they were in a completely different dimension from the world-famous TRAP copycats.
This is Juu's first full-length album, which was completed in about two years after the talents and OMK members collaborated with each other and started co-production with the lead of Stillichimiya / OMK's Young-G. Most of the tracks are in Young-G's hands, and the sound is also full of ambitions that reflect OMK's attitude. Thai instruments such as chin, cowbell, cane and pin are used everywhere, but never used for exotic seasoning. In order to inject the original beats and grooves in Thailand, they are inevitably incorporated. And what oozes out in the mellow song is the flow (singing heart) that is similar to Luk Thung and Japanese enka. They create an indescribable "new song feeling" through Juu's background HIPHOP and reggae.
As the title "New Luk Thung" shows, this work is a Pattaner (* 2) of the dying Thai song genre Luk Thung (* 1) with cutting-edge HIPHOP. Like HIPHOP, this music called Luk Thung cites (samples) and revives past classical music many times. And like HIPHOP, the lyrics (lyrics) are also very important music. The feature of this work is that the manners common to Luk Thung and HIPHOP have been completely digested without contradiction. The title of this work comes from Juu telling Young-G that "this is New Luk Thung" in the process of production, but this is an inevitable name. This work is both "latest HIP HOP" and "latest Luk Thung". In the world of Juu's poetry, which is respected as the best "master poet" in the Thai HIPHOP world, please check out the complete translation, which was extremely difficult to translate.
80s Noise / Industrial Music There is no doubt that you will be fascinated by listeners from the golden age to experimental techno freaks these days! !! Romanian-born and now LA-based female musician Alexandra Atniff advocates the music "Rhythmic Brutalist" inspired by the architectural style "Brutalist" that prevailed during the Cold War.
She doesn't use any vintage synthesizers or expensive equipment, and uses freeware to release just bare concrete-like beats. The track group with its decoration removed already has a terrific sensation reminiscent of great ancestors such as Esplendor Geoméco. While maintaining the functionality of minimal techno, the vibes that noise / industrial music lost after passing club music, the one and only sound that makes you feel ferocious, sets it apart from existing industrial techno. There is.
This time, A.A himself reworked the independent album, and released the newly edited "Rhythmic Brutalist Vol. 1" as EM Records Edition and the sequel "Same Vol. 2" at the same time. The impression is different from the "1st collection", which is closer to minimal techno, and the "2nd collection", which is more abstract and closer to electronic music, but the whole story is full of brutalist architecture. Brin Jones must nod in the shade of the grass!
Love generously robs us, and love tears us apart ... all the crystals of loss that were once launched beyond post-punk are now regaining glare! A collection of phantom sound sources by the late Kiyoaki Iwamoto, finally lifted after about 40 years !!!-Tamotsu Mochida (factory worker and real industrial writer)
There used to be a musician who buried his past and disappeared. Its name is Kiyoaki Iwamoto. I don't know the reason. What we know is that we have left behind a "super-translation" cover of Joy Division's "Love Will Tear Us Apart," which surprised even the minimum original songs and ECD.
Iwamoto appeared in the post-Tokyo rockers era scene and participated in that "Urban News" as a post-punk band
This work is the only solo work "SOUGI" (1983) that Iwamoto independently produced by Kojima recording, a rework of "Love Will Tear Us Apart" by Chisako and Junta, and NOISE "Emperor" by Tori Kudo and Reiko somewhere. It is the addition of an unreleased song by Rei Mi, which is reminiscent of. Iwamoto's four original songs, including the song "In the Sad Town" from the beautiful era, have a rhythm box, several chords played on guitar and bass, and short poems that look like they have been cut down. It is a characteristic of Japanese punk / new wave that frustrating emotions hit the inside of oneself, but Iwamoto's humorous vocals seem to amplify the frustration even more, and Joy Division's "super translation" has a nihilistic climax of loss.
Was "SOUGI" a "funeral"? ?? Michio Kakutani would have responded. The untouchables of the 80s indie film continue to shake us and bite those who want to be loved!
Disc 1 contains 4 new WW songs (1 song remixed and remastered), Disc 2 contains re-editing of up-and-coming German creators / skaters and DJ slingshots, and Koshiro Hino (YPY) + Yosuke Yukimatsu (YY). Includes reconstruction by the new unit YYPYY. In fact, Wicked Witch, who has been playing music for a long time, has desolate acid funk, "Funky by U" like Indian base music, "Under Your Spell 2016" and stoned. The condition is overwhelming (I do not know what the aim is again this time). DJ Slyngshot is an experimental and 80s flavour hard beat re-edited with a mix of early Chicago house / old school / techno. On the other hand, Hino and Yukimatsu are metamorphosis tunes that dragged WW into another dark side (
G.G.Band is a band formed in Busan in 2013 by Massachusetts-born painter Matt Jones and Busan-born Ji Yun Lim, and has a fluid organization with no fixed members. The songs on this first physical album, "Glass Fish," were produced in different environments and locations, including the iPhone, bedroom, studio, and the faces of Sebadoh's Bob Fay and Yod Tapes. Massachusetts network such as John Moloney. "Speaking of Massachusetts, we are the sacred site of Indie / Low Phi, along with Olympia, the location of K Records" (from the commentary). The DIY indie soul that dwells in them jumps out of the North American region, swallows East Asian culture, powers up even more crap, and supplies a state-of-the-art fluffy feeling of weakness.
The fourth installment is a tremendous tremor in the movie world !? A rainy day Ozawa & Babylon band is here! Luk Thung's masterpiece "Country is good" competition cover 12 inches sent by a strong battle with Kufuki & Otsu Rifu! The biggest problem in the series!?!
That's right, that Ozawa (*)! Who knows that Ozawa, a former Self-Defense Forces member who disappeared at the end of the appearance of pimping in Tanya Street in "Bangkok Nights", then hid in Japan and had a session with his friends? The gang chose the retitled cover "Return to the Countryside" of the 70s Luk Thung masterpiece "The Countryside Is Great" that broke in "Bangkok Nights". Iwao Yamazaki (Babylon Band), who is also the sound clerk of "Bangkok Nights", performed the recording mix with the lyrics of the air tribe director Aizawa who brilliantly incorporated the spirit of Luke Thun, whose lyrics are important, into Japanese. I have made the word Luke Tung! Impossible Ozawa (Director Tomita) singing enthusiastically + Shin-chan's dialogue in the play inevitably makes Air Tribe fans faint in agony, but stillichimiya fans are happy with Young-G's opening scratch, and the latter half of DEEP dub MIX and masterpieces that develop into trippy psychedelic Contents!
The coupling features a unique synthesizer quartet that also made its debut in the UK, Kufuki's charisma of poetry girls, Otsu Rifu, and Japanese dialects. A metamorphosis electronic new folk song version that was played with a drum. World music fans and big daffodils are also monsters !!!!!!!!!!!!
The best compilation album of Dao Bandon, a Luk Thung singer from Isan (Northeastern Thailand) who was most wanted to be released by world music fans and frontier rare groove DJs! Thai music is now attracting the attention of collectors all over the world as dance music. Dao Bandung's music, which is characterized by thick beats, killer breaks, and unique voices and tunes, had the appeal of being addicted to the ears once heard. But what was sung in Isan in the 70's? Why did Dao Bandung hit? Its charm remained a mystery. This time, we interviewed Dr. Dao Bandon directly and translated all the songs in Isan and Thai into parallel, and the astonishing facts are under the sun! The laughing and crying original scenery of the idyllic Isan is revealed, such as a song about the set from reggae-like Ga * ja tune, a love song in the world of blues, and so on.
In the 1980s, Mr. Dao produced singers familiar with world music such as Honey Sri-Isan and Jintara Poonlarp. This album is full of roots up to the present in the genre of Luk Thung, which is still extremely popular. There can be no Thai song without listening to this!
In this work, all lyrics are posted in three languages, Thai, Japanese and English. The commentary is posted in Japanese and English, and the annotations of Thai proper nouns are complete! A spirited specification that will be an indicator of future world releases!