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From Scratch / goat / Don't DJ / 小林うてなグループ - 「8,9,10」「9,10,11」(『ガン・ホー1,2,3D』より) (2LP)Em Records
¥3,035
The current three artists will challenge the difficult song "Gun Ho 1,2,3D", which is a masterpiece of New Zealand's legendary performance group From Scratch. This is a cover performance collection in which each person explores how to play with percussion as the common denominator (* not a remix collection). Everyone made it very hard. I look forward to working with you!
From Scratch is a development of a performance group organized by Phil Dudson, who learned from the far-left musician Cornelius Cardew, as the New Zealand branch of the Scratch Orchestra in the 1970s. They are known around the world for their combative custom instruments, and Ryuichi Sakamoto became a percussion instrument unit at a glance, and he visited Japan twice.
The work that can be said to be their true value is this difficult song "Gung Ho 1,2,3D", which features hocking in which the performers beat different beats individually, and the ultimate polyrhythm with accurate repetitive rhythm is a masterpiece. The sound is mechanical and inorganic in terms of characters, but the overtone-covered mundane sounds generated from the vinyl chloride tube and the slight error caused by human performance become organic components and create a mysterious ecstasy.
In this work, the original recording of 1981, which was performed in the most complicated 8,9,10 and 9,10,11 time signatures of "Gung Ho 1,2,3D", is the first, and the current three artists in Japan and abroad: Goat (M2) led by YPY Koshiro Hino / Don't DJ (M3), a German genius / Utena Kobayashi (M4), who is currently active in DAN, Tokumaru Shugo, etc. Contains a total of 4 works. All the performances are based on the score, but the interpretations of the four are completely different, and despite the fairly advanced performance, it has a pop appearance due to the repetitive rhythm.
+ CD version: Japanese / English commentary / normal jewel case / booklet included
From Scratch is a development of a performance group organized by Phil Dudson, who learned from the far-left musician Cornelius Cardew, as the New Zealand branch of the Scratch Orchestra in the 1970s. They are known around the world for their combative custom instruments, and Ryuichi Sakamoto became a percussion instrument unit at a glance, and he visited Japan twice.
The work that can be said to be their true value is this difficult song "Gung Ho 1,2,3D", which features hocking in which the performers beat different beats individually, and the ultimate polyrhythm with accurate repetitive rhythm is a masterpiece. The sound is mechanical and inorganic in terms of characters, but the overtone-covered mundane sounds generated from the vinyl chloride tube and the slight error caused by human performance become organic components and create a mysterious ecstasy.
In this work, the original recording of 1981, which was performed in the most complicated 8,9,10 and 9,10,11 time signatures of "Gung Ho 1,2,3D", is the first, and the current three artists in Japan and abroad: Goat (M2) led by YPY Koshiro Hino / Don't DJ (M3), a German genius / Utena Kobayashi (M4), who is currently active in DAN, Tokumaru Shugo, etc. Contains a total of 4 works. All the performances are based on the score, but the interpretations of the four are completely different, and despite the fairly advanced performance, it has a pop appearance due to the repetitive rhythm.
+ CD version: Japanese / English commentary / normal jewel case / booklet included
Usha with Hecke Kingdom & His Jazz Quartet - Jambalaya Jambalaya / Green Back Dollar (7")His Master's Voice
¥3,580
Media Condition: VG+ Sleeve Condition: No Cover