MUSIC

約50分に及ぶ4つの未発音源も追加収録！吉村弘、高田みどり、イノヤマランドにも並ぶ国産ニューエイジ/アンビエント最大級の再発案件が到来です！日本が誇る孤高のアンビエント作家、広瀬豊がそのカタログ2としてMisawa Homeレーベルに残した1986年の唯一作が、高田みどり、Colored Music、Normal Brainと日本の音楽秘境も発掘してきたスイス発の最重要再発レーベル、We Release Whatever The Fuck We Want から拡張版となって初となる公式CD/ヴァイナル・リイシュー！元々は、1986年から1988年にかけて、ミサワホームのプレハブ住宅のための『Soundscape』シリーズの一環としてリリースされるも、昨今のニューエイジ再評価の流れで一気に高騰・入手困難と化していた一大傑作！静謐なミニマリズムが呼吸をし、水や虫、鳥などの声のフィールド・レコーディングやまばらなベルの音、ピアノ、シンセサイザーなどが用いられ、大自然の原風景をも思い起こすような神秘的なアンビエント・サウンドを描き出した伝説の一枚。母体回帰のような類い稀なる美しさを秘めた作品です。本人によると「いわば、音楽というよりは、音の彫刻」であるという、インスタレーション用に製作された50分に及ぶ当時の未発表音源も追加収録。デラックス・ゲートフォールド・スリーヴ仕様。本人によるライナーノーツが日本語&英語で記載されています。これが数年前まではレコ屋やリサイクルショップで投げ売りされていたと言うんだからとんでもないことです。

What is HIP HOP Global? What is local? The new work of JUU4E, a Thai rapper who repaints the hype-covered , is a light of hope for pan-Asian music in the 21st century, and is a black ship released to the world. No, if it was a black ship that appeared dignifiedly in the daytime, this work is a small smuggling ship that sews the night and crosses the sea to carry .

TRAP beats born in Atlanta in the United States have become a common language in the world and continue to produce replicas, and as in Asia, many acts appear and disappear, and rappers from countries such as South Korea, Thailand, and Indonesia have been attracting attention for a long time nowadays. "YouTube play XX million times!" "Instagram follower XX million people!" Such phrases flew around, and the rapper made full use of social media to aim for monetization from a single buzz. It is JUU4E that strongly expresses and continues to create original HIP HOP.

JUU4E is a rapper who has been respected as an OG in Thailand, where young talents are appearing one after another, and has established a unique standing position. In the previous work "New Luk Thung" (2019), under the production of Young-G of stillichimiya / OMK, a masterpiece that is the latest HIPHOP and the latest Luk Thung by eclectic Thai omnivorous ghetto song, Luk Thung with HIP HOP. I made it. This work shocked both inside and outside the country, such as being nominated for the prestigious RIN (Rap is Now) annual best in Thailand, but when this "New Luk Thung" was released, in fact, this work "Idiot World" was already produced. Was starting.

This work is all self-produced by JUU4E. The lyric that interweaves Thai, Japanese and English, the stretchable flow, and the track that has a lower center of gravity than the previous work and is boiled down in dubby are the same as the previous work that chewed HIP HOP / TRAP and made it completely own, but it should be noted. Is a point where you can feel the intention to strongly represent . Ron Gen, a Japanese folk song influenced by Malaysian music, and Teresa Ten's songs that JUU4E has been accustomed to since childhood are quoted, but they have been incorporated into JUU4E. Is lightly slashing the masquerading global and exoticism that world music once had, as well as the self-orientalism that is innocently rampant in the current Asian hip-hop.

If you touch this work by biting the information that floods the net with HIP HOP hot in Asia, you're lucky. I want you to be stupid by all means being overwhelmed by the lyrics that challenge the "stupid world" head-on and the sound that is bitten by overwhelming freedom.

CHINZADOPENESS, Stillichimiya (Young-G, MMM, Dengaryu, Mr. Maru, Big Ben) participated!

Here is the latest version of HIPHOP that America doesn't know yet. Juu, a Thai talent who represents Asia and locals from the opposite direction of 88rising, and therefore creates completely fresh music that can be used globally. Captain Beefheart with Autotune? Is it a drake on a buffalo? The 1st full album "New Luk Thung" is finally dropping!

Who is Juu? Thai HIPHOP scene where attractive acts appear one after another. Among them, Juu is respected as an OG, but it is extremely difficult to catch its existence from outside Thailand. Singing in Thai, there is no physical, OMK (One Mekong) traces the trace that existed only on Youtube and succeeded in contact. In 2017, he was finally invited to perform his first live concert in Japan, revealing his unusual musicality and character. The groove of the hi-hat that is too thick and finely carved is that of TRAP or later, but the flow that expands and contracts freely, the linguistic sense that mixes English, Thai, Japanese, Koshu valve, and the rich Thai music classic All of them (and their funny personalities) showed that they were in a completely different dimension from the world-famous TRAP copycats.

This is Juu's first full-length album, which was completed in about two years after the talents and OMK members collaborated with each other and started co-production with the lead of Stillichimiya / OMK's Young-G. Most of the tracks are in Young-G's hands, and the sound is also full of ambitions that reflect OMK's attitude. Thai instruments such as chin, cowbell, cane and pin are used everywhere, but never used for exotic seasoning. In order to inject the original beats and grooves in Thailand, they are inevitably incorporated. And what oozes out in the mellow song is the flow (singing heart) that is similar to Luk Thung and Japanese enka. They create an indescribable "new song feeling" through Juu's background HIPHOP and reggae.

As the title "New Luk Thung" shows, this work is a Pattaner (* 2) of the dying Thai song genre Luk Thung (* 1) with cutting-edge HIPHOP. Like HIPHOP, this music called Luk Thung cites (samples) and revives past classical music many times. And like HIPHOP, the lyrics (lyrics) are also very important music. The feature of this work is that the manners common to Luk Thung and HIPHOP have been completely digested without contradiction. The title of this work comes from Juu telling Young-G that "this is New Luk Thung" in the process of production, but this is an inevitable name. This work is both "latest HIP HOP" and "latest Luk Thung". In the world of Juu's poetry, which is respected as the best "master poet" in the Thai HIPHOP world, please check out the complete translation, which was extremely difficult to translate.

In addition to her classic low-tech processing based on analog tapes, this work is a new frontier with multiple layers of synth sounds, tape loops, sampling of voice and instrumental sounds, and participation performances by friend musicians. The result is a mysterious music that is unclear whether it is 300 years old African folk music, a spliced folk song of some country, techno or experimental music, and the coolest 2013 latest contemporary music. .. A 35-minute hypnosis with a tingling sensation and an analog mellowness ... This may be the front-line rock.

Post-Plurrian? EG ?? The return of Muslimgauze ??? The strongest active rhythmic noise / drum'n'noise techno girls, shocking Alexandra Atonif!

80s Noise / Industrial Music There is no doubt that you will be fascinated by listeners from the golden age to experimental techno freaks these days! !! Romanian-born and now LA-based female musician Alexandra Atniff advocates the music "Rhythmic Brutalist" inspired by the architectural style "Brutalist" that prevailed during the Cold War.

She doesn't use any vintage synthesizers or expensive equipment, and uses freeware to release just bare concrete-like beats. The track group with its decoration removed already has a terrific sensation reminiscent of great ancestors such as Esplendor Geoméco. While maintaining the functionality of minimal techno, the vibes that noise / industrial music lost after passing club music, the one and only sound that makes you feel ferocious, sets it apart from existing industrial techno. There is.

This time, A.A himself reworked the independent album, and released the newly edited "Rhythmic Brutalist Vol. 1" as EM Records Edition and the sequel "Same Vol. 2" at the same time. The impression is different from the "1st collection", which is closer to minimal techno, and the "2nd collection", which is more abstract and closer to electronic music, but the whole story is full of brutalist architecture. Brin Jones must nod in the shade of the grass!

The originally minimalist song, combined with the rhythm box that keeps ringing lightly and the lyrics that have been scraped to the limit, repeats in the brain, and finally hums "Love my misfortune". Dangerously addictive music. Handle with care. -Moppy (Soi48)

Love generously robs us, and love tears us apart ... all the crystals of loss that were once launched beyond post-punk are now regaining glare! A collection of phantom sound sources by the late Kiyoaki Iwamoto, finally lifted after about 40 years !!!-Tamotsu Mochida (factory worker and real industrial writer)

There used to be a musician who buried his past and disappeared. Its name is Kiyoaki Iwamoto. I don't know the reason. What we know is that we have left behind a "super-translation" cover of Joy Division's "Love Will Tear Us Apart," which surprised even the minimum original songs and ECD.

Iwamoto appeared in the post-Tokyo rockers era scene and participated in that "Urban News" as a post-punk band . After the dissolution of Birei, he formed Guys Doll with Fuyusato Kudo and released "Hard Rock Album" (1984) under the joint name with Kudo. After that, the news disappears.

This work is the only solo work "SOUGI" (1983) that Iwamoto independently produced by Kojima recording, a rework of "Love Will Tear Us Apart" by Chisako and Junta, and NOISE "Emperor" by Tori Kudo and Reiko somewhere. It is the addition of an unreleased song by Rei Mi, which is reminiscent of. Iwamoto's four original songs, including the song "In the Sad Town" from the beautiful era, have a rhythm box, several chords played on guitar and bass, and short poems that look like they have been cut down. It is a characteristic of Japanese punk / new wave that frustrating emotions hit the inside of oneself, but Iwamoto's humorous vocals seem to amplify the frustration even more, and Joy Division's "super translation" has a nihilistic climax of loss.

Was "SOUGI" a "funeral"? ?? Michio Kakutani would have responded. The untouchables of the 80s indie film continue to shake us and bite those who want to be loved!

The devil machine psycho funk of Washington DC, who is invited by Prince from the funk spirit world, that wicked witch breaks the silence and releases the new single for the first time in 30 years, 12 inches of old and new east-west crossovers set.

Disc 1 contains 4 new WW songs (1 song remixed and remastered), Disc 2 contains re-editing of up-and-coming German creators / skaters and DJ slingshots, and Koshiro Hino (YPY) + Yosuke Yukimatsu (YY). Includes reconstruction by the new unit YYPYY. In fact, Wicked Witch, who has been playing music for a long time, has desolate acid funk, "Funky by U" like Indian base music, "Under Your Spell 2016" and stoned. The condition is overwhelming (I do not know what the aim is again this time). DJ Slyngshot is an experimental and 80s flavour hard beat re-edited with a mix of early Chicago house / old school / techno. On the other hand, Hino and Yukimatsu are metamorphosis tunes that dragged WW into another dark side (

A fusion of Asian pop and alternative rock!?! The first physical version of the US / Korean / Cambodia mixed Lo-Fi / DIY loose fluffy pop, G.G. Band, which I would definitely recommend to fans of Feeding Tube! (English version commentary is done by Dr. Byron Coley of Feeding Tube)

G.G.Band is a band formed in Busan in 2013 by Massachusetts-born painter Matt Jones and Busan-born Ji Yun Lim, and has a fluid organization with no fixed members. The songs on this first physical album, "Glass Fish," were produced in different environments and locations, including the iPhone, bedroom, studio, and the faces of Sebadoh's Bob Fay and Yod Tapes. Massachusetts network such as John Moloney. "Speaking of Massachusetts, we are the sacred site of Indie / Low Phi, along with Olympia, the location of K Records" (from the commentary). The DIY indie soul that dwells in them jumps out of the North American region, swallows East Asian culture, powers up even more crap, and supplies a state-of-the-art fluffy feeling of weakness.

A tribute to the latest work "Bangkok Nights" by Kuzoku, a movie production group that is active under the banner of "regaining the audience to the cinema". Release is vinyl 12 inch only. Thailand-Bangkok-Isan asks you by sound what Taoyuan Township is.

The fourth installment is a tremendous tremor in the movie world !? A rainy day Ozawa & Babylon band is here! Luk Thung's masterpiece "Country is good" competition cover 12 inches sent by a strong battle with Kufuki & Otsu Rifu! The biggest problem in the series!?!

That's right, that Ozawa (*)! Who knows that Ozawa, a former Self-Defense Forces member who disappeared at the end of the appearance of pimping in Tanya Street in "Bangkok Nights", then hid in Japan and had a session with his friends? The gang chose the retitled cover "Return to the Countryside" of the 70s Luk Thung masterpiece "The Countryside Is Great" that broke in "Bangkok Nights". Iwao Yamazaki (Babylon Band), who is also the sound clerk of "Bangkok Nights", performed the recording mix with the lyrics of the air tribe director Aizawa who brilliantly incorporated the spirit of Luke Thun, whose lyrics are important, into Japanese. I have made the word Luke Tung! Impossible Ozawa (Director Tomita) singing enthusiastically + Shin-chan's dialogue in the play inevitably makes Air Tribe fans faint in agony, but stillichimiya fans are happy with Young-G's opening scratch, and the latter half of DEEP dub MIX and masterpieces that develop into trippy psychedelic Contents!

The coupling features a unique synthesizer quartet that also made its debut in the UK, Kufuki's charisma of poetry girls, Otsu Rifu, and Japanese dialects. A metamorphosis electronic new folk song version that was played with a drum. World music fans and big daffodils are also monsters !!!!!!!!!!!!

Woman, liquor, agriculture, poverty ... The world's first debut of Dao Bandon, the "buffalo rider" who continued to sing the life of the northeastern part of Thailand while calling himself a countryman and performing indigenously! A unique view of the Luk Thung world cultivated in the harsh land of Isan is condensed into this one piece! World music !? Rare groove !? Frontier !? Kayo!? ……. Here is the roots of the great (Thai) popular music created by a man made up of poor people!

The best compilation album of Dao Bandon, a Luk Thung singer from Isan (Northeastern Thailand) who was most wanted to be released by world music fans and frontier rare groove DJs! Thai music is now attracting the attention of collectors all over the world as dance music. Dao Bandung's music, which is characterized by thick beats, killer breaks, and unique voices and tunes, had the appeal of being addicted to the ears once heard. But what was sung in Isan in the 70's? Why did Dao Bandung hit? Its charm remained a mystery. This time, we interviewed Dr. Dao Bandon directly and translated all the songs in Isan and Thai into parallel, and the astonishing facts are under the sun! The laughing and crying original scenery of the idyllic Isan is revealed, such as a song about the set from reggae-like Ga * ja tune, a love song in the world of blues, and so on.

In the 1980s, Mr. Dao produced singers familiar with world music such as Honey Sri-Isan and Jintara Poonlarp. This album is full of roots up to the present in the genre of Luk Thung, which is still extremely popular. There can be no Thai song without listening to this!

In this work, all lyrics are posted in three languages, Thai, Japanese and English. The commentary is posted in Japanese and English, and the annotations of Thai proper nouns are complete! A spirited specification that will be an indicator of future world releases!

An ambitious work that lets you hear a completely different heavy sound with a new organization of 6 members, who have spent 10 years of the severe earthquake of the 2000s. This is no longer "that" Noarizu! From garage blues, accordion / musical saw funk, and Joe Meek's cover, all with no decorations, all roughly analog one-shot recordings, to the standard strange singing version that also features Satchmo and Sinatra! !! A special gift for you with a total of 8 songs, including 3 original songs. Enjoy the vivid sound as if you were in the studio.

80s Heavy Metal Dub Phantom Edition "Ten Dubs That Loosen the World" Sheriff Lind's new album for the first time in 25 years! Its name is "Aftershock Dub"! !! Two bonus songs added to the CD!

What have you been doing for 25 years! Don't rush in. Sheriff Lind has been devoting himself to reggae with the Southern Hemisphere soundmen, but in the last 20 years, only a few songs have been released on the compilation CD. The whole picture was sealed in the hall and mysterious, but the sheriff was on the lookout all the time!

This surprising new 2nd album can be called a "special collection" (Note 2) compiled from the numerous dubs (Note 1) that Sheriff Lind has played with sound so far. This fully field-specific massive bass sound source was selected for the album by West Japan's proud sound system "Touch the Sky" crew, High-C, and an elite track maker / engineer pursuing reggae dub. Ruv Bytes, our Takuto Kuratani. In addition, M's first genuine dance hall specification that Mr. Kuratani will master! A heavyweight special album with a single dub rhythm that appeals to the stubborn roots lovers from the original generation to the digital / nu roots generation!

In the Thai music series of EM + Soi48, the of Surin Park Siri, a living legend of the Thai music world, appears. Surin, who is a musician comparable to Coxsone Dodd, Ryoichi Hattori, Phil Spector, Theo Macello, etc., has the nickname "King of International Song", which is the national national of Thailand introduced this time. It was attached from a group of works produced by him in Music Luke Thun (* 1). Luk Thung is a genre where the subject of singing = lyrics is important, and as long as it is guaranteed, music can be anything. The point is, it should be fun! It has a greedy omnivorous nature, and the one who in its avant-garde is Surin Park Siri.

Born in Isan, northeastern Thailand, he is an inventor-like producer who has often sent out cutting-edge (metamorphic) killer that will be the flagship of Thai pop producers, and is a great man who has developed Thai music by himself. A genuine record man who wants to do something different than sell, and a living music library that has seen the rise of Thai music with a solid critique.

This time, we selected 12 unscrupulous mixed songs that insist on the true from the many Luk Thung songs that Dr. Surin worked on. As a result, this is the royal road Luk Thung that appointed big Lao singers such as Plain Prom Dane and Waiphot Phetsuphant! From the Laotian hymn, Bollywood tune, an original version of Kawao Siantone's Ganja tune and cover song sampled in Juu's "New Luk Thung", "Soran Bushi" sequel and Kyu Sakamoto's song (??) Covers of Japanese folk songs and songs that are irresistible to Japanese fans, suspicious and exotic Indian Luk Thung, Thai funk prototype in collaboration with ally Samai Ornwon, super DOPE Leh (* 2) and Ramwon (*) It became the Luk Thung entertainment comprehensive catalog called 3).

If Juu & G. Jee's "New Luk Thung", which sings "new" "Luk Thung", is the Luk Thung , this work collection of Surin Park Siri is a sound source collection of Luk Thung . If you check this, "New Luk Thung" will shine another shine while revealing what Luk Thung is.

All with translations this time as well. The commentary is of course Soi48.

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* Note
1) Luk Thung: A music genre that means "country child" or "country song". Song music that was established in the mid-1960s and is now inherited as Thai national music. Emphasis is placed on lyrics. It is highly omnivorous because there is no specific music format.

2) Leh: A Thai-specific genre in which Buddhist scriptures have been converted into songs through the preaching of monks. Singers who can improvise with limited syllables are respected because they require a high level of skill in the storytelling art.

3) Ramwon: Music with a strong character of creative folk songs established by the Thai government in the 1940s to raise national prestige. It was popular among the working class because of its characteristic ring dance like Japanese Bon Odori. There are two meanings and usages, one is the melody of Thai folk songs reorganized into Western music style, and the other is dance music called Ramwon regardless of genre.

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Song selection / commentary: Soi48
Mastering: Takuto Kuratani (Ruv Bytes)
Binding design: Shinsuke Takagi (Soi48)

CD version: Normal jewel case / 28-page booklet included
Japanese / English liner / Complete translation

TRACKS:
01. Bupper Saicheon "Deliver love in the wind"
02. Smit Thatcha Tape "Hunger for Love"
03. Kawao Cyantone "Simulation of a new house"
04. Banchop Charon Pawn "Don't talk anymore"
05. Liam Darah Noi "Pounding"
06. Kawao Cyantone "Cannabis Bamboo"
07. Bupper Saichon "Show me on foot"
08. Danchai Sontaya "I want to die"
09. Dam Danspan "Ripe Love"
10. Prune Prom Dane "Persuade the Child of the Mekong River"
11. Smary Saen Sotto "Sakura is waiting for you"
12. Waiphot Phetsuphant "Rum along the rice field"

Nana Vasconcelos meets Midori Takada! ?? !! "Beginning" is a threatening work in which static and dynamic are delicately and boldly intermingled with ambient closed-door exotic fantasy dance music born from the exploration of the devilish world of a single overdubbing orchestra. The coupling is that Lena Willikens REMIX!

M Records will deliver the world debut of Mari Sekine, a percussionist who is active in the band! With over 10 minutes of masterpieces, you can easily control more than 15 types of percussion instruments such as kalimba, marimba, udu drum, goblet drum, djembe, talking drum, cajon, berimbau, etc. by multiple recording, and combine them with tape reverse rotation and voice. Unsurprisingly, this "Beginning" is Sekine's first "solo" recording. And it is clear from listening to this song that Sekine's musicianship was not cultivated yesterday and today. Midori Takada's fans, who seem to be the biggest hidden talents in recent years, will be surprised and welcomed. Overdubbing by multi-percussionists is also found in contemporary music, but has there ever been a work that has such overwhelming power and is compatible with everything from home listening to the floor? Expectations are high for the 1st album being produced!

The coupling is a angry funky uppercut that extracts the tribal component of "Beginning" with REMIX by the popular DJ Lena Villikens!

* "Beginning" is a rework of the song released as her 1st single "midori" (Tongs International), returning to the original title at the beginning of the recording, extending it almost three times, and reworking it into a reggae disco 12-inch composition.

Mari Sekine Profile:
Touched percussion instruments at university and started activities after graduation. After working as a JAZZ FUNK band, he joined the big band "Shibusashirazu" in 2000. Currently, he is active in sessions such as Goko Nishikawa (ex. Shang Shang Typhoon) "Hoshi no Hibuya", Michiro Endo (ex. THE STALIN) "THE END", percussion instrument group "Orquesta Nudge! Nudge!" There are many activities in theatrical works, such as Kazuyoshi Kushida's "Caucasus's White Ink Ring", "Sunshine Bo", "Sanjin Yoshizo", "Kiri no Yozo", Yang Jung Eun's "Peer Gynt", and the theater group "Kaze". Participated in "Matsurowanu Min" and "Mud Rear" of "Brick Dance".

A mysterious board (dare to say Hawaiian Electronic / New Age?) Produced independently in 1975 by Japanese Hawaiian musician and playwright Frank Tavares, which seems to make the genre setting malfunction. The only instrument used is the synthesizer. I tried to reconstruct the land of Hawaii with sounds by superimposing human voices and field sounds, inserting Hawaiian folk songs and my own drama works, and champuruing Hawaiian, English, Japanese, and Filipino. With the help of too unique developments and electronic sounds, we invite us to a different world that seems to be stoned. It is also said to be the first Hawaiian music to make all of the tracks with synthesizers (Is there any other Hawaiian folk song that approached from electronic music in the first place?).

The content is good with surprise and excitement. Faust-This Heat's krautrock / post-punk, free rock / industrial such as Smegma and Z'ev, and the sound of emptiness turns into a violent passion. Highly recommended.

Japan Indie's hottest work !!
The initial collection of works has finally arrived !!

The improvisational trio of Yokohama, Inryofen, which was formed in 1978 and released the new work "Hugging" [EM1125CD] for the first time in 29 years, is far left and heretical even in the Japanese underground music scene. , The reason is thoroughly disclosed in this collection. Is there any other band like this at that time and now?

Their starting point was the idea of "converting surrealism to the sound of" automatic writing "", and they were active in the Tokyo / Yokohama underground scene, recording vigorously from 1980 to 1982, and three works. announced. This "early work collection" is the definitive edition that remastered all of these works from the master tape, expanded and recorded the unrecorded parts that were edited and cut, and remastered with high sound quality. In addition, for this release, the five works other than "Uncompromising" were given "song titles" for the first time (see the work description for the reason).

= Work description =
-"Uncompromising" at the beginning is a mysterious work that made known the shadow hunting rottenness, and it was also the first release of the prestigious indie, Cragale Records, known to those in the know. According to them, "Cover of Tony Conrad & Faust", but perhaps during the recording of this performance, a student activist broke into the stage and started a horse mackerel speech. The band that keeps playing silently, the activist who incites, the PA who tries to prevent the speech, the ending of the three-way! ?? !! This version is a complete version that contains all the patterns of this "legend".

-The "hammer clock" and "aiming cat" (included only in the CD version), in which the crazy electronic percussion instrument pulse is delivered, are forcibly called "articles" from the symbol with three squares on the jacket. A work recorded in the popular 7-inch EP.

-The band's true essence, the 23-minute automatic descriptive performance "Grand Rock", the masterpiece "The one that came down from the sky" where heavy percussion with a sense of mass trembles and cuts through the space, and the suspicious "Forest record" "(CD version only) is a 1st album recording work in which the band name, song name, and kata number are not written in a pure white jacket, and the agency company has declared that it cannot be distributed.


CD version:
＋ CD bonus 2 songs
＋ Normal jewel case / liner included
＋ Commentary: Atsushi Harada
＋ Japanese / English notation / Rare photos posted

The culmination of big sounds created by the small label with a sense and spirit!
Is this "No New York" in Japan in 2020? Is it "Pillows & Prayers"? No, it's not like that. Visit the first label compilation of "Birdfriend", a sublime (reckless) DIY label run by YPY / goat's Koshiro Hino. When you hear this, you want to create asexually!

"It's too experimental and challenging to release, but there are still many great ones" (by Koshiro Hino)

Birdfriend, a label of Koshiro Hino (YPY / goat) who continues to release DIY music of electronics and self-made remodeled musical instrument creators based on a thorough writer's standard of choosing by sound instead of name. From the start in 2013, DIY handmade with enthusiasm, patience and sincerity, special personalities such as Bonno Nomukuro, UNBE, Futoshi Moriyama, Wet Dog, NEW MANUKE, OPQ, Inoue Shirabe, JMT Synth, H. Takahashi, Sofheso・ Dropped into a cassette and released 38 original works to date. Overcoming various problems, we made 5,000 pieces!

Birdcage's first label compilation, "Bird Cage," was an attempt to put these Birdfriend friends in one place by abusing Hino's authority. When I forcibly compiled those people who couldn't be edited quietly in the first place, what appeared there was an unexpectedly fresh story! Now is the time to ask the world about the feats (variants) of mysterious bird friends. When you hear this, you will be surrounded by feelings (impression?) That you do not understand, and you will probably want to create asexually!

・ 2 CDs / Jewel case
・ Booklet included
・ Japanese / English notation
・ Artist profile and photo posted

Compiled and the cover art design by Kōshirō Hino
Cover drawings by Yūko Kureyama and Kōshirō Hino
All tracks originally mastered by Bunsho Nishikawa
2nd mastering by Takuto Kuratani
(c) 2013, 2014, 2015, 2016, 2017 Birdfriend

TRACKS:

= Disc 1 =
1. Sofheso --M.N.L
2. Wet Dog-Bird Peck at Dead Dog
3. NEW MANUKE --Fastest Motor
4. YPY --BFMIX B-3
5. JMT Synth Pinosaku --Tansun
6. Wet dogs-Dog is Surrounded by Birds
7. UNBE --Vector Milk
8. YPY --The Damo UFO
9. Micro-Futoshi --Reforest 1
10. Inoue Shirabe --Sleep Talk

= Disc 2 =
1. Futoshi Moriyama-Time Limit
2. OPQ --ENT
3. Futoshi Moriyama-Niko Electro
4. H. Takahashi ―― 4
5. Micro-Futoshi --Reforest 2
6. UNBE -5 Ritsumai
7. Bonnounomukuro --Enter the Exit
8. Futoshi Moriyama --Piano and Sampler

What is the true tempo in your heart?
Following "Light Wave", M's J-Indie pop is a new album by Bank, a 5-member group that pursues HYPE pop that has nothing to do with the atmosphere of the times. Mixing / mastering is that Tomoki Kanda!

Bank is an angler scene in the early 90's: Tokyo Neo Acoustic-Early Club Music-Crue-L (presided by Kenji Takimi) who has been active around the very "Shibuya-kei" parties, Bridge, Love Tambourines, Arch. Formed in 2006 by musicians who have worked in a legendary band. The core is Dai Nakamura (gtr, voc) and Nozomi Suzuki (drums). The motto is "good music with good performance" without any strangeness, but Nakamura's helplessness is new wave-post-punk-neo acoustic, fake jazz-funkaratina, which are their indelible foundations. 80s lovers naturally come out, and the sound is indistinguishable between old and new (for some reason, everyone likes Duran Duran).

Supporting the inorganic songwriting of Nakamura is Suzuki, who has the characteristics of Fumio Hirami (ex. Love Tambalins), who is a pillar of rhythm with AOR in the background, and YMO-like drumming of non-groove. The strangely comfortable urban groove created by this mismatch is also attractive. Mixing / mastering is Tomoki Kanda (genius!), Who has been an ally since the 90's. This time we will also release the bank's first vinyl version!

The latest work by Don't DJ, a German genius composer / producer. Techno Sun Ra? Underground YMO? Experimental ethnic electronics techno exo music with the theme of the hyperspace world.

Florian Meyer, who toured domestically with YPY, now explodes a foreign talent as a solo name Don't DJ, rather than a member of The Durian Brothers and Institut Für Feinmotorik. According to him, this work "has become a relatively easy-to-hear category for me." A double-sided mini-album with the theme of the hyperspace world, which seems to be named after Sun Ra's masterpiece "Space Is the Place" (1973), of that "Authentic Exoticism" (2016). A work that seems to be an evolved version. The title is not Date, but side A, which is a digital possession of the world of San La, and instead, side AA has a scale like Ethiopia or Indonesia. Expressed ethnic exo techno sound. It's still an experimental attempt, but his talent is the pop finish. A-2 is a collaboration with Derek Pyotr and enthusiasts should pay attention!

One of the deepest and ideal forms of "Bon Odori", which is innumerable all over Japan, is considered by Minyo Mountains x M Records. The non-bouncing drums and hammer beats of krautrock reminiscent of German rock, the whistle that is blown all at once at an overwhelming volume, and the pole of minimal dance music that repeats thoroughly! Its too stoic and sharp sound image makes me want to call it "rural industrial music" or "richie hawtin in the field" that is played without using electricity. This is the "Boundary Stone Throwing Dance" that still remains in northern Saitama Prefecture. Here, the songs and dances that retain this old form have not been turned into tourism, and have continued to this day as the activities of the Bon festival.

This time, we remastered the song contained in the record "Saitama Bon Odori" produced by the Saitama Folk Culture Center in 1983, and recorded / mixed the latest version by the preservation society as of 2017. Recorded in. Please listen to the Japanese dance classics, where the stone Buddha begins to dance. The binding is Shinsuke Takagi (Soi48) following "Yumi Kagura".

Osharaku is a traditional Japanese form of musical entertainment, featuring mainly voice, shamisen and percussion, with a repertoire of folk and popular songs, performed by farmers and fishermen for local audiences. This compilation, 28 tracks compiled by Riyo Mountains, is the fourth release in the EM Records/Riyo Mountains Japanese folk series. These recordings feature legendary osharaku masters, recorded in their homes, brilliantly capturing the casual warmth of vitality characteristic of the style. Osharaku is unique in its use of shamisen, originally an “uptown” urban instrument, in a “downtown” non-urban setting. These joyous tracks, all recorded in the 1960s and 70s, are available as a 2-CD set or a single 12” vinyl LP, with English translations and rare photos.

A hard and killer Morlam / Luk Thung barrage of secret weapons. Surin Paksiri's treasured child, , Son Taya Karasin's best selection of men's days has appeared in M's Thai Music Archive.

Son Taya is a singer who was hand-salted by Surin Pakshiri, a famous producer of Isan in the northeastern part of Thailand who made "Isan Lam Phloon" (1972) by Ankanan Kunchai, and is a female mor lam singer Payrin Pawn Phibun (already mentioned by Em). He is a "boy" singer who played an active part in pairs with. Based on the belief of the patterner of Isan music (developed and developed in Thai), Paksiri who always tried new things was the hottest recording of 70s-80s, and this Sontaya sound source is a strange and heavy mor lam that can not be heard anywhere else. A treasure trove of Luk Thung. From the Isan girls at that time to the hearts of the current Japanese, European and American dance floor DJs, this 's dangerous world is put together in one piece. The combination of Sonyata-san and Paksiri's unique songs before coming out, which was extremely popular with women but had a maiden spirit, gives off a hard charm that enthusiasts (what?) Can't beat. There is a mass!

In Thai music, which tends to focus only on the appearance and voice of the singer, as with the producer / arranger work in Japan, the United States and Europe, there are works that should be talked about in their contents. Soi48 and M are proud to send you unique Thai music that is neither funk, jazz nor rock, and the more you know about it, the more you will understand its speciality.

Finally came out! !! !! That Martin O'Cuthbert, which was traded only between Far North Music Seekers and Junkies, has been released by EM in Japan! !! !!

"Record of the Year:
Martin O'Cuthbert:'B.E.M.S' (Esoteric Records)
Seriously, when I played this record, something on the wall suddenly quivered. There are also witnesses. Martin Ocasbert is a super evil person (listen to the record) or a ridiculous idiot (listen to the record). Maybe don't be big in Japan. I think it's all because of Yamaha's organ, but how can I make such a terrible sound with a synth? "
(John Lydon "New Musical Express" July 22, 1978)

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"INDUSTRIAL MUSIC FOR INDUSTRIAL PEOPLE !!! [Noise-filled disc guide 511 selections]" A collection of pathological alien synth music that will be sent to you with the selection and commentary of the author, Tamotsu Mochida! !!

Martock (early active under the name Martin Ocasbert) is an English writer / electronic and electrical musician who appeared on Earth during the post-punk period and is still active. Inspired by John Foxx, Fad Gadgets, Kraftwerk, Eno and others, he is deeply devoted to science fiction and fantasy literature, including his countrymen J.G. Ballard and Iain Banks. It's unclear if the composition developed into his own work, but the mighty power of his Dark Force was proved by numbing John Lydon (and in his debut work).

He rejected all major invitations and released everything independently for the noble purpose of "creating lasting music that doesn't look at things that are in line with disposable products" (!!!). There are 11 singles and 13 albums. In the recording, I used a lot of drum machines with a crunchy synth sound that seems to have been sent to aliens and a collapsed groove feeling. All 10 songs The Best of Martock selected by Dr. Mochida, who took the great works that are completely ill (= difficult for earthlings to understand) !!!! (Professor Boredoms Yamazuka) It ’s a little famous for its favorite!?!)

Alex Ice & Drink (real name Alex Eisenling), who has been active since the 1970s when young people saw blood just by playing music, became a synth in the early 1980s during the Mexican currency crisis. It was Sintoma who released her passion and anger at the drum machine. Sintoma is a trio of Alex, his wife Cynthia Napalm, and friend Bernard Gonzalez. An underground-smelling electro with an overdose sensation and vocals with a Latin accent melody that Cynthia is angry with are released with a dry Mexican that follows a step toward worsening public order. Inspired by this band, a self-produced indie and underground scene will appear in Mexico. This work is compiled from their album / single / unreleased song. The CD version has 2 bonus songs. Fortunately, high-quality sound is guaranteed by mastering based on the existing master tape sound source.