MUSIC

The American jazz-funk/boogie group Ambiance, led by Nigerian player Daoud Abubakar Balewa, who played saxophone, flute and clarinet, was active in LA from the late 70s to early 80s. spiritual jazz funk/fusion masterpiece released by Ambiance in 1980! This is the first analogue reissue of this spiritual jazz funk/fusion masterpiece from the connoisseurs HIGH JAZZ! "Drift Up To Space" is an anthem with sweaty interplay that explodes from the very beginning, and "Devika" is a spiritual jazz fusion that blows a cool breeze with divine grace. Just By Chance" with the amazing female scat is also amazing!

約50分に及ぶ4つの未発音源も追加収録！吉村弘、高田みどり、イノヤマランドにも並ぶ国産ニューエイジ/アンビエント最大級の再発案件が到来です！日本が誇る孤高のアンビエント作家、広瀬豊がそのカタログ2としてMisawa Homeレーベルに残した1986年の唯一作が、高田みどり、Colored Music、Normal Brainと日本の音楽秘境も発掘してきたスイス発の最重要再発レーベル、We Release Whatever The Fuck We Want から拡張版となって初となる公式CD/ヴァイナル・リイシュー！元々は、1986年から1988年にかけて、ミサワホームのプレハブ住宅のための『Soundscape』シリーズの一環としてリリースされるも、昨今のニューエイジ再評価の流れで一気に高騰・入手困難と化していた一大傑作！静謐なミニマリズムが呼吸をし、水や虫、鳥などの声のフィールド・レコーディングやまばらなベルの音、ピアノ、シンセサイザーなどが用いられ、大自然の原風景をも思い起こすような神秘的なアンビエント・サウンドを描き出した伝説の一枚。母体回帰のような類い稀なる美しさを秘めた作品です。本人によると「いわば、音楽というよりは、音の彫刻」であるという、インスタレーション用に製作された50分に及ぶ当時の未発表音源も追加収録。デラックス・ゲートフォールド・スリーヴ仕様。本人によるライナーノーツが日本語&英語で記載されています。これが数年前まではレコ屋やリサイクルショップで投げ売りされていたと言うんだからとんでもないことです。

The originally minimalist song, combined with the rhythm box that keeps ringing lightly and the lyrics that have been scraped to the limit, repeats in the brain, and finally hums "Love my misfortune". Dangerously addictive music. Handle with care. -Moppy (Soi48)

Love generously robs us, and love tears us apart ... all the crystals of loss that were once launched beyond post-punk are now regaining glare! A collection of phantom sound sources by the late Kiyoaki Iwamoto, finally lifted after about 40 years !!!-Tamotsu Mochida (factory worker and real industrial writer)

There used to be a musician who buried his past and disappeared. Its name is Kiyoaki Iwamoto. I don't know the reason. What we know is that we have left behind a "super-translation" cover of Joy Division's "Love Will Tear Us Apart," which surprised even the minimum original songs and ECD.

Iwamoto appeared in the post-Tokyo rockers era scene and participated in that "Urban News" as a post-punk band . After the dissolution of Birei, he formed Guys Doll with Fuyusato Kudo and released "Hard Rock Album" (1984) under the joint name with Kudo. After that, the news disappears.

This work is the only solo work "SOUGI" (1983) that Iwamoto independently produced by Kojima recording, a rework of "Love Will Tear Us Apart" by Chisako and Junta, and NOISE "Emperor" by Tori Kudo and Reiko somewhere. It is the addition of an unreleased song by Rei Mi, which is reminiscent of. Iwamoto's four original songs, including the song "In the Sad Town" from the beautiful era, have a rhythm box, several chords played on guitar and bass, and short poems that look like they have been cut down. It is a characteristic of Japanese punk / new wave that frustrating emotions hit the inside of oneself, but Iwamoto's humorous vocals seem to amplify the frustration even more, and Joy Division's "super translation" has a nihilistic climax of loss.

Was "SOUGI" a "funeral"? ?? Michio Kakutani would have responded. The untouchables of the 80s indie film continue to shake us and bite those who want to be loved!

The originally minimalist song, combined with the rhythm box that keeps ringing lightly and the lyrics that have been scraped to the limit, repeats in the brain, and finally hums "Love my misfortune". Dangerously addictive music. Handle with care. -Moppy (Soi48)

Love generously robs us, and love tears us apart ... all the crystals of loss that were once launched beyond post-punk are now regaining glare! A collection of phantom sound sources by the late Kiyoaki Iwamoto, finally lifted after about 40 years !!!-Tamotsu Mochida (factory worker and real industrial writer)

There used to be a musician who buried his past and disappeared. Its name is Kiyoaki Iwamoto. I don't know the reason. What we know is that we have left behind a "super-translation" cover of Joy Division's "Love Will Tear Us Apart," which surprised even the minimum original songs and ECD.

Iwamoto appeared in the post-Tokyo rockers era scene and participated in that "Urban News" as a post-punk band . After the dissolution of Birei, he formed Guys Doll with Fuyusato Kudo and released "Hard Rock Album" (1984) under the joint name with Kudo. After that, the news disappears.

This work is the only solo work "SOUGI" (1983) that Iwamoto independently produced by Kojima recording, a rework of "Love Will Tear Us Apart" by Chisako and Junta, and NOISE "Emperor" by Tori Kudo and Reiko somewhere. It is the addition of an unreleased song by Rei Mi, which is reminiscent of. Iwamoto's four original songs, including the song "In the Sad Town" from the beautiful era, have a rhythm box, several chords played on guitar and bass, and short poems that look like they have been cut down. It is a characteristic of Japanese punk / new wave that frustrating emotions hit the inside of oneself, but Iwamoto's humorous vocals seem to amplify the frustration even more, and Joy Division's "super translation" has a nihilistic climax of loss.

Was "SOUGI" a "funeral"? ?? Michio Kakutani would have responded. The untouchables of the 80s indie film continue to shake us and bite those who want to be loved!