MUSIC

Another lost musical treasure unearthed by the Everland-YU imprint! Seven years have passed since this material landed in our hands and we counted the days since we could give it the justice it deserves. Fully licensed and remastered from original master tapes, this chronologically arranged LP is a collection of previously unreleased radio recordings all of which have one thing in common: the unmistakably original musical ideas and vocal performances of Marin Škrgatić (1950-2014). Marin was a Croatian prog-rock pioneer, who as a result of a series of unfortunate circumstances, did not receive much recognition in the dawn of the Yugoslavian prog-rock era. In their prime, his groups were an active and well-acknowledged underground phenomenon, filling stadiums and music halls all over Yugoslavia. This material represents some of the first attempts to record complex progressive rock arrangements in Yugoslavia – sourcing heavily from local folk music, jazz, and classical influences. Interestingly enough, most of the songs presented here were dismissed as being too progressive at that time - by the largest Yugoslavian record company Jugoton. This gatefold LP includes thus far unpublished photos and detailed liner notes about the evolution of Marin’s groups resulting from interviews with former band members with whom we’ve uncovered some of the mysteries of Yugo-prog-rock’s annals.

AKARMA

Speed, Glue & Shinki's last album is a gorgeous, faithful reproduction of the original, including a full-wrap-around band! Released in 1972. The second and last album of Speed, Glue & Shinki, released in 1972. Famous for its tiger jacket. This album has many songs that seem to be mainly by Joey Smith, but like the previous album, it is full of bluesy rock. Some of the songs are lyrical, but the medley on the D-side makes extensive use of the Mogg synthesizer, which was still very valuable at the time. Guests include Michael Hanopol [ba etc.], Shigeki Watanabe [key], and Hiroshi Oguchi [drums]. The analog version uses a 96khz 24-bit sound source that was mastered in 2017. Jackets include two single jackets, full-length wraparound obi, lyric card, and others. The original has been reproduced as much as possible.

This album from 1976 unites a dream team of musicians from Os Mutantes, Black Rio, Som Nosso and special guest Dominguinhos, into an amazing fusion of Brazilian regional rhythms of capoeira, forró and candomblé, with the heaviest funk, soul, rock, progressive and psychedelic music ever released in Brazil. In his own words, Eduardo Araújo stated in 1976: "Our musical philosophy remains the same: mixing rock and northeastern music to make a universal sound." It is curious to observe the aesthetic changes that Eduardo Araújo underwent until he reached the cult sound of this 1976 album: echoes of Santana, Tim Maia, Luiz Gonzaga and Emerson, Lake & Palmer in an album that was released independently at the time and, until today, never re-released. The original release of 'Sou Filho Desse Chao' in 1976 was made totally independent by Eduardo Araújo himself, with total lack of commercial distribution, remaining obscure from music charts and later rediscovered acquiring a well-deserved status of rare gem for music collectors.

Now-Again Records presents a new, essential entry into the growing phenomenon known as Psych-Funk with Those Shocking Shaking Days: the untold story of Indonesia¡Çs various underground 70s musical scenes. Few are aware of the progressive music scenes from 1970s Indonesia, as censorship imposed by the dictator Suharto lead to crackdowns on those courageous enough to rebel. This insurgent sound - marked by relentless fuzz, over the top, politically charged lyrics, strong rhythms and a cranky low-fidelity - is as similar to that of Rare Earth protégés Power of Zeus as it is to that of South Korean psych-god Shin Jung Hyun. It is as informed by James Brown¡Çs funk as it is by the hard, progressive rock of Deep Purple and King Crimson. This anthology contains 20 tracks of hard, psychedelic, progressive rock and funk that has been largely unheard or ignored outside of the confines of this island nation. This is all thanks to the tireless (and expensive) research of Canadian hip hop producer and Southeast Asian music specialist Jason ¡ÈMoss¡É Connoy, the trust that Indonesian rock legend Benny Soebardja placed in Now-Again Records as he traversed his homeland¡Çs islands securing the necessary rights for the tracks contained within this anthology, and the cultural context added to the proceedings by Indonesian ex-pat Chandra Drews, who assisted in a track-by-track annotation. This anthology is the first of its kind – the first Western-based survey of the most impressive organizations to offer their take on the psychedelic and progressive rock and funk sounds during the shocking, shaking days of Suharto¡Çs regime. This gem can be purchased as a deluxe ¡Èmini-LP¡É tip on sleeve CD or a 3 LP triple paste on gatefold. Included are extensive liner notes, photographs, ephemera in full color booklets and, of course, fully restored and remastered audio.

Marasma Vussa is the BrainChild of Antonio Feola a long standing figure on the london music scene, Antonio has been running the Fish Factory Studio in Willesden North London for over two decades now. Throughout the year he has had a major role in helping many of the current lead players of the London scene have a place to record and define their sound. Antonio's project Masmara has existed for over 30 years and here has found its place on record. Recorded on tape over time with some of the most sought after players in London and edited during the lockdown period, Vussa is an album of mind-bending deep, cosmic mediative jazz experiments. Boasting catchy melodies and heavy, heavy jazz breaks! - Fascinating gentle post-jazz from Vussa that’s not about propulsion and force, but rather the profound impact of stillness. - Bandcamp MARSAMA VUSSA LP is distributed by honestjons

Following their collaboration on the Alice Through The Looking Glass and Agincourt projects, Sussex-based Peter Howell and John Ferdinando formed Ithaca, another project recorded in Ferdinando’s spare-room studio. Howell had just joined the BBC (where he would later work on the Doctor Who theme), and inspired by the Moody Blues, conceived a prog-rock project exploring life’s grander themes, with Ferdinando handling producer duties; Lee Menelaus of Agincourt is present on select songs, along with other colleagues. A Game For All Who Know is a beautiful slice of pastoral prog that is ripe for rediscovery, this edition made more appealing through the inclusion of several rare bonus tracks.

1972-1985 KATEBEGIAK Prog-Rock, Psych-Folk & Jazz-Rock Music from the Basque Country [Compiled by DJ Makala] Music produced in the 70’s in the Basque Country got trapped between two earth shattering artistic currents; Ez Dok Amairu in the 60s and Basque Radical Rock in the 80’s, and unfortunately, most of the lovely discs and tunes created at that magical time have been pushed to a remote (and sometimes even despised) corner of our collective memory. 60’s and 80’s music currents are almost opposite, and both work as magnetic poles with a very strong power of attraction, and maybe also as a burden for any of the later artistic currents. 60’s generation of artists searched within their rich and ancient cultural roots to acknowledge and update them, in proud, hopeful and unforgettable folk songs. The 80’s one on the other hand, worked in a ammable environment in constant social and political con ict and found in punk the perfect way to express their anger and weariness for so many unful lled promises and the lack of opportunities into short, noisy, direct and corrosive songs, technically sparse but full of energy and expressive power. Most of the “classic” names engraved in our memory come from one or the other like Benito Lertxundi, Mikel Laboa, Lourdes Iriondo and Xabier Lete or Kortatu, Hertzainak, Zarama, Las vulpes, Eskorbuto or Cicatriz. 70’s generation and their music works somehow as the “missing link” (“katebegia” in Basque) between the two. They loved folky tunes and don’t forget their ancient roots, but they also look outside for inspiration and experimentation. Just as the 80’s boys and girls found punk the 70’s guys found a completely di erent sonic and aesthetic landscape in the works of Grateful Dead, Fairport Convention, King Crimson, Soft Machine, Gong,... and worked closely with keen souls in other neighboring regions such as Maquina!, Pau Riba or Sisa in Catalonia or Smash and Triana in Andalusia. This resulted in more abstract and poetic lyrical content, much longer psych-folk-prog-jazz tunes, full of complex instrumental passages and mesmerizing structures of sheer ambition and masterful execution in many cases. But, most important of all, they found a voice of their own, rich, unique, and fascinating, and that’s what makes them so valuable to us. Not only to us, but also to lots of vinyl collectors and crate-diggers around the world, who have in many cases paid fortunes for some of the original editions of LPs that are the source of tunes in this compilation. Mikel Unzurrunzaga Schmitz aka DJ Makala, Dj and producer of worldwide scope and wisdom, noticed this fact rst and decided to pay homage to these wonderful tunes through this masterful and dedicated selection for your pleasure and as an open invitation to dig deeper into your adventures in the dark and hidden side of Basque popular music. (Text: Antton Iturbe)

LIMITED TO 500 COPIES // HIGH-QUALITY TIP-ON COVER // INCL. DOWNLOAD CODE OFFICIAL RE-ISSUE OF GÖTZ TANGERDING'S BHAKTI JAZZ DEBUT ALBUM !!! Born in Donauwörth, a small town in Bavaria in 1951, Götz Tangerding studied piano to concert level at the Leopold Mozart Conservatory in Augsburg. In the 1970s he started to make a name for himself on the local Munich jazz scene and traveled through East Europe with drummer Rudi Roth. In 1976 he came to New England Conservatory of Music in Boston to study compositions with George Russell and Jaki Byard with whom he played in the New York Big Band in 1978. In 1980 he returned to Munich, Germany and founded his formation Bhakti Jazz as well his own record label Bhakti Records. "First Step", recorded at the Loft in Munich on May 1st and 2nd that same year, was the debut album and showcases the huge talent of the young and gifted band leader. The two best known tracks are probably "Glimpses of Truth" and "Eastern Moods" which have been re-released back to back on 45RPM single by another german reissue label in the late 2000s. However, these are just two out of nine outstanding compositions from the prolific pianist to be found on this album. Tangerding's tasty style of playing, combined with the psychedelic maze created by his fellow band members on flute (Alan Ett), sax (Alan Ett again!), drums (Rudi Roth), and bass (Urs Hämmerli) plus Lisa Dawson's exotic vocal harmonies are sure grab your ear for a mind-blowing experience. Götz Tangerding, who died much too young early in 1991, left us with dozens of wonderful compositons. "First Step" does not contain a single weak track. It's a true masterpiece and definitely one of the finest independent german jazz albums from the 1980s. This is the first OFFICIAL RE-ISSUE - limited to 500 (HAND-STAMPED!) COPIES. The record is housed in a HIGH QUALITY TIP-ON record jacket and comes with a FULL ALBUM DOWNLOAD CODE.

Nowadays Arica exists only as the ¡ÆArica Institute¡Ç, a school of spiritual development formed and led by Chilean mystic Oscar Ichazo¡Ähowever, the collective also produced several musical albums in the US (presumably to increase awareness of the school), this resulted in the release of four totally eclectic masterpieces: Arica & Audition (1972), Heaven (1973) and Music In The Nine Rings (2002). ​ Both the Arica school and its musical output had a big influence on some of the most creative minds amongst us, for example: prior to making his film The Holy Mountain, Alejandro Jodorowsky met Ichazo and became intrigued enough by his techniques – essentially a potent blending of esoteric knowledge and methods from around the world – to not only go through the initial intensive course of Arica mind expansion and training but to require the same of the entire cast and crew for the film. This undoubtedly affected the whole movie, and it seems strange that Arica¡Çs music was not used for the soundtrack, an Arica soundtrack could have been pure magic all the way through. ​ The Arica album we are proudly presenting you today (Heaven from 1973) is a total must-have in any collection (originally released on the Just Sunshine Records label in 1973 that was responsible for putting out milestone albums from the likes of Betty Davis, Karen Dalton and Norman Feels). Here on these recordings, you¡Çll find ten tracks that will blow your mind and open your spiritual doors! ​ Heaven has it all¡Äomming drones interchanged with upbeat percussion, acoustic and funky basslines intertwining the melodious threads. The album is full of deep meditational grooves meeting all kinds of polyrhythmic free jazz vibes, atonal keyboards and avant-garde soul-jazz sounds. The unhurried improvisations and subtle manipulation of musical tension makes Heaven an immersive, psychedelic and spiritual masterpiece with a jazz sensibility in its overall structure. The superb use of the sitar and the hypnotic percussion gives it that great cosmic touch that reminds of Alice Coltrane¡Çs work. ​ The whole album was recorded on a midsummer night in NYC¡Äone hundred Arica members, musicians and dancers all gathered at the legendary Electric Lady Studio (home to Jimy Hendrix) and played until dawn. The names of the musicians involved were not given on the record sleeves, credited simply to ¡ÆThe Arica Musicians¡Ç. In a way, though, this mystery suits the remarkable music contained within these resultant grooves – timeless sounds that could have been conjured from and played by the very spirits of the Earth¡Äall this accompanied by notes in the gatefold jacket to guide the listener though his sonic voyage. ​ Tidal Waves Music now proudly presents the first ever vinyl reissue of this fantastic album (originally released in 1973 on Just Sunshine Records). This rare record (original copies tend to go for large amounts on the secondary market) is now finally back available as a limited 180g vinyl edition (500 copies) and comes packaged in a gatefold jacket complete with the original 1973 artwork, photographs and liner notes ​

Recorded in 1971, Amon Düül’s only album for Ohr was a visonary slice of acid-folk which has gained cult status as years passed by. Ritualistic folk-rock, pastoral hippie songs, stoned jams, eastern flavours, mystical passages and heavy hypnotic riffing which are in fact very different from the early Amon Düül epic freaked-out improvisations (Psychedelic Underground) or Amon Düül II complex and psyched-up progressive works (Phallus Dei).
 
These were in fact archival recordings done by a different incarnation of Amon Duul, one that combined members of both factions into a floating line up welcoming many a guest, and which were released by R.U. Kaiser without the musicians knowledge or authorisation, most likely in order to catch up with Amon Düül II rising popularity.
 
All in all, a mythical recording featuring such underground classics as “Love Is Peace”; “Snow Your Thurst Sun Open Your Mouth” and “Paramechanische Welt”. Included also on our edition is their sought after Ohr single:  “Paramechanical World” / “Eternal Flow”.
 
Sleeve reproducing original artwork.

Featuring bonus tracks  “Paramechanical World” and “Eternal Flow” (originally released as  7” single). 

Siloah were a German progressive psych / folk band in the vein of Kalacakra, Langsyne and others "curiosities". Siloah are one of the best kept secrets of the krautrock production. Siloah had a hard core including Thom Argauer, Manuela von Perfall, Heinrich 'Tiny' Stricker and Wolfgang Görner, plus a host of guests coming and going, everybody was free to join and play at any time, guest members often joining from the Baumstassen commune around which the band was living before they eventually moved to an abandoned farm on the outskirts of town A collective hippie musical tribe largely inspired by mysticism, LSD and sexadelism. Their music features a heavy use of stoned vocals (in English), mantric like guitar parts, flute, "ethnic" percussions. Their first drugged item released in 1970 offers a dangerous and imaginative ocean of trippy, perpetual jammings. A bombastic psychedelic explosion in the mood of the best german prog folk releases. The atmospheres are beautifully "acoustic", sometimes dreamy and ethereal but never away from krautrock "primitive" sound.

Zweistein was the brainchild of Suzanne Doucet, who was joined by her sister Diane during the recording process, with added studio effects by Peter Kramper. Doucet spent the first part of 60’s as a pop star - gathering number of hits, and as a TV presenter. Filled with a radical spirit, a love of art and technology, and fueled by a heavy intake of psychedelic drugs, her successes proved unfulfilling by the end of the decade. Zweistein was born. The album, which stretches over three LPs, each with its own theme - Trip, Flip Out, and Meditation, is a writhing radical construction in sound - far closer to the revolutionary gestures of synthesis, electronic and electroacoustic practice emerging during that era, than what is commonly associated with Krautrock or Kosmische. Almost completely abstract, with passages of fleeting melody and drone - enveloping landscapes realized through sound, Trip Flip Out Meditation is pure art, creativity, and experimentation, filtered through the lens of LSD - the heights of the era and all the wonders it brought, with an unmistakable, overt attack on the pop sensibility of its day. An artist diving underground, rearing their head into the mainstream with a thrust of what was found. An astonishing edition - double gatefold, silver engraved gimmick sleeve, 3LP plus a bonus 7" single w/PS and a colour insert. Limited to 1000 copies.

The Book Of AM is a project begun in 1977 with esoteric philosophical intentions, and featuring words and sounds from around the world and across hundreds of years. Part V, representing Night, for some reason was not completed and never appeared with the rest of the collection, but this crack team, using overdubs and additional composition as well as mixing and mastering techniques, now present the completed final part!