MUSIC

Aesthetic techno-pop album in collaboration with Haruomi Hosono, following the previous album "Tutu". In addition to the original, it includes Barbara's chanson "In the Forest of Santamant". This reissue was pre-mastered by Haruomi Hosono and cut by Toru Kotetsu. The second album on the Alpha/YEN label (1984).

Starting from a tiny inspiration, looping and expanding until the music grows completely and autonomously, these achievements are faithfully recorded in "Motivations TO-GO". In this album, CHILLGOGOG cherishes every motivation. We aim to make an "album that can represent the group", but we do not preset the completed form of each track. At the beginning, it is just a drum set, a loop, a sample, and an idea. Under the dual perspectives of the producer and the listener, we act according to the frequency we hear. The final work is more the result of the mutual selection of sounds. We are also very fortunate to be the first witness of this organic journey.

CHILLGOGOG is a production duo that grew up in Shanghai, and its members include LATENINE6 and FunkeeCookee. Influenced by many old, new, unique, and fusion styles and musicians, various interesting ideas continue to inspire the group's creation. After releasing a series of singles and EP works, we set out to complete the album "Motivations TO-GO" in 2024.

When we were conceiving the album, we found these two words that fully condensed CHILLGOGOG's creative concept. “Motivations” represents our interest and respect for small things, even if it is just "a short musical inspiration, a few prominent patterns that are reproduced repeatedly, and a piece of music composed of a small number of notes"; “TO-GO” is a synonym for self-motivation. Any motivation needs a practical driving force to go further. It also represents the relaxed state that we want to present when facing more listeners. There is no sitting upright in the music world of CHILLGOGOG. We have prepared this take-out meal, and you can choose to enjoy / listen it in any scene.

As CHILLGOGOG's first official album, we present as many different creative tendencies as possible on the background of free growth, and boldly integrate them based on electronic music production, making it difficult to accurately define the style of most of the works. The production techniques of the ten tracks are not limited to the combination of midi sound sources. Some of the performances and recorded instrumental clips are raw but vivid. The looming and interesting sampling spans from childhood to contemporary internet memories, waiting for someone to discover the same frequency surprise. The vocal recording part is also more from sudden inspiration: the first song directly explains the album's "motivation", "Beach Burger Music Fest" imitates Prince and SpongeBob's improvisation at the same time, and "The Legend of Salima" is a fantasy of the adventure between aliens and African natives... These clips jump out of the "singing" framework and become a way for CHILLGOGOG to tell stories.

At the same time, we hope that this album can embody a certain kind of civilian "Chinese style" in terms of details and sound combination concepts. Through the fragmentary recording of the past and present language, we can trace where we come from and show some local sound characteristics that have not yet been clearly tagged to listeners around the world.

Start with a small playback motivation, please feel free to develop your "Motivations TO-GO" listening experience.<iframe style="border: 0; width: 350px; height: 472px;" src="https://bandcamp.com/EmbeddedPlayer/album=2824916570/size=large/bgcol=ffffff/linkcol=333333/artwork=none/transparent=true/" seamless><a href="https://chillgogog.bandcamp.com/album/motivations-to-go">Motivations TO-GO by CHILLGOGOG</a></iframe>

Rezzett come hungry for the club with a volley of thizzing ghetto-tech and breakbeat hardcore hot on the heels of their debut album For the DJs, dancers, and anyone needing to extend the pleasures of their eponymous LP, ‘Boshly’ sees Lukid & Tapes’ razz out from a corkscrewing mutation of jungle tekno in the title tune, to thee most febrile takes on ’93 hardcore gnash in the delirious ‘Dots’ and the free-handed jungle of ‘Kermit’, with an appropriate come down in ‘Extra Redundant’, each treated to their patented, astringent tekkerz.

Producer Pieter Kock, active also as a DJ under his DJ Peacock guise, is known for being one of the people behind the legendary O Tannenbaum bar and club, a haven of sorts in Berlin nightlife for years, and the newly opened second O Tannenbaum called Schankwirtschafft O Tannenbaum. He has released some of his own music on labels such as Musikii, RIO, Full Body Massage, Fantasy Fiction Records, Moonwalk X, and Invisible Inc, and has extensively collaborated with people and projects such as Meeuw and De Fabriek. His new Bright Bars From The Stars album on Meakusma is a dizzying amalgam of moods and influences. From ghostly and contemplative tracks to spaced-out and dubbed-out dark dancefloor psychedelia infused with melodics, phrasing, and percussive patterns reminiscent of pop and avant-garde alike, Bright Bars From The Stars features a full album on vinyl, with an extra CD included. Kock is a versatile chronicler of the night, capturing the beauty, loneliness, and endless possibilities of wide avenues pining for neon lights, futuristic descents into past moods and modes, and all. 14 tracks in total, Bright Bars From The Stars is a cosmic, at times gentle, at times confrontational affair that brims with ideas and influences. Combining sounds, rhythms, melodies, and textures from a wide variety of sources and meanings, Pieter Kock brings all of his influences together, intent on finding new paths of thinking and feeling. His pictures printed in the CD booklet give some kind of indication of his artistic process, without ever wanting to push things in any kind of direction. Cocktail bars of a dystopian future, unite! Bright Bars From The Stars is the soundtrack to a very encompassing and transformative night out. All compositions by Pieter Kock except Bright Bars From The Stars by Pieter Kock and Dominik Peacho Noé Mastering & Cut by Rashad Becker Art by Pieter Kock and Meeuw

„The record tells of oases of trust.“ (Viola Klein) Viola Klein’s records are supremely earthy and astrally inclined. In her DJ sets, she navigates with harmonies through a music selection that combines experimental house from the US Midwest, West African polyrhythms, and music in the tradition of Can from Cologne. Klein was invited to shape the sound of a club night alongside Kampire and Nídia. She has collaborated with Unity Fellowship Church New York, Georgia Anne Muldrow, Ndongo Samba Sylla, the James and Grace Lee Boggs Center in Detroit, Julion De’Angelo, and Whodat. For her own party series, originally called Bring Your Ass and later No Adoration, No Humiliation, she invited artists such as Aaron Carl, K15, and Kyle Hall when he was just 18 years old. Her latest solo release, Confidant, offers a fresh approach to deepness.

2021 reissue! Don't miss it. Arthur Russell (1951-1992) is a cellist, a composer of contemporary music, a devotion to disco music and a variety of faces. The unreleased / demo sound collection released in 1993, the year after he died of AIDS, is still a masterpiece that still fascinates many fans, "Another Thought" is trusted. The long-awaited CD / LP reissue from . This album was released as the first collection of Russell's works, and although it has been reissued many times due to its popularity, it is a gem that is now rare. A masterpiece full of masterpieces with timeless charm that will not fade, such as "Another Thought", "A Little Lost", and "This Is How We Walk On The Moon". Gatefold sleeve specifications with insert / original liner notes. Of course, it is a fierce recommendation for this person's introduction.

Xiaolin is back with another cover version, this time a refreshing take on Hong Kong 80’s pop starlet icon Prudence Liew’s work – “Afterwards” – originally released in 1990. Xiaolin prepares another tasty recipe for the ear, clearly exposing her seasoned studio knowledge which serves as the foundation over which her powerful vocals can shine. If that wasn’t enough, this release also comes with a Dub version and two remixes by non other than Tornado Wallace and Androo.

Irrepressible, off-the-wall and utterly unique - the late ‘70s/early ‘80s Latin jazz-funk and leftfield electronic boogie of Japanese composer and pianist Izumi ‘Mimi’ Kobayashi collected for the first time. (🇯🇵👇) A luminous soul with an indefatigable love for music, few artists have had careers as varied and successful as Izumi ‘Mimi’ Kobayashi. One of Japan’s leading jazz-funk pianists, she wrote and recorded cult albums with fusion legends at home and abroad. Obsessed with new electronic instruments, she penned some of the country’s most well-known TV themes and pioneered the use of drum machines in anime soundtracks. 💫 A star in Japan, she moved to Europe to record global hits with Depeche Mode and Swing Out Sister, toured the world with the Reggae Philharmonic Orchestra and made beats with Attica Blues’ Tony Nwachukwu. Now based in London, Mimi currently fronts Tokyo Riddim Band - the intergenerational live Japanese Reggae outfit born from Time Capsule’s acclaimed 2023 compilation of the same name - playing live shows and releasing a trio of recordings made at Prince Fatty’s studio. Choice Cuts 1978-1983 collects eight recordings from four of Mimi’s first five albums – Sea Flight (1978) recorded with her group Flying Mimi Band, and Coconuts High (1981), Nuts Nuts Nuts (1982) and Tropicana (1983) under her own name. The compilation opens with a syncopated electro-funk cover of Sergio Mendes’ iconic ‘Mas Que Nada’ (Tropicana) and the crisp and stripped back techno-pop of ‘Coffee Rumba’ (Nuts Nuts Nuts) with a keyboard bass line that would have made Stevie Wonder weep. Alongside the off-beat synth jam ‘Quiet Explosion’ (Nuts Nuts Nuts) and piano samba of ‘Espresso’ (Tropicana), there’s space for two low slung soul-jazz numbers, ‘Naze’ and ‘Angel Sky’, from Sea Flight (1978) that recall the collaborations between Herbie Hancock and Kimiko Kasai. But it is around the two tracks from Mimi’s 1981 album Coconuts High that this compilation revolves (and from whose cover shoot it borrows). Released on legendary guitarist Takanaka’s Kitty Records label, Coconuts High was recorded in LA with a backing band of jazz fusion icons, including Alex Acuña, Abraham Laborial, Harvey Mason and the Tower of Power horns. A riot of playful Latin-tinged jazz, funk and fusion with the off-beat spirit of Kid Creole & and the Coconuts, the album became a cult hit, attracting huge sums on the resale market. Here it’s the sultry, Minnie Riperton-esque ‘Crazy Love’, with its addictive groove and bittersweet melodies that makes the cut, alongside the steel drum-infused carnivalesque bounce of ‘Palm St’. Capturing a highly creative and prolific moment in Mimi’s career, Choice Cuts 1978-1983 will introduce the idiosyncratic energy and playful verve of this under-the-radar pioneer to a wider audience for the first time. Welcome to the world of Izumi ‘Mimi’ Kobayashi. Once you enter, you won’t want to leave.

A key document of the late ’70s experimental music scene in Kansai, Japan, R.N.A. Organism’s R.N.A.O Meets P.O.P.O (first released by legendary Osaka label Vanity Records in 1980) is a hallucinatory trip of dubby bass, churning guitars, sputtering rhythm boxes, twisted vocals and unidentifiable sound effects. With the vinyl out of print for decades now, Mesh-Key is honored to present this deluxe, fully authorized reissue, sourced from the miraculously well-preserved, original reel-to-reel tapes. Carefully remastered by Stephan Mathieu, this album has never sounded better.

Long Gone (Are The Old Traditions) is a label out of London . A label focused on DIY electronics, post punk, dub and techno from now and before. The first release is from West London artist, singer and songwriter Tutu Ta. A mini LP of out there, dubbed up, post punk mutations meeting old sounding industrial electronics following from his highly acclaimed debut album last year. Its already seen the light of day on soundsystems across the city and further afield as well as stations like NTS, Rinse & Tom Ravenscroft's BBC 6 New Music Fix.

Nothing But Net presents “Perceptions”, the debut LP from Los Angeles producer/beat maker Jamma-Dee aka Dyami O’Brien. Jamma-Dee has been a figure in the west coast modern funk and boogie scene, both as an accomplished DJ and music producer, having released records under his own name and producing for the likes of Joyce Wrice, Mndsgn and others. From a musical upbringing in Los Angeles, Dyami’s adolescent obsession with record digging and beatmaking eventually led him to Dam-Funk’s renown Funkmosphere parties where he built friendships with key players in the LA funk scene and began to make a name for himself as a DJ and producer. In the second half of the 2010’s he released a series of EPs on Arcane and hosted the legendary Soul In Paradise show on NTS radio. His first full-length, “Perceptions” is a long time in the making. Beginning with studio experiments nearly a decade ago, a version of the album found its way to producer and Nothing But Net label boss Onra, who helped guide the project to completion. The album artwork was created by outsider soul music conceptualist and painter, Mingering Mike, whom O’Brien felt compelled to reach out to after discovering his work years earlier. Thematically, the artwork, record, and its title touch on very modern themes: the alienation of life in a world of instant-gratification, an overly-connected society of masks, distorted realities and shifting identities. Musically, “Perceptions” is the culmination of a life lived under the groove. Featuring a long list of collaborators, including Benedek, Mndsgn, Koreatown Oddity, the legendary Craig T. Cooper and fellow NBN labelmate, Devin Morrison, the double album touches on all of O’Brien’s musical influences. Album opener “Up N Down” sets the scene with it’s syrupy g-funk impressionism, before “Jamma’s Jam” bounces out of the speakers through an auburn-colored sunset haze of lush Rhodes chords and sparkling vibraphones. “It Takes A Freak” and “Datafile Groove” shuffle westward, re-imagining New Jack Swing grooves through a distinctly Californian lens. Elsewhere, the album touches on classic deep house rhythms (“Tic Toc” and “Silly”) and crystalline, downtempo R&B and UK street soul (“Joy”, “Saturday”).“U.R.” features legendary L.A. guitarist Craig T. Cooper laying down a network of stunning, silken guitar lines with absolute class. Over the course of these 15 tracks, Jamma Dee consolidates, renovates and perpetuates the sound of his influences. “Perceptions” is a masterclass in modern funk and soul production.

Carmen's new 3 track EP gives a sense of where she might be heading next on her musical journey. On Nutrition, the submerged influence of dub seen in a lot of her earlier work has risen more prominently to the surface. Carmen describes the tracks as "some dub studies born out of my continued fascination with the form. I’m in a period where I just keep going back to experimenting with beats and rhythms". Nutrition is set for release on 25 October 2024 through Smalltown Supersound.

and the novelty goes on: mule musiq welcomes another fresh producer to its vast catalogue of music from all around. this time andro gogibedashvili aka saphileaum. he is coming from tbilisi, georgia and already released an impressive body of work, considering he just publishes music since 2016. countless eps and albums, digital, on tape, documenting his feverish creative urge on labels like not not fun records, good morning tapes, diffuse reality, or vodkast. they cover a comprehensive stylistic range from ambient and downtempo to tribal, house, and techno nuances. a deeper shade of soul, precisely fashioned, growing from different playgrounds of inspiration. he was born into a musical family. as a kid he studied georgian folk. in his school rock band, he sang, and the guitar was his love. then electronic music called the tune, and techno hit his heart. in the midst of it all the 26-year-old never lost contact with his spiritual home. “i find deep inspiration in georgian myths and legends, occultism and esoteric teachings, lost civilizations, earth, unity, truth, information, and the secrets of the universe. these things, to name a few, inspire me daily and help me create the music I make.” saphileaum reveals. “exploring together”, his debut album for mule, navigates all these elements through a merry-go-round of gentle driven rhythm zones. fourth-world spheres, balearic tropes, field recording zones, tropical downbeat, tribal percussions, trancing sounds, balafon hums, mallet airs, hooky house – it’s all there, circling the eavesdropper into a dreamland of melodic undercurrents. “my loops come from tribal and cosmic inspirations. tribal, as below, and cosmic as above. the combination of these two, is very interesting to me”, he clarifies, while joking “but, to put it super simply, loops are super handy for djing”. which brings us to the final promotion of “exploring together” - it’s playability. its vast. multifunctional. spiritual. made for gatherings, were all dance time away. lost in music actions, only touched by the hand of rhythm and sound. his ten tracks are created for such flashes, wide spreading a musical narration of illuminating durability. “cosmic, relaxing, fun, tribal, and mystic.”, as saphileaum declares.

the debut release of shanghai based producer “knopha” on mule musiq. we loved his release “nothing nil” on eating music. our friend yusu introduced him to us and he sent us very beautiful musics. it’s an oriental beautiful new age music. kuniyuki made a magical remix. hope you like it

'Shardcore' is the debut full length from Myriad Myriads, aka Bass Clef, a return to the dancefloor refracted into ten thousand kind shards, revolving. "Those waves! Soon I'm going to try once more to draw something wavelike. But how can you simplify something as complicated as a wave in the open sea to something comprehensible?" Escher Recorded in The Hague. Elektron M:C and M:S / FMR audio RNLA and RNC.

The 006 on the imprint is "Versions Vol. 2" a new mixtape written and produced by NPLGNN Messing around with a big bunch of samples NPLGNN chops, resynthesizes and assembles them in a no-nonsense sonic collage flux 100% Sound-System fuckery Around 42 mins through MCs toasting, pitched amens, dub glitches, screwed recordings and moody red-eyed interludes

Reissue of Bass music inspired new roots classic!

After leading the Flying Mimi Band, Izumi Kobayashi, who gained attention for her keyboard work with the Masayoshi Takanaka Band and music for the anime “Urusei Yatsura,” reissued her funky, tropical solo debut released in 1981 on LP!

WRWTFWW Records is ecstatic to announce the first ever best-of compilation of Soichi Terada’s amazing project OMODAKA. including 14 songs never released on vinyl before. The 18-track ZENTSUU: Collected Works 2001-2019 album is available on double LP in heavy 350gsm sleeve with printed inner sleeves, as well as in CD and digital formats. Initiated in 2001 while trying to create a "boat racing song", the OMODAKA project features sublime music by veteran electronic/house/jungle/video game music producer/DJ Soichi Terada and the vocals of Japanese folk min'yō & enka singer Akiko Kanazawa for a never-heard-before colorful blend of retro game 8bit/chiptune sounds and traditional Japanese music with wet electro rhythms, joyful 90s house grooves, and slick downtempo vibes. Feel-good, sexy, and fun, Terada’s project brings forth one of the most unique sounds in recent memory. The smile-inducing sonic adventure is packed with irresistible hits and a good dose of dancefloor-ready gems: a well deserved delivery of good times for 2022 and beyond! Tokyo born genius Soichi Terada has built an impressive career in different music genres. He co-founded respected label Far East Recording with Shinchiro Yokata, composed the soundtrack for cult video game series Ape Escape, released tons of amazing house music records (some included in the beautiful compilation Sounds from the Far East released by Rush Hour in 2015), and has been a celebrated world-touring DJ.

Fully licensed, limited to 500 copies. Frank Chickens could have been possibly forerunners for several famous alternative band, Cibo Matto, but sure had a development on their own. They began in London, early eighties as the original creation of Japanese performers Kazuko Hohki and Kazumi Taguchi. The band debuted with a pair of singles and a full length on Kaz Records. Backed by the likes of Steve Beresford (Alterations, The Slits, General Strike, London Improvisers Orchestra), Annie Whitehead (Penguin Cafe Orchestra, Robert Wyatt), Lol Coxhill, Tony Coe, and Clive Bell, the band soon became a case in history. Now, 37 years after its original release, their second album is being reissued: Get Chickenized! The record came out in 1987 on the British label Flying Lecords and showed a different side of the project, with a major focus on the so-called synth wave counterculture, still maintaining a certain avant feel. With original conspirator Steve Beresford still on board, the band was propelled in the studio by another key figure of the London underground: journalist, composer and producer David Toop. Being John Peel's favorite for a while, the band built a cult following retaining some absurd live performances, well known for their idiosyncratic choreography. Later revamped in the year 2000, thanks to cult label Ninja Tune, the band enjoyed a second wave of success, with a remix album featuring the likes of Pizzicato 5, Fink, and Neotropic. With a cover embellished by the labor of Pere Ubu David Thomas, this second influential album is finally available for your listening pleasure.

This album, which includes the two latest tracks under the name Basic Rhythm, which has maintained a strong dedication to UK Bass, is a masterpiece in which the aesthetics of an underground pirate radio DJ OG are incorporated into an atmospheric and ravy Jungle/DnB sound. In recent years, he has continued to develop a fairly consistent musical style based on influences from Jungle, DnB, Grime, Rave, etc., as well as industrial sound design, and those who like him will be hooked.

Hold tight for a double-sized drop of ruff n’ tuff jungle variations as Dead Man’s Chest and King Kutlass throw their weight around with six seismic slammers built for the shockout section. We previously welcomed Bristol’s Western Lore doyen Alex Eveson to Sneaker Social Club alongside Posse back in 2019, and now he returns with King Kutlass in tow for a 2 x 12” of heavy duty, darkside rollers. The Western Lore remit has always been to push at the limits of the jungle template, embracing distinctive twists without losing the fundamentals of the sound, and that comes through loud and clear on this searing workout. From the compression chamber, stepped breaks of ‘Ride The Storm’ to lurid rave game-ender ‘We Control’, this is not club music for the feint hearted. There’s even space for nightmarish 4/4 thrust n’ stabs on ‘Heart Of The Sun’, pointing to the liminal zone where breakbeat hardcore, techno and rave all crossed paths en route to more fully formed stylistic conventions. That’s the vibe which runs throughout this EP, where the rules feel a long way off and the madcap sample layering is heavily tipped towards psychological annihilation under the stuttering glare of the strobe light.

Few names shine as brightly in the cosmology of dubwise bass music as that of V.I.V.E.K. From releasing absolutely ground-breaking tracks for the better part of 20 years primarily on his own System and VIVEK imprints, to curating and hosting his legendary System nights, to bringing so much rising talent to light, it’s honestly difficult to imagine the last two decades of UK and global sound system music without him. For ZamZam 96 V.I.V.E.K went straight to the bedrock of sound system music and delivered a power-stepper of galactic proportions. “Illusions Dub” opens with starkly heavy valve bass and a punishing kick, leaving little doubt where this journey is headed . Richly adorned with neck-snapping percussion, industrial snares, post-punk atmospherics and a gorgeous melodic figure, the tune employs classic 90s digi-dub principles while feeling like a message from a gloriously human -or post-human- future. “Illusions (Raw Dub)” runs rugged through the desk in fine style, with barely restrained feedback, phasers, and deep space echo and reverb ripping open shimmering holes in space-time for a truly cosmic Part 2.

Cobra y la hermandad de la uva es la celebración de hacer música juntos desde hace muchos años entre amigos. Un disco gestado en el barrio del Clot y grabado en en Barcelona, Mallorca y Buenos Aires, un "All Stars" dónde participan gran parte de los músicos que han tocado en STA a lo largo de 20 años. Hay digital dub, también algo de roots oscuro y otros tracks soleados y brillantes. Experimental y electrónico, pero también analógico y denso en texturas pero delicado al mostrarlo. Luego de 20 años del primer Cdr, STA sigue una trayectoria personal para hacer Dub. Todas las canciones fueron mezcladas en vivo, una bajada en directo hecha en el mixer. Una mención especial merece el arte del disco obra de Tomás Spicolli, un viejo amigo y colaborador de STA. Cobra y la hermandad de la uva es el sexto LP en formato vinilo dentro de una producción que cuenta también con varios Cdr, 7'' y casetes. Con la compra del disco en bandcamp viene otro disco extra en digital con versiones, 10 temas extra. Dub para adultos.