MUSIC

originally released on Khotin Industries in 2021. It soaks you, it puts you to sleep, it opens you up. A daydream ambient masterpiece. The debut cassette from Area 3, another name for Vancouver's popular producer Khotin, who has been the main force behind the cool house that has emerged out of Canada with Mood Hut at the top of the list. The worldview of this cassette is one of bottomless beauty, spiritual vibrancy, and profundity that cannot be described in words! The lo-fi feel and naturalistic charm of the sound world are retained, but further updated with an exquisite sense of sanctuary and hippocampal ambient. Mastered by Nik Kozub, who has also worked with Project Pablo, Jex Opolis, and others around Khotin.

Well it's been more than 365 days and nights since we released a record on our small and independent record label based in Vancouver, BC. For better or worse we have always operated at a pace that feels natural to us. The same could be said for Mood Hut recording artist Jack J who has not released any music in over seven years. Do you remember his last record? It was called Thirstin' and it came out in the summer of 2015, hot on the heels of Something (On My Mind) which came out the year before. So naturally after this very long silence we are proud and excited to be able to finally share Opening the Door, the first full length LP by Jack J. Self-recorded slowly but surely between 2015 and 2019 between Mood Hut and C'est Life Studios, and featuring some crucial saxophone work by Linda Fox, this LP confirms Jack J to be a masterful mood maker as well as an incisive songwriter. Over the course of the album an undeniably blue haze settles over inward-peering ambient jazz, On-U-inspired digital-dub and quiet storm soft rock leaving a distinct sense of sadness amongst all the tangerine funk. Check it out!

Late last year, Canadian producer Priori returned with his second album ‘Your Own Power’ to great acclaim. Released via his NAFF imprint, the album showcased a more contemplative style to his productions and featured one collaborative track with label partner Ex-Terrestrial. The story continues as Priori enlists a heavyweight line-up of artists to rework some of the album’s standout tracks. Slated to drop on the 18th March, ‘Your Own Power Remixes’ features new editions from Donato Dozzy, Aurora Halal, DJ Python, and Bambounou alongside a Priori VIP - each bringing their own flair and style to the record. Priori is an alias of Francis Latreille who first put out solo releases on Greek label Echovolt and Canadian imprint ASL Singles Club. Known to be an avid collaborator, Latreille is involved in a number of projects including Jump Source, M.S.L., Housemates, New World Science, ANF and more. He has also worked on mixing projects by fellow artists including Roza Terenzi, Ex-Terrestrial, RAMZi, Bambii, and Ouri.

double LP version. 180 gram vinyl; includes CD. Tak:Til/Glitterbeat present the first ever reissue and remastering of Jon Hassell and Farafina's prescient, "Fourth World" masterwork, Flash of the Spirit, originally released in 1988. Propulsive Burkinese rhythms meet revelatory, ambient soundscapes. Co-produced with the legendary studio team of Brian Eno and Dainel Lanois. Composer and trumpeter Jon Hassell has been an elusive, iconic musical figure for more than half a century. He's best known as the pioneer and propagandist of "Fourth World" music, mixing technology with the tradition and spirituality of non-western cultures. In 1987 he joined with Farafina, the acclaimed percussion, voice, and dance troupe from Burkina Faso, to record Flash of the Spirit. While the album is a natural extension of those "Fourth World" ideas, and a new strand of Possible Musics, it also a distinctive outlier in the careers of both artists; an unrepeated merging of sounds whose influence still reverberates today. The eight members of the band -- who had also collaborated with the Rolling Stones and Ryuichi Sakamoto -- brought their long apprenticed, virtuosic drumming, and melodic textures (balafon, flute, voices) to the sessions. They built up layers and patterns of rhythm, while producers Brian Eno and Daniel Lanois (fresh off the success of U2's Joshua Tree) created a sonic atmosphere in which they could creatively intertwine with Hassell's digitally processed trumpet and keyboards. Despite their initial skepticism, the musicians from Farafina ended up relishing their interaction with the studio team and the trumpeter/conceptualist Hassell. The music that emerged was rich and groundbreaking, a move to transcend the boundaries between jazz, avant-garde classical, ambient and the deep rhythmic tradition embodied by Farafina. On "Out Pours", the groove simmers softly, led by shifting patterns on the balafon, while Hassell's heavily treated trumpet creates breathy swirls of sound that play and dance around them. Percussion leads on "A Vampire Dances," pushing and probing and seeming to force electronic shrieks as a response from Hassell's trumpet, while the keyboard creates a bed of sound that refuses to hold still. "(Like) Warriors Everywhere" takes that idea even further. Over Farafina's surging rhythms, Hassell's electric piano and trumpet dig deep into abstract, melodic ideas hinted at by the Bitches Brew-era Miles Davis band. Farafina create the rhythms and counter-rhythms that spring and move. A new, natural trans-cultural harmony is apparent on the final track, "Masque", where percussion and treated trumpet draw the listener along on a journey through shifting landscapes.

Artificial Dance founder Interstellar Funk releases Live At The Rest Is Noise - Muziekgebouw aan 't IJ. Limited to 150 cassettes, the recording documents Interstellar Funk’s performance at Amsterdam’s Muziekgebouw concert hall in October 2021. The 45-minute set ebbs and pulses, leaving behind Interstellar Funk’s penchant for hard-wearing club sounds in favour of melody and texture. Some passages mirror elements from the studio album Into The Echo (Dekmantel, 2022), but the live setting allows Interstellar Funk to expand and explore richly detailed sonic spaces that highlight his skills as a composer-performer. Download card included.

I can soak. The 2020 ambient masterpiece "Moss King" for plants, which has also been made into LP & CD, is the latest collaborative album by Omni Gardens and Jogen Salzberg, which is familiar with our store, and released as a cassette from . A gem of work in which meditative and natural beauty-filled new age/ambient sounds are loosely connected on top of Salzberg's soft poetry. Definitely recommended for those who like Iasos and Laraaji! Limited to 300 copies.

Recordings of The pale faced family on the hill took place over a week in January 2020 in a small church hall on the outskirts of London. A small number of electronic music producers decided to form a collective and make heavy ambient music for raw pleasure in the agreement that their identity be withheld. They invited Oliver Coates as a live musician to contribute cello drone which they would then add to, process, subtract from and mix with weather recordings and esoteric ways of generating sounds, including old sample packs and whatever else they had to hand. The results were mixed down to tape live without further editing or arrangement. Wishing to work under a cloak of anonymity, the process freed the producers from their other lives and released output, allowing them to enter a new group alias, to induce heady states of sound and to become a group without hierarchies.

»Tides« marked a radical change in direction for Arovane. After Uwe Zahn had made a name for himself with cutting-edge IDM rhythms and slick ambient textures on a slew of releases, his sophomore album saw the prolific producer opt for a sample-based approach that resulted in a more organic sound and laid-back downbeat grooves. Having reissued Arovane’s seminal »Atol-Scrap« as a double LP in 2021, the Berlin-based Keplar label now makes »Tides« available on vinyl for the first time since its original release in 2000 through the legendary City Centre Offices. The new version has been remastered by Kassian Troyer at Dubplates & Mastering and comes with a brand new cover artwork. It shines a new light on a release for which Zahn quite literally ventured into previously unknown territory — »Tides« is an album that emits a timeless, quiet calm and nonetheless stays constantly in motion. »The idea for the album came to me after a vacation in France«, says Zahn. Inspired by the landscape, especially the coastline and the sea, he made field recordings throughout his trip that were also used on the record, giving it its sensual feel. The foundation of the album however, the loose yet gripping grooves at the heart of every track, result from Zahn working extensively with samples. »I wanted to make use of drum sounds and small excerpts from old jazz vinyl records«, he explains. He maintained the unique sound signatures and rhythmic flutter of the source material while building intricate beats with them. Most of the material was culled from the record collection of Christian Kleine, whose spontaneous guitar improvisations over the first musical sketches were recorded and edited by Zahn and can be heard on four tracks. Also employing the occasional cembalo or spinet sound, he worked with a hardware sequencer and a delay to integrate the different, discrete elements into nine tracks that feel both dense and light at once. What’s astonishing still 22 years later is how spacious »Tides« sounds. This is due to the fact that Zahn not only paid close attention to the sonic idiosyncrasies of his source material, but also to what happened in between those sounds. »Mark Hollis’s solo album was a huge inspiration at that time«, says Zahn. »What I find fascinating about it until this day is how silence and the subtle hiss of the mixing boards were being used on that record.« Silence was also an important stylistic element on »Tides« and adds greatly to the overall atmosphere of an album that with the appropriately named »Theme« immediately sets the mood with intricate spinet melodies: Zahn opens a door for his listeners and invites them to follow him to see a specific part of the world through his very own lens. As a whole, the album mirrors Zahn’s trip that took him along the steep cliffs on a foggy day (»Seaside«), to an abandoned house in which he found old maps (»A Secret«), along the coastline during a long car ride (»Deauville«), to a sleepy village and the slowly moving sea (»Tides«) and finally back home to his native Germany where he started reflecting upon his experiences, ultimately deciding to translate them into music (»Epilogue«). »Whenever I listen to this album now, the images and memories it evokes are incredibly vivid and vibrant«, he says. It’s not hard to see — or rather hear — why. »Tides« may have been a deeply personal project, but it effortlessly evokes universal feelings by (re-)building an entire world in the course of only a few pieces of music.

Like the ever changing shapeshifting nature of Kami in Japanese Shinto faith, the music on this new collaborative lp is a mirror reflecting, obscuring or modifying the ever changing rivers of sounds. Louise Landes Levi has a long history in music from studying sarangi with Annapurna Devi and La Monte Young to performing with like minded poets as Ira Cohen and Simon Vinkenoog. As on the previous Ikiru lp she collaborates with Timo van Luijk (Af Ursin, Elodie, Asra, In camera etc) and Bart De Paepe (Ilta Hämärä, Bombay Lunatic Ensemble etc). The trio weaves several delicate threads together into a surrealist, organic but overall poetic language. Includes a postcard. Limited to 500 copies.

12H is a two hours long summa of the very best material produced for the eponymous sound installation, specifically designed by Donato for the Music Bridge - Armando Trovajoli in Rome under the curation of MAXXI Director Bartolomeo Pietromarchi. The original piece translated in music the architecture of the bridge and its surrounding life, layering samples and field recordings in the language Donato knows best: the repetition, rhythm and harmony of different building blocks. The work was originally reproduced by 24 speakers spread along the bridge colonnade, escorting the visitor through different musical places in their crossing. It now takes its final stereo form in this continuous mix version: a dense, enthralling flow akin to Tiber’s murky waters. The original installation was set up by sound engineer Giuseppe Tillieci / Neel, a frequent collaborator of Dozzy in the “Voices from the Lake” project, with Funktion One support.

« Similar to a whale skeleton beached on Tiber’s banks, the Music Bridge connects two parts of the city that had been ignoring one another for centuries. On one side the slopes of Mount Mario dominate the CONI (Italian National Olympic Committee) sports fields where many masterpieces of Italian modernist architecture were built: Moretti’s Fencing Academy, the Youth Hostel, the Olympic Pool and later on the Tennis Stadium and the Stadio Olimpico. On the other side there is Quartiere Flaminio, with its theatre, contemporary art museum MAXXI and Renzo Piano auditorium. Donato Dozzy has converged sport and music in his sound installation for the Music Bridge, recounting the story of the two universes connected there. The work, originally presented in a 12 hours format, was a day-long journey through environmental sounds and Donato’s own melodies. In the new-found synthesis we present today we experience once again time and Tiber flowing together, from the crack of dawn until nightfall artificial lights. »
(Pietromarchi Bartolomeo, Director of MAXXI)

Few DJs and producers are as widely and universally acclaimed in techno circles as Italian Donato Dozzy. He has a rare ability to work his way into peoples’ minds in both contemporary and classical settings, conjuring real mood and atmosphere. Never one to pay heed to the zeitgeist, he prefers to deal in hypnotic soundscapes that really take you on a trip.

Enigmatic as he is, and laidback as he seems, as an artist he is constantly unveiling new work. Displaying a large variation in terms of sound and method across many new releases each year — some of which come on his co-owned label Spazio Disponibile — he also puts out installations for public spaces and museums, uses obscure musical instruments, collaborates with likeminded producers, classical singers or visual artists. Donato seems to continuously challenge himself on a creative level: whatever method he uses, though, he is always likely to permeate your cerebral cortex and rewire it in fascinating and compelling new ways. 

Dang-Khoa Chau aka Đ.K. gives up a self-released treat, sidewinding into psychedelic realms of radiant gamelan and slow, humid bangers, highly recommended if yr into ’Forest of Evil' period Demdike, early Shackleton, DJ Python. A pivotal presence in the Parisian scene thanks to his rounds for Antinote, L.I.E.S., Second Circle, and most recently 12th isle & Good Morning Tapes; Đ.K now takes matters into his own hands to issue some golden material, drawing on his South East Asian heritage and sultry, stylized nEuropean club music for a properly hypnotic seven track trip. In deep pursuit of atavistic urges, and modelled with electronic futurism, his ‘Gate Of Enlightenment’ calls up a spectra of spirits that invoke altered states; vocal swirls meet purposeful gamelan in ‘Enlightenment Process’, aligning for the deftly weight trample of ‘Middle Path’ with its mystic horns, and a slippery sort of dancehall swivel in ‘Sacred Creatures.’ ‘His ‘Day of Mourning’ makes room for contemplation with sound sensitive instincts heightened to unnerving degrees, while ‘Metal Frames’ yokes back to the ‘floor with something like an industrialised echo of the Ghost In The Shell OST, while the closing couplet see his percussive proprioceptions at their most devilish and immersive.

French photographer, musician, and lifeguard Romeo Poirier is also known for his cult favorite "Plage Arrière," a meditative deep sea ambient cassette released on Kit Records. A long-awaited repress of this popular work, originally released in 2020! Is this truly a miraculous fusion of Andrew Pekler and Biosphere? Mastered at Schwebung by Stephan Mathieu. If you like Jelinek or Boards Of Canada, you will love this. Limited edition clear vinyl.

"Ambient Music For A Young Girl", a very good new title, has arrived. This is a masterpiece of ambient music that exudes warm nostalgia and a profound sense of tranquility towards the approaching footsteps of autumn. The latest solo album by Cass., one of Germany's most important new age/ambient artists, is now available from Growing Bin. Beautiful. With the music of the foreground, it is a fascinating experience to rescue oneself from ego. After a year of isolation in the current situation, this album is for many people who are going through introspection. Please listen slowly and deeply.

600 copies. Lovely crafted tip-on sleeve. Remastered from the original master tapes. ** Sunstroke were Ben Bollaert and Etienne Delaruye, both were obsessed with the burgeoning possibilities of electronic music and it made sense that they collaborate in the studio. The resulting experiments culminated in the 1985 release of Nothing's Wrong in Paradise. The record was conceived as a soundtrack to a film that doesn’t exist - a sophisticated meeting of post-Berlin-school dreaming, Yen-records hi-tech calm and Impressionist Café music ennui. What makes it most compelling though, is that even while it conjures a seemingly perfect world, something around the edges lets you know that all might not be as it seems. Maybe there is nothing wrong in paradise. Or maybe that’s just wallpapering over the cracks. The rough edges and regret of everyday life cannot help but intrude. Once you have spent some time with it, the whole record starts to seem bathed in a dim half-light, suggesting utopia glimpsed through a smudged lens. Just like the ethereal space in their music Sunstroke only existed for a moment, a second LP was planned but never materialised, briefl

Ulla Straus is a Philadelphia-based ambient artist who has released a number of masterpieces of acoustic dub/ambient music under the direction of Huerco S. collaboration with Pontiac Streator on West Mineral, a label that is now recognized as a sacred place, caused quite a stir. This album was released in 2020 under a different name from a new label [Experiences Ltd] started by uon, a special guest DJ who is an important acoustic dub act at [West Mineral]. It's so beautiful and so deep, you can sink into it forever. This album is built around chant sampling and piano, and is a further exploration of the world of "Big Room", a masterpiece ambient cassette released last year on [Quiet Time]. Mastered by D&M and amp; cut to perfection. Limited to 400 copies. Don't miss it if you like "Mono No Aware" or "bblisss", not to mention [West Mineral] works!

After travelling to India, Indonesia, Thailand, Bali and Java in his younger days, Cybe released three cassette tapes. "Tropisch Verlangen” now compiles a series of ten wonderful handcrafted analogue electronics from those tapes, sounding like lush fields of electronic wheat swaying in voltage controlled wind. It reads as a musical travelogue from a Dutch musician from Haarlem, who listened to way too much Gong and went searching for inspiration, sound recordings and instruments in the East in the early eighties. Right up my alley, and hopefully yours too.

For the past 10 years, it has been a sacred place that has expanded the horizon of the underground scene in Copenhagen, Denmark, to the world, and defines one of the current experimental lifelines represented by and . A new catalog of Posh Isolation, a sacred place where you can feel the shoegaze sound of a new era, which is a prestigious and unprecedented beauty, is in stock at once! !! The latest 2022 "The Last Picture Show" by Christian Stadsgaard's famous project Vanity Productions, which is known for his activities in the noise duo with Loke Rahbek sponsored by Posh, Damien Dubrovnik and The Empire Line, has been released on CD. A masterpiece that created an exceptional drone gaze sound full of melancholy and introspection as a desolate by repeating loop operations! You can enjoy the fantastic and majestic sound that is typical of Posh, which makes you feel the gaze of "somewhere other than here" far from this world such as the equinoctial week and the heavens. Limited to 300 copies.

For the past 10 years, it has been a sacred place that has expanded the horizon of the underground scene in Copenhagen, Denmark, to the world, and defines one of the current experimental lifelines represented by and . A new catalog of the sacred place , which depicts the shoegaze sound of a new era that is a prestigious and prestigious spectacle of the beauty of nonexistent things, is in stock at once! !! 2022 by CTM, an experimental pop project that is also known as Posh's work with Croatian Amor, Varg² ™, Frederik Valentin & Loke Rahbek, and is a major authority in the Danish music world. The latest album "Babygirl" of the year is released in analog form. Produced by Holger Hartvig, Malthe Fischer and Cæcilie Trier. An ambitious work by gorgeous people such as Ydegirl, Coco O., Johan S. Wieth (Iceage), ML Buch, Jakob Littauer (Yangze), Emil Elg, Claus Haxholm, who were in charge of vocals and instruments. Containing years of recording and composition fragments, this work is positioned as a musical platform that incorporates many voice expressions, relationships and time. An ethereal and avant-garde daydreaming electronic music piece that floats melancholic between light and dark shadows! Mastering specifications by Malthe Fischer.

Masterpieces from Australia-based label that seems friends of the current dub ambient landmark West Mineral led by Huerco S. The debut album under the name of "J" by Australian experimental musician = Justin Cantrell, who is also known as the name of Ju Ca and collaboration with mdo as a popular unit called "picnic", has appeared. A daydream or heavenly fantasy, an intimate & nocturnal fantasy ambient / modern classical masterpiece that keeps swaying and swaying forever, it can only be said to be the best! Mastered by Shy (uon).

DJ Python revives his cult alias, Luis, with a reflective ode to his best friend. The five tracks here represent the inscrutable mix of detachment and contentment that made DJ Python's Mas Amable a modern touchstone, but the 057 (Schwyn) EP also possesses the heartfelt '90s sheen that is Luis's sonic signature. Idiosyncratic rhythms and twinkling ambience build patiently before arriving at the blissed breakbeat closer. "missen and loven. schwyn and i go into each others lives here and there quiet and present. always missen and loven. to know he is on the earth is to know that it is beautiful." - Brian Piñeyro

180g vinyl pressing. - “A love letter to the masters of Japanese ambient and environmental music.” During the late 2010s, music lovers around the world began obsessively listening to increasingly esoteric albums on Youtube. More often than not, they’d leave the browser on autoplay. This was how Facundo Arena, the composer and producer behind The Kyoto Connection, discovered the technonaturalistic pleasures of Kankyō Ongaku (environmental music), a distinctly Japanese interpretation of European, British and American minimalist composition and ambient music. “It was a kind of algorithmic magic,” he says. Upload by upload, the utopian music of Hiroshi Yoshimura and his 80s Japanese contemporaries transported Facundo back to his childhood. When he was five, his father placed him in karate lessons and began watching martial arts movies with him. From those early experiences, Facundo became fascinated Japanese history, tradition, and culture, particularly that of Kyoto - the cultural capital of Japan. Kankyō Ongaku reminded him of hearing the sounds of Japanese folkloric instruments as a young boy, and suddenly, the way the influence of Japan had manifested in his music made sense. “I had the sensation that for many years, I’d been doing something similar to the style,” he explains. Inspired, Facundo used an iPad and an old Akai cassette deck to record Postcards, his homage to Japanese minimalism and Kankyō Ongaku. By this stage, he was twelve years deep with The Kyoto Connection, the musical project he launched in 2005 in his hometown of Buenos Aires, Argentina. Over that late 2000s and 2010s, Facundo, later on joined by collaborators Rodrigo Trado (drums), Jesica Rubino (violin) and Marian Benitez (vocals, now his wife), released numerous D.I.Y albums. Project by project, they followed the threads between 80s synth-pop, ambient, new age, house, techno and acoustic composition. Postcards introduced The Kyoto Connection to listeners around the world and brought Facundo into our orbit. During Argentina’s covid lockdown, Facundo received a set of soundscapes recorded in Kyoto by the Japanese musician and sound designer Masafumi Komatsu. Over several insular months, he decorated them with synthesisers, samples and subtle rhythms, creating The Kyoto Connection’s next album, The Flower, The Bird and the Mountain to be released via Isle Of Jura offshoot Temples Of Jura. Ostensibly made up of twelve distinct tracks, listening to The Flower, The Bird and the Mountain feels more akin to spending calm, meditative time in twelve specific environments. Although the foundations they rest on are recordings made in geographic locations around Kyoto, Facundo has yet to visit Japan. As a result, the landscapes he paints sit somewhere between fiction and fact, richly pictorial sonic imagination juxtaposed with echoes of reality. Regardless, as his bubbling melodies and glistening synthesisers glide against Masafumi Komatsu's recordings, Facundo guides us into a blissful zone of tranquillity well worth spending time within.

A bearhug of chill-out room gouching gear from MFM spanning the golden era of ‘90s ambient dance music with gems from David Moufang, LFO, Global Communication, Kirsty Hawkshaw, Sun Electric and many more notables of that era. Since the world turned into a big chill out room in early 2020, albeit with a heavy sense of anxiety, this set could hardly be better placed for downtime in the comfort of your own home, rolling out mystic highlights such as LFO’s MDMA-tingle arps and pads in ‘Helen’ and the sublime suspension systems of Global Communication’s remix of ‘Arcadian’, along with Move D’s early nugget ‘Sergio Leone’s Wet Dream’, and the lush pads of his close spar Jonah Sharp’s Spacetime Continuum, plus a strip of killer slow acid in Sideral’s ‘Mare Nostrum’, and the blissed romance of ‘Love 2 Love’ by Sun Electric. One for the lovers and the ravers.

Memphis-raised V.C.R, born Veronica Camille Ratliff, is the LA-based violinist, gospel singer, and multidisciplinary Cinematic Soul artist using music and literature as her primary tools of uplift. The debut album "The Chronicles of a Caterpillar: The Egg" follows V through fantasy storybook-style song narratives that equally touch upon Lord Of The Rings as it does Minnie Ripperton and Tchaikovsky. Veronica's book “The Creative Black Woman’s Playbook” was written and published in 2019 as a primer to her album, with the purpose of celebrating black femininity, honoring black heritage and history, and empowering creative black women internationally. www.creativeblackwomansplaybook.com The album releases April 29th 2022 via Leaving Records All Genre, and features vocal contributions from Pink Siifu plus production from Sudan Archives and Lastnamedavid.

EURYBIA is the second solo album by Italian artist Francesca Heart. The result of a compositional process that began in summer 2020. The work is the product of a series of intimate imaginary projections and aural engagements with a number of geographical sites scattered across the Italian landscape. Places which have resonated with Francesca during various personal travels and pilgrimages, due to their extramundane and often even mystic significance. The most outstanding / iconic being the cloisters and gardens of San Gregorio Armeno’s monastery in Naples and the Nympheum of Villa Giulia in Rome. Indeed the whole record seems to bring the listener constantly together with the overwhelming, tender presence of the surrounding environment. Seemingly permeated with a feeling of refreshing musky moistures or textured with soft, wet soil, EURYBIA reminds us of walking barefoot near the lush architecture of some ancient, overflowing fountain or amidst the continuous flows of shallow rivers’ bedrocks informing the album with strong physical, sensory qualities. Myth, senses, and imagination become anchors of artistic and healing expression as well as forms of romantic escapism from an ever complex world. On the whole, EURYBIA’s seven tracks alternate dense enmeshment of sounds and melodies with sparse, forthright single-instrumental devotional hymns, working as a personal cartography of ephemeral audio monuments to human, transcendental, and mythographic landscapes. Influences connected by means of nuanced ascendance going from classical New Age music and Video Game soundtracks to digital phone ringtones. The fluttering arpeggios used as the main compositional device coalesce together into an experience of relaxing trance which is yet a glaring, audacious work. クレジット