MUSIC

A compilation of haunting, weird & obscure songs from the hillbilly underground at the end of the 50s – music that straddles the line between country, rock n roll, lonesome midnight rambles and raucous instrumentals. Compiled from rare 45s on little-known regional labels and co-released with Lost Train Records. Titles include "Walking The Streets After Dark" by Willie Hays, "Ghost Memories" by Gene McKown, "Fool Fool Fool" by Bill Whitley, "Cravin" by Bobby Roberts, "Sunset Blues" by Tony & Jackie Lamie, "Waiting For A Train" by Blankenship Brothers, and "Three Years" by Harold L & The Offbeats. The companion record to Six Feet Under! Includes liner notes.

Deluxe Edition pressed on 180 grams vinyl. Iconic and much sough after self titled LP by Piry Reis now re-issued as a deluxe edition containing an extra bonus track (spaced out Jazz interpretation of No Risco Do Relâmpago). After playing for several years with Egberto Gismonti group and other prominent Brazilian acts, Piry decided to record this album which was originally released in 1980 featuring a special guest appearance by Egberto Gismonti.

A compilation of obscure American country, hillbilly & rock n roll tunes from the late 50s and early 60s, favoring the rough, raw and echoey/jittery side of things. For fans of Lee Hazlewood, Link Wray, Wanda Jackson, The Cramps, Sun Records, etc. Recommended for those long nights of soul searching, spirit journeys, drinking, weeping, rambling. Titles include "Willie Joe" by Mystery Trio, "Dark Mood" by Bartlett Brothers & The Country Paupers, "Kentucky Fandango" by JP Dunn, "Misery" by Jacky Lee, "A Woman's Mind" by Jimmy Merrill, "Ghost Train" by Electro Tones, and "If You Love Me" by Johnny Fortune. Includes new liner notes! Co-released with Lost Train Records.

Originally recorded and released in 1980, Six of One beautifully captures the detail in Evan Parker's high frequency split tones for which he is now perhaps better known. Five years on from Saxophone Solos and with circular breathing and polyphonics well-worn into his live performances, Parker's experiments here produce sustained passages of brilliant flight. Set into the echoes and resonances of a St Judes On The Hill church, the results are stunning. Transferred from the original master tapes by Thomas Hall at Abbey Road Studios and released in an edition of 500.

Six years before the release of his landmark Mother Earth¡Çs Plantasia LP, composer and arranger Mort Garson met experimental film director Skip Sherwood, who was interested in an electronic score for his new movie, Didn¡Çt You Hear? While not much is known now about the exact nature of their collaboration, we have Garson¡Çs magnificent score as a record of those heady, early days after his life-changing discovery of the Moog synthesizer. Notable for being one of the earliest screen appearances by a young Gary Busey, Didn¡Çt You Hear? also boasts one of the first-ever all-electronic movie scores. Though the score was first released in 1970, it sounds as adventurous and futuristic today as it must have then. Originally available only in the lobby of the theater at screenings of the movie in Seattle, the soundtrack LP went out of print shortly after the film's release. It has been a sought-after record for collectors of Mort Garson and early electronic music ever since. Sacred Bones is honored to reissue Didn¡Çt You Hear? as it was meant to be heard, taken from the original master tapes and given a pristine remaster by engineer Josh Bonati.

Swedish composer Ragnar Grippe gets an old collection released on Dais Records (Genesis Breyer P-Orridge And Thee Early Worm, SRSQ). Written in 1981 for an avant-garde theatre piece but only now seeing the light of day, Symphonic Songs finds Grippe marrying atonal Buchla experiments with a string section equal-parts Schnittke and Schoenberg. Artwork by Ascetic House founder J.S. Aurelius.

¡ÈIn today¡Çs world, it¡Çs harder than ever to let go & find sleep. So kick back and let this pastel soundscape from the NYC synth rocker, TM™ ¢ö drift you off to dreamland like it was 1984...¡É -Tommy Mandel "New York synth magician Tommy Mandel has an astonishing career as a composer, sideman, and electronic pop artist. Since the late 1970s, he has toured or recorded with a laundry list of talents including Todd Rundgren, The Clash, The B-52s, Tina Turner, Cyndi Lauper, and countless others. Yet it is Mandel¡Çs solo pioneering keyboard work that has captured the attention of Invisible City, first documented on the Mello Magic compilation of his largely unreleased new wave explorations. Now, the label follows it up with an even more scarcely heard project, working in cooperation with Mandel to reissue his 1984 private press cassette, Music For Insomniacs. Recorded on four-track, each of the album¡Çs eight songs is inspired by a wave of sleep from Alpha to Theta. Its playfully psychedelic sound features shimmering synths, baked electronics, soft drum machines, and various vocal treatments guiding listeners into a peaceful slumber. Yet Mandel can¡Çt resist adding traces of abstracted boogie-funk with propulsive rhythms that will keep you dancing through your dreams. Fans of Mort Garson, Woo, Brian Bennett, Angelo Badalamenti, Klaus Schonning and Bruce Haack will rejoice at their new sleepy time soundtrack." - Jesse Locke Available on vinyl for the first time with newly remastered audio baked from 2 inch tape with new artwork by Marko Vuleta-Djukanov (floating_bstrd). Reissue in partnership with Tommy Mandel. Also available on limited release cassette.

There are still so many treasures to be discovered out there, but once you find a gem like this you can definitely put the research on hold for a little while and give it a deep listen. Recorded at Fono Roma in 1971, Eroina is a series of haunting improvisations - each one inspired by the effects of a different drug - made of whirling electronic glitches, skronky horns, pounded piano, funky drums and weird tape experiments delivering the best drone/spaced/drugged out free jazz performed by the legendary ensemble of Ennio Morricone, Mario Bertoncini, Egisto Macchi, Battisti D'Amario, Franco Evangelisti and Walter Bianchi. A timeless masterpiece.

Second edition of 300 copies with slightly different artwork; the sleeve has a different colour, a spelling error on the back sleeve has been corrected, the labels are different and there is another picture on the back sleeve. Released with kind permission of Brigitte Morton / Henri Chopin Estate.

Black Truffle¡Çs documentation of the prolific recent work of legendary American composer Alvin Lucier continues with Works for the Ever Present Orchestra. This is a very special release for the composer, as it presents pieces written for the thirteen-member Ever Present Orchestra, formed in 2016 exclusively to perform Lucier¡Çs works. At the heart of the ensemble are four electric guitars, an instrument Lucier began composing for in 2013 with Criss-Cross (recorded by two core members of the Ever Present Orchestra, Oren Ambarchi and Stephen O¡ÇMalley, for whom it was composed, on Black Truffle 033). Through the use of e-bows, the guitars take on a role akin to the slow sweep pure wave oscillators heard in many of Lucier¡Çs works since the early 1980s, but with added harmonic richness. Like much of Lucier¡Çs instrumental music, the pieces recorded here focus on acoustic phenomena, especially beating patterns, produced by the interference between closely tuned pitches. The work presented here is some of the richest and most inviting that Lucier has composed. Though all of the pieces clearly belong to the same continuing exploration of the behaviour of sound in physical space and make use of related compositional devices, each takes on a strikingly different character. Titled Arc, for the full ensemble of four guitars, four saxophones, four violins, piano and bowed glockenspiel inhabits a world of sliding, uneasy tones, punctuated by a single piano note. Where Double Helix, for four guitars, rests on a pillow of warm, low hum, EPO-5, for two guitars, saxophone, violin, and glockenspiel possess a limpid, crystalline quality. Accompanying the four new compositions are two adaptations of existing pieces for radically different instrumentation, demonstrating Lucier¡Çs excitement about the new possibilities suggested by this dedicated ensemble. Works for the Ever Present Orchestra is an essential document of the current state of Lucier¡Çs continuing exploration, as well as offering a seductive entry-point for anyone who might yet be unacquainted with his singular body of work. Presented in a deluxe gatefold sleeve with cover artwork and liner notes from Alvin Lucier. Includes a download code featuring hi-res vesions of the LP material. The download code also includes the bonus Adaptions for the Ever Present Orchestra featuring two pieces (¡ÈTwo Circles¡É and ¡ÈBraid¡É) that are not included on the LP version. Mastered by Rashad Becker. Design by Lasse Marhaug.

Jon Gibson, a rare minimalist who has been listed in the 2nd work "Two Solo Pieces", Steve Reich, Terry Riley, and La Monte Young. The 1973 memorable 1st album is finally reissued on LP !! Side A, which contains flutes, cymbals, and organic repetitions of shining bells, side B, where the inflection of electronic sounds leads to the forest, along with the flow of rivers and environmental sounds. Both are extremely minimal. Beautiful to Avant. It is a supreme masterpiece that is drawn into the depths of consciousness.

The latest album by Will Guthrie, an Australian drummer and percussionist based in Nantes, western France, who is also known for his participation in the Fire! Orchestra and co-wrote with Jérôme Noetinger, Oren Ambarchi and Junko (emergency staircase), is presided over by Oren Ambarchi. Introducing from Black Truffle, the holy land of Australian experimental music! Will Guthrie's fourth work this year is a solitary writer who mixes free jazz, electroacoustic and experimental music with different combinations of drums, percussion, amplification and electronics. Includes percussion works in a unique style reminiscent of gamelan music. It is a different world view that can be called a one-man human-powered techno band.

The distributor is already sold out! Gruppo di Improvvisazione Nuova Consonanza, a legendary music group that led the improvisational / experimental music scene of the 1960s from Italy, along with the legendary Musica Elettronica Viva, formed in Rome in 1964 under the leadership of pianist Franco Evangelisti. The masterpiece "Nuova Consonanza" released in 1975 is the first vinyl reprint in history with a luxurious booklet! Reissue with a completely new remastering specification from the newly discovered original tape. Limited edition with a 12-page luxury 30 "x30" booklet with unpublished photos, texts and essays. A masterpiece that can be said to be a new starting point in history or a major frontier at the end of the music of improvisation. It's really amazing !! New remastering from the original tape & 180G heavy board specification. Limited to 400 sheets. Don't miss this opportunity as the original is almost unavailable at the moment!

A masterpiece of sock jackets that became a trademark !! The famous experimental rock band Henry Cow's 1st album in 1973 by Fred Frith and Tim Hodgkinson !! The reissue from the home base [ReR] is finally repressed this year. !! A great lifeline leading to "Rock In Opposition". With the tremendous influence of pioneers such as Soft Machine and Frank Zappa as the undercurrent, Avant Rock has been elaborated with unparalleled precision. There is no arrogant arrangement, and the mystery of free-form improvisation explodes without being disturbed. Definitely one of the best in the Canterbury scene. If you haven't experienced it yet!

約50分に及ぶ4つの未発音源も追加収録！吉村弘、高田みどり、イノヤマランドにも並ぶ国産ニューエイジ/アンビエント最大級の再発案件が到来です！日本が誇る孤高のアンビエント作家、広瀬豊がそのカタログ2としてMisawa Homeレーベルに残した1986年の唯一作が、高田みどり、Colored Music、Normal Brainと日本の音楽秘境も発掘してきたスイス発の最重要再発レーベル、We Release Whatever The Fuck We Want から拡張版となって初となる公式CD/ヴァイナル・リイシュー！元々は、1986年から1988年にかけて、ミサワホームのプレハブ住宅のための『Soundscape』シリーズの一環としてリリースされるも、昨今のニューエイジ再評価の流れで一気に高騰・入手困難と化していた一大傑作！静謐なミニマリズムが呼吸をし、水や虫、鳥などの声のフィールド・レコーディングやまばらなベルの音、ピアノ、シンセサイザーなどが用いられ、大自然の原風景をも思い起こすような神秘的なアンビエント・サウンドを描き出した伝説の一枚。母体回帰のような類い稀なる美しさを秘めた作品です。本人によると「いわば、音楽というよりは、音の彫刻」であるという、インスタレーション用に製作された50分に及ぶ当時の未発表音源も追加収録。デラックス・ゲートフォールド・スリーヴ仕様。本人によるライナーノーツが日本語&英語で記載されています。これが数年前まではレコ屋やリサイクルショップで投げ売りされていたと言うんだからとんでもないことです。

What is HIP HOP Global? What is local? The new work of JUU4E, a Thai rapper who repaints the hype-covered , is a light of hope for pan-Asian music in the 21st century, and is a black ship released to the world. No, if it was a black ship that appeared dignifiedly in the daytime, this work is a small smuggling ship that sews the night and crosses the sea to carry .

TRAP beats born in Atlanta in the United States have become a common language in the world and continue to produce replicas, and as in Asia, many acts appear and disappear, and rappers from countries such as South Korea, Thailand, and Indonesia have been attracting attention for a long time nowadays. "YouTube play XX million times!" "Instagram follower XX million people!" Such phrases flew around, and the rapper made full use of social media to aim for monetization from a single buzz. It is JUU4E that strongly expresses and continues to create original HIP HOP.

JUU4E is a rapper who has been respected as an OG in Thailand, where young talents are appearing one after another, and has established a unique standing position. In the previous work "New Luk Thung" (2019), under the production of Young-G of stillichimiya / OMK, a masterpiece that is the latest HIPHOP and the latest Luk Thung by eclectic Thai omnivorous ghetto song, Luk Thung with HIP HOP. I made it. This work shocked both inside and outside the country, such as being nominated for the prestigious RIN (Rap is Now) annual best in Thailand, but when this "New Luk Thung" was released, in fact, this work "Idiot World" was already produced. Was starting.

This work is all self-produced by JUU4E. The lyric that interweaves Thai, Japanese and English, the stretchable flow, and the track that has a lower center of gravity than the previous work and is boiled down in dubby are the same as the previous work that chewed HIP HOP / TRAP and made it completely own, but it should be noted. Is a point where you can feel the intention to strongly represent . Ron Gen, a Japanese folk song influenced by Malaysian music, and Teresa Ten's songs that JUU4E has been accustomed to since childhood are quoted, but they have been incorporated into JUU4E. Is lightly slashing the masquerading global and exoticism that world music once had, as well as the self-orientalism that is innocently rampant in the current Asian hip-hop.

If you touch this work by biting the information that floods the net with HIP HOP hot in Asia, you're lucky. I want you to be stupid by all means being overwhelmed by the lyrics that challenge the "stupid world" head-on and the sound that is bitten by overwhelming freedom.

CHINZADOPENESS, Stillichimiya (Young-G, MMM, Dengaryu, Mr. Maru, Big Ben) participated!

Here is the latest version of HIPHOP that America doesn't know yet. Juu, a Thai talent who represents Asia and locals from the opposite direction of 88rising, and therefore creates completely fresh music that can be used globally. Captain Beefheart with Autotune? Is it a drake on a buffalo? The 1st full album "New Luk Thung" is finally dropping!

Who is Juu? Thai HIPHOP scene where attractive acts appear one after another. Among them, Juu is respected as an OG, but it is extremely difficult to catch its existence from outside Thailand. Singing in Thai, there is no physical, OMK (One Mekong) traces the trace that existed only on Youtube and succeeded in contact. In 2017, he was finally invited to perform his first live concert in Japan, revealing his unusual musicality and character. The groove of the hi-hat that is too thick and finely carved is that of TRAP or later, but the flow that expands and contracts freely, the linguistic sense that mixes English, Thai, Japanese, Koshu valve, and the rich Thai music classic All of them (and their funny personalities) showed that they were in a completely different dimension from the world-famous TRAP copycats.

This is Juu's first full-length album, which was completed in about two years after the talents and OMK members collaborated with each other and started co-production with the lead of Stillichimiya / OMK's Young-G. Most of the tracks are in Young-G's hands, and the sound is also full of ambitions that reflect OMK's attitude. Thai instruments such as chin, cowbell, cane and pin are used everywhere, but never used for exotic seasoning. In order to inject the original beats and grooves in Thailand, they are inevitably incorporated. And what oozes out in the mellow song is the flow (singing heart) that is similar to Luk Thung and Japanese enka. They create an indescribable "new song feeling" through Juu's background HIPHOP and reggae.

As the title "New Luk Thung" shows, this work is a Pattaner (* 2) of the dying Thai song genre Luk Thung (* 1) with cutting-edge HIPHOP. Like HIPHOP, this music called Luk Thung cites (samples) and revives past classical music many times. And like HIPHOP, the lyrics (lyrics) are also very important music. The feature of this work is that the manners common to Luk Thung and HIPHOP have been completely digested without contradiction. The title of this work comes from Juu telling Young-G that "this is New Luk Thung" in the process of production, but this is an inevitable name. This work is both "latest HIP HOP" and "latest Luk Thung". In the world of Juu's poetry, which is respected as the best "master poet" in the Thai HIPHOP world, please check out the complete translation, which was extremely difficult to translate.

In addition to her classic low-tech processing based on analog tapes, this work is a new frontier with multiple layers of synth sounds, tape loops, sampling of voice and instrumental sounds, and participation performances by friend musicians. The result is a mysterious music that is unclear whether it is 300 years old African folk music, a spliced folk song of some country, techno or experimental music, and the coolest 2013 latest contemporary music. .. A 35-minute hypnosis with a tingling sensation and an analog mellowness ... This may be the front-line rock.

Post-Plurrian? EG ?? The return of Muslimgauze ??? The strongest active rhythmic noise / drum'n'noise techno girls, shocking Alexandra Atonif!

80s Noise / Industrial Music There is no doubt that you will be fascinated by listeners from the golden age to experimental techno freaks these days! !! Romanian-born and now LA-based female musician Alexandra Atniff advocates the music "Rhythmic Brutalist" inspired by the architectural style "Brutalist" that prevailed during the Cold War.

She doesn't use any vintage synthesizers or expensive equipment, and uses freeware to release just bare concrete-like beats. The track group with its decoration removed already has a terrific sensation reminiscent of great ancestors such as Esplendor Geoméco. While maintaining the functionality of minimal techno, the vibes that noise / industrial music lost after passing club music, the one and only sound that makes you feel ferocious, sets it apart from existing industrial techno. There is.

This time, A.A himself reworked the independent album, and released the newly edited "Rhythmic Brutalist Vol. 1" as EM Records Edition and the sequel "Same Vol. 2" at the same time. The impression is different from the "1st collection", which is closer to minimal techno, and the "2nd collection", which is more abstract and closer to electronic music, but the whole story is full of brutalist architecture. Brin Jones must nod in the shade of the grass!

The originally minimalist song, combined with the rhythm box that keeps ringing lightly and the lyrics that have been scraped to the limit, repeats in the brain, and finally hums "Love my misfortune". Dangerously addictive music. Handle with care. -Moppy (Soi48)

Love generously robs us, and love tears us apart ... all the crystals of loss that were once launched beyond post-punk are now regaining glare! A collection of phantom sound sources by the late Kiyoaki Iwamoto, finally lifted after about 40 years !!!-Tamotsu Mochida (factory worker and real industrial writer)

There used to be a musician who buried his past and disappeared. Its name is Kiyoaki Iwamoto. I don't know the reason. What we know is that we have left behind a "super-translation" cover of Joy Division's "Love Will Tear Us Apart," which surprised even the minimum original songs and ECD.

Iwamoto appeared in the post-Tokyo rockers era scene and participated in that "Urban News" as a post-punk band . After the dissolution of Birei, he formed Guys Doll with Fuyusato Kudo and released "Hard Rock Album" (1984) under the joint name with Kudo. After that, the news disappears.

This work is the only solo work "SOUGI" (1983) that Iwamoto independently produced by Kojima recording, a rework of "Love Will Tear Us Apart" by Chisako and Junta, and NOISE "Emperor" by Tori Kudo and Reiko somewhere. It is the addition of an unreleased song by Rei Mi, which is reminiscent of. Iwamoto's four original songs, including the song "In the Sad Town" from the beautiful era, have a rhythm box, several chords played on guitar and bass, and short poems that look like they have been cut down. It is a characteristic of Japanese punk / new wave that frustrating emotions hit the inside of oneself, but Iwamoto's humorous vocals seem to amplify the frustration even more, and Joy Division's "super translation" has a nihilistic climax of loss.

Was "SOUGI" a "funeral"? ?? Michio Kakutani would have responded. The untouchables of the 80s indie film continue to shake us and bite those who want to be loved!

The devil machine psycho funk of Washington DC, who is invited by Prince from the funk spirit world, that wicked witch breaks the silence and releases the new single for the first time in 30 years, 12 inches of old and new east-west crossovers set.

Disc 1 contains 4 new WW songs (1 song remixed and remastered), Disc 2 contains re-editing of up-and-coming German creators / skaters and DJ slingshots, and Koshiro Hino (YPY) + Yosuke Yukimatsu (YY). Includes reconstruction by the new unit YYPYY. In fact, Wicked Witch, who has been playing music for a long time, has desolate acid funk, "Funky by U" like Indian base music, "Under Your Spell 2016" and stoned. The condition is overwhelming (I do not know what the aim is again this time). DJ Slyngshot is an experimental and 80s flavour hard beat re-edited with a mix of early Chicago house / old school / techno. On the other hand, Hino and Yukimatsu are metamorphosis tunes that dragged WW into another dark side (

A fusion of Asian pop and alternative rock!?! The first physical version of the US / Korean / Cambodia mixed Lo-Fi / DIY loose fluffy pop, G.G. Band, which I would definitely recommend to fans of Feeding Tube! (English version commentary is done by Dr. Byron Coley of Feeding Tube)

G.G.Band is a band formed in Busan in 2013 by Massachusetts-born painter Matt Jones and Busan-born Ji Yun Lim, and has a fluid organization with no fixed members. The songs on this first physical album, "Glass Fish," were produced in different environments and locations, including the iPhone, bedroom, studio, and the faces of Sebadoh's Bob Fay and Yod Tapes. Massachusetts network such as John Moloney. "Speaking of Massachusetts, we are the sacred site of Indie / Low Phi, along with Olympia, the location of K Records" (from the commentary). The DIY indie soul that dwells in them jumps out of the North American region, swallows East Asian culture, powers up even more crap, and supplies a state-of-the-art fluffy feeling of weakness.

A tribute to the latest work "Bangkok Nights" by Kuzoku, a movie production group that is active under the banner of "regaining the audience to the cinema". Release is vinyl 12 inch only. Thailand-Bangkok-Isan asks you by sound what Taoyuan Township is.

The fourth installment is a tremendous tremor in the movie world !? A rainy day Ozawa & Babylon band is here! Luk Thung's masterpiece "Country is good" competition cover 12 inches sent by a strong battle with Kufuki & Otsu Rifu! The biggest problem in the series!?!

That's right, that Ozawa (*)! Who knows that Ozawa, a former Self-Defense Forces member who disappeared at the end of the appearance of pimping in Tanya Street in "Bangkok Nights", then hid in Japan and had a session with his friends? The gang chose the retitled cover "Return to the Countryside" of the 70s Luk Thung masterpiece "The Countryside Is Great" that broke in "Bangkok Nights". Iwao Yamazaki (Babylon Band), who is also the sound clerk of "Bangkok Nights", performed the recording mix with the lyrics of the air tribe director Aizawa who brilliantly incorporated the spirit of Luke Thun, whose lyrics are important, into Japanese. I have made the word Luke Tung! Impossible Ozawa (Director Tomita) singing enthusiastically + Shin-chan's dialogue in the play inevitably makes Air Tribe fans faint in agony, but stillichimiya fans are happy with Young-G's opening scratch, and the latter half of DEEP dub MIX and masterpieces that develop into trippy psychedelic Contents!

The coupling features a unique synthesizer quartet that also made its debut in the UK, Kufuki's charisma of poetry girls, Otsu Rifu, and Japanese dialects. A metamorphosis electronic new folk song version that was played with a drum. World music fans and big daffodils are also monsters !!!!!!!!!!!!

Woman, liquor, agriculture, poverty ... The world's first debut of Dao Bandon, the "buffalo rider" who continued to sing the life of the northeastern part of Thailand while calling himself a countryman and performing indigenously! A unique view of the Luk Thung world cultivated in the harsh land of Isan is condensed into this one piece! World music !? Rare groove !? Frontier !? Kayo!? ……. Here is the roots of the great (Thai) popular music created by a man made up of poor people!

The best compilation album of Dao Bandon, a Luk Thung singer from Isan (Northeastern Thailand) who was most wanted to be released by world music fans and frontier rare groove DJs! Thai music is now attracting the attention of collectors all over the world as dance music. Dao Bandung's music, which is characterized by thick beats, killer breaks, and unique voices and tunes, had the appeal of being addicted to the ears once heard. But what was sung in Isan in the 70's? Why did Dao Bandung hit? Its charm remained a mystery. This time, we interviewed Dr. Dao Bandon directly and translated all the songs in Isan and Thai into parallel, and the astonishing facts are under the sun! The laughing and crying original scenery of the idyllic Isan is revealed, such as a song about the set from reggae-like Ga * ja tune, a love song in the world of blues, and so on.

In the 1980s, Mr. Dao produced singers familiar with world music such as Honey Sri-Isan and Jintara Poonlarp. This album is full of roots up to the present in the genre of Luk Thung, which is still extremely popular. There can be no Thai song without listening to this!

In this work, all lyrics are posted in three languages, Thai, Japanese and English. The commentary is posted in Japanese and English, and the annotations of Thai proper nouns are complete! A spirited specification that will be an indicator of future world releases!