Electronic / Experimental
2679 products
Greta Lindholm is an absolutely unique personality in the contemporary dance scene. She toured in India, Mexico, Japan, Scandinavia, Italy and France, during the '70 and '80 making known her synthetic and experimental approach in the choreographic field. Her art explores new boundaries and is essentially pure celebration of the body language and voice in its intimate relationship with the fluidity of movement. Using mainly foot drumming and vocal rhythms, she makes her body the only instrument of continuous exploration, halfway between traditional songs and rhythmic-gestural improvisation. Greta seems to treasure different vocal cultures and give them an avant-garde reinterpretation: from Scandinavian folklore to jazz scat singing, from baroque arias to the African Pygmy. Particular influence is given by the metric-vocal spelling of Karnatic and Hindustan music. All these differents suggestions serve to reinforce and accompany her plastic movements. Greta's performances are studded with imaginary phonemes, onematopeic patterns, rhythmic phrasing, phonetic articulations, breathing, spiral structures, frenetic drifts, clap handings or feet like timpani or snare drums. In this way her dance becomes "silent music" and can have analogies with other noteworthy vocal explorations, such as those of Meredith Monk. For the first time an audio document is a available on LP and CD, a co-production with our beloved friend: Sing a Song Fighter.
Cauldron is the legendary psychedelic jazzy rock & electronic album by Californian band Fifty Foot Hose. First-time official vinyl reissue since its release in 1967 on the Limelight label.
Fifty Foot Hose formed in San Francisco in 1967. Like few other acts of their time they consciously tried to combine the contemporary sounds of rock with electronic instruments and avant-garde compositional ideas. They were one of the most radical groups of the psychedelic era, and their experimentalism still has the power to shock and surprise even now.
What set them apart were the pioneering experiments in electronic music, like the band they are often compared to, The United States of America. Incorporating theremin, siren, audio generators, and other various electronic effects as Cork Marcheschi, the band's original bass player had developed an acute interest in the dadaist/futurist experiments of composers like John Cage and Edgar Varese. David and Nancy Blossom brought both psychedelic and jazz influences to the band. Cauldron, their only album, was released in December 1967, including "Fantasy”, “Red the Sign Post” and “God Bless the Child”, a Billie Holiday cover. An intriguing mix of jazzy psychedelic rock tunes with fierce and advanced electronic sound effects. These sound experiments differentiated them from their contemporaries and most audiences didn't quite know what to make of them.