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The album that shines as the "ultimate" rare groove masterpiece, Mighty Ryeders' Help Us Spread The Message, is being resurrected!
This rare groove classic, whose signature track "Evil Vibrations" was sampled by De La Soul on "A Roller Skating Jam Named 'Saturdays'" in the '90s and covered by THE REVIRTH in the 2000s, proving its timeless appeal, is set for reissue as a 2-LP, 45 RPM edition! Beyond the super killer tune "Evil Vibrations," the album is packed with many other phenomenal funk tracks. These include "The Mighty Ryeders," which hits you in the hips with its sharp cutting guitar and deep, bottom-heavy bass groove, and "Let There Be Peace," a track where horns and clavinet interweave exquisitely (the original single of which is also a sought-after rarity). This is a foundational masterpiece, unparalleled in both its rarity and musical quality!
14 years in the making, “Les Jardins Mystiques Vol.1” comprises 52 tracks / 3.5 hours of music composed, arranged and produced by Miguel with contributions from 50+ friends including Kamasi Washington, Thundercat, DOMi & JD Beck, Jeff Parker, Carlos Niño, Austin Peralta, Bennie Maupin, Gabe Noel, Jamael Dean, Jamire Williams, Burniss Travis II, Deantoni Parks, Josh Johnson, Marcus Gilmore and many more.
Based in his hometown of Los Angeles, Miguel is one of the preeminent musicians, orchestrators, arrangers and composers of our time. “Les Jardins Mystiques Vol.1” is his long-awaited inaugural album. It presents us with a passionate statement of intent, a labor of love, and a realm of beautiful possibilities.
“Les Jardins Mystiques” is a project that throws open and shares Miguel’s musical universe. It took shape over a dozen years, largely self-funded by Miguel, and showcasing his distinctly elegant musicianship (on violin, viola, cello and keyboards among other instruments) alongside his free-spirited dialogues with more than 50 instrumentalists. Volume 1 is the first in a planned triptych, which will collectively comprise ten-and-a-half-hours of original, refreshingly expansive music. Miguel connected with his guest musicians in versatile ways: through convivial studio dialogues; over remote communication during the pandemic era; and via the energy of live performances at LA venues including Del Monte Speakeasy (the gorgeously invigorating, piano-led “Dream Dance”) and Bluewhale (including “Ano Yo” with vivacious alto from Devin Daniels, and the cosmic harmonies of “Cho Oyu”). Bennie Maupin, the legendary US multi-reedist whose repertoire includes Miles Davis’s fusion opus Bitches Brew, plays bass clarinet on the entrancing opening number, “Kiseki”.
“Les Jardins Mystiques” reflects Miguel’s ethos that music is a natural, vitally unaffected life force. The titles across Volume 1’s tracks draw from international languages and traditions, including Spanish, Swahili, Sanskrit, Ancient Greek, Japanese and Hebrew, as well as the Buddhist practice that has been key to Miguel’s life since his twenties (“It’s very joyous and very hard, because it says that there’s no retirement age in human revolution,” he says). The tracks contrast in length, from “Zarra”’s vivid burst of analogue synths to the alluringly chilled melody of “Kairos (Amor Fati)”, yet there’s a gloriously unconstrained flow throughout, and each piece seems to unfurl and blossom into its own wondrous world.
The blissfully radiant “Airavata” derives its title from the white elephant who carries the Hindu deity Indra: a divine being associated with elemental forces. It features Miguel on electric guitar (recorded then reversed to mesmerizing effect) and acoustic violin/viola, alongside bassist Gabe Noel and cellist Peter Jacobson. The stirring “Tzedakah” alludes to a Hebrew and Arabic concept of philanthropy and righteousness, and incorporates soulful bouzouki and oud within its multi-instrumental whirl. The vividly emotive piano melody “Mångata” is inspired by a Swedish word that describes the moon’s undulating reflection on water.
“To me, playing music in any kind of setting is like swimming in an ocean of sounds and emotions and vibrations,” he says. “It’s the combination of all these different rivers, right? Western European classical music is an intense love and passion of mine; all the different genres within jazz music are a joy to practice and have given my life so much meaning; electronic music, world music, and all these different things I’ve been exploring all these years.”
“I just want to be an enabler for magic and empowerment, everyone and everything. I believe in people… and I think that this is a very benevolent multiverse we’re living in. I feel like everything has infinite worth. That’s why I tried to have the diversity of tracks on there; every one is a mystical garden, in my opinion.”
14 years in the making, “Les Jardins Mystiques Vol.1” comprises 52 tracks / 3.5 hours of music composed, arranged and produced by Miguel with contributions from 50+ friends including Kamasi Washington, Thundercat, DOMi & JD Beck, Jeff Parker, Carlos Niño, Austin Peralta, Bennie Maupin, Gabe Noel, Jamael Dean, Jamire Williams, Burniss Travis II, Deantoni Parks, Josh Johnson, Marcus Gilmore and many more.
Based in his hometown of Los Angeles, Miguel is one of the preeminent musicians, orchestrators, arrangers and composers of our time. “Les Jardins Mystiques Vol.1” is his long-awaited inaugural album. It presents us with a passionate statement of intent, a labor of love, and a realm of beautiful possibilities.
“Les Jardins Mystiques” is a project that throws open and shares Miguel’s musical universe. It took shape over a dozen years, largely self-funded by Miguel, and showcasing his distinctly elegant musicianship (on violin, viola, cello and keyboards among other instruments) alongside his free-spirited dialogues with more than 50 instrumentalists. Volume 1 is the first in a planned triptych, which will collectively comprise ten-and-a-half-hours of original, refreshingly expansive music. Miguel connected with his guest musicians in versatile ways: through convivial studio dialogues; over remote communication during the pandemic era; and via the energy of live performances at LA venues including Del Monte Speakeasy (the gorgeously invigorating, piano-led “Dream Dance”) and Bluewhale (including “Ano Yo” with vivacious alto from Devin Daniels, and the cosmic harmonies of “Cho Oyu”). Bennie Maupin, the legendary US multi-reedist whose repertoire includes Miles Davis’s fusion opus Bitches Brew, plays bass clarinet on the entrancing opening number, “Kiseki”.
“Les Jardins Mystiques” reflects Miguel’s ethos that music is a natural, vitally unaffected life force. The titles across Volume 1’s tracks draw from international languages and traditions, including Spanish, Swahili, Sanskrit, Ancient Greek, Japanese and Hebrew, as well as the Buddhist practice that has been key to Miguel’s life since his twenties (“It’s very joyous and very hard, because it says that there’s no retirement age in human revolution,” he says). The tracks contrast in length, from “Zarra”’s vivid burst of analogue synths to the alluringly chilled melody of “Kairos (Amor Fati)”, yet there’s a gloriously unconstrained flow throughout, and each piece seems to unfurl and blossom into its own wondrous world.
The blissfully radiant “Airavata” derives its title from the white elephant who carries the Hindu deity Indra: a divine being associated with elemental forces. It features Miguel on electric guitar (recorded then reversed to mesmerizing effect) and acoustic violin/viola, alongside bassist Gabe Noel and cellist Peter Jacobson. The stirring “Tzedakah” alludes to a Hebrew and Arabic concept of philanthropy and righteousness, and incorporates soulful bouzouki and oud within its multi-instrumental whirl. The vividly emotive piano melody “Mångata” is inspired by a Swedish word that describes the moon’s undulating reflection on water.
“To me, playing music in any kind of setting is like swimming in an ocean of sounds and emotions and vibrations,” he says. “It’s the combination of all these different rivers, right? Western European classical music is an intense love and passion of mine; all the different genres within jazz music are a joy to practice and have given my life so much meaning; electronic music, world music, and all these different things I’ve been exploring all these years.”
“I just want to be an enabler for magic and empowerment, everyone and everything. I believe in people… and I think that this is a very benevolent multiverse we’re living in. I feel like everything has infinite worth. That’s why I tried to have the diversity of tracks on there; every one is a mystical garden, in my opinion.”
- Double LP including both Pinball I & Pinball II
- Gatefold jacket
#showbusiness all of my love and gratitude towards my big beautiful family. I wouldn’t be able to do none of this without my mama, everything is dedicated to her. Big thanks to my papa for always trying to motivate me to do better and for showing me growth is forever! N for my new lil brobro Zi! 1 more Libra in the world makes it a better place. Thank you to my sisters for always being the best sisters a brother can have. Encouraging me endless nights and day, trying to always re-familiarize me with the sparkle of life. Biggest love to my nieces for being such a source of joy in my life, and always making me the proudest uncle. Biggest love and thanks to my big brother Naavin aka the real backbone to everything we got goin on. Thank you for never giving up no matter how it looks. You’ve changed so many peoples lives with your care and admiration for music. As well as with your loyalty and love you show to us all on the daily, thank you bro. I can never take this for granted! Thank you to my big brother Abraham, for all the same things, and helping bring these whimsical ideas to real life! Real years we put into doing what we actually wanted to and look how its turning out;) Biggest love to all my family at GW for all the work and love you guys have invested ;);) biggest love to AK47 aka Anysia Kym the goat, my big sis! Every slap up sesh we end up making a new genre of heat, thank you for your friendship and love always!! Also for goin dumb on the what u bouta do beat!!!!! Real #Emoters !!super thanks 2 da family Thelonius London & Jacob Rochester, 2 producers I’ve been a big fan of for a long time!! Thank yall for believing in me! Biggest thanks to duendita, forreal an artist of the century! Such a miraculous voice, glad 2 have ran it up again twin! Love you always!! Biggest thanks 2 my brother L-boy, Laron, producer prodigy, have known about bro since I WAS in high-school, like high waters type shit. Bro you are literally the best, it’s all yours! Biggest thanks 2 my brudda 454 for that godsent verse on what u bouta do! Grateful to have met u n ran it up across the map witcha twin! Another #aotc. Big thanks 2 my bradda Shungu for the slaps! Real life legend, been listening since I was younger, real full circle. Thank U 2 my twin Raine always for trying to motivate me and make sure I do mo self loving. Biggest thanks 2 my bradda Harrison #sgb! Biggest love & thanks to all my rap camp bruddas, my nigga thebe, Niontay, Tony, Haile, besides da rap shit yall forreal teach me everyday how to improve as man and that shit means the world. I can’t wait to share it all with yall, love yall forever! Biggest thanks 2 salami rose Joe Louis, ever since I’ve found out about ur music, I’ve been addicted n it really helped a lot last year! Thank u for contributing 2 dis project ;)) Super big thanks 2 my brudda Venna, modern day jazz Legend! Came thru so clutch wit da last minute sax, which really gave the album some depth! Thank you always bro! Biggest love to my bruddas across seas, Marky Mark William Lewis & ma bwooy Jespfur! Appreciate u guys always and miss ya! REDLEE! Thank you for being another big brother to me when a young nigga fr needed guidance!!! Thank you for always pushing me musically as well! N also for introducing me to all the homies that are now basically my blood family in UK!! Big love 2 my big sis Faith for always lending an ear to the 5000 diff iterations of the project! N for being such a good friend 2 me! Biggest love n thanks 2 my Puerto Rican cousins Sha & Matt for all the talks and hardworking that went towards the art for the project. That shit truly means the world fam! Thank you 2 the homies Nicholas & Ryosuke for bringing these songs 2 the real world and allowing other people to live in them. Biggest love 2 my twin Misako 2 for saving my life last year! Big love 2 my whole Japan squad #ACAB Biggest love 2 my whole Aussie squad too! YALL inspired the fuck outta me! Biggest love to Tzadi for the amazing artwork, for my music to be attached to something that looks so grand and special like that means the world to me. Biggest love 2 my fam at Astor club for keeping ya boy above ground literally. Biggest thanks n love 2 ma bwoy Gabe for the amazing mix on dis jawn!!!!! Ik it look fun but it aint! Ik there’s way more ppl I should prolly shout out
Mike Majkowski makes his debut on Hands in the Dark Records with Invisible, a selection of six moody and mysterious pieces produced between 2019 and 2025.
The prolific Australian double bassist and music maker has been involved in a diverse array of contemporary and experimental music since the early 2000s. This time, the Berlin-based artist is venturing deeper into downtempo, meditative and hypnotic minimal electronic realms.
While time and space are constraints, they also define our identities, creating inexplicable bonds with others flowing through shared moments and shared places. The state of being invisible obliterates these confines, allowing one to return to their pure essence. In this setting, Majkowski’s compositions display a discreet and profoundly emotional language characterised by vulnerability, darkness and confusion, while also embodying hope, soothing and resilience. A dim light, transcending love, space, memory and time.
Echocord welcomes Mike Schommer onto its roster with hiz ‘Heirloom Signal’, featuring remixes from Mathimidori, TM Shuffle and Another Channel.
Mike Schommer co-founded Deepchord Records alongside Rod Modell and was associated with the label from 2000-2003, considered by many to be at the forefront of the second wave of dub techno in the early 2000’s following on from the legacy left by Basic Channel in the 90’s. Since then, Mike Schommer has gone out to unveil an impressive back catalogue of material beyond his own such as Steve O’Sullivan’s Mosaic, Greyscale, Lempuyang and Kontakt Records. Here the musical story continues with a new project for the equally beloved dub techno powerhouse, Echocord.
Opening is ‘Violet’s Dream’, a dropped tempo dub excursion employing an off-kilter, swaying rhythm section, pulsing subs, spiralling echoes and spring reverberations, Mariner’s Dub follows and employs broken percussion alongside hazy atmospherics and expansive stab textures before ‘Moon Serpent’ concludes the original material on the A-side, embracing a more loop-led feel with choppy stab sequences, robust 4/4 drums and resonant flutters.
The ’ Another Channel Version’ of ‘Violet’s Dream’ kicks off the B-Side, diving deep into a true roots reggae aesthetic with organic percussion and heavy doses of bottom end intertwined with the original elements. Mathimidori’s ‘Sensuikan Remix’ of ‘Mariner’s Dub’ then delves back into raw dance floor energy before TM Shuffle’s interpretation of ‘Moon Serpent’ rounds out the EP on a raw, reduced tip with stripped down drums and intricately processed stab lines.
Mikkel Metal makes a welcome return to Echocord with his new ‘Rebuild’ EP, accompanying remixes from Luke Hess and Frenk Dublin. Copenhagen’s Mikkel Metal is a pioneering figure in dub-techno and minimal house, known for his atmospheric soundscapes and textured production. With acclaimed releases on Kompakt and Echocord, including Close Selections, Victimizer, and Peaks and Troughs he’s cemented his place as one of Denmark’s most distinctive electronic artists. Here he continues to dispay this further diving into new sonic realms with a new EP for Echocord. Title-track ‘Rebuild’ opens, a hazy excursion through metallic, reverberations, expansive atmospherics and crisp drums before Detroit’s own Luke Hess steps in to offer his interpretation, delivering his signature groove-driven style, extracting the essence of the original and stirring it in amongst robust drums and spiralling dub echoes. ‘Bend’ is up next and displaying Mikkel’s production prowess as he blends murky bass flutters and analogue rhythms with psychedelic guitar melodies and dynamic space echoes, resulting in something that sounds uniquely his own. ‘Steam’ continues this theme with further psychedelia infused guitar tones flowing alongside breathy vocal stylings and fluttering atmospherics tucked into the depths. Rotterdam, Netherlands based artist Frenk Dublin delivers his ‘Deep Space Rework’ of ‘Stream next, reshaping the original into something entirely different with a dropped-tempo roots dub aesthetic, weaving fragments of the original into the composition alongside swaying dub drums and heavy doses of sub. ‘Midnite’ then concludes the release, another experimental sonic foray into unique effect processing, glitched out percussion, haunting vocals, plucked bass notes and expansive atmospherics.
Following Mikkel Rev's debut album on the label in 2023, ‘The Art Of Levitation’ the Norwegian artist returns with Journey Beyond, a selection of tracks demonstrating his innate ability to conjure the most atmospheric trance music, irrespective of BPM.
Journey Beyond was created from an extensive set of tracks sent to the label that were initially sequenced as two shorter EPs. With the first offering a slower 80bpm trance style, and the second EP, a classic ~130bpm trance style. However, over time, with tracks swapping in and out, ASIP had the idea to create a mixed version, progressing through the tracks and increasing bpm's, showcasing Mikkel’s ability in bridging euphoric worlds - and a style that is often reserved for Mikkel’s live performances amongst the forest raves held as part of the Ute Collective in Norway.
Classic trance and the art of a DJ mix have been influential to ASIP since the label’s inception, making this release and the process of creating it a true reflection of how Mikkel and the label come together to define the end output.
Featuring artwork by Ventral Is Golden and mastered by James Bernard.
Released in 1969, In a Silent Way marks the beginning of Miles Davis’s electric period and stands as one of his most groundbreaking works. Featuring John McLaughlin, Herbie Hancock, Chick Corea, Joe Zawinul, and Wayne Shorter—musicians who would later shape the future of jazz‑rock and fusion—the album was recorded at New York’s legendary 30th Street Studio.
The Miles Davis Septet alive in Tokyo with stunning rendition of such fabulous pop hits by Michael Jackson (Human Nature) and Cindy Lauper (Time After Time). Miles Davis (trumpet), Bob Berg (soprano sax, tenor sax), Robert Irving III (keyboards), John Scofield (electric guitar), Darryl Jones (electric bass), Vincent Wilburn, Jr. (drums), Steve Thornton (percussion)
Side A
One Phone Call - Street Scenes
Star People
Human Nature
Code M.D.
Side B
Time After Time
Ms. Morrisine
Katia
Miles Davis’s 1958 release, Milestones, is a universally acclaimed masterpiece that needs no introduction. Featuring a sextet that includes John Coltrane and Cannonball Adderley, the performances are rich in improvisation and tension. The title track “Milestones” marks a pivotal moment, breaking away from traditional hard bop chord progressions and introducing modal jazz techniques that would later be fully realized in the landmark album Kind of Blue. True to its name, Milestones stands as an essential milestone in the history of modern jazz.
