On-U Sound

Adrian Sherwood delivers a brand new full-length work for 2025, The Collapse Of Everything. A meticulously constructed album from the master mixologist, pushing his ever adventurous sound into new frontiers.

Although underpinned by a natural dub sensibility, the music presented on The Collapse of Everything fluidly crosses genre borders and seamlessly fuses a wide range of influences from a lifetime of listening and producing.

Featuring Brian Eno, Doug Wimbish, Keith Le Blanc, Cyrus Richards, and more. Mastered and cut by Frank Merritt at The Carvery. Artwork by Peter Harris.

Adrian Sherwood returns with the mutating rhythmic soundscapes of The Grand Designer, a four track EP and the latest instalment in On-U Sound's long-running and much-loved 'disco plate' series.

The title track and lead single is out today, and serves as a trailer for a forthcoming full-length album, with different instruments filtered through Sherwood's bank of effects over an irresistible groove, and typically deft percussive detail.

"Let's Come Together" flips the same rhythm into a mystical dub, with sadly departed friend and collaborator Lee "Scratch" Perry providing typically off-the-wall vocal interjections. It also serves as a reminder of the wealth of collaborative projects Sherwood has released in recent years, releasing critically acclaimed new albums not only with Perry, but also Horace Andy, Sonic Boom & Panda Bear, African Head Charge, Spoon, Creation Rebel, Pinch, and more.

"Russian Oscillator" perhaps cleaves closest to the Sherwood & Pinch records, experimental electronics weaving in and out of heavy sound system sonics and a ruffneck dancehall adjacent swing.

The EP closes with "Cold War Skank", a left hand turn off the highway into scorched desert blues, distorted slide guitar patterns over widescreen film score atmospherics.

Available as a strictly limited and collectable 10" vinyl, mastered and cut by Frank Merritt at The Carvery, housed in a classic On-U disco plate sleeve, with cover collage by Studio Tape-Echo.

1993 album, their last On-U produced LP for 12 years. African Head Charge blend dub, trance, electronica and world music throughout with Bonjo I at the helm and typically skilful production from Adrian Sherwood.

Bonjo Iyabinghi Noah is on vocal duties and assisted with ground-shaking grooves from On-U mainstays Doug Wimbish, Skip McDonald, and Jazzwad (amongst others). The resulting sound sculptures on this 2005 album are whipped into a dubwise frenzy by label head Adrian Sherwood. A great entry in the rich AHC back catalogue, and a fitting way to mark their return to the label.

Originally released in 2011 to celebrate the 30th year of On-U Sound. The album is essentially the continuation of a process that has seen both band and label expanding and transforming the landscape of contemporary reggae into new and exciting shapes. All the elements of a classic African Head Charge album are present; a triumphant mix of dub, psychedelia, trance, afro and tribal rhythms that have given them their own unique place in contemporary music.

African Head Charge return to On-U Sound with their first new album in twelve years. Titled A Trip To Bolgatanga, the recordings are led by founder member Bonjo Iyabinghi Noah, with close friend and co-conspirator Adrian Sherwood once again at the controls. A Trip to Bolgatanga is a stunning return, bringing together the talents of two masters who, after a hiatus, have created a rich album brimming with ideas and executed with finesse.

A Trip To Bolgatanga is a musical journey to Bonjo’s current hometown in north Ghana. A psychedelic travelogue across the landscape featuring their trademark hand percussion and group chanting augmented with rumbling bass, mutated horns, dubbed out effects, wild wah-wah, haunted voodoo dancehall, synthetic swells, disco congas, tumbling layers of electronic effects, blues-inflected woodwind, and funky organ. As with every On-U Sound production, each repeated listen reveals fresh detail, and its power won’t be really understood until heard on a big system, when it’ll reduce all competition to rubble.

The groundbreaking debut album from 1981 that plays on both the title and concept of David Byrne and Brian Eno's My Life in the Bush of Ghosts. Built upon sparse backing tracks constructed by Adrian Sherwood, the producer invited Bonjo Iyabinghi Noah (who had studied under Count Ossie in the rasta drumming camp at Wareika Hill in Jamaica) to lay down hand percussion patterns and breaks on top, augmented by stereo-strafed effects and the occasional burst of Sun Ra-style horns. The result is a unique mixture of traditional African rhythms, dub and free jazz. Features DJ favourite “Stebeni’s Theme” and “Far Away Chant”, used to famously gruesome effect by David Lynch in the film Wild At Heart.。

Unreleased tracks and version excursions 1981 – 1986.

Inspired by Eno’s “vision of a psychedelic Africa”, English dub producer Adrian Sherwood and master Jamaican percussionist Bonjo Iyabinghi Noah collaborated on a series of studio experiments under the African Head Charge moniker, resulting in groundbreaking albums such as Environmental Studies and Off The Beaten Track. The otherworldly sounds they conjure up have touchstones in Count Ossie’s mystic revelations, Can’s ethnological forgery series and the post-punk underground, but ultimately inhabit a genre of their own creation.

These radically different versions of early AHC classics and been lovingly restored and sequenced from the original master tapes by On-U archivist Patrick Dokter. This compilation first released in 2016.

Considered by most fans to be AHC's masterpiece. One of the prominent elements throughout African Head Charge’s discography has been the ethnomusicology influence. On Songs Of Praise this is even more pronounced, featuring religious chants set to an African dub backdrop of hand percussion, with a mighty sonic and great musicianship. A significant record both for African Head Charge and On-U Sound, originally released in 1990.

A rare early album by Creation Rebel back in print for the first time since 1979. Rebel Vibrations was originally issued by the pre-On-U Sound label Hitrun. The rhythms stem from one of the first recording sessions organised by maverick producer Adrian Sherwood, taking advantage of ace Jamaican drummer Lincoln “Style” Scott, sticksman for the Roots Radics, visiting the UK for the first time.

Pairing him up with UK-based players such as Crucial Tony, Lizard Logan, Doctor Pablo and Clifton Morrison, the result is a set of tough and uncompromising dub tunes, or as Sherwood describes it: “a structure of suppressed rhythms and unique possibilities in sonic space.”

A sublime set of roots, vocal and dubbed out instrumental magic, Close Encounters Of The Third World is a real lost gem in the treasure-filled Creation Rebel back catalogue. A true cross-atlantic collaboration - initial rhythm tracks were laid down in London in 1978, with horns and vocals overdubbed at Channel One in Jamaica, before bandleader Crucial Tony returned to London with the tapes for the album to be mixed by a visiting Prince Jammy.

Originally released on pre-On-U Sound label Hitrun, and the second album released by the group chronologically. Unavailable for 45 years, it has been carefully pieced back together, for this new edition featuring extended 12” discomix versions of “Beware” and “Natty Conscience Free”, re-cut by Frank Merritt at The Carvery. Includes new sleevenotes by reggae scholar David Katz that tells the story of the album in full.

This is the seminal first studio work by revered dub producer Adrian Sherwood (Ministry, Nine Inch Nails, African Head Charge), engineered by Dennis Bovell (Fela Kuti, The Slits, Orange Juice). Dub From Creation was originally released on pre-On-U Sound label Hitrun in 1978. Recommended for fans of Scientist, King Tubby and the Wackies label. A classic of the genre unavailable on vinyl since original release and now commanding high prices second-hand.

Includes download card for full album plus two bonus tracks, and printed inner sleeve with a new essay by Steve Barker (The Wire Magazine/BBC Radio) telling the story of the recording in full.

The debut Creation Rebel album, originally released on pre-On-U Sound label Hitrun in 1978. The original band, featuring the drummer Eric "Fish" Clarke, had been a studio outfit known as the Arabs, now primarily remembered for their work with Prince Far I, including the classic dub set "Cry Tuff Dub Encounter Chapter 1". The rhythm tracks for this album had been laid in Jamaica but the overdubs were worked up at Gooseberry Studios in London. The experienced Dennis Bovell was the engineer, with the young Adrian Sherwood on his very first production assignment encouraging him to make it “madder” and add more and more effects!

Hostile Environment is the first album in over forty years from the legendary Creation Rebel, who were the original On-U Sound house band and responsible for classics such as Dub from Creation and Starship Africa. The trio of Crucial Tony, Eskimo Fox and Magoo are back with producer Adrian Sherwood to create a modern spin on their heavyweight dubwise rhythms.

It is the seventh album credited to the group, who originally coalesced as a live backing group for the late, great Prince Far I, in the process sharing stages with the likes of The Clash, The Slits and Don Cherry. Vocals from their former band leader, preserved on archive tapes, feature on the new record, as well as guest contributions from the likes of Cyrus Richards (musical director for Horace Andy and the Dub Asante Band), Italian synth maestro Gaudi, and fast chat king Daddy Freddy.

The album title refers to former British Prime Minister Theresa May’s controversial policy towards asylum seekers, and the recent Windrush scandal, all too relevant to a group of musicians of Jamaican origin who have spent their whole lives operating in the darkening shadow of a former colonial power with a staggeringly short memory for historic wrongs.

First time available on vinyl since 1982. Psychotic Jonkanoo was the sixth Creation Rebel album in three years, originally licensed to the post-punk oriented Glaswegian label Statik. Another solid set of killer dub, albeit less instrumentally inclined than their previous efforts and more focussed on militant-style conscious chants. Bandleader Crucial Tony was aided on the vocal front by harmonies from other group members, in a style reminiscent of Black Uhuru, plus the occasional guest such as John Lydon of the Sex Pistols and Public Image Limited providing backing harmony (!) on “Mother Don’t Cry”, and the legendary Deadly Headley Bennett adding saxophone to the opening track.

“Anybody searching Adrian Sherwood's catalogue for an easy point of entry would do well to start here, and everyone else can simply applaud Psychotic Jonkanoo as the last truly great roots reggae album of the 1980s.” All Music

Originally recorded in 1978 (following the recording of Dub from Creation), the mighty Starship Africa was already envisioned as the debut album by one DJ Superstar, toasting over a series of rhythms performed by the basic Creation Rebel unit, with Misty in Roots' Tony Henry on superbly melodic bass. These original tapes have long since vanished - the project was cancelled and it would be another two years before Adrian Sherwood returned to them, while casting around for the maiden release by a new label he was involved with, 4D Rhythms. Remixing and re-recording the rhythms saw Jamaican drummer Style Scott recruited to play live over Charlie Eskimo Fox's original tapes (played backwards through the desk!); an additional half a dozen percussionists, drawn from whoever happened to be in the studio at the time, were also overdubbed. Rumoured to be the planned soundtrack of a Don Letts-directed film about ‘alien dreads from beyond the stars’ (!) it’s mixture of interplanetary sound effects and heavy, heavy bass pressure still has the ability to astonish.

The only solo LP from “Deadly” Headley Bennett and released back in 1982. The title refers to the legendary Alpha School in Jamaica from where so many instrumental talents on the island emerged. A saxophonist-for-hire who played on countless recordings sessions, and was in the ranks of backing groups from the golden era of reggae such as the Sound Dimension and the Arabs.

Originally issued as a cassette on the ROIR label alongside the likes of Bad Brains, Suicide and The Contortions, this second album from 1983 is an uncompromising collection of heavy dub manners and experimental studio soundscaping. Dreader than dread roots rhythms sit alongside delay-baked post-punk instrumentals such as “Drilling Equipment” and “Synchroniser”.

A long-standing figure on the London jazz scene, trumpeter Harry Beckett kept his music fresh over a long career, and none more so than on his debut On-U Sound release in 2008 produced by Adrian Sherwood, which invites reggae and dance music influences to happily live alongside his modal jazz flavours. Harry sadly passed away in 2010 but this is a fitting testament to the versatility and innate musicality of his talents.

limited Green vinyl LP with Obi. 10 brand new recordings from the legendary Jamaican singer and longtime Massive Attack collaborator, Horace Andy, produced by Adrian Sherwood.

Midnight Rocker has been approached in a similar fashion to the late-career quality that Sherwood coaxed out of Lee "Scratch" Perry with the Rainford and Heavy Rain albums, assembling a crack team of players and spending many months perfecting performance, arrangements and mixing. The result is a remarkable suite of tracks that sparkle with superb musicianship, carefully crafted production and Horace’s beautiful vocals.

The material includes revisiting and updating a few classic Horace Andy songs such as “Mr. Bassie”, but the bulk of the tracks are brand new compositions with contemporary messages, such as “Watch Over Them” and “Materialist”. The pair have also versioned “Safe From Harm”, a much-loved early single by the group that Andy is most associated with – Massive Attack.

“On-U Sound are very proud to present a truly wonderful album with one of the all-time great singer-songwriters in the rich history of Jamaican music, Horace Andy. This is a true gold star performance, and I’m very proud of it.” Adrian Sherwood

Music is wonderful because it can inspire people. You can't do that with flimsy music. Put your heart and soul into it, and you'll be able to make something that comes right out of the speakers. And if you feel exhilarated then you've accomplished something - Adrian Sherwood
A legendary singer who became loved by reggae fans all over the world with numerous masterpieces such as "Skylarking" and "Money Money" produced in the 70's and 80's on labels such as "Studio One" and "Wackies". , Horace Andy. Since the 90s, he has shocked the non-reggae scene by participating in Massive Attack's work, participating in all of their studio albums, and has been active as a main member who always supports their tours. It continues to captivate music fans. "Midnight Rocker" released from by Adrian Sherwood as a producer was accepted by the media and fans as a new Horace Andy masterpiece. It has been revealed that the edition "Midnight Scorchers" will be released on September 16th.

On-U Sound are proud to present a new album from longtime friend and associate of the label, Jeb Loy Nichols. Produced by Adrian Sherwood, with careful arrangements framing twelve beautiful, acoustic-based songs. The album features contributions from the likes of Martin Duffy (Primal Scream/Felt) and Ivan “Celloman” Hussey, fresh from his work on the massively acclaimed duo of Horace Andy albums, Midnight Rocker and Midnight Scorchers, both of which featured songwriting contributions from Jeb Loy.

Jeb Loy comments: "The United States Of The Broken Hearted has been forty years in the making. I’ve known Adrian, and considered him one of my closest friends, for that long. During that time we’ve spent more hours listening, and talking about, music than anything else. Reggae, Country, Folk, Jazz, Soul; it’s been the backdrop to our friendship. Adrian introduced me to some of my favourite music; Count Ossie, Culture, Harry Beckett, Mulatu Astatke. Through the years we’ve listened to Sun Ra, Lee Perry, Ornette Coleman, Johnny Cash, Woody Guthrie. A couple years ago, on a visit to Adrian, I mentioned Gram Parsons’s concept of ‘American Cosmic Music’, the melting mix of musical genres that constitutes a uniquely American sound. We talked about recording a record that incorporated all the influences I’d gathered, from Bluegrass to Jazz to Reggae to Soul. The United States Of The Broken Hearted is that record. We wanted to include Folk (Deportees), Country (Satisfied Mind), protest songs (I Hate The Capitalist System), and songs of my own that bore the marks of those that had gone before. I sang the songs and played guitar; Adrian brought in friends and fellow travellers to finish them. It’s all there, Soul, Jazz, Country, Folk; and underlying everything, Adrian’s Reggae infused production.”

Adrian Sherwood adds: “This is Jeb’s ‘Great American Songbook’, he’s become such a great singer and songwriter over the years. This is a beautiful piece of work reminiscent of our mutual love for the Miracle album I made with Bim Sherman. I’m really proud of this record and it’s a fitting follow-up to Long Time Traveller.” 

A mixture of raw blues and reggae from Skip McDonald (Sugarhill Gang, Tackhead, Strange Parcels) with guest appearances from Ghetto Priest and Bim Sherman. Originally released in 2002.

Skip McDonald aka Little Axe is here assisted by Dub Syndicate and Roots Radics (whose backing tracks are a combination of previously recorded material, reworked and rearranged for the album). McDonald croons blues lyrics and plays aching slide guitar; the overall sound is dark and rich. Originally released in 2011.