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物思いにふけるジャネット・シャーボーンの静かなピアノの旋律、ゆらめく低音が漂い、ジャン・スティールのくすんだサックス・ソロ、深遠なギターの控えめなフレーズ、雪のように儚げなボーカルがビロードのような音の世界に誘います。
本作は、自主レーベルPractical Musicからの諸作や、Pascal Comeladeで知られるLes Disques Du Soleil Et De L'AcierレーベルのLabyrinthesシリーズの「Desert Island Dusks」などから、過去にリリースされた楽曲のリマスターに加えて、当時満足のいくレコーディングが叶わなかった作品の再録音、また初録音の楽曲も含むアンソロジー・アルバムです。
CDは11曲収録の完全版。
LPは「All Day」「Distant Saxophones」 「Slowly」「Rhapsody Spaniel」 「Deathward / Burnt Time」「Ivory」の6曲を収録。CDと同曲数のダウンロードクーポンを封入。



Tropical ambient set on a fictional tropical island! First official LP record of the "Doshin the Giant 1" soundtrack for the NINTENDO64DD game!
In 1996, Moodman made his solo debut on M.O.O.D. label, and in 2001, Alec Empire, who received his debut album, enthusiastically offered to release his first full-length album on Geist, the label he had started. Tatsuhiko Asano has also provided music for various other projects, including label compilations such as Daisy World and Transonic. 15 tracks were released in 2000, including new recordings and versions not used in the game before it was converted for the 64. Included in the collection are the following songs.
As Asano himself describes the music as "fluffy, fuzzy, soft and warm, like a living creature, sounding like something from over the mountains," its charming, yet somehow elusive, quirky appearance makes it stand out from the myriad of game music.
Kuniyuki Takahashi was in charge of remastering the album for vinyl release. Limited edition of 1,000 copies.







Being somewhere, while being somewhere else
A place I look for in other places
A moment on repeat
I made this music as a way to hug myself
All music performed and written by Ulla E. Straus















“ When I started working on the piece in March of 2020, I had only decided to record it in the way I wanted to. The coronavirus was spreading globally, and the situation was gradually changing into something very serious. With no gigs scheduled and hardly seeing anyone, I felt as if my spirit was in a slightly deeper place than usual during the production. I sat down in front of my equipment as if I were dropping a fishing line into a quiet lake. I kept feeling that something new was lurking beneath the water surface. I was trying to catch that something that seemed to be just out of reach, that floated in and out of sight like a speck of smoke. ”
_Referenced from: Afterword of 7FO「Ran - Bouten」
2021 brings a new album by Osaka electronic musician / producer 7FO. This work is a departure from the recent global ambient / new age approach, and the unique sound aesthetic created using only hardware equipment is a new frontier of 7FO or a return to his origin. "Ran - Bouten" is a new electronic music album with a poetic sensibility using machines.
Discovered by overseas labels such as RVNG intl., Bokeh Versions, and Metron-and with the release that followed EM Records in his hometown Osaka, it's like his personal folk craft that was once quietly played at his own pace. Music has reached listeners around the world. In recent years, he has been touring from a famous performance with Tapes at the Belgian "Meakusma Festival 2019" to a Japan-Korea tour. "Ran - Bouten" was born as a result of facing the sound alone without being asked by anyone to cool down the heat when the steaming and intense experience had settled down. Inside the cool electronic sound like a water bath, you can feel the maker's heart sending hot blood.
Peep into the condensed universe of a home-recorded miniature world that looks like an independent production of unknown age. He was alone in a dark room, making full use of KAWAI's 1990 digital and FM synthesizers , tracing the shape of nature and resonating the micro and macro sound worlds. The Rhythm and melody that continues to the Paradise Pure Land, which floats in a dreamy atmosphere, is the true value of 7FO even without his guitar play.
Mastering by Makoto Oshiro, which supports everything from home listening to club sound systems. Hiroaki Hidaka designed the jacket to make the image of the sound appear cool and friendly everywhere.