MUSIC

Recorded and released in 1959, Jazz in Silhouette is considered by many to be one of interplanetary traveler and jazz legend Sun Ra's best records from his Chicago period. Featuring long-time collaborators Marshall Allen, James Spaulding, and John Gilmore, Jazz in Silhouette has an exotic soundtrack vibe; it's dark, smoky, and absolutely stunning. An essential piece of American jazz history from one of the most unique artists of the 20th century.

The voice of a soul that has gone through loneliness and despair. The night before the legendary ESP and Impulse recordings. Originally released in only 10 promo copies, this is the earliest recording of Albert Ayler at the Academy of Modern Arts in Stockholm on October 25, 1962. Despite being away from home and unfamiliar with the band members, the familiar standart numbers grab your attention with the roar of Ayler's soul.

John McLaughlin commented that he "went into a kind of trance and saw visions of myself flying to Africa" after listening to this album. "Dimensional Ascent" is a masterpiece of collective free improvisation released in 1965, when Coltrane entered the field of free jazz in earnest. 180g vinyl

Recorded at Fantasy Studios, Berkeley, California, October 1972.

Originally recorded and released in 1980, Six of One beautifully captures the detail in Evan Parker's high frequency split tones for which he is now perhaps better known. Five years on from Saxophone Solos and with circular breathing and polyphonics well-worn into his live performances, Parker's experiments here produce sustained passages of brilliant flight. Set into the echoes and resonances of a St Judes On The Hill church, the results are stunning. Transferred from the original master tapes by Thomas Hall at Abbey Road Studios and released in an edition of 500.

Six years before the release of his landmark Mother Earth¡Çs Plantasia LP, composer and arranger Mort Garson met experimental film director Skip Sherwood, who was interested in an electronic score for his new movie, Didn¡Çt You Hear? While not much is known now about the exact nature of their collaboration, we have Garson¡Çs magnificent score as a record of those heady, early days after his life-changing discovery of the Moog synthesizer. Notable for being one of the earliest screen appearances by a young Gary Busey, Didn¡Çt You Hear? also boasts one of the first-ever all-electronic movie scores. Though the score was first released in 1970, it sounds as adventurous and futuristic today as it must have then. Originally available only in the lobby of the theater at screenings of the movie in Seattle, the soundtrack LP went out of print shortly after the film's release. It has been a sought-after record for collectors of Mort Garson and early electronic music ever since. Sacred Bones is honored to reissue Didn¡Çt You Hear? as it was meant to be heard, taken from the original master tapes and given a pristine remaster by engineer Josh Bonati.

Second edition of 300 copies with slightly different artwork; the sleeve has a different colour, a spelling error on the back sleeve has been corrected, the labels are different and there is another picture on the back sleeve. Released with kind permission of Brigitte Morton / Henri Chopin Estate.

Jon Gibson, a rare minimalist who has been listed in the 2nd work "Two Solo Pieces", Steve Reich, Terry Riley, and La Monte Young. The 1973 memorable 1st album is finally reissued on LP !! Side A, which contains flutes, cymbals, and organic repetitions of shining bells, side B, where the inflection of electronic sounds leads to the forest, along with the flow of rivers and environmental sounds. Both are extremely minimal. Beautiful to Avant. It is a supreme masterpiece that is drawn into the depths of consciousness.

The distributor is already sold out! Gruppo di Improvvisazione Nuova Consonanza, a legendary music group that led the improvisational / experimental music scene of the 1960s from Italy, along with the legendary Musica Elettronica Viva, formed in Rome in 1964 under the leadership of pianist Franco Evangelisti. The masterpiece "Nuova Consonanza" released in 1975 is the first vinyl reprint in history with a luxurious booklet! Reissue with a completely new remastering specification from the newly discovered original tape. Limited edition with a 12-page luxury 30 "x30" booklet with unpublished photos, texts and essays. A masterpiece that can be said to be a new starting point in history or a major frontier at the end of the music of improvisation. It's really amazing !! New remastering from the original tape & 180G heavy board specification. Limited to 400 sheets. Don't miss this opportunity as the original is almost unavailable at the moment!

Originally released by Sonnabend Gallery in NY in 1974, Charlemagne Palestine's most masterpiece and extremely rare work is a famous masterpiece. A historic masterpiece that begins with the ecstatic meditative organ drone "Two Fiftsh" that lasts about 19 minutes, and the tremolo playing method of the piano echoes endlessly and beautifully. With the remastered specifications released in 2015, the sound quality has been further improved.

約50分に及ぶ4つの未発音源も追加収録！吉村弘、高田みどり、イノヤマランドにも並ぶ国産ニューエイジ/アンビエント最大級の再発案件が到来です！日本が誇る孤高のアンビエント作家、広瀬豊がそのカタログ2としてMisawa Homeレーベルに残した1986年の唯一作が、高田みどり、Colored Music、Normal Brainと日本の音楽秘境も発掘してきたスイス発の最重要再発レーベル、We Release Whatever The Fuck We Want から拡張版となって初となる公式CD/ヴァイナル・リイシュー！元々は、1986年から1988年にかけて、ミサワホームのプレハブ住宅のための『Soundscape』シリーズの一環としてリリースされるも、昨今のニューエイジ再評価の流れで一気に高騰・入手困難と化していた一大傑作！静謐なミニマリズムが呼吸をし、水や虫、鳥などの声のフィールド・レコーディングやまばらなベルの音、ピアノ、シンセサイザーなどが用いられ、大自然の原風景をも思い起こすような神秘的なアンビエント・サウンドを描き出した伝説の一枚。母体回帰のような類い稀なる美しさを秘めた作品です。本人によると「いわば、音楽というよりは、音の彫刻」であるという、インスタレーション用に製作された50分に及ぶ当時の未発表音源も追加収録。デラックス・ゲートフォールド・スリーヴ仕様。本人によるライナーノーツが日本語&英語で記載されています。これが数年前まではレコ屋やリサイクルショップで投げ売りされていたと言うんだからとんでもないことです。

Minima, who has joined the group "Permanent Music Theater" established by La Monte Young in New York at the end of the 1960s, which has a history of music as the birthplace of minimal-drone music, with John Cale and Angus MacLise, and continues to work as a filmmaker. Liszt, 1973 legendary collaboration masterpiece rare edition with Tony Conrad and Krautrock legend Faust !!!

When Tony Conrad visited Germany in 1972, he met the avant-garde rock band'Faust'created by the country, and this session was realized.
It seems that Tony Conrad had instructed the drummer to "keep the beat unchanged", but the drums with the shamanic and rock dynamism that the number of notes was cut off to the limit are exactly the same. Oriental and trancey violin drones that are directly related to the "Permanent Music Theater" intersect endlessly minimally. In each of Avant-Rock-Indian music, only the most psychedelic elements meet at the atomic level, and the extreme content seems to have been transformed from the existing music composition. Carefully mastered from the original master tape, Jim O'Rourke is in charge of the liner notes.

The originally minimalist song, combined with the rhythm box that keeps ringing lightly and the lyrics that have been scraped to the limit, repeats in the brain, and finally hums "Love my misfortune". Dangerously addictive music. Handle with care. -Moppy (Soi48)

Love generously robs us, and love tears us apart ... all the crystals of loss that were once launched beyond post-punk are now regaining glare! A collection of phantom sound sources by the late Kiyoaki Iwamoto, finally lifted after about 40 years !!!-Tamotsu Mochida (factory worker and real industrial writer)

There used to be a musician who buried his past and disappeared. Its name is Kiyoaki Iwamoto. I don't know the reason. What we know is that we have left behind a "super-translation" cover of Joy Division's "Love Will Tear Us Apart," which surprised even the minimum original songs and ECD.

Iwamoto appeared in the post-Tokyo rockers era scene and participated in that "Urban News" as a post-punk band . After the dissolution of Birei, he formed Guys Doll with Fuyusato Kudo and released "Hard Rock Album" (1984) under the joint name with Kudo. After that, the news disappears.

This work is the only solo work "SOUGI" (1983) that Iwamoto independently produced by Kojima recording, a rework of "Love Will Tear Us Apart" by Chisako and Junta, and NOISE "Emperor" by Tori Kudo and Reiko somewhere. It is the addition of an unreleased song by Rei Mi, which is reminiscent of. Iwamoto's four original songs, including the song "In the Sad Town" from the beautiful era, have a rhythm box, several chords played on guitar and bass, and short poems that look like they have been cut down. It is a characteristic of Japanese punk / new wave that frustrating emotions hit the inside of oneself, but Iwamoto's humorous vocals seem to amplify the frustration even more, and Joy Division's "super translation" has a nihilistic climax of loss.

Was "SOUGI" a "funeral"? ?? Michio Kakutani would have responded. The untouchables of the 80s indie film continue to shake us and bite those who want to be loved!

The originally minimalist song, combined with the rhythm box that keeps ringing lightly and the lyrics that have been scraped to the limit, repeats in the brain, and finally hums "Love my misfortune". Dangerously addictive music. Handle with care. -Moppy (Soi48)

Love generously robs us, and love tears us apart ... all the crystals of loss that were once launched beyond post-punk are now regaining glare! A collection of phantom sound sources by the late Kiyoaki Iwamoto, finally lifted after about 40 years !!!-Tamotsu Mochida (factory worker and real industrial writer)

There used to be a musician who buried his past and disappeared. Its name is Kiyoaki Iwamoto. I don't know the reason. What we know is that we have left behind a "super-translation" cover of Joy Division's "Love Will Tear Us Apart," which surprised even the minimum original songs and ECD.

Iwamoto appeared in the post-Tokyo rockers era scene and participated in that "Urban News" as a post-punk band . After the dissolution of Birei, he formed Guys Doll with Fuyusato Kudo and released "Hard Rock Album" (1984) under the joint name with Kudo. After that, the news disappears.

This work is the only solo work "SOUGI" (1983) that Iwamoto independently produced by Kojima recording, a rework of "Love Will Tear Us Apart" by Chisako and Junta, and NOISE "Emperor" by Tori Kudo and Reiko somewhere. It is the addition of an unreleased song by Rei Mi, which is reminiscent of. Iwamoto's four original songs, including the song "In the Sad Town" from the beautiful era, have a rhythm box, several chords played on guitar and bass, and short poems that look like they have been cut down. It is a characteristic of Japanese punk / new wave that frustrating emotions hit the inside of oneself, but Iwamoto's humorous vocals seem to amplify the frustration even more, and Joy Division's "super translation" has a nihilistic climax of loss.

Was "SOUGI" a "funeral"? ?? Michio Kakutani would have responded. The untouchables of the 80s indie film continue to shake us and bite those who want to be loved!