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The most important compilation in the history of electronic music "Artificial Intelligence" will be reissued on vinyl for the first time in 30 years! ! Includes valuable early recordings from Aphex Twin, Autechre, Richie Hawtin, Alex Peterson, and more! !
Many cutting-edge artists such as Aphex Twin, Autechre, Squarepusher, Boards of Canada, Flying Lotus, and Oneohtrix Point Never have been produced. A reissue of the legendary compilation "Artificial Intelligence" released 30 years ago by
Released in 1992, this compilation features Aphex Twin's The Dice Man alias, Autecha and Richie Hawtin Up! (UP!), B12's Musicology, Alex Peterson (The Orb) and Jimmy Cauty (The KLF).
This work is the first work of the "Artificial Intelligence" series released from 1992 to 1994 by
The gatefold sleeves have been reimagined by The Designers Republic and cut in classic black wax by Beau Thomas of Ten Eight Seven Mastering.
＜Tracklist＞
01.The Dice Man - Polygon Window
02.Musicology - Telephone 529
03.Autechre - Crystal
04.I.A.O - The Clan
05.Speedy J - De-Orbit
06.Musicology - Premonition
07.UP! - Spiritual High
08.Autechre - The Egg
09.Dr Alex Paterson - Loving You Live
Myth? Legend? No need to pump this up, the music is self evident. As is the crew of Marfox, NK, Nervoso, Fofuxo, Pausas and Jesse, who shaped the universe as we know it. The simplest of elements for maximum (minimal) impact, an imperative burst of energy that perfectly echoes the title of Marfox's first EP: I Know Who I Am. These are statements of personality directly stamped on the dancefloor. "Hard Tecno" (without the H, yes) embodies the crystal clear intention of the set: to light a fire wherever the beats fall. To make people smile and move. And this was (and is) achieved without the need for obvious smiley culture signposts. The music just came through with fierce enthusiasm. All were youngsters (Nervoso being the elder) in 2007, and youth is definitely a factor in the fearless display of bare bones dance music production. Raw, is it? A second volume of DJs di Guetto on Príncipe was always going to happen. The tough part was deciding how to organize the bangers on the tracklist without ending up with a quadruple vinyl set. Thus separate volumes 1&2. Volume 1 (2023) was culled from the actual DJs di Guetto compilation (self released in 2006), whereas Volume 2 comes straight from the crew's archives, nearly 100% unreleased tracks produced in 2007. The crew disbanded as such a long time ago, but the legacy stands as sacred scriptures stand. FL Studio and standard laptop and tower desktop PCs combined as raw materials; a no-fuss approach added by these DJs and producers who sound unequivocally rootsy and primeval, drinking from the source. Also punishingly minimal, dry and alien. Happy-sad, sweet-sour, nice-angry, soft-aggressive. Words fail us. It's 2026, new humans seem to be on the rise but some old ways are still enthralling.
Dance The Ska is an essential collection of early Jamaican ska music. It includes iconic tracks from Prince Buster, Jimmy Cliff and other key artists from the 1963–1966 period, celebrating the energetic and upbeat sound of Jamaican independence. The album also features artists like Prince Buster (King of Ska), Derrick Morgan, Roy Panton, Stranger Cole, Millie and other leading figures from the Kingston scene. The real ska sound of '64!
Ethnic Music Classics: 1925-48. Restocked. Outernational Records is pleased to announce the third volume of this legendary series is now available on the vinyl format. This series of archival 78 transfers was originally released in 1995 on CD only. Now for the first time on vinyl, a deluxe gatefold presentation and limited edition pressing. Reissue produced by Hisham Mayet (Sublime Frequencies) in conjunction with Yazoo Records. Compiled here are many of the greatest performances of world and ethnic music ever recorded. This volume represents a trip around the world, stopping at each port to sample one of that country's finest recordings of its indigenous music. Each of these recordings was captured at a period during the golden age of recording when traditional styles were at their peak of power and emotion. Included inside are extensive notes and beautiful period photographs that work together with the music to communicate an exciting sense of discovery. Early 20th century recordings from Poland, Spain, China, Angola, Turkey, Mongolia, Russia, the Congo, and elsewhere, compiled by archivist Pat Conte.
Ethnic Music Classics: 1925-48. This series of archival 78 transfers was originally released in 1995 on CD only. Now for the first time on vinyl, a deluxe gatefold presentation and limited edition pressing. Reissue produced by Hisham Mayet (Sublime Frequencies) in conjunction with Yazoo Records. Compiled here are many of the greatest performances of world and ethnic music ever recorded. This volume represents a trip around the world, stopping at each port to sample one of that country's finest recordings of its indigenous music. Each of these recordings was captured at a period during the golden age of recording when traditional styles were at their peak of power and emotion. Included inside are extensive notes and beautiful period photographs that work together with the music to communicate an exciting sense of discovery. Early 20th century recordings from Bulgaria, Puerto Rico, India, Mozambique, Ukraine, Trinidad, Kazakhstan, Ceylon, Tibet and elsewhere, compiled by archivist Pat Conte.
A descendant of the Hausa (a people from the Sahel) born in Riyadh in 1947, Ettab was a celebrated singer, actress and activist — and perhaps the only female artist of Saudi origin of her time to claim an international career.This album, produced in Lebanon in 1992 by brothers Mahmoud and Ahmed Moussa for the label Relax-In, is a perfect introduction to her work. Resolutely modern in its pop arrangements with a finesse worthy of Curtis Mayfield, it takes Eastern classical music to new horizons. Ettab's undeniably beautiful voice is characterized by its original accent, which she refused to hide despite her exile to Egypt in 1980.After 15 albums and a few film appearances, Ettab devoted her time to defending the women’s rights in the music world until her death in 2007 in Cairo. She is now a leading female icon in the Arab world, especially in her native Saudi Arabia. A masterpiece of Arabic music, essential to any fan of the genre, her work should be urgently (re)discovered.
ノスタルジックな深夜の音楽。20世紀前半のギリシャで流行した大衆歌謡であるレベティコの偉人であるGiorgos Katsarosによるスティール弦ギターとヴォーカルによる、時代を超えた魅力を放つ素晴らしい演奏をコンパイルした画期的編集盤が〈Mississippi Records〉と〈Olvido Records〉の共同でリリース。Katsarosの現存する初期の64の録音からリマスタリングされた貴重な10曲をセレクトした一枚。催眠的なメロディーが、親指で弾くベースラインの反復に支えられ、その深く悲しげな声が響き渡っています。
Released in 2015, this work was recorded in 1982 and 1983, and the following year in 1985, the original 1/4 inch tape of the sound source produced as a test press board called "El Dinosaur", "Indian Ocean" and "Untitled".・From the master, Arthur Russell's partner Tom Lee and
In addition to an unreleased/alternate take that emphasizes echoes and rhythm machines, the instrumental track "Ocean" is one of the most beautiful songs in the discography.
A must-have board for fans that includes "Movie"! !
Bongo Joe records is pleased to present La Contra Ola, a compilation recording dedicated to the early 80’s Spanish Synth Wave and Post Punk scene. First to be published outside Spain, this anthology explores the electronic music side of the independent music produced in the days in the Iberian Peninsula: Synthetic pop music with industrial sounds including futurist Art Rock, dance-floor productions and low-fi experiments on cassettes. Classics or true hidden treasures, this selection of nineteen songs is symbolic of the musical dawn that Spain experienced during the decade marked by the return of democracy and by the creative freedom initiated by Punk music.
Excerpt from the text on the sleeve: Connecting cables, turning knobs, and capturing the fleeting modulations and articulations that emerge in each passing moment—this is a practice shaped as much by intention as by surrender. Sometimes you build sound with careful deliberation; other times, you simply let yourself drift and see where the current leads. Among the many ways one can engage with music today, modular synthesis is certainly not the most accessible. And yet, those who are drawn to this instrument around the world are, I feel, explorers who find meaning not only in the destination, but also in the journey of seeking a sound that belongs to them alone. By Yumi Iwaki (curator of the project)
Released in 1982 on Trumpett, the Colonial Vipers cassette offered an extensive snapshot of the Dutch home-taping scene at its creative peak. One of the earliest compilations of its kind, it brought together a diverse array of underground artists, nearly all contributing exclusive tracks. For this reissue, 13 of these rare pieces have been carefully selected, highlighting the experimental energy that defined the era. Naturally, it features core Trumpett artists Ende Shneafliet, capturing the spirit of the early ‘80s experimentation with their otherworldly minimal synth composition and Doxa Sinistra, blending cold wave and electronics in ways that remain strikingly fresh today. Also present are acts such as Van Kaye & Ignit, Nice Circles and The Actor, whose minimal and infectious tracks epitomize the DIY synth ethos of the period. Additional contributors like Genetic Factor, Det Wiehl, De Fabriek and Muziekkamer offer textured, atmospheric pieces that blur the line between the avant-garde and concrete industrial sound works. For the first time ever on vinyl, this revised edition preserves the energy, eerie atmospheres and mechanical beats that made the original cassette a hidden gem of the European underground. Carefully mastered to ensure every nuance of these pioneering tracks is fully realized, it is a must-have for minimal wave enthusiasts and anyone fascinated by the innovative sounds of the early Dutch post-punk scene.
REPRESSED COMP OF GOLDEN TUNES! After releasing around fifty 45 rpm singles and his first 33 rpm album Amha Eshete set about compiling his best 45s on a series of now legendary albums in 1972.
Rarest Afro-Latinate funk fire from ’70s / ‘80s Benin, by a Vodún initiate known as “The Devil’s Prime Minister”, and recalled with admiration and fear by those he played with. A dozen cuts, 73 minutes of inimitable West African potency, performed by the crackshot L’Orchestre Poly-Rythmo de Cotonou - check for ‘Ye Ko Gni Me Towe Dea’ and you’ll know what to do next. "Even the most dedicated crate-digger might go their whole life without stumbling across any of the three LPs Antoine Dougbe released in the late 1970s and early '80s. Yet he is remembered with a mixture of admiration and fear; for Antoine Dougbe was not merely one of the most inventive songwriters to emerge from the fertile music scene of Cotonou, but also a powerful Vodun initiate whose close connection to the spirit world allowed him to refer to himself as "the Devil's prime minister." Whether driven by the thrill of the music or by fear of crossing the Devil's prime minister, Dougbe's records all feature Orchestre Poly-Rythmo playing at the absolute height of their considerable powers. But Dougbe was unique in the sense he neither sang nor performed any of the main instrumental parts. It has been suggested that his involvement with Vodun prohibited him from using his voice for anything as frivolous as a popular song. Instead he provided his songs to Melome Clement, who arranged them for the band; most of the vocals were handled by Lohento Eskill and Amoussou William."
For over five decades, Gary Marks, American singer, producer, pianist, and guitarist has written songs about politics, freedom and self awareness. The Gathering, his masterpiece album from 1974, was a folk and jazz mixture often compared to Tim Buckley. Lantern Heights Records has dedicated itself to putting together an album of Marks's most musically masterful, lyrically powerful works from the 1970s to the present - with international guest artists such as John Scofield and Chris McCandless. Brilliant cover work of art by Dario Campanile, internationally acclaimed Master Painter and creator of the Paramount logo.
A collection of tracks from the iconic bassist, producer and composer Jah Wobble (P.I.L.) that are from the early 12" singles he released between '83 and '86 on his own LAGO record label.
Lee 'Scratch' Perry’s Disco Devil Vol. 5 continues this run of late-’70s Black Ark material, where extended mixes, heavy bass and studio experimentation collide. As with previous volumes, this set gathers rare and sought-after discomixes, pairing vocal cuts with Perry’s unmistakable dub touch. Junior Murvin features prominently, while cuts from Twin Roots, Watty Burnett, Keith Texon and Michael Campbell round out the selection. Across the record, Perry’s production blurs the line between song and version, letting rhythms stretch, echo and unravel into deep, hypnotic territory. A vital snapshot of the Black Ark at full power, capturing the looseness and invention that defined Perry’s most celebrated era.
Re-up of vital 1975-’77 dubs by the wee legend, cooked up long, strong and odd at his fabled Black Ark Studio for DJ play and dancers’ satisfaction. The 4th in a slew of cherry-picking Perry comps scrolls farthest back into his golden era of productions with six top drawer examples of his innovative tekkerz developed at the storied Black Ark Studio. Up top, his psychoacoustic magick is in effect on an hypnotic Upsetter special edit of Augustus Pablo’s melodica meditation ‘Vibrate On’ and 8 mins of gorgeous choral harmonies and toasting to ‘History’ by Carlton Jackson, and Perry with his crackshot band on the Rasta devotional ’Stay Dread / Kingdom of Dub’ edit. Down below, ‘Babylon Deh Pon Fire’ sets flames to the B-side along with Junior Murvin’s signature falsetto on the anti-gravity steppa ‘Tedious’, and Raphael Green’s ‘Rasta Train.’
Somewhat of a companion piece to our If I Had a Pair of Wings compilations from a few years back, exploring a similar period in Jamaican-recorded music though this time focusing in on gospel, mento & nyabinghi-influenced R&B sounds from the 1950s & early 60s.
Another cassette-only mixtape taking in Soviet punk selections, 1985 to 1992, issued in partnership with Philadelphia's World Gone Mad.
A special cassette-only Halloween drop in the form of part one of a two-part Japanese post-punk, goth & new wave mixtape, the first in a tranche of globally-focused mixes reissued in partnership with Philadelphia’s punk archivists World Gone Mad.