MUSIC

This is the 1976 album by Weldon Irvine, an American jazz piano player who has a huge following among jazz and rare groove enthusiasts.

Limited cassette edition with 6 additional tracks not included on the vinyl. Brother Theotis Taylor is a 92-year-old spiritual singer and piano player known throughout South Georgia and beyond for his powerful voice and heavenly falsetto. His music took him from his home in Fitzgerald, Georgia, to the stage with Sam Cooke and the Soul Stirrers, to Harlem’s Apollo, and even to Carnegie Hall.

Though his releases are limited to six stunning and rare singles on the Pitch label and a single small-press LP, his recorded archive is vast. For much of his life, Brother Taylor kept a reel-to-reel recorder atop his piano at home.

“The music just comes down on you,” Brother Taylor told us late last year. “You always have your machine where you can catch everything. ‘Cause what you can catch today you can’t remember tomorrow.”

Brother Taylor recorded himself on his DIY home setup only when he was inspired by a higher power, often fasting and praying for days before recording. These intimate home recordings were digitized in 2020 and are being heard for the first time with this release.

Revisiting these old songs brought Brother Taylor to tears. “[When I hear this music] I pick up the same spirit that I did it in. And you see me cryin’. It made me feel good ‘cause I know I did it and I did it well. And I want to see it get out, because if it made me feel good, it make somebody else feel good. Right? This is spiritual music.”

Keyboardist and composer Weldon Irvine is among the most celebrated Jazz-Funk artists of all time. Throughout the 1970s, Irvine released a series of seminal albums full of deep, soulful, funky grooves. The Sisters is a collection of lost tracks and demos from his late-1970s studio sessions with fellow Jazz-Funk luminary Don Blackman.iframe width="560" height="315" src="https://www.youtube.com/embed/1EuQGnOUXog" title="YouTube video player" frameborder="0" allow="accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture" allowfullscreen>

Stunning compilation of great soul songs. The third in a six part series of compilations following a similar logic as Harry Smith’s Anthology Of American Folk Music – only where Smith covered folk, blues, gospel and old timey, this compilation covers just American soul music recorded between 1955 and 1972. Many deep ballads and a few rockers. Features extensive 12 page liner notes with lots of photo’s as well as a real special bonus insert. Cover has gold foil printing, and the records are housed in classy black sleeves. Super fancy limited edition double LP not to be missed.

Stunning compilation of great soul songs. The third in a six part series of compilations following a similar logic as Harry Smith’s Anthology Of American Folk Music – only where Smith covered folk, blues, gospel and old timey, this compilation covers just American soul music recorded between 1955 and 1998. Many deep ballads and a few rockers. Features extensive 12 page liner notes with lots of photo’s as well as a real special bonus insert. Cover has gold foil printing, and the records are housed in classy black sleeves. Super fancy limited edition double LP not to be missed.

A double LP with 42 pages of full color 12" X 12" liner notes bound into a gatefold LP with a shiny silver foil front cover. Printed inner sleeves and 180 gram vinyl. "Strange World" is a compilation of cosmic and earthly doo wop and R&B from Jamaica and America. The songs are mostly sparse, beautiful and spacey. Features unreleased demos as well as hard to find songs found only on 45's from the 1950's. The liner notes feature unseen photos and cosmic art. Pyramid Records is a new label focusing on deluxe very small pressings. The goal is to make "dream records" that speak of an alter destiny better than what we got going these days.

Limited one-time pressing! Double LP and bonus 7” single!! O.V Wright is one of the greatest soul singers of all time, and here we have a two record and one single set that covers all his best material! Producer of these session's Willie Mitchell (who also produced Al Green and Ann Peebles) stated that O.V. was the best soul singer he ever heard. Otis Redding felt threatened by O.V's talent. O.V could keep an audience hypnotized without moving a muscle and just using his pure pitch perfect voice. He is a singer of mythic proportions and we believe this LP proves it. The first record of this set is a straight repro of O.V's best and hardest to find release - Nickel And A Nail And Ace Of Spades. We spared no expense to get the best sound possible. The second LP is a "best of" O.V titled "Everybody Knows The Best Of O.V Wright". It collects songs released on O.V's singles recorded between 1964 and 1972. Some real hard to find songs as well as some well known hits... The record also comes with a bonus 7" by The Sunset Travelers, a Gospel band featuring O.V before he went secular and the great Johnnie Frierson (Wendy Rene's brother, writer of "After Laughter Come Tears" and artist behind the all time great LP "Have You Been Good To Yourself"). The A side, "Aint' That Good News", is the Gospel prototype for O.V's secular "Everybody Knows". The B side, "Another Day Lost", is a Gospel tune that was later turned into a soul hit by soul legend Reuben Bell. If you like soul music, there is no way you can do without this record, and the price is right for a double LP with a bonus 7". Limited one time pressing.

Like the 1963 LP Nina Simone at Carnegie Hall, Folksy Nina was also recorded there on May 12, 1963, but duplicates little of the material found on that prior album. It isn't just unworthy leftovers, but a strong set in its own right, concentrating on material that could be seen as traditional or folk in orientation. It's not exactly strictly folk music, in repertoire or arrangement (which includes piano, guitar, bass, and drums, though not every tune has all of the instruments); "Twelfth of Never" (which had also appeared on the Carnegie Hall LP) certainly isn't folk music. However, there was also an uptempo piano blues, Lead Belly's "Silver City Bound," covers of the Israeli "Erets Zavat Chalav" and "Vanetihu" (which served as further proof that Simone's eclecticism knew no bounds), and the stark, moody, spiritually shaded ballads at which she excelled ("When I Was a Young Girl," "Hush Little Baby"). "Lass of the Low Country" is as exquisitely sad and beautiful as it gets. ~ Richie Unterberger

After some name and label switching, George Clinton and Funkadelic landed at Westbound in the late 1960s and quickly recorded their debut album. Released at the dawn of the 1970s, Funkadelic’s self-titled release presents a staggering tour de force in psychedelic R&B that heralds a seismic change in the genre and music as a whole. Featuring a mélange of influences from Hendrix to Zeppelin to classic doo wop and country, the band’s debut album mixes traditional soul arrangements with fuzz guitar solos and far-out studio embellishments. It’s hard to imagine what the reactions of listeners at the time must have been, as the result is still startling to this day. Deeply, deeply funky, Funkadelic’s firs