MUSIC

Experience the high strangeness of plant music—plants that “sing.” For years musician Nico Georis has used biofeedback instruments to
connect a variety of flora to analog synthesizers, letting their biodata
create music that is strange and existentially gorgeous.

Nico’s work in plant music happened during a six year span, and was
set in motion by a simple desire to find a fresh supply of long-form
ambient music for relaxing to at home. After a chance encounter with
an obscure technology dating back to the 70’s allowing plant
electricity to be converted to MIDI data, Nico began experimenting with using his house plants to generate endlessly evolving ambient music. “I was looking for music that I couldn’t find, and I realized the plants & I could make it.”

Here was an opportunity for another type of ambient music, one not
born of the human brain, to emerge. A music that moves beyond
human thought forms all together, and leans deeply into the green.
Culled from hundreds of plant songs recorded between 2016 - 2022
both at home and in the wild Plant Music Vol. 1 and 2 represent the
“greatest hits” of Nico’s plant music years.

Plant music Vol. 3 marks the newest installation, showcasing music
generated from psilocybin mushrooms, known by many as “Golden
Teachers”.

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"This music is created via an artistic translation of electrical biodata into musical data. Two mushrooms and the mycelium connecting them are hooked-up to sensors, and their fluctuating electrical conductivity is translated into an equivalent flow of music notes (MIDI). These notes are then filtered into musical scales and routed into synthesizers that generate tones.

These recordings have been arranged into a variety of solos, duets and trios. They reflect what we feel are the most fascinating and beautiful examples of psilocybin mushroom music, straight from the tub."

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Nico Georis is a keyboard player, producer & songwriter from
California. He produces music from his studio at Granny's Dancehall in a ghost town amidst the wilderness. His music, a unique amalgamation of global influences, presents an imposing total aesthetic that is all his own. 
<iframe style="border: 0; width: 350px; height: 340px;" src="https://bandcamp.com/EmbeddedPlayer/album=2614175823/size=large/bgcol=ffffff/linkcol=333333/artwork=none/transparent=true/" seamless><a href="https://nicogeoris.bandcamp.com/album/plant-music-vol-3-the-golden-teachers">Plant Music Vol.3 - The Golden Teachers by Nico Georis</a></iframe>

Shirley Shirley Shirley is Nico Georis' latest release, an otherworldly document of his experiments in plant music. For several years Nico has been using midi technology to connect a variety of flora to analog synthesizers, letting their biodata create music that is unlike anything I have ever heard. The results are strange and breathtaking. Ultimately it's the closest thing I've found to an organic expression of John Cage's notion of indeterminacy. But unlike Cage's music, Shirley is existentially gorgeous. It stands in the same category as music by Laraaji, Roedelius or Steve Roach. It is available as a download or on limited double vinyl.

- Psychic Arts
<iframe style="border: 0; width: 350px; height: 472px;" src="https://bandcamp.com/EmbeddedPlayer/album=2448452603/size=large/bgcol=ffffff/linkcol=333333/artwork=none/transparent=true/" seamless><a href="https://nicogeoris.bandcamp.com/album/plant-music-vol-1-shirley-shirley-shirley">Plant Music Vol 1 - Shirley Shirley Shirley! by Nico Georis</a></iframe>

Closing out the Special Sound Series in style, we are proud to present the long-awaited vinyl reissue of Shigeo Sekito’s 1985, an instrumental masterpiece that arrived nearly a decade after his iconic Kareinaru Electone Special Sound Series of the 1970s. A true pioneer in the world of Electone music, Sekito’s name—instantly recognizable in katakana—has left an indelible mark on the genre. This album showcases his signature artistry across eight captivating tracks, blending originals and covers with his distinct sonic palette. The cosmic allure of the original composition “Amish At Dusk” stands out among the set, while the Manhattan Transfer cover “Twilight Zone, Twilight Tone” brims with dynamic, fast-paced arrangements. Meanwhile, Sekito’s take on The Crusaders’ “Rhapsody And Blues” unfolds with a laid-back groove, gradually building into an uplifting crescendo. Drifting between chill-out and ambient sensibilities, 1985 captures a wistful, melancholic beauty— where the rich textures of the Electone transport listeners into a world of nostalgia and dreamlike introspection. This final reissue in the series is a must-have for collectors and fans alike. Experience 1985 in its warm, analog glory, now on vinyl.

This is a soundtrack created by haruka nakamura for THE NORTH FACE Sphere in response to a request for "one album for each of spring, summer, fall, and winter. This project, entitled "Light years," is a project to produce four albums over the course of one year.

Winter/Summer
THE NORTH FACE Sphere, an ambitious new store building to be opened in Harajuku, Tokyo in 2022.

In response to a request for "one album for each of the four seasons, spring, summer, fall, and winter," haruka nakamura created "Light years" as the soundtrack for the new building, which became a project to produce four albums over one year.
The LP is divided into "Spring and Autumn" and "Winter and Summer" based on the world view of the production timeline, and is the best of the four original albums.

The "Winter/Summer" album is the best of the first album "Light years" and the third album "from dusk to the sun".
（The "Spring and Autumn" version will be released at the same time.)

Northern Michigan Snowstorms is an auditory journey that captures the serene beauty and introspective magic of stormy winters nights in the countryside. Each track transports listeneres to cozy cottages nesteld in tall pines. Music that mirrors the serene solitude of a snowy evening, where time slows, allowing the listener to be enveloped in a cocoon of sonic wonder. Ambient layers mimic the gentle wishpering of the wind through snow covered branches. Eight tracks of blurry loops, soft pads, and recordings of snowfall in the forest. An immersive experience designed to transport you to the hear of nature's winter wonderland, all white nesteld in the confort of your favorite retreat. Another ''monumental'' work by Rod Modell.

Hometown to Come, the second full-length album by Minhwi Lee, is set to be released in November 2023. The eight tracks were written over a period of seven years after Lee's first album and loosely form a single story, contemplating how people who have lost their hometown can return. “What I had imagined from the title, Hometown to Come, was something forever delayed yet constantly approaching; however, upon repeated listens, it takes on a different meaning—a promise of hospitality being realized every day. Even if our places to meet disappear, ‘the song we sing today’ will remain. We will continue to grow, cross paths again, venture far away, and encounter more faces. And when time has passed and you, having forgotten me, ask about my smile or sadness, I will hum ‘the same song,’ cherishing it as a keepsake.” (morceau j. woo, sound designer)

From Daisuke Hinata, Grammy nominated artist/composer/producer and member of Japanese ambient, environmental, synthpop band INTERIOR.

Daisuke Hinata - Tarzanland (1989)

First Vinyl Release Ever.

Comfy Environmental Music for a Cozy Life and the Heartwarming Companionship of Beloved Pets.

Like Steve Winwood on the Synclavier and Steely Dan on the MPC60.
Or Like John Hughes Meets Japanese Ambient.

*Music You've Never Heard Anywhere Else Before*</p><iframe style="border: 0; width: 350px; height: 373px;" src="https://bandcamp.com/EmbeddedPlayer/album=1275567063/size=large/bgcol=ffffff/linkcol=333333/artwork=none/transparent=true/" seamless><a href="https://wrwtfww.com/album/tarzanland">Tarzanland by Daisuke Hinata</a></iframe>

WRWTFWW Records is honored to present a one of a kind collaboration release between buzzing UK producer and DJ Pizza Hotline and Swedish electronic and synth icon Mitch Murder, delivering 3 gigantic tracks each for the Anti Gravity Tournament album, now available as a limited-edition LP housed in a heavyweight 350gsm sleeve illustrated by the legendary junkboy. It is also available in digital formats.

Inspired by the classic WipEout video game series, this high-energy boosted split-album transports listeners into the futuristic world of anti-gravity racing, a colorful turbo adventure soundtracked by 6 mega tracks of fast-paced atmospheric jungle, thunderous breaks, and liquid drum & bass. The adrenaline-fueled collection delivers maximum energy and dreamy vibes, a true paradise for fans of 90s/Y2K video games, LTJ Bukem, Peshay, Soichi Terada, and previous efforts by Mitch & Pizza.

Anti Gravity Tournament follows 2 critically-acclaimed albums by Pizza Hotline – Level Select and Polygon Island, both still available on WRWTFWW Records, as well as the limited Low Poly Breaks cassette series which sold out in a few minutes.

Mitch Murder is known as one of the originators of synthwave and has released timeless albums on Rosso Corsa Records, Mad Decent, and My Pet Flamingo (TimeSlave Recordings). He is also the man behind the Kung Fury soundtrack and has collaborated with…David Hasselhoff himself!

The astonishing exclusive artwork comes from the one and only junkboy, creative director at Mojang Studios (Minecraft) and all-around design grandmaster.

Fasten your seatbelt and join the fun. </p><iframe style="border: 0; width: 350px; height: 340px;" src="https://bandcamp.com/EmbeddedPlayer/album=1175731080/size=large/bgcol=ffffff/linkcol=333333/artwork=none/transparent=true/" seamless><a href="https://wrwtfww.com/album/anti-gravity-tournament">Anti Gravity Tournament by Mitch Murder x Pizza Hotline</a></iframe>

Musician haruka nakamura will be in charge of in-store music at several Tsutaya stores in Japan for one year from 2023 to 2024. All music will be newly written for the Tsutaya project. Based on the concept of a bookstore and the theme of “forest,” the birthplace of pianos and musical instruments, four albums will be produced through the summer of 2024 under the title “Blue Forest,” which is connected to Nakamura's hometown, Aomori. The first album, the first synthesizer-only music, has become a topic of conversation and has been well received by many listeners. The second album is a piano ambient world. It was well received by listeners with its long-awaited musical worldview. This work is a world of blue like the dawn, as expressed in the jacket photo by Rinko Kawauchi. This is the third work in the series and the deepest blue sound as if diving into the deepest inner voice. The total conceptualization of the Blue Forest series has also been developed into a beautiful binding that you will want to keep with you.

*edition of 100 3CS bundles
*full-color printed slip-case housing
tape1: Vol.1 - Shirley, Shirley Shirley! (runtime 73min)
tape2: Vol.2 - Creosote (runtime 30min)
tape3: Vol.3 - The Golden Teachers (runtime 34min)<iframe style="border: 0; width: 350px; height: 340px;" src="https://bandcamp.com/EmbeddedPlayer/album=2614175823/size=large/bgcol=ffffff/linkcol=333333/artwork=none/transparent=true/" seamless><a href="https://nicogeoris.bandcamp.com/album/plant-music-vol-3-the-golden-teachers">Plant Music Vol.3 - The Golden Teachers by Nico Georis</a></iframe>

Finally…Terre Thaemlitz saves the most sought-after cuts of her debut LP ‘Tranquilizer’ for the third and final of its 30th anniversary, first-time vinyl editions, including that stunning Memphis rap x proto-dubstep dedication to MLK - 100% essential ’90s ambient bass, oneiric concrète and breaks driven deep house for the heads. Frankly unmissable if even just for the album’s opening killer ’040468’ - named for the day MLK departed - which sounds better than ever on its sumptuous vinyl cut, ‘Tranquilizer EP3’ is the one the stans have been eagerly awaiting. It brings to a close a necessary reissue series for a prized totem of‘90s ambient music, conceived in the wake of the KLF’s inspirational ‘Chill Out’ album, after Terre had laid deep roots in NYC’s queer deep house club scene, and began to seed one of the most distinctive catalogues in contemporary electronic music. Semi-autobiographical and coloured with an inherently political take on ambient music, the album can be heard to reference their background in the US Midwest via the track titles and aesthetic inference of wide open spaces at night, as in ‘2am on a Silo’, and on thru their formative journey of self-discovery in downtown NYC, where they took up residency at a queer bar playing earliest deep house to sex workers during the years of devastation from the AIDS pandemic. While that would be expounded more explicitly in their later albums as DJ Sprinkles, on ‘Tranquilizer’ it’s implied by a deep sense of melancholy and longing. ‘Tranquilliser EP3’ pretty much distills and triangulates the album’s most salient points in a discrete story unto itself. Her politics are writ in a titular nod to the day Martin Luther King died on ’040468’, which we’ve long marvelled at as a remarkable prototype for both booming Memphis rap instrumentals, and the mid ’00s halfstep dubstep sound, due to its sweeping subs that go all the way down, and then some, under a blanket of starlight twinkles and bluest pads. An absolute all timer - trust. The nocturnal is also evoked in the wheezing electro-acoustic rawness and plangent beauty of ‘2am on a Silo’, like the soundtrack to a memory of a dream, and perfectly characteristic of a sound sensitivity that became Terre’s calling card, whilst ‘Raw Through a Straw’ offers the most tangible bridge between her deep house background and the emergent ambient house sound in its mingling of gorgeous organ ruminations rolling out into Dennis Coffey’s ‘Scorpio’ break, a cornerstone of hip hop deployed in deadliest deep house style. Finally we can rest easy knowing this one’s on wax.

On February 26, 2020, 10 years after the death of musician Nujabes, a video commemorating him was projected on all the screens at the Shibuya scramble crossing. A video commemorating Nujabes was projected on all the screens at the Shibuya scramble crossing, and his music, including "Reflection Eternal," rang out. The video was the music video for "Lamp," which he co-wrote with haruka nakamura.

The year is 2021. Even though a long time has passed, the number of listeners from all over the world who seek the music of Nujabes continues to increase. In the midst of this turbulent time, Nujabes' label, Hydeout Productions, asked haruka nakamura to create a tribute album to mark the 10th anniversary of his death, saying, "I want you to carry forward the 10 years that time has stood still. The music video for "Reflection Eternal" and a 7-inch record were released in the summer and received a great response.

The culmination of this project is the release of the album "Nujabes PRAY Reflections".

The beautiful melodies spun by Nujabes are interpreted in a new way by haruka nakamura on piano and guitar. The album features a variety of new music from Nujabes, including Final View, Horizon, flowers, and Another Reflection, as well as a waltz version of Reflection Eternal and a piano solo based on the motif of "let go". The album also features a waltz version of Reflection Eternal, a piano solo based on the motif of "let go," and other songs that listeners can only hear on this album and that will be a moving experience for them. Guest musicians include Gen Tanabe (orbe), who plays the flute and electric guitar left behind by Nujabes, and maika (baobab), who deepens the album's worldview by providing a folkloric sound with his fiddle and singing.

The cover for the new album was commissioned from Cheryl D. McClure, the artist responsible for Hydeout Productions' "2nd collection," and it features a striking binding that resembles the coastline of Kamakura, Nujabes' favorite city. Also included is a rare case liner notes booklet with production notes by Nakamura himself, explaining all the songs. Photographs are by TKC, the photographer who also shot the music video, and the design is by Suzuki Takahisa, an up-and-coming designer. The book is a careful homage to the style of Nujabes' past works, and the binding has been completed.

The music travels through time, the beautiful melodies spun by Nujabes.
Following the melody, haruka nakamura's piano, which resembles a prayer, plays a continuation of the story.
This is not a so-called "cover album," but rather new music by haruka nakamura inspired by Nujabes' melodies.

Reflecting on the mental landscape. There flows a prayer that transcends the present time.
We can confirm his presence in the beautiful things that will always be there.
You are the flower, you are the river, you are the rainbow.

Tomoyoshi Date, a physician and musician known for his releases on prominent ambient labels such as 12K (US), LAAPS (France), and QuietDetails (UK), will release his piano trilogy, created between 2021 and 2024, on November 10 via Bandcamp in a limited edition of 150 cassettes.
This trilogy includes 438Hz, As it is, As you are, released by LAAPS and selected as one of Bandcamp’s Best Ambient albums in January 2023; Tata, composed for Silver Gelatin’s exhibit at Tata in Koenji, Tokyo; and Requiem, a piece dedicated in memory of a close friend who passed away too soon. All three albums are packaged in special jackets featuring found photographs curated by Silverわ Gelatin and are being released simultaneously.
Created with the theme of “objects and the passage of time,” this trilogy is characterised by elongated, repetitive piano motifs, microsound elements, and organic electronics, aiming to blur the line between rhythm and melody. Recently, Date has been working on a world-first program that auto-generates pure-intonation music (www.youtube.com/watch?v=O1BNEjMtL1o). This trilogy serves as a culmination of Date’s past compositions in equal temperament.

Tomoyoshi Date, a physician and musician known for his releases on prominent ambient labels such as 12K (US), LAAPS (France), and QuietDetails (UK), will release his piano trilogy, created between 2021 and 2024, on November 10 via Bandcamp in a limited edition of 150 cassettes.
This trilogy includes 438Hz, As it is, As you are, released by LAAPS and selected as one of Bandcamp’s Best Ambient albums in January 2023; Tata, composed for Silver Gelatin’s exhibit at Tata in Koenji, Tokyo; and Requiem, a piece dedicated in memory of a close friend who passed away too soon. All three albums are packaged in special jackets featuring found photographs curated by Silverわ Gelatin and are being released simultaneously.
Created with the theme of “objects and the passage of time,” this trilogy is characterised by elongated, repetitive piano motifs, microsound elements, and organic electronics, aiming to blur the line between rhythm and melody. Recently, Date has been working on a world-first program that auto-generates pure-intonation music (www.youtube.com/watch?v=O1BNEjMtL1o). This trilogy serves as a culmination of Date’s past compositions in equal temperament.

Tomoyoshi Date, a physician and musician known for his releases on prominent ambient labels such as 12K (US), LAAPS (France), and QuietDetails (UK), will release his piano trilogy, created between 2021 and 2024, on November 10 via Bandcamp in a limited edition of 150 cassettes.
This trilogy includes 438Hz, As it is, As you are, released by LAAPS and selected as one of Bandcamp’s Best Ambient albums in January 2023; Tata, composed for Silver Gelatin’s exhibit at Tata in Koenji, Tokyo; and Requiem, a piece dedicated in memory of a close friend who passed away too soon. All three albums are packaged in special jackets featuring found photographs curated by Silverわ Gelatin and are being released simultaneously.
Created with the theme of “objects and the passage of time,” this trilogy is characterised by elongated, repetitive piano motifs, microsound elements, and organic electronics, aiming to blur the line between rhythm and melody. Recently, Date has been working on a world-first program that auto-generates pure-intonation music (www.youtube.com/watch?v=O1BNEjMtL1o). This trilogy serves as a culmination of Date’s past compositions in equal temperament.

This is a soundtrack created by haruka nakamura for THE NORTH FACE Sphere in response to a request for "one album for each of spring, summer, fall, and winter.
This project, entitled "Light years," is a project to produce four albums over the course of one year.

Musician haruka nakamura will be in charge of in-store music at several Tsutaya stores in Japan for one year from 2023 to 2024. All music will be newly written for the Tsutaya project. Based on the concept of a bookstore and the theme of “forest,” the birthplace of pianos and musical instruments, four albums will be produced through the summer of 2024 under the title “Blue Forest,” which is connected to Nakamura's hometown, Aomori. The first album, the first synthesizer-only music, has become a topic of conversation and has been well received by many listeners. The second album is a piano ambient world. It was well received by listeners with its long-awaited musical worldview. This work is a world of blue like the dawn, as expressed in the jacket photo by Rinko Kawauchi. This is the third work in the series and the deepest blue sound as if diving into the deepest inner voice. The total conceptualization of the Blue Forest series has also been developed into a beautiful binding that you will want to keep with you.

A dreamlike dispatch from mid-80's Japan, the first and only Hallelujahs album is an entrancing and gentle work of psychedelic pop brilliance. Friends gathered in the studio by Shinji Shibayama (Nagisa Ni Te), Hallelujahs created a music of deep feeling and wonderment with simple song craft and a guileless magic. The album was the first release by the now revered ORG Records in 1986 in a micro-edition of 300 copies. With affinities to the sounds of the Rough Trade and Flying Nun labels, the Paisley Underground and Galaxie 500, the album is an utterly unique masterpiece that remains a touchstone for generations of like spirited artists in Japan and around the world. Black Editions is proud to present this all-time classic in a deluxe vinyl edition, remastered from the original tapes and presented in a heavy tip-on jacket with textured paper, mounted high quality print, foil stamped finishes and spot colors. Also released with a special limited edition 7" featuring two previously unreleased tracks and hand stamped envelope with seven photo cards.

Superb collaborative effort between Irish ambient master and WRWTFWW's favorite Gareth Quinn Redmond (Laistigh den Ghleo, Umcheol, Ar Ais Arís) and Polish producer, multi-instrumentalist and sound engineer Albert Karch. Experimental sessions inspired by Mark Hollis and Satoshi Ashikawa featuring piano, drums, synthesizers, and strings.

Strange Meridians is an album by multidisciplinary artist upsammy. It is released by adventurous electronic music label topo2 on November 22, 2024. The record is pressed on 180 grams of ICCS-certified bio-vinyl, housed in a heavy full-colour sleeve, and comes with a download-code to the full release. Mastering is done by Isabel Schröer at Scape Mastering and artwork by courtesy of Thessa Torsing and Kees de Klein. Poetry by Thessa Torsing with editing by Eelco Couvreur.

'Science, Art And Ritual' is a story of ‘process'. Growing up in Harrow (a then quiet suburb of London) in the 70’s and 80’s from the age of about 10, Kingsuk Biswas aka Bedouin Ascent's ears opened up to sound as he scanned the airwaves. The undeniable righteousness of 80’s dub via David Rodigan’s Roots Rockers shows was the first prominent influence he received, and with punk roots —and his burgeoning record collection— became exposed to the breathless post punk experimentation that followed in the early 80’s sweeping up free jazz, noise, dub and much more. Throughout though, he maintained his fascination with Indian Classical music which was a mainstay in his parent’s house and spoke with the same infinite space as Joy Division's 'Unknown Pleasures', and King Tubby’s Studio dispatches. Through those teens he assembled and de-assembled, knocking about with fellow travellers —punk bands, garage, space rock, noise. Something was happening. On-U Sound, ECM, Factory Records kept him plugged in and sane. At that time Kingsuk's core studio setup revolved around his vintage Gretsch, Fender Jazz, Moog, TR-606 and rudimentary FX. He added congas, folk instruments, pipes, hand percussion, gongs, and jammed out shards of funk, noise, jazz fusion, electro and ambience into his hungry Tascam Portastudio. By 1987 these had morphed into what we’d now refer to broadly as techno, but the genre didn't exist beyond the reverberating walls of his bedsit, and he hadn’t yet plugged into the global conversation. 'Science, Art And Ritual' was released in 1994 by Rising High Records and was presented as Bedouin Ascent's debut album, although 'Music for Particles' (released in 1995, again on Rising High) was recorded even before —'SAR' sessions span from 1992-1993, whereas 'Music for Particles' were earlier from 1989-1992, with some older 4-track references from about 1986 too. Weaved in throughout the album are subconscious references to music that Kingsuk heard in the past that still remained within sight as companions. The opening track "Ancient Ocean III", referencing the extinct ocean Tethis, unapologetically channels Tackhead, Colourbox, Mantronix and Lee Perry. The style was also deliberately juxtaposed to the prevailing sound in techno at the time, which had locked onto a rigid form of symmetrical kicks and light snare drums. Elsewhere 80’s soul and funk are frozen and captured in fragile glass lattices. Electric pianos resound throughout, such as in "He Is She", probably a half-memory of 70’s MOR radio from childhood sleepy night drives. A duel between kick drums from three generations of Roland drum machines —TR-808, TR-707 and R-8— is a central theme in "Transition-R", all in conversation, calling and responding. These were not just machines to Bedouin Ascent, but part of an extended family, with heart and soul. Three decades after seeing the light, Lapsus is proud to present a special 30th anniversary reissue of this left-field techno gem in a repackaged and redesigned edition. All pressed on a deluxe 3LP marbled vinyl and including a limited lithographic insert print of the original album cover. All tracks have been restored and remastered directly from the original DAT tapes, and the album also features previously unreleased tracks such as "In the Clouds" and "Thru Water" —regularly performed live at that time and produced in the same period as the album sessions in 1993. 'Science, Art And Ritual’ may refer to esoteric traditions in Indian philosophy, but equally embodies the collision of the science, the art and the ritual that is at the core of being immersed in a deep musical journey.

Spring /Autumn
THE NORTH FACE Sphere, an ambitious new store building to be opened in Harajuku, Tokyo in 2022.

In response to a request for "one album for each of the four seasons, spring, summer, fall, and winter," haruka nakamura created "Light years" as the soundtrack for the new building, which became a project to produce four albums over one year.
The LP is divided into "Spring and Autumn" and "Winter and Summer" based on the world view of the production timeline, and is the best of the four original albums.

The "Winter/Summer" album is the best of the first album "Light years" and the third album "from dusk to the sun".
（The "Spring and Autumn" version will be released at the same time.)

Musician haruka nakamura will be in charge of in-store music at several Tsutaya stores in Japan for one year from 2023 to 2024. All music will be newly written for the Tsutaya project. Based on the concept of a bookstore and the theme of “forest,” the birthplace of pianos and musical instruments, four albums will be produced through the summer of 2024 under the title “Blue Forest,” which is connected to Nakamura's hometown, Aomori. The first album, the first synthesizer-only music, has become a topic of conversation and has been well received by many listeners. The second album is a piano ambient world. It was well received by listeners with its long-awaited musical worldview. This work is a world of blue like the dawn, as expressed in the jacket photo by Rinko Kawauchi. This is the third work in the series and the deepest blue sound as if diving into the deepest inner voice. The total conceptualization of the Blue Forest series has also been developed into a beautiful binding that you will want to keep with you.