MUSIC

The 1st solo album "Himatsubushi" released in 1974 after the breakup of Murahachibu is now available in a limited edition reissue with the original cover obi from the time of its first release!

Les Rallizes Dénudés Takashi Mizutani's envisioned “Fourth Album” finally materializes after 35 years.

Les Rallizes Dénudés Takashi Mizutani's envisioned “Fourth Album” finally materializes after 35 years.

TRACKLIST
A1. SOFT feat. ALCI  Akebono - DUB  06:32
A2. SOFT  Floating Life - KND DUB  05:58
B1. SOFT feat. ALCI  Akebono - J.A.K.A.M. RMX  04:00
B2. SOFT feat. ALCI  Akebono - DAICHI RMX  08:29

The new album "Passing Tone" by SOFT, a band of Kyoto's party scene/music culture treasures, is released from their own base of activities, "softribe.

The album was jointly released in 2021 by 17853 Records and TUFF VINYL, presided over by CHEE CHIMIZU, and Crosspoint, presided over by J.A.K.A.M., the release source, and was followed by a vinyl reissue of their 2010 album Soft Meets Pan "Tam (Message To The Sun )", the 11th and latest album released on analog at the memorial timing of the 30th anniversary of the band's formation since "Tokinami" in 2018.

They have collabolated with various musicians in the past, but this album features only one guest musician, PRITTI, an old member, who participates in one song. The album was produced by the three members since the formation of the band, guitarist SIMIZ, drummer PON2, and double bassist UCON, as well as engineer/electronics KND, who is an indispensable part of the Kyoto music scene. Lurking in the background are vibrant sounds, psychedelic acoustics, and dub work in a style similar to that of a live performance. Their 30th anniversary live performances in Osaka and Kyoto, which were a great success, and their Asian tour are also included in this album.

Emerging from the Kansai underground with a sense of ritual and restraint, G Version III returns with a slab of meditative pressure, carved for sound systems. Following last year’s cassette release on Digital Sting, the Kyoto-based producer deepens her exploration of experimental steppers and sacred low-end science.

TRK 1 treads heavy—medium-tempo four-to-the-floor steppers, soaked in 80s/90s UK dub DNA and wired with flickers of celestial synth energy, edged with something unknown.

TRK 2 drifts off-grid—a 100bpm oddity conjuring sacred synth rituals and off-beat spatial tension. Droning and eerily weightless, it hangs like a vapor of frozen scent in an echo chamber.

Flip the plate and TRK 3 and 4 ignite—raw, unrelenting steppers built to test the physical limits of the rig. No compromise, no decoration—just ritual voltage for the floor.

Riddim Chango’s 16th release channels something ancient through circuitry, born for the weight.

Kyoto’s very own lo-fi funk duo mess/age finally drops their highly anticipated full album "MESS/AGE/2," out now internationally on the esteemed D.C. imprint PPU.

DUMB TYPE is a multimedia performance art group based in Kyoto that was formed in 1984 and continues to be active at the forefront of the art scene. We are excited to announce the simultaneous release of two cassette book works produced by musician Toru Yamanaka and the late Teiji Furuhashi, a central figure of the group, for works from the early DUMB TYPE Theatre era: "Every Dog Has His Day (recorded in 1985)" and "Plan For Sleep (recorded in 1986)," now available for the first time on vinyl.

Since the founding of DUMB TYPE, Yamanaka has primarily been responsible for music production, while the late Furuhashi played a crucial role in translating Yamanaka’s compositions into stage direction. Their collaboration began with previous groups ORG and R-STILL, and was influenced by the NEW WAVE and progressive rock trends they were pursuing at the time, as well as by artists like Laurie Anderson, Meredith Monk, and Robert Wilson, who fused minimal music and avant-garde performance. Moreover, their bold incorporation of cutting-edge sampling and house music during that era laid the foundation for DUMB TYPE's sound, marking an important intersection in the history of minimalism, ambient music and performance art in Japan.

In the performance of this work, "Plan for Sleep" (1986), created simultaneously with “Every Dog Has His Day” (1985), Yamanaka took on the role of sound operation. The performance begins with a minimal piece where the tones of the electronic organ and striking phrases from the piano and saxophone race forward in syncopation. Following this, various sound fragments drift over a deafening industrial beat reminiscent of machine noises. There are also pieces that transform the typing sounds of a typewriter into rhythm, showcasing a range of experiments inspired by the then-novel sampling technology, beautifully intertwining with the physicality of the performance.

Additionally, influenced significantly by film music, Yamanaka incorporates a rich tapestry of colors through melancholic melodies that evoke various scenes, from secular jazz to other influences. This work constructs a uniquely original and sophisticated worldview that stands out even when surveying the canon of avant-garde performance art from around the globe in the postmodern era.

Side A
1. 夢は今日も / Dream Again Today
2. 造花の原野_1976 / Wilderness of False Flowers_1976
3. 白い目覚め / White Awakening
4. Guitar Solo 1（ボーナス・トラック *Vinyl Only）

Side B
1. カーニバル / Carnival
2. 氷の炎 / Flame of Ice

Side C
1. Guitar Solo 2（ボーナス・トラック *Vinyl Only）
2, 夜、暗殺者の夜 / The Night, Assassin’s Night
3. お前の眼に夜を見た / Saw the Night in Your Eyes

Side D
1. イビスキュスの花　或いは満ち足りた死 / Hibiscus Flower otherwise Dying Satisfied
2.  Enter the Mirror

- Track 1 presents the soundtrack of the 4.1-channel sound installation "Waterforest," unveiled in Kamimura’s solo exhibition at Hakari Contemporary, Kyoto, in the summer of 2025. Woven from sounds of water and ice, together with the natural environments that surround them, the work gathers voices of landscapes recorded across the world. Tracks 2–6 offer a series of unadorned field recordings selected and finely shaped from "Waterforest." - Exhibition Statement Hakari Contemporary is pleased to present "Waterforest," a solo exhibition by Yoichi Kamimura. Kamimura explores ways of perceiving landscapes through vision and hearing, combining environmental field recordings with visual elements such as drawings, text, and light. He creates sound installations, paintings, video works, and performances that have been presented in Japan as well as internationally. This exhibition focuses on soundscapes constructed mainly from field recordings Kamimura makes around the world during his residencies and travels. Key works include sound installations based on his experience of Shiretoko’s drift ice, Icelandic glaciers, the Amazon rainforest, Iguaçu (the world’s largest waterfall), springs in the Swiss Alps, the Lake Biwa Canal that flows beneath Kyoto, and ocean sounds recorded across the globe on nights that full and new moons occur. Alongside a low-frequency soundscape of flowing water that resonates throughout the space, a forest-like installation of images related to water—captured in the course of Kamimura’s journeys—is also presented. The exhibition is inspired by a sea of clouds Kamimura saw from a boat on the Amazon River. Known as the “Flying River,” this natural phenomenon occurs when large amounts of moisture evaporate from the rainforest, rise into the sky, form enormous clouds, and return as rain, symbolizing the Amazon’s ecological cycle. At the same time, this cycle of ‘water’ and ‘forest’ represents a natural process that effortlessly crosses the many boundaries created by human beings. In recent years, Kamimura has traveled through regions experiencing war and conflict, and has witnessed first-hand the escalation of violence and tensions arising from opposing opinions and emotions. Even when people appear to share an ‘anti-war’ stance, differences in individual backgrounds often lead to subtle divisions that are hard to reconcile. As a metaphor for overcoming such disconnection, Kamimura returns to the image of the majestic “Flying River” he saw in the Amazon. By linking the meanings of ‘water’ and ‘forest’ together in the title Waterforest, he seeks to express not opposition or division but connectivity and circulation, through the universal sensory awareness he has cultivated in different natural environments. Joining the exhibition as guest curator is Seiha Kurosawa, who previously co-organized the 2021 exhibition "Floating Between Tropical and Glacial Zones" with Kamimura—an exhibition that linked field research in the Brazilian Amazon and Shiretoko, Hokkaido, to explore new perspectives regarding the environment. Over several years, Kamimura and Kurosawa have continued a dialogue about emerging ecological thought which is also reflected in this exhibition. We hope you will take this opportunity to experience Kamimura’s latest work, which moves fluidly while aspiring towards a more universal and planetary perspective. - Drawing chiefly upon his field recordings, Yoichi Kamimura experiments with methods that draw upon sight, hearing, and other senses to perceive different scenes. His extensive body of work includes sound installations, paintings, video works, sound performances, and audio works - unveiled in venues both within Japan and abroad. With his field recording practice, Kamimura acts as an observer to the amorphous relationship between humankind and nature. Kamimura composes his sound installations by creating highly-immersive soundscapes, many of which draw upon our own biology to create unique sensory experiences. www.yoichikamimura.com

This is NEW MANUKE's first album. Shake your hips, shake the world, keep on movin', Maximum volume!

This is NEW MANUKE's first album. Shake your hips, shake the world, keep on movin', Maximum volume!

This record draws inspiration from the railway jingles of the Keihan, JR, and

Hankyu lines connecting Kyoto and Osaka. These sonic motifs, first explored

and then transformed through the prism of our collective memory, culminated in

a one-hour live performance. It extends my research on the function of memory:

are our memories faithful to reality or reconstructions adapted to our personal

narrative?

download code included with the record.

+2 bonus tracks

友人カ仏 from Moe and ghosts - 通過 (Rap Phenomenon Remix Demo)

Madteo - Hatsuentou (Madteo's Edit #2)

Renowned for her releases on Sweet Dreams Press, Natsuki Takeda delivers a pure, white ambient document with Shiro no Hitotsuki! Based in Kyoto, she has been an active member of numerous bands such as Kaze no Mata Sunny, quaeru, and Matamata. Since around 2021, she has begun composing solo works using YAMAHA reface CP and DX, analog synthesizers, and loopers, while also performing extensively in solo and session settings in pursuit of a transparent and delicate sound. This album records a month of recovery following a fever at the end of 2022, captured through daily improvisational sessions. Gentle synth fluctuations, overlapping loops, and the breath of subtle noise combine to create a dreamlike soundscape that drifts along the boundary between dreams and reality.

Shipping begins September 21: an improvised ambient/experimental document born in Kyoto’s Imadegawa. The collaborative work IMA DE GAWA GINGA by CazU-23 & Sinkichi now arrives on cassette. CazU-23, an artist who has explored a unique sonic world through solo and band activities, employs guitar and monosynth to striking effect, while Sinkichi—a veteran DJ/producer active since the dawn of Kyoto’s club scene—works fluidly with modular synths and field recordings. Recorded in a single, unbroken session at Softribe Studio, the album interweaves the plucked tones of a 1970s Teisco guitar, shimmering modular layers, and environmental sounds gathered from the city, achieving a quietude and spaciousness akin to the night air. Subtle noise and breath-like resonances evoke layers of time and fragments of memory, with a sense of prayer offered as homage to the late ambient DJ OPERON. A meditative minimal new age/ambient work, where city and nature, present and memory converge into a small yet luminous galaxy.

DUMB TYPE is a multimedia performance art group based in Kyoto that was formed in 1984 and continues to be active at the forefront of the art scene. We are excited to announce the simultaneous release of two cassette book works produced by musician Toru Yamanaka and the late Teiji Furuhashi, a central figure of the group, for works from the early DUMB TYPE Theatre era: "Every Dog Has His Day (recorded in 1985)" and "Plan For Sleep (recorded in 1986)," now available for the first time on vinyl. Since the founding of DUMB TYPE, Yamanaka has primarily been responsible for music production, while the late Furuhashi played a crucial role in translating Yamanaka’s compositions into stage direction. Their collaboration began with previous groups ORG and R-STILL, and was influenced by the NEW WAVE and progressive rock trends they were pursuing at the time, as well as by artists like Laurie Anderson, Meredith Monk, and Robert Wilson, who fused minimal music and avant-garde performance. Moreover, their bold incorporation of cutting-edge sampling and house music during that era laid the foundation for DUMB TYPE's sound, marking an important intersection in the history of minimalism, ambient music and performance art in Japan. The work “Every Dog Has His Day (1985)" represents a defining moment for the sound identity of DUMB TYPE, created through the collaboration of Yamanaka and Furuhashi. The minimalist tracks feature repetitive and striking phrases on piano and synthesizer, a radical approach that transforms various concrete sound samples into beats together with a pleasant ambiance that envelops everything with meticulously applied effects. Additionally, rhythms such as waltzes and shuffles reflect a fusion of respect for past music and modernism, beautifully establishing the iconic sound of early DUMB TYPE. The diverse expressions of the tracks trigger signals that dance around, including driving noise, electronic sounds, and telephone busy signals, evoking scenes that rise and fall, transforming before our eyes.

This album is a solo album by SINKICHI, the label owner of MATSUNOMI TO SENSO REC. It is a collection of field recordings made during the lockdown of the COVID19, live to 2 track recordings of improvised performances with hardware equipment, and modular synthesizer performances on the holy mountains and spiritual rivers. Please enjoy. SINKICHI A pioneer ambient DJ in Japan who has been playing at many rave parties since the early 90's. He has participated in many bands such as SOFT, AOA, Based on kyoto, and Churashima Navigator.He has also worked as a mastering engineer on vinyl mastering for 17853 Records and Crosspoint label.

本田Qの2ndソロアルバム「ことほぎ(言祝ぎ／呪言)」。AB面の2部構成で、A面では音を楽しむ音楽讃歌が、B面では「イデオロギスト」の流れを汲むコンシャスな内容がうたわれている。盟友NaBTokに加え京都から猿吉、Livingdead、ジャッキーゲンが、洛外からはDJ KENSEI、alled、COBA5000、Earth Paletteが参加。さらにSOFTのSIMIZ、Kobeta PianoのShoichi Murakamiといった様々なセッショニスト達がその独自のサウンドを寄せている。