Description
A sequel to last year's sublime 'Spectral Evolution', 'Traveling Light' is a suite of weightless, uncannily beautiful jazz standards, transformed into orchestral drones and electronic chirps by Toral and his virtual band. It's flawless material that draws a clear line from Billie Holiday through Clara Rockmore, Fripp & Eno and Alvin Lucier to MBV and Gastr del Sol and beyond. Unmissable gear, from one of the scene's unassailable legends. Culture never emerges from a vacuum. It accumulates and evolves, building on what occurred before and gleaning influence from what happened nearby; the more cultural threads converge, the more complex, nuanced and developed the resulting braids become. Toral acknowledged this fact quite brazenly on last year's 'Spectral Evolution', bringing over a decade of impenetrable off-world experimentation to a halt and shoving his bare hands into the creative soil that inspired iconic tomes like 1995's 'Loveless'-inspired masterpiece 'Wave Field' and the meditative Éliane Radigue-cum-Rhys Chatham 'Violence of Discovery And Calm of Acceptance'. Taking a dip in the pool of concepts that eddy underneath rock music's labyrinth of caverns, he referenced Duke Ellington and George Gershwin, turning vintage progressions into idiosyncratic contemporary gestures. And on 'Traveling Light' that basic theme is expanded again; here, Toral takes six recognizable early 20th century standards and applies a very similar treatment, augmenting them with additional "canonical jazz sounds" from clarinetist José Bruno Parrinha, tenor saxophonist Rodrigo Amado, flügelhorn player Yaw Tembe and flautist Clara Saleiro. Playing guitar and bass with his self-built ensemble of electronic devices (that includes a modified theremin), Toral lets his influences float even closer to the surface here, picking out familiar jazz and exotica flourishes, early electronic echoes and organ-esque polyphonic sustained tones that stretch across hundreds of years of musical history. On opener 'Easy Living', a Ralph Rainger composition from 1937 that's been recorded by Billie Holiday, Bill Evans and Rahsaan Roland Kirk, among others, the original chord sequence is slackened by Toral's sustained guitar tones and sine waves, but not blurred completely into impressions. This time around we're treated to more tangible shapes: Toral's cheeky, expertly rendered riffs, horizontal exotica-inspired rhythmelodic chimes, intimate woodwind breaths that pull us back to the '30s and squealing pitches that can't help but remind us of Clara Rockmore's Robert Moog-produced milestone 'The Art of the Theremin'. It feels like being chucked in the American cultural petri dish while new organisms mutate around you - everything's recognisable somehow but novel, peculiar. Lovingly valve saturated strums, bent by Toral's whammy, introduce 'Body and Soul' (a 1930 standard that's best known for being recorded by Frank Sinatra) before they're met by alien chirps from his arsenal of generators. But it's the willowy harmonies that buoy this one, echoing the haunted choral drones that prop up centuries of European sacred music. Toral's very specific with his references; when Amado's tenor moans whisper around the dense polyphonic hums, there's a tacit acknowledgement of the enduring influence of African American spirituals and gospel on folk, blues, jazz, country, rock 'n roll and R&B. The album's most affecting segment comes at the conclusion though, with 'My Funny Valentine' and 'God Bless the Child', easily two of the most conspicuous compositions of the era. On both, Toral hovers between clarity and abstraction, overlaying bone-dry fingerpicked improvisations on the former that scrape over Chicago's musical timeline, from "hot jazz" to post-rock, and finishing the album with Fennesz-like distortions that crack and dissolve into Saleiro's levitational flute tones. It's astonishing stuff, honestly - maybe not as immediately startling as 'Spectral Evolution', but refined, polished and concentrated in every way. You're unlikely to find a more moving set this year, that's for sure.
Listen
Refund Policy
RETURNS
----
Our policy lasts 7 days. If 7 days have gone by since arrival date, unfortunately we can’t offer you a refund.
To be eligible for a return, your item must be unused and in the same condition that you received it. It must also be in the original packaging.
To complete your return, we require a receipt or proof of purchase.Please do not send your purchase back to the manufacturer.
There are certain situations where only partial refunds are granted: (if applicable)
* Book with obvious signs of use
* CD, DVD, cassette tape, or vinyl record that has been opened.
* Any item not in its original condition, is damaged or missing parts for reasons not due to our error.
* Any item that is returned more than 7 days after delivery Refunds (if applicable)
Once your return is received and inspected, we will send you an email to notify you that we have received your returned item. We will also notify you of the approval or rejection of your refund.
If you are approved, then your refund will be processed, and a credit will automatically be applied to your credit card or original method of payment, within a certain amount of days.
Late or missing refunds (if applicable)
If you haven’t received a refund yet, first check your bank account again.
Then contact your credit card company, it may take some time before your refund is officially posted.
Next contact your bank. There is often some processing time before a refund is posted.
If you’ve done all of this and you still have not received your refund yet, please contact us at om@meditations.jp.Sale items (if applicable)
Only regular priced items may be refunded, unfortunately sale items cannot be refunded.
Exchanges
We do not exchange items.
If the item wasn’t marked as a gift when purchased, or the gift giver had the order shipped to themselves to give to you later, we will send a refund to the gift giver and he will find out about your return.Shipping
To return your product, you should mail your product to: 3F Kasuga Bldg., 253 Demizu-cho, Kamigyo-ku, Kyoto, 26, 6020862, Japan.
You will be responsible for paying for your own shipping costs for returning your item. Shipping costs are non-refundable. If you receive a refund, the cost of return shipping will be deducted from your refund.
Depending on where you live, the time it may take for your exchanged product to reach you, may vary.
If you are shipping an item over $75, you should consider using a trackable shipping service or purchasing shipping insurance. We don’t guarantee that we will receive your returned item.