Description
Chamber folk whimsy from fallen choirboy Thomas Bush, chasing a 7” with Fergus Jones and an LP for Lost Domain with an elegantly woozy suite of skewed songcraft, subtly overeasy on the bittersweet blooz and detuned bliss-outs... "Since earlier solo efforts like Old And Red (2018), Preludes (2022) and The Next 60 Years (2024), Bush—currently based in Malmö—has traced a digressive path that has proven him capable of everything from murky wobbling dirges to uptight head-bopping laments to crystalline synth chords that hang precariously in the air over your new favourite bass line. Like its title, the album's songs/tunes/opportunities for pleasure offer the listener further evidence of a sensibility that is equal parts ambiguity and clarity. In addition to his solo work, Bush has worked with a range of collaborators in one-off configurations and longer term projects like RAP (with Guy Gormley) and cATHOLIC CHURGH (with Jon Auman). Critical responses to Bush's output have often focused on his predilection for certain folk-ish impulses and instrumentation, but, judging from releases like 2026's guld, his definition of "folk music" seems to have as much to do with A Guy Called Gerald as it does with Shirley Collins or John Martyn. For all of its diversity, what unites Bush's ever-expanding body of work is its dual commitment to experimentation and a job well done."
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RETURNS
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Our policy lasts 7 days. If 7 days have gone by since arrival date, unfortunately we can’t offer you a refund.
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