Description
Lasse Marhaug's arsenal of devices are fed through video artist Kjell Bjørgeengen’s volatile A/V system on this latest despatch from Smalltown Supersound’s ‘Le Jazz Non’ series, a fierce sequence of hard-as-nails sheet noise x outsider techno that’s essential listening if you're anywhere on the line from Pan Sonic to Merzbow or PITA. Some years ago, Kjell Bjørgeengen and Keith Rowe attempted to convert video signals into sound by setting up Rowe's pickups next to an old CRT monitor, turning its magnetic field into a sound generator. Rowe further developed the system with David Jones at Alfred University, slimming down the setup using a copper coil, a circuit board, a video input and a telephone pickup. Jones named it the "Flood Coil", and it's that instrument you can see on the album's front cover and that lies at the core of these recordings, made without any physical live input from the artists themselves. In essence, it’s generative music in its purest form. Bjørgeengen's video feed is generated by oscillators, then routed into Marhaug's pedals and then back into the Flood Coil, so any visual shifts alter the sound, and any modification to the sound change the video. The duo have played this setup live many times, but for this studio version they left the system to do its thing without any intervention for two minutes at a time before moving onto the next idea. They recorded hours and hours using this process and then selected 18 highlights for this album, extracting harsh noise, power electronics, lulling feedback drone and peculiar rhythmic snippets to show the scope of their technique. A wall of growling, hi-octane Pulse Demon-style noise opens the set, gradually exposing us to more asymmetric textures, shifting through unstable repetitions that transform Merzbow's metal-inspired screams into 'Aaltopiiri'-era rhythmic noise. It's remarkable, actually, how much Marhaug and Bjørgeengen can squeeze from the system, chancing on shivering, lower-case chugs and pops, galloping drums, soundystem-subs and grinding blast beats that sound like Napalm Death's 'Scum' piped through a broken amp stack. It ain't pretty, but noise/industrial freaks will revel in the fierce delights inside.
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Refund Policy
RETURNS
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Our policy lasts 7 days. If 7 days have gone by since arrival date, unfortunately we can’t offer you a refund.
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