Description
Bryn Harrison writes music that deliberately disorients. The British composer—obsessed with "time, memory, and cyclic structures"—follows Feldman's lead, creating perceptual labyrinths where past bleeds into present and nothing stays quite where you expect. Towards a slowing of the past, a 45-minute tour de force for two pianos and electronics, achieves disorientation through sheer density: a whirlwind of notes that somehow maintains "delicacy and deftness of touch."
Mark Knoop and Roderick Chadwick—both veterans of Harrison's intricate demands—navigate this terrain with staggering precision. The piece descends inexorably, dropping two octaves over its duration while decelerating to half its original tempo. Pre-recorded electronic sounds (originally conceived as live electronics) run backwards, pitch-shifted and speed-adjusted, evoking what Harrison calls "feelings of immobility, redundancy or even complete stasis." Midway through, everything halts: a two-minute sustained chord in the electronics, a startling caesura that "changes everything while changing nothing save perception."
Marc Medwin, writing for Dusted Magazine, compares it to Radigue's droning palimpsests or Schoenberg's third orchestral piece: "The music teems with sonic undercurrent in a superficially static frame." Each note, he observes, is "suffused with color, each sonority a frequency kaleidoscope." Off Shelf notes how the music "hits different on each listen—and sometimes doesn't hit at all," making more sense as you sit with it, "much like the emotions it conveys."
Harrison explains his title's seeming contradiction: "Music is well placed to create distortions of memory or to confuse our sense of presentness, pastness and futurity. I particularly like titles that contain a sense of contradiction or impossibility." The work demands what Medwin calls "the encapsulation of concentric occurrence framing and framed by the static multidirectionality of memoried experience."
Knoop and Chadwick spent years preparing. "With a work like this, the devil's in the detail," Harrison notes. "The writing is highly textual and requires clarity and precision and a special kind of touch." They devised strategies for accented grace notes—gauging stress and emphasis across registers—and slightly off-kilter rhythms. The result, recorded at St Paul's Hall, Huddersfield, is what Another Timbre calls "extraordinary, virtuosic work"—music like "being caught up in a whirlwind, swirled round and round."
Medwin's conclusion: "The best way to come to terms with it all is to listen again."
Listen
Refund Policy
RETURNS
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Our policy lasts 7 days. If 7 days have gone by since arrival date, unfortunately we can’t offer you a refund.
To be eligible for a return, your item must be unused and in the same condition that you received it. It must also be in the original packaging.
To complete your return, we require a receipt or proof of purchase.Please do not send your purchase back to the manufacturer.
There are certain situations where only partial refunds are granted: (if applicable)
* Book with obvious signs of use
* CD, DVD, cassette tape, or vinyl record that has been opened.
* Any item not in its original condition, is damaged or missing parts for reasons not due to our error.
* Any item that is returned more than 7 days after delivery Refunds (if applicable)
Once your return is received and inspected, we will send you an email to notify you that we have received your returned item. We will also notify you of the approval or rejection of your refund.
If you are approved, then your refund will be processed, and a credit will automatically be applied to your credit card or original method of payment, within a certain amount of days.
Late or missing refunds (if applicable)
If you haven’t received a refund yet, first check your bank account again.
Then contact your credit card company, it may take some time before your refund is officially posted.
Next contact your bank. There is often some processing time before a refund is posted.
If you’ve done all of this and you still have not received your refund yet, please contact us at om@meditations.jp.Sale items (if applicable)
Only regular priced items may be refunded, unfortunately sale items cannot be refunded.
Exchanges
We do not exchange items.
If the item wasn’t marked as a gift when purchased, or the gift giver had the order shipped to themselves to give to you later, we will send a refund to the gift giver and he will find out about your return.Shipping
To return your product, you should mail your product to: 3F Kasuga Bldg., 253 Demizu-cho, Kamigyo-ku, Kyoto, 26, 6020862, Japan.
You will be responsible for paying for your own shipping costs for returning your item. Shipping costs are non-refundable. If you receive a refund, the cost of return shipping will be deducted from your refund.
Depending on where you live, the time it may take for your exchanged product to reach you, may vary.
If you are shipping an item over $75, you should consider using a trackable shipping service or purchasing shipping insurance. We don’t guarantee that we will receive your returned item.
