

Description
The 1st album of the project tolerance by Junko Tange of Tokyo, whose original was released as the catalog number 4 of Vanity Records in October 1979. The jacket is Toshimi Kamiya, who published the photo book "Tokyo Kitan". A book in the Vanity Records catalog that captures the cutting-edge music trends of the same era from several aspects, such as new bands that are active with values after punk and alternative approaches of musicians who have gone through band activities. It can be said that the work is an abstract work whose clear judgment is difficult, from the artist's own musical origin to the position of the actual sound.
Tange's electric piano, synthesizer, and voice wear disturbing and elegance at the same time, and the slide guitar that emits the effective sound of Masami Yoshikawa makes you feel the remnants of the cramping impulsive performance after punk, but it is no longer dim. , It has become a moan that echoes from a distant point that can be called the equinoctial week. Sometimes a second hand or a thirsty electronic sound reminiscent of a heartbeat is also used, but it does not have enough gravity to be central to it, although it effectively adds an inorganic nuance to the entire work.
Free-form musical instrument performance that has passed through classical and punk, and the music of this work that exists only with a dead texture that the emotion and space are bleached by competing with Shioume, which can not be said to be the center of the cutting-edge electronics of the times. Gender is just right for the album title, which means "anonymous," and is therefore still actual and beautiful.
Not only does it affect contemporary writers such as being selected on the NWW list, but it is also a masterpiece and important work that can greatly find the sound vision that follows modern experimental such as Posh Isolation.
Shuta Hiraki
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