Incredible work from trumpeter Franz Koglmann – a musician who doesn't always get the same sort of credit as his avant jazz contemporaries – but who certainly warrants strong recognition for the depth of this set!
The record is bristling with brilliance – and has this mixture of free expressions balanced with a sense of structure – in a way that's almost a link between the loft jazz world of the 70s New York scene.
Side A has Franz working with a quintet that also features Bill Dixon on trumpet, plus Steve Horenstein on tenor, Alan Silva on bass, and Muhammad Malli on cymbals – a group that sparkles with these fantastic organic rhythm progressions next to standout solos from the horns. Side B features two tracks with a quintet that also includes Steve Lacy on soprano sax, Joseph Traindi on trombone, Cesarius Alvim Botelho on bass, and Aldo Romano on drums – and one more with a trio that includes Toni Michlmayr on bass and Gerd Geier on electronics.
The Lacy tracks are tremendous – and it's a very fresh setting for Steve to be blowing alongside Koglmann's flugelhorn – and the electronics tracks have a sound that's very unusual too, not like any other jazz approach we've heard in the format.