{"title":"Indie \/ Alternative","description":"","products":[{"product_id":"sonic-youth-in-out-in-lp-dl","title":"Sonic Youth - In\/Out\/In (LP+DL)","description":"In mulling over their career, it’s staggering to realize that Sonic Youth not only delivered a healthy slab of releases as a unit but also have a myriad of shelved material still waiting for broader ears. While the group’s current Bandcamp abode lays out a generous amount of it, a bunch more has yet to surface. And it’s a massive mountain to chip away at in the sense of the group output alone; individual members’ projects are a whole other game, needless to say. \"In\/Out\/In\" ably delivers a new slab of mostly-unheard Sonic righteousness, with a scope on the post 2000-era band in especially zoned\/exploratory regions.\n\nThe 80’s and 90’s continually saw Sonic Youth reminding everyone that their jams ran free alongside song craft and visible development album to album; there were Peel excursions, dipping toes into soundtrack work starting with 1986’s \"Made In USA\", and of course great impromptu expansive takes of tried and true previous material onstage. The millennial establishment of home turf studio spaces in NYC then NJ greatly egged on forays into improvisation and composition on their own clock as evidenced in \"Goodbye 20th Century\" and the plethora of SYR releases that trickled out side by side between major release albums. At this juncture they had already created a cultural template for a whole new breed of rock heads who, in turn, entered a feedback loop to SY itself, which cultivated more of its own new moves informed by the very fandom they had for their acolytes all the while pushing the band outward to uncharted fields. Jim O’Rourke’s residency had already influenced the band’s material in part into denser, longer, meditative paths. Mark Ibold’s entry for their swan song \"The Eternal\" also allowed for more of this exploration with Kim Gordon having more room to commit to third guitar. However \"The Eternal\" also took more cues from Ibold’s bottom-end swing and perhaps dialed back the expansiveness of the \"NYC Ghosts and Flowers\" and \"Sonic Nurse\" era a notch in a cool way, making it one of the best group efforts for me, anyway. Perhaps this fueled some of these tracks here, in an already comfortable zone with a new lineup and new drive to take sideroads to even more outer realms.\n\n\"In\/Out\/In\" reveals their last decade to be still heavy on the roll-tape and bug-out Sonic Youth. Not all recorded in one session but rather spread out over 2000-2010, the sequencing here is especially well thought out. Opening with the 2008 “Basement Contender” we get a super-unfiltered glimpse of the band at Kim and Thurston’s Northampton house creating a gentle springboard of Venusian choogle, with phased Lee lappings at cascading Thurston figures forming a simmering soundtrack. “Machine” offers another instrumental track from \"The Eternal\" sessions and is a steamy exercise in stop-start rhythmic grunt amidst a jungle of chiming and upward spiraling chord progressions. We’ve also got the extended score offering “Social Static” from the Chris Habib\/Spencer Tunick film of the same name, draping white sheets of noise over your head then descending into a gauzy maw of car-alarm guitars and ambient-yet-disruptive turbulence that eventually subsides into a smoky coda. Two more tracks round out the set both culled from a Three Lobed box set of various artists from 2011 called \"Not the Spaces You Know, But Between Them\": “In \u0026 Out” quietly resembles Can in a cave with dripping stalactites of Kim’s wordless tone rumble and was recorded at a soundcheck in Pomona California and their home Hoboken turf in 2010. “Out \u0026 In” from 2000 was done in their late downtown NYC studio and serves to close out this LP’s last 12 minutes as a reminder of what they got up to with O’Rourke there. More gentle time shift chord framework erupts into molten fury three minutes in, before mutating into the sonic equivalent of a slowly collapsing star.\n\nCasting an audio net over the entire instrumental\/outtake oeuvre of Sonic Youth’s long history isn’t something easily committed to a single release without a doubt. Hearing these tracks in comparison to, say, 1986’s \"Made In USA\" material shows the massive leaps they took over the years. Whereas ’86 showed them freshly discovering their go-with-the-flow instrumental abilities for a soundtrack, their last decade showed them complementing the ambience with assured twists and turns that only came to be through their inimitable and rooted telepathy. That, plus the freedom to compose in more comfortable environs other than dank Ludlow Street rental spaces (hard to believe \"Daydream Nation\" was created in a claustrophobic practice basement) most assuredly was a component in their continued paths of discovery. Shifting on the drop of a dime from quiet\/deep forays into full on noised-out Autobahn stomps with Steve Shelley at the wheel, they painted detailed and varied brush strokes and continually created organic sounds that undoubtedly carried the signature sound of the band, while ringing loud with their continual drive to free themselves from just that. Enjoy this capsule.\n\n-Brian Turner, 2021-  \u003ciframe style=\"border: 0; width: 350px; height: 307px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2083350765\/size=large\/bgcol=ffffff\/linkcol=333333\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/threelobed.bandcamp.com\/album\/in-out-in-2\"\u003eIn\/Out\/In by Sonic Youth\u003c\/a\u003e\u003c\/iframe\u003e","brand":"Three Lobed Recordings","offers":[{"title":"Default Title","offer_id":42493960225027,"sku":"TLR-134","price":3178.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0285\/1694\/1956\/products\/TLR-134.jpg?v=1645417310"},{"product_id":"kraus-eye-escapes-cd","title":"Kraus - Eye Escapes (CD)","description":"Eye Escapes is a collection of recordings from 2016 - 2021 primarily from a lost album between Path and View No Country. Brought to you by Mutual Skies.\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/jjZS6yARLD8\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" width=\"560\" height=\"315\" frameborder=\"0\"\u003e\u003c\/iframe\u003e","brand":"Mutual Skies","offers":[{"title":"Default Title","offer_id":42598772277507,"sku":"MSKS01","price":1968.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0285\/1694\/1956\/products\/MSKS01.jpg?v=1647815863"},{"product_id":"my-bloody-valentine-m-b-v-lp-obi-dl","title":"My Bloody Valentine - m b v (LP+Obi+DL)","description":"\u003cp\u003eAfter 20 years of incubation, My Bloody Valentine\u0026#39;s third album, m b v, was suddenly released in 2013, and was at once their most experimental and most melodic and immediate work, proving their insatiable appetite for reform. Highly acclaimed as an astounding work that pushed the boundaries of musical and genre concepts even further, it also featured a type of music that had never been heard before. At once otherworldly, familiar, and intuitive, this album is a masterpiece for a new era, a stunningly beautiful transformation of the sound synonymous with MBV as it had been known up to that point. The album\u0026#39;s final track, \u0026quot;Wonder 2,\u0026quot; is a testament to this, with Shields\u0026#39; hypnotic guitar sound mixed with drum\u0026#39;n\u0026#39;bass that has left many awestruck.\u003c\/p\u003e\n\n\u003cp\u003eMastered from original 1\/2\u0026quot; analog tape using Studer A80 VU-PRE and Neumann VMS 80.\u003cbr \/\u003e\nMastered from original 1\/2\u0026quot; analog tape using Studer A80 VU-PRE and Neumann VMS 80\u003cbr \/\u003e\n180g weight vinyl\u003cbr \/\u003e\nStandard gatefold outer sleeve\u003cbr \/\u003e\nProduced and mixed by Kevin Shields\u003cbr \/\u003e\nIncludes five 300 x 300 mm art prints\u003cbr \/\u003e\nIncludes DL code (24-bit | 16-bit | mp3)\u003c\/p\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/dXyAMxe5nnI\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n","brand":"Domino","offers":[{"title":"Default Title","offer_id":42832377741571,"sku":"REWIGLP160BR","price":5500.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0285\/1694\/1956\/products\/REWIGLP160BR_mbv_cover_75eec202-be66-42ba-bf78-4e90998039a3.jpg?v=1652950543"},{"product_id":"yin-yin-the-age-of-aquarius-lp-dl","title":"YĪN YĪN - The Age of Aquarius (LP+DL)","description":"“Yīn Yīn hop and bound along, being whisked up by the pure joy of their experimentation, unafraid to see how far from home it takes them...eccentric, boundary-bashing, genre-melding groove.” – The Line of Best Fit\n\nYĪN YĪN’s dazzling second album dives even deeper into dancefloor propulsion and space travel atmospherics than their lauded debut The Rabbit that Hunts Tigers (2019).\n\nWhile there is an expanded sonic richness on the new album as samples, drum computers and otherworldly synthesizers intertwine with the band’s taut playing, more than anything The Age of Aquarius is a simple, direct appeal to dance. The record’s groove manifesto can be put down to YĪN YĪN’s experiences on the road, where the positive energies picked up from their audiences fed back into a sound that increasingly “kept people moving.”\n\nFunk and disco beats. Electro experimentation. Global retro vibes.\nA shimmering, cinematic sweep.\n\n---------------------------------------------\n\nYĪN YĪN’s new long player, The Age of Aquarius, is a simple, direct appeal to dance. It is also a record blessed with a considerable hinterland; with cosmic time, long studio hours and a determination to transcend the daily ennui of living in the Dutch city of Maastricht all playing their part.\n\nYĪN YĪN see themselves as a bunch of musical dreamers. The track ‘Declined by Universe’ references the fact that “we’re all kinds of drop outs.” The beautiful, old and somewhat staid city of Maastricht, where the band is based, isn’t really conducive to setting up a bustling music scene: and it’s a place where the outsiders quickly recognize each other. YĪN YĪN are all “nightlife people”, which meant their friendship initially came about through co-organizing and deejaying DIY parties. Before the band formed, none had carved out a conventional career, or done the “very Dutch thing” of completing their studies. Things started to move for real when Yves Lennertz and Kees Berkers decided to make a cassette tape that drew on references to Southern and South East Asian music. Once the idea was formed, Lennertz and Berkers wasted no time in taking “a lot” of instruments to a rented rehearsal room in a small village near Maastricht. There the pair set up a couple of mics and recorded a number of songs in three days flat.\n\nYves: “When we put it [the recorded session] out on tape, the reactions were very positive. So we decided to do a live show in Maastricht. We asked our musical friends to help us out, and from that night on we became a full band: with Remy Scheren on bass, Robbert Verwijlen on keys and Jerome Cardynaals and Gino Bombrini on percussion.”\n\nThis “united against the world” stance is also heard at the end of ‘Declined by Universe’, where the band claps their own music, making the track initially sound like a live track. It’s a funny, maybe surreptitious statement of belief in what they do. YĪN YĪN also wanted to create an illusion of strength in other ways: ‘Declined by Universe’ sounds as if there is a large group of people playing, not just the core band. This was done by passing over sampling in favour of live recording multiple layers of percussion. Yves: “In the end we were getting kind of silly and started applauding every take. We decided to keep that reaction in. I still visualize a sort of school building in Thailand where people are playing this when I hear the recording.” Maybe YĪN YĪN also see their position of a band hiding in plain sight in their own land reflected in the legend of Chong Wang. Kees: “Chong Wang is a historical mystical figure. Very little is known about him and some people even deny his existence. But we wrote a ballad for him on the first album and now dedicated another track for him.”\n\nRegardless of attitude, the new record is bags of fun. Mainly because YĪN YĪN make dreamers music, in the sense that everything can happen, sometimes all at once. The working title was YĪN YĪN In Space, one that referenced the band’s inner vision of an entity that travels through space, encountering different planets, aliens, parties and galaxies along the way. Despite the name change, the music is still the soundtrack for that vision. And the intergalactic party vibes are strong. Nods to brilliant, invigorating dance music abound, some of the thumping beats in numbers like ‘Chong Wang’ the title track and ‘Nautilus’ drop some thumping 1990s-style electric boogie and italo disco chops along the way. Then there is ‘Shēnzhou V.’, which plots a stately course between eastern-inflected pop music, Italo and Harmonia-style electronic meditations. The record’s party vibe can also be put down to YĪN YĪN’s experiences on the road, where the positive energies picked up from their audiences fed back into a sound that increasingly “kept people moving”.\n\nThe expansive richness in sound and feel may also be down to the fact that more samples, drum computers and synthesizers are used on The Age of Aquarius than in their previous records, a process that intertwines with real-time playing in the studio. ‘Faiyadansu’, for example, started with a sample found on an old traditional Japanese koto record. Kees: “I first programmed a beat with 808 drums. Yves recorded guitars over that. Then we found some great vocal samples from a lady on YouTube who teaches the Thai language. These phrases and words all have something to do with enjoying food. The last step was to record some extra percussion on top.”\n\nCosmic appropriations of time also crop up in the titles, which may give the lie to some of the band members’ preoccupations with the state of the world. The Age of Aquarius is seen as a time when humanity takes control of the Earth and its own destiny as its rightful heritage, with the destiny of humanity being the revelation of truth and the expansion of consciousness. An old trope musically the Age is most famously referenced in the hippie musical, Hair. For YĪN YĪN it seems to denote the time when this record first took shape during the previous January, when the Age was meant to finally dawn. Other direct references to cosmic times are in the track names ‘Kali Yuga’ and ‘Satya Yuga’: the Kali Yuga, in Hinduism, is the fourth and worst of the four yugas (world ages) in a Yuga Cycle, preceded by Dvapara Yuga and followed by the next cycle's Krita (Satya) Yuga. It is believed to be the present age, which is full of conflict and sin. Who said this was just a party record?  \u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/0Y4V9BGP43U\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen\u003e\u003c\/iframe\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/aGK_t9XSvmc\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen\u003e\u003c\/iframe\u003e","brand":"Glitterbeat","offers":[{"title":"Default Title","offer_id":43020222202115,"sku":"GBLP124","price":3179.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0285\/1694\/1956\/products\/GBLP124_29172f79-cde4-4332-a26f-2847460192c3.jpg?v=1657261025"},{"product_id":"twain-noon-2lp","title":"Twain - Noon (2LP)","description":"\nThe long-awaited album from Twain released via Keeled Scales is his first-ever double LP titled Noon. Twain’s first album in three years, Noon looks to explore the balancing exercise between soul-fantasy and self- scrutiny. The songs on Noon try to sit in the liminal state between the spirit’s ambition for itself and the often harsh truth of the present. The hope is to erode the barrier between those two states. ‘Twain’ is Mat Davidson’s approach to reconcile those two states, and to forget that they could ever exist in opposition.\u003ciframe style=\"border: 0; width: 350px; height: 472px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=826228865\/size=large\/bgcol=ffffff\/linkcol=333333\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/twain.bandcamp.com\/album\/noon\"\u003eNoon by twain\u003c\/a\u003e\u003c\/iframe\u003e","brand":"Keeled Scales","offers":[{"title":"Default Title","offer_id":43414149660931,"sku":"KS054lp","price":4975.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0285\/1694\/1956\/products\/KS054lp.jpg?v=1665660572"},{"product_id":"bedhead-whatfunlifewas-powder-white-vinyl-lp","title":"Bedhead - WhatFunLifeWas (Powder White Vinyl LP)","description":"Their shambolic 1994 debut, remastered from the original tapes and presented in lavish, gatefold form. A mix of restrained loud and purposeful quiet, WhatFunLifeWas’s eleven tracks unfold at a marathon runner’s pace, picking up speed when necessary, but its eye on completing a personal race. Singer Matt Kadane’s soft, semi-drawl is buried in the mix, letting brother Bubba and Tench Coxe’s guitars weave cleanly around drummer Trini Martinez’s all-ride-all-the-time timekeeping.\u003ciframe style=\"border: 0; width: 350px; height: 472px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1965760617\/size=large\/bgcol=ffffff\/linkcol=333333\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/bedhead.bandcamp.com\/album\/whatfunlifewas\"\u003eWhatFunLifeWas by Bedhead\u003c\/a\u003e\u003c\/iframe\u003e","brand":"Numero Group","offers":[{"title":"Default Title","offer_id":43474040455427,"sku":"NUM1239lp-C1","price":3455.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0285\/1694\/1956\/products\/NUM1239lp-C1.jpg?v=1667031986"},{"product_id":"beastie-boys-live-at-estadio-obras-buenos-aires-april-15th-1995-radio-broadcast-lp","title":"Beastie Boys - Live At Estadio Obras, Buenos Aires, April 15th 1995 - Radio Broadcast (LP)","description":"Limited edition of 500.","brand":"MIND CONTROL","offers":[{"title":"Default Title","offer_id":43476386218243,"sku":"MIND742","price":2674.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0285\/1694\/1956\/products\/MIND742.jpg?v=1667090971"},{"product_id":"sad-lovers-and-giants-epic-garden-music-white-vinyl-lp","title":"Sad Lovers And Giants - Epic Garden Music (White Vinyl LP)","description":"Epic Garden Music is the debut studio album by English post-punk band Sad Lovers \u0026 Giants. It was released in 1982 on the band's own record label, Midnight Music.\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/azjVm031YtU\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e","brand":"Radiation Reissues","offers":[{"title":"Default Title","offer_id":43476409942275,"sku":"RRS004CV","price":3147.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0285\/1694\/1956\/products\/R-24726383-1664970454-2014.jpg?v=1667092794"},{"product_id":"karate-the-bed-is-in-the-ocean-cs","title":"Karate - The Bed Is In the Ocean (CS)","description":"A lingering guitar note. A cushion of a bassline nudging along a hushed cadence unspooling impressionistic poeticism one halting line at a time; the sparse snap of a snare providing punctuation. This is how Boston’s Karate opened their third full-length, 1998’s The Bed Is In The Ocean. Perhaps this was a reaction to the aggressive punk tones that marked their previous album, or maybe they hoped to capture the somnambulant dusk on one of those pristine fall days that make living in a town whose population swells when colleges welcome back students all worthwhile. Then again, Karate never made a point of chasing the same idea twice, and “There Are Ghosts” remains in line with the band’s stylistic intrepidness and unpredictability. Even the group’s lineup appeared constantly in flux. After expanding from a trio to a quartet and employing a dual-guitar attack with 1997’s In Place of Real Insight, founding member Eamonn Vitt hung up his axe to attend medical school. Karate soldiered on as a trio, with mid-stream addition Jeff Goddard’s bass work helping establish a sidewinding path forward through the smoky jazz melodicism and sun-beaten blues brushstrokes that hung in the background of the band’s catalog.\n\n\nIn their short time together, Karate helped bolster the national punk ecosystem, a scene in which individual artistic vision was prized but rarely achieved. Their exacting precision and emotive interplay helped recombine the DNA of the dignified grace of slowcore, the hot-and-sweaty atmospherics of the blues, and the high-wire tension of post-hardcore to deliver drawling instrumental curveballs and a furtive riptide climax with a controlled grace on “Outside Is The Drama.” Singer-guitarist Geoff Farina frequently teased out the emotional nuances of each song, his worn-in voice shading in the complexities of his enigmatic lyrics; no matter how difficult it may be to parse his snatched-from-daily-life wisdoms, on The Bed Is In The Ocean Farina sounded like a guy who knew exactly the right thing to tell whoever may be listening. And with Karate’s snaking turns through quasi-punk reveries no one else appeared capable of mustering, it’s comforting to hear it accomplished by a band that knew exactly what they were doing.  \u003ciframe style=\"border: 0; width: 350px; height: 439px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2571820529\/size=large\/bgcol=ffffff\/linkcol=333333\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/karateallston.bandcamp.com\/album\/the-bed-is-in-the-ocean\"\u003eThe Bed Is In the Ocean by Karate\u003c\/a\u003e\u003c\/iframe\u003e","brand":"Numero Group","offers":[{"title":"Default Title","offer_id":43550194991363,"sku":"NUM905cass","price":1751.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0285\/1694\/1956\/products\/NUM905cass_aed748e1-9128-4e15-b5a2-1cca10c5ce2d.jpg?v=1669442024"},{"product_id":"the-zenmenn-enter-the-zenmenn-lp","title":"The Zenmenn - Enter The Zenmenn (LP)","description":"\u003cp\u003eThe latest act to emerge from MFM\u0026#39;s new album series is another super-powerful one. Heisei No Oto\u0026quot; is a masterpiece that presents even Japan\u0026#39;s unique book-off style digs to the world, and \u0026quot;Virtual Dreams\u0026quot; is a must-have 90\u0026#39;s techno and house compilation that looks through the prism of the new age revival. The Zenmenn, a mysterious new band from the newly established Music From Memory label, has released their debut album. Their fresh and organic indie music is a combination of oriental lefty pop, new age\/ambient, Sufjan Stevens, and even Shintaro Sakamoto. The band\u0026#39;s name may also come from the word \u0026quot;Zen\u0026quot;? Their timeless sound and vibes make for a great listening experience no matter where you are!\u003c\/p\u003e\u003ciframe width=\"100%\" height=\"450\" scrolling=\"no\" frameborder=\"no\" allow=\"autoplay\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/playlists\/1227499483\u0026color=%239a8d5e\u0026auto_play=false\u0026hide_related=false\u0026show_comments=true\u0026show_user=true\u0026show_reposts=false\u0026show_teaser=true\"\u003e\u003c\/iframe\u003e\u003cdiv style=\"font-size: 10px; color: #cccccc;line-break: anywhere;word-break: normal;overflow: hidden;white-space: nowrap;text-overflow: ellipsis; font-family: Interstate,Lucida Grande,Lucida Sans Unicode,Lucida Sans,Garuda,Verdana,Tahoma,sans-serif;font-weight: 100;\"\u003e\u003ca href=\"https:\/\/soundcloud.com\/music-from-memory\" title=\"Music From Memory\" target=\"_blank\" style=\"color: #cccccc; text-decoration: none;\"\u003eMusic From Memory\u003c\/a\u003e · \u003ca href=\"https:\/\/soundcloud.com\/music-from-memory\/sets\/mfm054-the-zenmenn-enter-the\" title=\"MFM054 - The Zenmenn - Enter The Zenmenn\" target=\"_blank\" style=\"color: #cccccc; text-decoration: none;\"\u003eMFM054 - The Zenmenn - Enter The Zenmenn\u003c\/a\u003e\u003c\/div\u003e","brand":"Music From Memory","offers":[{"title":"Default Title","offer_id":43561622110467,"sku":"MFM054","price":3278.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0285\/1694\/1956\/products\/a2997515377_10_3d0b9637-a80c-4801-8704-f6f73e7a306c.jpg?v=1669878280"},{"product_id":"sufjan-stevens-fourth-of-july-opaque-red-vinyl-7","title":"Sufjan Stevens - Fourth of July (Opaque Red Vinyl 7\")","description":"Both versions were recorded around 2014: “Fourth of July (April Base Version)” was recorded in Eau Claire, WI at Justin Vernon’s April Base studio, and “Fourth of July (DUMBO Version)” was recorded in Sufjan’s old studio in Brooklyn, NY.\n\nThe original version of “Fourth of July” appeared on Sufjan’s 2015 album, Carrie \u0026 Lowell. As is (and was) his custom, Sufjan would often rework different versions of his songs while recording an album, and “Fourth of July” was no exception. (Other versions \u0026 remixes of the song were released on “The Greatest Gift” mixtape and on the “Exploding Whale” 7” single.)\n\nThese two latest versions were recently found on old harddrives. The refrain of the song, “We’re all gonna die,” invokes a meditation on human mortality and fragility, even as it acts as an anchor of stoic hope. Its solemnity invites listeners to feel comfort, connection — even joy — wrought from great pain and loss.\n\nThe song has recently had a resurgence with listeners — which may speak to a deep national grief and sense of loss.\n\nA limited run physical 7\" in red will be released in December 2022, which marks the 10-year anniversary of Carrie’s death.\u003ciframe style=\"border: 0; width: 100%; height: 472px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2136181153\/size=large\/bgcol=ffffff\/linkcol=333333\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/music.sufjan.com\/album\/fourth-of-july\"\u003eFourth of July by Sufjan Stevens\u003c\/a\u003e\u003c\/iframe\u003e","brand":"Asthmatic Kitty Records","offers":[{"title":"Default Title","offer_id":43564099436803,"sku":"AKR392lp-C1","price":1751.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0285\/1694\/1956\/products\/AKR392lp-C1.jpg?v=1669959076"},{"product_id":"mansur-brown-naqi-lp","title":"Mansur Brown - NAQI (LP)","description":"Mansoor Brown is an artist, producer and multi-instrumentalist from Brixton, London. The debut work from \u003cBlack Focus\u003e, led by Henry Wu, who is the typhoon of the new generation of UK jazz, has attracted attention to the extent that Robert Glasper and Thundercat have been cited, and he has released the latest mixtape. !\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIt has a cinematic style throughout, and it can be said that the expressive power of the internal guitar that can be felt everywhere is a sound unique to Mansoor Brown. The B-side contains 4 songs developed without beats, and you can fully enjoy his guitar sound. \"Meikai\", which decorates the last track, is the closest to ambient music in the work, and it is a must-listen song that invites you to another world with modulated vocals, sparkling guitar sounds, and the electronic sound that appears at the end!\u003ciframe style=\"border: 0; width: 100%; height: 340px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3882499586\/size=large\/bgcol=ffffff\/linkcol=333333\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/mansurbrown.bandcamp.com\/album\/naqi-vol-1\"\u003eNAQI Vol.1 by Mansur Brown\u003c\/a\u003e\u003c\/iframe\u003e\u003ciframe style=\"border: 0; width: 100%; height: 274px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3110060064\/size=large\/bgcol=ffffff\/linkcol=333333\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/mansurbrown.bandcamp.com\/album\/naqi-vol-2\"\u003eNAQI Vol.2 by Mansur Brown\u003c\/a\u003e\u003c\/iframe\u003e","brand":"AMAI Records","offers":[{"title":"Default Title","offer_id":43569147543811,"sku":"AMAI002LP","price":3458.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0285\/1694\/1956\/products\/a3088803750_10.jpg?v=1670225611"},{"product_id":"jeb-loy-nichols-the-united-states-of-the-broken-hearted-lp-dl","title":"Jeb Loy Nichols - The United States Of The Broken Hearted (LP+DL)","description":"\u003cp\u003eOn-U Sound are proud to present a new album from longtime friend and associate of the label, Jeb Loy Nichols. Produced by Adrian Sherwood, with careful arrangements framing twelve beautiful, acoustic-based songs. The album features contributions from the likes of Martin Duffy (Primal Scream\/Felt) and Ivan \u0026ldquo;Celloman\u0026rdquo; Hussey, fresh from his work on the massively acclaimed duo of Horace Andy albums, Midnight Rocker and Midnight Scorchers, both of which featured songwriting contributions from Jeb Loy.\u003cbr \/\u003e\n\u003cbr \/\u003e\nJeb Loy comments: \u0026quot;The United States Of The Broken Hearted has been forty years in the making. I\u0026rsquo;ve known Adrian, and considered him one of my closest friends, for that long. During that time we\u0026rsquo;ve spent more hours listening, and talking about, music than anything else. Reggae, Country, Folk, Jazz, Soul; it\u0026rsquo;s been the backdrop to our friendship. Adrian introduced me to some of my favourite music; Count Ossie, Culture, Harry Beckett, Mulatu Astatke. Through the years we\u0026rsquo;ve listened to Sun Ra, Lee Perry, Ornette Coleman, Johnny Cash, Woody Guthrie. A couple years ago, on a visit to Adrian, I mentioned Gram Parsons\u0026rsquo;s concept of \u0026lsquo;American Cosmic Music\u0026rsquo;, the melting mix of musical genres that constitutes a uniquely American sound. We talked about recording a record that incorporated\u0026nbsp;all the influences I\u0026rsquo;d gathered, from Bluegrass to Jazz to Reggae to Soul. The United States Of The Broken Hearted is that record. We wanted to include Folk (Deportees), Country (Satisfied Mind), protest songs (I Hate The Capitalist System), and songs of my own that bore the marks of those that had gone before. I sang the songs and played guitar; Adrian brought in friends and fellow travellers to finish them. It\u0026rsquo;s all there, Soul, Jazz, Country, Folk; and underlying everything, Adrian\u0026rsquo;s Reggae infused production.\u0026rdquo;\u003cbr \/\u003e\n\u003cbr \/\u003e\nAdrian Sherwood adds: \u0026ldquo;This is Jeb\u0026rsquo;s \u0026lsquo;Great American Songbook\u0026rsquo;, he\u0026rsquo;s become such a great singer and songwriter over the years. This is a beautiful piece of work reminiscent of our mutual love for the Miracle album I made with Bim Sherman. I\u0026rsquo;m really proud of this record and it\u0026rsquo;s a fitting follow-up to Long Time Traveller.\u0026rdquo;\u0026nbsp;\u003c\/p\u003e\u003ciframe style=\"border: 0; width: 350px; height: 472px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1518315069\/size=large\/bgcol=ffffff\/linkcol=333333\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/jebloynichols-music.bandcamp.com\/album\/the-united-states-of-the-broken-hearted\"\u003eThe United States Of The Broken Hearted by Jeb Loy Nichols\u003c\/a\u003e\u003c\/iframe\u003e","brand":"On-U Sound","offers":[{"title":"Default Title","offer_id":43575495426307,"sku":"ONULP161","price":3772.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0285\/1694\/1956\/products\/a2734130919_10_ffcc354b-f985-4b93-8417-4a166edc520e.jpg?v=1670475408"},{"product_id":"duster-seaglass-wave-vinyl-lp","title":"Duster (Seaglass Wave Vinyl LP)","description":"After a 19-year hiatus, Duster came back with their S\/T chef-d'oeuvre in 2019. Recorded in band member Clay Parton’s garage (aka Low Earth Orbit), the record bears all the hallmarks of the band’s early work: gaunt basslines, spindly guitars, and melancholy lyrics that lurk in the background.\n\u003ciframe style=\"border: 0; width: 350px; height: 472px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3550990286\/size=large\/bgcol=ffffff\/linkcol=333333\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/duster.bandcamp.com\/album\/duster\"\u003eDuster by duster\u003c\/a\u003e\u003c\/iframe\u003e","brand":"Numero Group","offers":[{"title":"Default Title","offer_id":43603904987395,"sku":"NUM302lp-C1","price":3338.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0285\/1694\/1956\/products\/a1587550399_10_9da1fdd7-8df1-421e-9ae8-f05788ef5320.jpg?v=1671354104"},{"product_id":"leonore-boulanger-jean-daniel-botta-un-lievre-etait-un-tres-cher-baiser-lp","title":"Léonore Boulanger \u0026 Jean-Daniel Botta - A hare was a very dear kiss (LP)","description":"Léonore Boulanger studied drama, experimental jazz improvisation and Persian music in Paris. Her music reflects her wide interest in African folk and in composers such as George Crumb, Teiji Ito, Harry Partch and singer Meredith Monk. For their fifth album, Un Lièvre Etait un Très Cher Baiser Léonore Boulanger and Jean-Daniel Botta with percussionist Laurent Sériès compose and decompose a set of fragments of the outsider art poetry of Ernst Herbeck from Gugging center in Austria. Small formats for the movement, singed in German as in a Kindergarten Krautrock: imaginary folk, music boxes, r'n'b medievalism, motets and futuristic madrigals set up like hopscotches, Byzantine mathematics.\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/gzDEwpTIiTg\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen\u003e\u003c\/iframe\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 472px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4206155050\/size=large\/bgcol=ffffff\/linkcol=333333\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/lesaule.bandcamp.com\/album\/un-li-vre-tait-un-tr-s-cher-baiser\"\u003eUn lièvre était un très cher baiser by Léonore Boulanger \u0026amp; Jean-Daniel Botta\u003c\/a\u003e\u003c\/iframe\u003e","brand":"Le Saule","offers":[{"title":"Default Title","offer_id":43611301150979,"sku":"LSL48","price":3497.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0285\/1694\/1956\/products\/a2914309336_10_8ead60e9-af1d-4e8d-8d93-b89e38542c21.jpg?v=1671503434"},{"product_id":"japanese-breakfast-soft-sounds-from-another-planet-lp","title":"Japanese Breakfast - Soft Sounds From Another Planet (LP)","description":"Japanese Breakfast's 'Soft Sounds From Another Planet' is less of a concept album about space exploration so much as it is a mood board come to life. Over the course of 12 tracks, Michelle Zauner explores a sonic landscape of her own design, one that's big enough to contain her influences. There are songs on this album that recall the pathos of Roy Orbison’s ballads, while others could soundtrack a cinematic drive down one of Blade Runner's endless skyways. Zauner's voice is capacious; one moment she's serenading the past, the next she's robotically narrating a love story over sleek monochrome, her lyrics more pointed and personal than ever before. While 'Psychopomp' was a genre-spanning introduction to Japanese Breakfast, this visionary sophomore album launches the project to new heights.\u003ciframe style=\"border: 0; width: 350px; height: 472px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=3652862968\/size=large\/bgcol=ffffff\/linkcol=333333\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/michellezauner.bandcamp.com\/album\/soft-sounds-from-another-planet\"\u003eSoft Sounds From Another Planet by Japanese Breakfast\u003c\/a\u003e\u003c\/iframe\u003e","brand":"Dead Oceans","offers":[{"title":"Default Title","offer_id":43664378790147,"sku":"DOC133lp","price":3034.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0285\/1694\/1956\/products\/DOC133lp_0a6542bb-b281-4321-b4a2-6515df0b446a.jpg?v=1673596351"},{"product_id":"the-catburgers-dreamworld-sessions-7","title":"The Catburgers - Dreamworld Sessions (7”)","description":"\u003cp\u003eSwell Maps \/ Television Personalities affiliated C86-era indie pop rescued from sheer obscurity and thrust into semi-obscurity by FELT. The Catburgers were a short-lived Scottish group, this recording initially primed for release on Dan Treacy\u0026rsquo;s Dreamworld imprint yet placed on the perennial backburner as so many creative projects inevitably are.\u003cbr \/\u003e\n\u003cbr \/\u003e\nSoundcloud uploads dating back over a decade ago and the odd blog\/twitter post aside, the group lived on only in the memories of those who happened to catch them on the Edinburgh scene back in the day. Until now! With the help of the National Sound Archives, the original master tape containing these three tracks has been rebaked, cut and mastered for seven-inch.\u003cbr \/\u003e\n\u003cbr \/\u003e\n\u0026lsquo;Holiday House\u0026rsquo; sounds immediately at home in the Postcard Records nexus, the influence of 1980 particularly tangible. Slower paced and with a touch more melancholy than its companions, the song sounds both in and out of time, as if some young teens raised on a hand-me-down diet of Pastels CDs might have laid it down yesterday.\u003cbr \/\u003e\n\u003cbr \/\u003e\nJowe Head of Swell Maps joins the group for \u0026lsquo;The Acid Tree\u0026rsquo;, whilst EP closer \u0026lsquo;Diving For The Brick\u0026rsquo; sees the band ruminating on weak knees, sore lungs and stinging eyes down at the local swimming pool.\u003cbr \/\u003e\n\u003cbr \/\u003e\nRecorded at Electro Rhythm Studio, London on 28th February 1987\u003cbr \/\u003e\n\u003cbr \/\u003e\nGuitar \u0026amp; Vox: Robert Jones\u003cbr \/\u003e\nBass: Stuart Macgregor\u003cbr \/\u003e\nDrums: Jeff Duffy\u003cbr \/\u003e\nProducer: Jowe Head\u003cbr \/\u003e\nEngineer: Wilson Sharp\u003cbr \/\u003e\nMastering: Mark Klon\u003cbr \/\u003e\nAudio Restoration: Conor Walker\u003cbr \/\u003e\nCover Photo: Gerard Livett\u003cbr \/\u003e\nSleeve Design: Andrew Beltran\u003c\/p\u003e\n\n\u003cp\u003e\u003ciframe seamless=\"\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4193812759\/size=large\/bgcol=ffffff\/linkcol=333333\/artwork=none\/transparent=true\/\" style=\"border: 0; width: 100%; height: 241px;\"\u003eDreamworld Sessions by The Catburgers\u003c\/iframe\u003e\u003c\/p\u003e\n","brand":"FELT","offers":[{"title":"Default Title","offer_id":43681663385859,"sku":"FELT003","price":2213.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0285\/1694\/1956\/products\/a0769794051_10_928315e3-fd6b-43f2-86e1-72fe7aef6f73.jpg?v=1674294249"},{"product_id":"the-zenmenn-and-john-moods-hidden-gem-lp","title":"The Zenmenn and John Moods - Hidden Gem (LP)","description":"Music From Memory quietly released the stunning debut album from the mysterious duo The Zenmenn (who turned out to be musicians Magnus Bang Olsen and Ben Anderson) in 2021. ‘Hidden Gem’, recorded with singer and songwriter John Moods, serves as a kind of companion piece to ‘Meet The Zenmenn’ (its title the same as a song that didn’t make that debut’s final cut). Another set of extended jams encompassing country, AM rock and folk.\n\n\n\n\n\nMusic From Memory are delighted to present a new chapter in their ongoing collaboration with Berlin based band The Zenmenn. 'Hidden Gem' is the band’s first full album produced together with songwriter and vocalist John Moods and follows their much-loved debut record, 'Enter The Zenmenn'. Named after a country song that didn't quite make it to the final selection, 'Hidden Gem' is the result of an extended jam session at a friend’s studio, in a field of mystical meadows somewhere south of Hamburg, in which the band would experience a series of inexplicable phenomena.\n\nIt was their earlier collaboration on the future classic, 'Homage To A Friend' that kickstarted their idea to team up with John Moods again, and in the late summer of 2021 the band set to work on a full album of material together. Using The Zenmenn's trusted drum kit, good old DX7, an unusual Ukrainian bass and an almost discarded pedal steel guitar, combined with Moods’ uniquely fragile voice, the outcome resulted in six timeless songs. The resulting harmonic sound is, as the band put it, “something like Adult Oriented Rock with a teaspoon of Celtic sentimentalism, a pinch of big city Country wrapped in a late night '70s style jam”.\n\n'Hidden Gem’, much like their debut 'Enter The Zenmenn’, was recorded without pre-arranged songs or any fixed musical concept. Instead, it captures fleeting moments of creativity and reflects the joint musical sentiments of the band members at the time. “Some artists are amazing at vision and curating, our work-flow is opposite to that. We are pretty messy and all over the place in our creation, as in life. It has its advantages and disadvantages, but hopefully it comes out all right in the end.”\n\nMFM060 will be released in LP and digital format, and comes with artwork by Bráulio Amado. The album is expected to release on October 17th 2022. \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/tU8WwCWCj-A\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" width=\"560\" height=\"315\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/DZ9PE1YqMU8\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" width=\"560\" height=\"315\" frameborder=\"0\"\u003e\u003c\/iframe\u003e","brand":"Music From Memory","offers":[{"title":"Default Title","offer_id":43688971174147,"sku":"MFM060","price":3396.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0285\/1694\/1956\/products\/MFM060_a6d856b6-15bc-47b8-9476-5ee32379b329.jpg?v=1674635725"},{"product_id":"the-hated-best-piece-of-shit-vol-4-white-vinyl-2lp","title":"The Hated - Best Piece Of Shit Vol. 4 (White Vinyl 2LP)","description":"This one’s been teased for awhile, decades even. The Hated box set was an idea before Numero was an idea. Today we’re pleased to announce the first of five planned Hated collections that we’ll be rolling out over the next several years. Up first is Best Piece Of Shit Vol. 4, which compiles the Annapolis quartet’s earliest explorations into revolution summer emo. Spread across two LPs is the band’s 1985 debut cassette, the No More We Cry EP, and 14 period bonus tracks from these hardcore hooligans. We’ve also made a limited 7”+CD+tape edition with an additional five bonus tracks. Andrew Gephardt and Ken Shipley provide lengthy essays on the band and scene, illustrated by dozens of photographs from the band’s archive. We’ve got 500 copies broken bone white wax on both, but not for long. The Hated on Numero… Never said it’d be like this, right?\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/wUksFKQ-THc\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen\u003e\u003c\/iframe\u003e","brand":"Numero Group","offers":[{"title":"Default Title","offer_id":43726587035907,"sku":"NUM220.1lp-C1","price":4193.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0285\/1694\/1956\/products\/NUM220.1lp_4003e79b-6bd4-4008-8ca9-c187cec33371.jpg?v=1675937591"},{"product_id":"the-golden-dregs-on-grace-dignity-clear-vinyl-lp","title":"The Golden Dregs - On Grace \u0026 Dignity (Clear Vinyl LP)","description":"the most live-sounding Yo La Tengo album in years, This Stupid World. Times have changed for Yo La Tengo as much as they have for everyone else. In the past, the band has often worked with outside producers and mixers. In their latest effort, the first full-length in five years, This Stupid World was created all by themselves. And their time-tested judgment is both sturdy enough to keep things to the band’s high standards, and nimble enough to make things new. At the base of nearly every track is the trio playing all at once, giving everything a right-now feel. There’s an immediacy to the music, as if the distance between the first pass and the final product has become more direct.\u003ciframe style=\"border: 0; width: 100%; height: 439px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2969978165\/size=large\/bgcol=ffffff\/linkcol=333333\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/yolatengo.bandcamp.com\/album\/this-stupid-world\"\u003eThis Stupid World by Yo La Tengo\u003c\/a\u003e\u003c\/iframe\u003e","brand":"4AD","offers":[{"title":"Default Title","offer_id":43745063665923,"sku":"4AD0527LPE","price":2908.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0285\/1694\/1956\/products\/a3869054394_10-1_2808e95c-a1b4-431d-8710-5510d56f9b2b.jpg?v=1676538148"},{"product_id":"sonic-youth-walls-have-ears-vol-2-lp","title":"Sonic Youth - Walls Have Ears Vol. 2 (LP)","description":"Historical set recorded live on April the 28th in London, right before the departure of second drummer Bob Bert. The selection indulges on recent masterpiece Bad Moon Rising and the influential Kill Your Idols Ep","brand":"Room On Fire","offers":[{"title":"Default Title","offer_id":43745074217219,"sku":"ROOM128","price":2796.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0285\/1694\/1956\/products\/R-25470508-1671106220-7758.jpg?v=1676538327"},{"product_id":"kolezanka-alone-with-the-sound-the-mind-makes-lp","title":"koleżanka - Alone with the Sound the Mind Makes (LP)","description":"koleżanka is\nKristina Moore: vocals, guitars, bass, drum machine, synths, glass clanks, piano\nArk Calkins: bass, drums, vibraphone, hand claps and aux percussion\n\nclarinet written and performed by Elana Riordan, additional vocals on “Saddle Up, Cowboy” performed by Ark Calkins, Danny Clifton, Abigail Clark, and Steven Head tour guide, spiritual advisement, Sherman Filterbank operator on “Goliath”, ebow guitar on “River Rushing”, and unfailing kindness and attentiveness to The Process by Steven Head\n\nall songs written by Kristina Moore\/koleżanka music (ASCAP) \u003ciframe style=\"border: 0; width: 350px; height: 472px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2182974985\/size=large\/bgcol=ffffff\/linkcol=333333\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/kolezanka.bandcamp.com\/album\/alone-with-the-sound-the-mind-makes\"\u003eAlone with the Sound the Mind Makes by koleżanka\u003c\/a\u003e\u003c\/iframe\u003e","brand":"Bar\/None Records","offers":[{"title":"Default Title","offer_id":43776774504707,"sku":"BRN299lp","price":2765.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0285\/1694\/1956\/products\/a2265855937_10.jpg?v=1677510111"},{"product_id":"unwound-rising-blood-vinyl-lp","title":"Unwound (Rising Blood Vinyl LP)","description":"Back in print for the first time this century, first time for color and tip-on jacket, the definitive edition remastered from the original tapes.\n\nMeeting at the halfway point between Bleach and Damaged, Unwound’s 1995 self-titled album arrived years after the original trio of Vern Rumsey, Justin Trosper, and Brandt Sandeno made their Avast Studios debut. Compiling their EPs for Kill Rock Stars and Gravity Records with five more session outtakes, Unwound was released on Rumsey’s Punk In My Vitamins as the band began flirting with the mainstream. Witness a band’s prehistory as it plays out in a feral maelstrom of screaming, distortion, feedback, and abrasive promise.\u003ciframe style=\"border: 0; width: 350px; height: 472px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2776498059\/size=large\/bgcol=ffffff\/linkcol=333333\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/unwound.bandcamp.com\/album\/unwound\"\u003eUnwound by Unwound\u003c\/a\u003e\u003c\/iframe\u003e","brand":"Numero Group","offers":[{"title":"Default Title","offer_id":43776983695619,"sku":"NUM1290lp-C2","price":3258.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0285\/1694\/1956\/products\/a0617914744_10.jpg?v=1677519050"},{"product_id":"rat-jesu-emo-girl-ex-machina-cs-dl","title":"Rat Jesu - Emo Girl Ex Machina (CS+DL)","description":"Yes this album is about being trans\n\nRat Jesu - Vocals, Guitar, Produciton (All tracks)\nMurrumur - Vocals (Poison.jpg, Frogs)\n2004 - Produciton (Manic Goth Hoe... I Wish I Was)\nYung Dieu - Produciton (Manic Goth Hoe... I Wish I Was)\nMaknaeslayer - Produciton (Poison.jpg)\nMokshadripp - Co-Produciton (Euphoria\/\/Nothing Left To Give)\nSchizoscriptures - Co-Produciton (Frogs) \u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/RJBarnzmWPE\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" width=\"560\" height=\"315\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Care","offers":[{"title":"Default Title","offer_id":43782567133443,"sku":"CARE-006","price":1929.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0285\/1694\/1956\/products\/a2226362515_10.jpg?v=1677693982"},{"product_id":"the-smile-europe-live-recordings-2022-12","title":"The Smile - Europe Live Recordings 2022 (12\")","description":"\u003cp\u003eThe Smile have today confirmed details of a limited edition, vinyl only live EP, titled Europe: Live Recordings 2022, out 10th March via XL Recordings. True to its title, the EP is comprised of live recordings of fan favourites from The Smile\u0026rsquo;s widely acclaimed debut album, A Light For Attracting Attention, as well as the band\u0026rsquo;s rendition of Thom\u0026rsquo;s 2009 solo track FeelingPulledApartByHorses. Europe: Live Recordings 2022 was recorded in various cities over the course of The Smile\u0026#39;s first ever tour last summer.\u003c\/p\u003e\n\n\u003cp\u003eFull tracklist here:\u003cbr \/\u003e\nA1. The Opposite\u003cbr \/\u003e\nA2. Thin Thing\u003cbr \/\u003e\nA3. FeelingPulledApartByHorses\u003cbr \/\u003e\nB1. The Same\u003cbr \/\u003e\nB2. Waving A White Flag\u003cbr \/\u003e\nB3. Free In The Knowledge\u003c\/p\u003e\n","brand":"XL RECORDINGS","offers":[{"title":"Default Title","offer_id":43799693132035,"sku":"XL1292T","price":2766.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0285\/1694\/1956\/products\/01301529_63d763bf2b637.jpg?v=1678356568"},{"product_id":"aksak-maboul-une-aventure-de-vv-songspiel-made-to-measure-vol-48-2lp","title":"Aksak Maboul - Une aventure de VV (Songspiel) (Made to Measure Vol. 48) (2LP)","description":"\u003cp\u003eIn the wake of their acclaimed comeback album \u0026#39;Figures\u0026#39; (2020), Aksak Maboul took a playful sideways step to create this total work, a 63-minute, continuous suite of fifteen pieces, which could be described as an experimental audio play.\u003cbr \/\u003e\n\u003cbr \/\u003e\nThe thread running through \u0026#39;Une aventure de VV (Songspiel)\u0026#39; is Véronique Vincent\u0026rsquo;s text, an enigmatic philosophical-poetical tale unfolding through monologues and dialogues, spoken and sung by a series of characters, played by Alig Fodder, Laetitia Sadier, Audrey \u0026amp; Benjamin from Aquaserge, Don The Tiger, Blaine L. Reininger, and the members of Aksak Maboul\u0026rsquo;s current live band: Faustine Hollander, Lucien Fraipont \u0026amp; Erik Heestermans.\u003cbr \/\u003e\n\u003cbr \/\u003e\nThe music was written \u0026amp; arranged by Marc Hollander and features his characteristic genre-hopping tendencies: strands of electronica, pop, jazz, collage, techno, ambient, improv, krautrock, contemporary classical \u0026amp; systems music are merrily woven together, in the inimitable Aksak Maboul style.\u003cbr \/\u003e\n\u003cbr \/\u003e\nThe album\u0026rsquo;s subtitle, \u0026#39;Songspiel\u0026#39;, highlights its theatrical\/musical aspect: the work pays oblique homage to the those experimental radio plays that once emerged from the creative workshops of the BBC, the RTF and the RAI, and especially to those\u0026nbsp;German Hörspiels which, at their best, might combine spoken word, instrumental or electronic music, songs and sonic research.\u003cbr \/\u003e\n\u003cbr \/\u003e\nUne aventure de VV also modestly alludes to certain stage works written by adventurous composers during the first half of the 20th century, which embraced singing, spoken dialogues and elements inspired by popular music. Those composers sometimes invented genre names to describe their pieces: fantaisie lyrique, mimodrama, or... songspiel).\u0026nbsp;\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 472px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1316932036\/size=large\/bgcol=ffffff\/linkcol=333333\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/aksakmaboul.bandcamp.com\/album\/une-aventure-de-vv-songspiel-made-to-measure-vol-48\"\u003eUne aventure de VV (Songspiel) (Made to Measure Vol. 48) by Aksak Maboul\u003c\/a\u003e\u003c\/iframe\u003e","brand":"Crammed Discs","offers":[{"title":"Default Title","offer_id":43804086894851,"sku":"MTM48DLP","price":5500.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0285\/1694\/1956\/products\/a3003295142_10_99bb4ccd-271b-4c99-958f-b593965f6d10.jpg?v=1678514422"},{"product_id":"my-bloody-valentine-isnt-anything-lp-dl","title":"My Bloody Valentine - Isn't Anything (LP+DL)","description":"\u003cp\u003eWith their debut album, \u0026quot;Isn\u0026#39;t Anything,\u0026quot; released in 1988, the band revolutionized alternative music and introduced a new approach to guitar music in the years that followed. Their sound became the template for numerous sub-genres and presented a groundbreaking approach to guitar music and studio production. The genderless vocals of Kevin Shields and Bilinda Butcher, who sing in the same vocal range and blend perfectly together, serve as another melodic layer that complements the dizzying intensity of Shields\u0026#39; guitar. The album is characterized by the eerie sense of space present in many of the recorded tracks, which range from intensely propulsive to quiet and unsettling.\u003c\/p\u003e\n\n\u003cp\u003eJapanese obi included.\u003cbr \/\u003e\nMastered from original 1\/4\u0026quot; analog tape using Studer A80 VU-PRE and Neumann VMS 80\u003cbr \/\u003e\n180g vinyl weight\u003cbr \/\u003e\nStandard gatefold outer sleeve\u003cbr \/\u003e\nFour 300 x 300 mm art prints enclosed\u003cbr \/\u003e\nIncludes DL code (24-bit | 16-bit | mp3)\u003c\/p\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/pMCm3RLuSt0\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen\u003e\u003c\/iframe\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/J0wMV83pmDw\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"Domino","offers":[{"title":"Default Title","offer_id":43830186541315,"sku":"REWIGLP158S","price":5076.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0285\/1694\/1956\/products\/702_1fbc57f7-09a7-44e7-8b30-e7ccfac6e4a1.jpg?v=1679559469"},{"product_id":"v-a-i-killed-the-monster-cs","title":"V.A. - I Killed The Monster (CS)","description":"In the late 1980's, Kramer brought Daniel Johnston into his Noise New York recording studio and produced the LP that remains - to this day - his masterpiece; \"1990\". Prior to these recordings (his very first in a \"professional\" studio), Daniel was an underground\/'outsider' artist with an extraordinary catalog of cassette-only releases, a small but infinitely loyal cult following, and a fast-widening range of established artists covering his songs and proclaiming him to be the best songwriter of his generation.\n\nThey were right. \"1990\" (originally released on Shimmy-Disc) brought his rapturous songs to new ears. In American Indie Music, there was the world before \"1990\", and the world after. It was a watershed moment in the musical arts. There was nothing else like it. There still isn't. Daniel's place in history will be studied for centuries to come. He had many disciples, but no peers. His songcraft stands alone in the American songbook.\n\nFollowing the global success of \"1990\", Kramer travelled to West Virginia the following year and produced \"ARTISTIC VICE\", a very different LP of songs featuring a full band that Daniel had been performing concerts with while living at his parent's home. The recordings were made in their garage over the course of 3 days on a barely functional 8-track tape machine. The resulting LP was the perfect follow-up to \"1990\", and set Daniel on a path that would bring him a major label deal with Atlantic Records, and the attention he'd always deserved both as a songwriter and as a visual artist. It wasn't long before his drawings began to appear in art galleries, and eventually his work was featured at the renowned Whitney Biennial. The rest is history.\n\nDaniel left us on September 11, 2019. We will never see the likes of him again, but we can experience his music anew with \"I KILLED THE MONSTER\", available now for the very first time on Vinyl following its initial 2006 CD-only release.\n\nKramer re-Mastered all 21 songs from the original CD, and hand-picked 11 of his favorite songs for this limited-edition Vinyl LP release.\n\nThe Cassette and Download versions include all 21 songs.\n\n(Note: This is the first Cassette release from Shimmy-Disc since the 1990's. We love Cassettes. TAPE, is where it all began. We are thrilled to bring this archival format back to the Shimmy-Disc catalog. Nothing sounds as good as tape, and we have spared no expense in bringing the highest quality product to the avid Cassette collector.)\n\nThis \"Various Artists\" compilation of songs by Daniel Johnston filters the Texas genius's snow-globe sad-pop confections through the mercurial lens of indie rock and anti-folk. Daniel's painfully honest lyrics and gently ecstatic melodies easily lend themselves to the interpretations of others, whether it's the genius collaborations of Danielson \u0026 Sufjan Stevens (\"Worried Shoes\") or Jad Fair \u0026 Kramer (\"True Love Will Find You in the End\"), the honest-to-goodness real-life realities of Kimya Dawson (\"Follow That Dream\") or Jeffrey Lewis (\"Adventures of God As a Young Boy\"), or the proto-psychedelic pop of R. Stevie Moore (\"Cathy Kline\") and home-grown Shimmy-Disc artist Lumberob, or Kramer himself with the definitive version of the song he considers Daniel's very best, \"Bloody Rainbow\".\n\nProduced by Kramer in 2005\/2006, the LP closes with his daughter Tess singing Daniel's seminal tearjerker, \"It's Over\". Recorded when she was 13 years old, it's the perfect song to bring the curtain down on this indispensable LP.\u003c\/p\u003e\u003ciframe style=\"border: 0; width: 350px; height: 472px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2945672121\/size=large\/bgcol=ffffff\/linkcol=333333\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/shimmy-disc.bandcamp.com\/album\/i-killed-the-monster-the-songs-of-daniel-johnston\"\u003eI KILLED THE MONSTER - The Songs of Daniel Johnston by Various Artists\u003c\/a\u003e\u003c\/iframe\u003e","brand":"Shimmy-Disc","offers":[{"title":"Default Title","offer_id":43856340386051,"sku":"SHIMMY-2014cass","price":1894.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0285\/1694\/1956\/products\/0030648467_10_4d50a004-be32-4b28-94d2-708a1a2c4cc3.jpg?v=1680699455"},{"product_id":"sadness-_____-cs-dl","title":"Sadness - _____ (CS+DL)","description":"An exceptional masterpiece that must be heard by all shoegazing enthusiasts. The 2023 cassette reissue version of the 2021 digital work \"_____\" by the one-man post-black metal act \"Sadness\", which is one of the most popular blackgaze acts, will be released from \u003cCanti Eretici Productions\u003e in Italy. Stocked! Sweet and gloomy, aetherial and nocturnal, anthemic and prayerful, a solitary masterpiece in the 2020s! Limited 97 copies.\u003ciframe style=\"border: 0; width: 350px; height: 274px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=4284555425\/size=large\/bgcol=ffffff\/linkcol=333333\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/cantiereticiproductions.bandcamp.com\/album\/-\"\u003e_____ by Sadness\u003c\/a\u003e\u003c\/iframe\u003e","brand":"Canti Eretici Productions","offers":[{"title":"Default Title","offer_id":43878594052355,"sku":"CantoXXIII","price":2187.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0285\/1694\/1956\/products\/a3433411205_10.jpg?v=1681820834"},{"product_id":"dirty-projectors-bjork-mount-wittenberg-orca-green-vinyl-2lp","title":"Dirty Projectors + Björk - Mount Wittenberg Orca (Green Vinyl 2LP)","description":"\u003cp\u003eMount Wittenberg Orca is named so because it is about whales, it was inspired by events on Mt. Wittenberg in California, and because it elaborates on David Longstreth\u0026#39;s obsession with vocal harmony introduced on Dirty Projectors\u0026#39; 2009 album Bitte Orca. This seven-song, twenty-one minute collection is the first original music the band has recorded since Bitte Orca, and it feels more like a small album than an EP. It is also their most staggering collaboration yet \u0026mdash; with the Icelandic artist Bj\u0026ouml;rk.\u003cbr \/\u003e\n\u003cbr \/\u003e\nThe music \u0026mdash; originally written to be performed unamplified in a small Manhattan bookstore \u0026mdash; was guided by a conversation between Longstreth and Bj\u0026ouml;rk about the small theaters in Italy where opera was born in the 1500s. The recording was informed by the simple, direct feel of early rock \u0026amp; roll recordings from the \u0026#39;50s. The band and Bj\u0026ouml;rk rehearsed for three days at the Rare Book Room in Brooklyn, and then recorded the songs as quickly and as live as possible, overdubbing only lead vocals and solos. The result feels like part children\u0026#39;s story, part choral music from some strange future.\u003cbr \/\u003e\n\u003cbr \/\u003e\nIt\u0026#39;s unlike anything else in the Projectors\u0026#39; body of work: Nat Baldwin\u0026#39;s bass is massive and lumbering, like the silhouette of some undersea creature. Drums and guitars, so crucial to the songs on\u0026nbsp;Bitte Orca, are all but absent. Instead, it\u0026#39;s all about voices \u0026mdash; and the voices are astonishing. Longstreth, sharing lead vocal duties with Bj\u0026ouml;rk, exudes a limber confidence. The Projectors women Amber Coffman, Angel Deradoorian and Haley Dekle sound beautiful and virtuosic. And Bj\u0026ouml;rk, seismic and elemental as always, sounds fresh in this new context, singing lead on half the songs.\u003cbr \/\u003e\n\u003cbr \/\u003e\nThis record is a triumph for Bj\u0026ouml;rk and for Dirty Projectors. It merges the energy and rawness of the band\u0026#39;s live shows with the intricate arrangement and delicate beauty of Bitte Orca, and seems to do it effortlessly. Bj\u0026ouml;rk abides as a kind of artistic patron saint, sharing the spotlight rather than dominating it. Her mix of sophistication and emotion, of composition and instantaneity, has become the blueprint for a generation of creative musicians \u0026mdash; and with Mount Wittenberg Orca, Dirty Projectors prove themselves at the forefront of that generation.\u0026nbsp;\u003c\/p\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/qfLXxrJ0cZU\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen\u003e\u003c\/iframe\u003e","brand":"Domino","offers":[{"title":"Default Title","offer_id":43891810369795,"sku":"","price":4097.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0285\/1694\/1956\/products\/a0453765807_10.jpg?v=1682338996"},{"product_id":"sleaford-mods-uk-grim-lp","title":"Sleaford Mods - UK GRIM (LP)","description":"\u003cp\u003eleaford Mods will return in 2023 with new album UK GRIM. Throughout their music the duo\u0026#39;s poetic protest and electronic resistance has seen them consistency chart and call out their times with an eloquence and attitude that has made them one of the most urgent and unique voices in modern music. Hailed by the likes of Liam Gallagher, Seth Myers, Iggy Pop, Amyl \u0026amp; The Sniffers and a legion of loyal fans whose devotion for the band would rival most sports supporters.\u003cbr \/\u003e\n\u003cbr \/\u003e\nContinuing this sonic vocation on their new album, Jason Williamson and Andrew Fearn\u0026#39;s creative evolution now finds them capturing the atmosphere of their era too. Though no strangers to the dancefloor, the minimal yet immersive beats and grooves of UK GRIM\u0026#39;s tracks \u0026ndash; which include collaborations with Dry Cleaning\u0026#39;s Florence Shaw and Jane\u0026#39;s Addiction\u0026#39;s Perry Farrell and Dave Navarro among them \u0026ndash; add a new, physical dimension to Sleaford Mod\u0026#39;s sound that makes their words more vital than ever. Music for body AND mind.\u003c\/p\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/loiI8M3U7gA\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen=\"\"\u003e\u003c\/iframe\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/AVo9CeuS9lY\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen\u003e\u003c\/iframe\u003e","brand":"ROUGH TRADE","offers":[{"title":"Default Title","offer_id":43900634464515,"sku":"RT0391LP","price":2908.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0285\/1694\/1956\/files\/a1928787080_10.jpg?v=1682575871"},{"product_id":"karate-unsolved-angels-halo-2x-vinyl-lp","title":"Karate - Unsolved (Angels Halo 2x Vinyl LP)","description":"Whatever sense of unity bound a hodgepodge of underground American punk sounds in the 1990s like a Duct-tape wallet began to come unglued by the end of the decade. A couple years into the new millennium and the emo scene that once had enough space for a band as brazen in their fusion of slowcore, jazz, and post-hardcore as Boston’s Karate would barely be reflected in a cookie-cutter style commercialized by major labels and mid-level indies that acted like the majors. The part of punk that overlapped with indie rock would begin a slow ascent from its comfortable home on college radio charts to the soundtrack of American Apparel shops and eventually the Billboard charts. In this strange, stratifying milieu, Karate, a band that seemed to thrive by cleaving to a nether-zone between several sounds that otherwise never touched, delivered an engrossing constantly shifting shot of rock that covered three sides of 12-inch vinyl: Unsolved arrived in 2000. \n\nKarate spent much of the ’ 90s wrestling punk aggression and volume into svelte shapes and often condensed what felt like a generation of scuffed-up intensity into whispers. The quiet moments carried much of that unbridled intensity throughout Unsolved —the fuzzy guitar squawk and snatchet of machine-gun drumming on “Sever” aside, things hit a little more sharply the moment the trio pivoted into their subdued jazz melodic interplay on that song. Karate’s transition into indie-rock maturity had become so complete by the time they dropped Unsolved that you could play the coffeehouse soul of “Halo of the Strange” and sultry jazz of “Lived-But-Yet-Named” to an unsuspecting punk and spend an entire evening trying to convince them that, yes, this band had made their bones playing the same DIY circuit made of bands that sounded like they wanted to harm their audience. But few bands other than Karate played like they understood the musical lingua franca of scene godheads such as Fugazi and Unwound, and knew how to make that language evolve, and nearly every song on Unsolved made that clear. If you didn’t get the memo by the end of the elegiac 11-minute closer “This Day Next Year,” which gained an irrepressible power from a plaintive guitar melody cycling through the song’s back half like a yearnsome cry for the divine, you might’ve been better off buying a ticket for Warped Tour and waiting a decade or two to figure it out.\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/IowOtKr4g-s\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" frameborder=\"0\"\u003e\u003c\/iframe\u003e","brand":"Numero Group","offers":[{"title":"Default Title","offer_id":43955551666435,"sku":"NUM906","price":4381.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0285\/1694\/1956\/files\/DDE4F747-DF00-4492-82B1-B6F7C135F6CE_4e3d1ff5-33b1-4a21-99e0-62647ea27277.png?v=1684747465"},{"product_id":"phantom-rhythm-幽靈節奏-gong-gong-gong-工工工-red-vinyl-lp","title":"Phantom Rhythm 幽靈節奏 Gong Gong Gong 工工工 (Red Vinyl LP)","description":"Guitar and bass duo Gong Gong Gong (工工工) charge out from Beijing’s underground scene with a distinct vision and uncompromising sense of purpose. The duo taps into a wavelength uniting musical cultures, drawing on inspirations ranging from Bo Diddley to Cantonese opera, West African desert blues, drone, and the structures of electronic music.\n\nGong Gong Gong’s debut LP, Phantom Rhythm, is their mission statement: between the locomotive chug and banjo twang of Tom Ng’s guitar and Joshua Frank’s thumping bass harmonics, an aura of ghostly snare hits and timpani overtones emerges. Over Frank’s enigmatic melodies, Ng sings in Cantonese, piecing together abstract tales of absurdity and doubt, desire and lust.\n\nFormed in 2015, the band’s earliest shows were in Beijing underpass tunnels and DIY spaces. Ng and Frank are both outsiders who call the city their home: Ng, who was born in Hong Kong, defiantly sings in his native tongue, while Frank, originally from Montreal, has lived in Beijing on and off since childhood. (He is the English translator of Ng’s lyrics, adding another layer to the duo’s close collaboration).\n\nA compact, almost telepathic unit, Gong Gong Gong use their minimalistic tools and idiosyncratic playing style to challenge the notions of rock n’ roll, stripping the form down to its bare essentials: rhythm, melody, and grit\u003cbr data-mce-fragment=\"1\"\u003e\u003ciframe style=\"border: 0; width: 350px; height: 472px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2418831432\/size=large\/bgcol=ffffff\/linkcol=333333\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/gonggonggong.bandcamp.com\/album\/phantom-rhythm\"\u003ePhantom Rhythm (幽霊リズム) by Gong Gong Gong 工工工\u003c\/a\u003e\u003c\/iframe\u003e","brand":"Wharf Cat Records","offers":[{"title":"Default Title","offer_id":43956154630403,"sku":"WCR095","price":3025.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0285\/1694\/1956\/files\/WCR095_e0d01e3b-5d65-4bcd-a388-40f4300b457c.jpg?v=1684749750"},{"product_id":"the-smile-a-light-for-attracting-attention-yellow-vinyl-2lp","title":"The Smile - A Light for Attracting Attention (Yellow Vinyl 2LP)","description":"\u003cp\u003eThe Smile will release their highly anticipated debut album A Light For Attracting Attention on 13 May, 2022 on XL Recordings.\u0026nbsp;\u003cbr \/\u003e\n\u003cbr \/\u003e\nThe 13- track album was produced and mixed by Nigel Godrich and mastered by Bob Ludwig. Tracks feature strings by the London Contemporary Orchestra and a full brass section of contempoarary UK jazz players including Byron Wallen, Theon and Nathaniel Cross, Chelsea Carmichael, Robert Stillman and Jason Yarde.\u0026nbsp;\u003cbr \/\u003e\n\u003cbr \/\u003e\nThe band, comprising Radiohead\u0026rsquo;s Thom Yorke and Jonny Greenwood and Sons of Kemet\u0026rsquo;s Tom Skinner, have previously released the singles You Will Never Work in Television Again, The Smoke, and Skrting On The Surface to critical acclaim.\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/tEPEqZnTwdo\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/_nmutqhuWFE\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/wKXQhFXlFs4\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e","brand":"XL RECORDINGS","offers":[{"title":"Default Title","offer_id":44017898291459,"sku":"XL1196LPE","price":4400.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0285\/1694\/1956\/files\/a1582944245_10_a3a50705-991f-4360-ac5c-db27405711e9.jpg?v=1686976018"},{"product_id":"say-she-she-prism-natural-w-black-swirl-vinyl-lp","title":"Say She She - Prism (Natural w\/ Black Swirl Vinyl LP)","description":"\n\nThe highly anticipated debut LP from Say She She, the all female discodelic soul band that will transport you with their dreamy harmonies, catchy hooks and up tempo grooves!\n\nThe band's sound is a hat tip to late 70’s girl groups with the three strong female lead voices of Piya Malik (featured in El Michels Affair, and backing singer for Chicano Batman), Nya Gazelle Brown, and Sabrina Cunningham - whose vocals soar through a set doused heavily with funky bass lines, rhythmic wah guitar, melodic synths and lilting bansuri flute lines, bursting into a seamless blend of dreamy harmonies and catchy hooks. A multicultural, multi-instrumental, collaborative melting pot, pulling sounds and styles from all corners of their record collections.\n\nThe largely self-produced debut album Prism features contributions from Dap Kings Joey Crispiano and Victor Axelrod, Max Shrager (The Shacks), Bardo Martinez (Chicano Batman), Nikhil Yearwadekar (former Antibalas), Andy Bauer (Twin Shadow) and Matty McDermot (NYPMH).\n\nFor Fans Of: Aasha Puthli, Grace Jones, Minnie Ripperton, The Supremes, Love Apple and Kendra Morris.\u003ciframe style=\"border: 0; width: 350px; height: 406px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2345574879\/size=large\/bgcol=ffffff\/linkcol=333333\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/saysheshe.bandcamp.com\/album\/prism\"\u003ePrism by Say She She\u003c\/a\u003e\u003c\/iframe\u003e","brand":"Karma Chief Records","offers":[{"title":"Default Title","offer_id":44044916752643,"sku":"KCR12021lp-C4","price":3492.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0285\/1694\/1956\/files\/KCR12021lp-C1_fd825351-189f-4bc3-ab74-41375fe7451d.jpg?v=1688204689"},{"product_id":"penguin-cafe-rain-before-seven-clear-vinyl-lp-dl","title":"Penguin Cafe - Rain Before Seven... (Clear Vinyl LP+DL)","description":"\u003cp\u003eA sense of optimism infuses Penguin Cafe\u0026rsquo;s fifth studio album Rain Before Seven\u0026hellip; not the braggadocious, overconfident kind, but more a blithe, self-effacing optimism in keeping with the national character. Even when all signs point to the contrary, it operates within the certainty that things are going to be alright. Probably.\u003cbr \/\u003e\n\u003cbr \/\u003e\nThe title comes from an old weather proverb with the rhyming prognostication \u0026mdash; fine before eleven \u0026mdash; hinting at a happy ending, irrespective of the science: \u0026ldquo;I found it in a book and I\u0026#39;d never heard it before,\u0026rdquo; says Arthur Jeffes, leader of Penguin Cafe. \u0026ldquo;It has faintly optimistic overtones and I quite like it. It\u0026#39;s fallen out of usage recently but it does describe English weather patterns coming in off the Atlantic.\u0026rdquo;\u003cbr \/\u003e\n\u003cbr \/\u003e\nFrom the widescreen reverie of opener \u0026lsquo;Welcome to London\u0026rsquo; with its cheeky nod to Morricone to \u0026lsquo;Goldfinch Yodel\u0026rsquo;, the self-described \u0026ldquo;Maypole banger\u0026rdquo; at the denouement, there\u0026rsquo;s a welcome sense of sanguinity, always with an undercurrent of exotic rhythmic exuberance. Playfulness pervades, with a titular nod to A Matter of Life\u0026hellip; from 2011, the last album title that concluded with an ellipsis. That Penguin Cafe debut is the bridge between the legendary Penguin Cafe Orchestra, led by Arthur\u0026rsquo;s father Simon\u0026nbsp;Jeffes, and the much-loved descendent, led by Arthur.\u003cbr \/\u003e\n\u003cbr \/\u003e\n\u0026ldquo;Stylistically it\u0026#39;s really satisfying to get back to playful rhythms and instruments,\u0026rdquo; says the younger Jeffes, who kept the group\u0026rsquo;s debut from 12 years ago in mind when writing the new album. \u0026ldquo;Certainly when starting out, I became aware that we\u0026rsquo;d stopped using quite a few of the textures that had been there at the beginning\u0026mdash;and it was certainly there in my dad\u0026#39;s earlier stuff. So there\u0026#39;s a lot of balafon and textures from completely different parts of the world, musically and geographically: ukuleles, cuatros and melodicas that you can hear.\u0026rdquo;\u003cbr \/\u003e\n\u003cbr \/\u003e\nIt\u0026rsquo;ll become clear when listening to Rain Before Seven\u0026hellip; that the themes explored transcend mere weather chat. In a sense, it\u0026rsquo;s a sonic diary scribbled from below the parapet, waiting for the danger to blow over. Jeffes, like many of us, found himself in lockdown in 2020. COVID-19\u0026rsquo;s first European destination was Italy, where he and his family were staying at the time in a converted convent in Tuscany, bought some twelve years ago with his mother, the celebrated stone sculptor Emily Young. There might be worse places to be stranded during quarantine than a hilly enclave surrounded by olive trees, though the family were faced with the same sobering fears and uncertainties that much of the world was forced to contend with.\u003cbr \/\u003e\n\u003cbr \/\u003e\nAnd so titles often refer to personal experience during this period. \u0026lsquo;Galahad\u0026rsquo; is a triumphant celebration of Arthur\u0026rsquo;s beloved dog who died, aged 16, written in an irrepressible 15\/8 time signature, and \u0026lsquo;Lamborghini 754\u0026rsquo; is named after the 40-year-old tractor he bought for his mother, which he could see from the studio as she traversed the olive grove. Jeffes is the first to admit that he was fortunate to have space to manoeuvre, a luxury that was denied to millions living in cities and towns. Moreover, the plight of city dwellers seemed to eerily coalesce with a vision Arthur\u0026rsquo;s dad had that would inspire the Penguin Cafe Orchestra into life in the first place.\u003cbr \/\u003e\n\u003cbr \/\u003e\nThe story goes like so: back in 1972, Simon Jeffes ate some dodgy fish whilst holidaying in the South of France, which caused him to hallucinate: \u0026ldquo;As I lay in bed I had a strange recurring vision,\u0026rdquo; he said later. \u0026ldquo;There, before me, was a concrete building like a hotel or council block. I could see into the rooms, each of which was continually scanned by an electronic eye. In the rooms were people, everyone of them preoccupied\u0026hellip;\u0026rdquo; Jeffes could make out \u0026ldquo;electronic equipment. But all was silence. Like everyone in his place had been neutralised, made grey and anonymous. The scene was, for me, one of ordered desolation.\u0026rdquo; The antidote to this premonition of an uncannily familiar future was the freewheeling Penguin Cafe \u0026ldquo;where your unconscious can just be\u0026rdquo;.\u003cbr \/\u003e\n\u003cbr \/\u003e\nSimon Jeffes took \u0026ldquo;a slightly eccentric antiquarian approach\u0026rdquo; to assembling his music, according to Arthur, repurposing sounds that were unapologetically easy on the ear; a reaction, perhaps, to the earnestness of the post-war serialists, which happened to coincide with the rise of minimalism. \u0026ldquo;But he loved Boulez,\u0026rdquo; adds Arthur, \u0026ldquo;and John Cage too. I think my dad felt that there was a lot of sub-Cage that didn\u0026#39;t need to be there.\u0026rdquo; Classical music dovetailing with pop and East African rhythms might not sound all that remarkable in the internet age (and in advertising, which PCO were never averse to), though in the 1970s they found a home on Brian Eno\u0026rsquo;s Obscure label, such was the arcane nature of what they were doing. The Penguin Cafe Orchestra wouldn\u0026rsquo;t remain recherch\u0026eacute; for long.\u003cbr \/\u003e\n\u003cbr \/\u003e\n\u0026ldquo;I think his novel approach was to take interesting, weird ideas and do strange things with them,\u0026rdquo; says Arthur, \u0026ldquo;but always while keeping an eye on making sure it sounded beautiful and emotionally engaging.\u0026rdquo; That ethos has been carried into Penguin Cafe. \u0026ldquo;It\u0026rsquo;s a commitment that we made when I picked it up again, because we play my dad\u0026#39;s music but we also perform new music in the same sound world. That means I\u0026rsquo;m honour bound to keep an eye on the original thread and make sure we don\u0026#39;t start heading off into thrash metal territory.\u0026rdquo;\u003cbr \/\u003e\n\u003cbr \/\u003e\nNevertheless, encouraged by co-producer Robert Raths, the rhythmic elements of Rain Before Seven\u0026hellip; have never been more to the fore and, at times, even hint at the electronic. \u0026lsquo;Find Your Feet\u0026rsquo;, for instance, is underpinned with more than just a pulse. Mixed by Tom Chichester-Clark, it brings to the musical melange what Arthur describes as a \u0026ldquo;near electronic feel\u0026rdquo;. He adds, excitedly: \u0026ldquo;There are elements of fun here which we haven\u0026#39;t really done with the last three records.\u0026rdquo; Another ebullient highlight is \u0026lsquo;In Re Budd\u0026rsquo;, dedicated to the late ambient godfather Harold Budd, who Arthur discovered had died on the day he\u0026rsquo;d been writing the celebratory ear worm with a deceptively tricky syncopation. Played on an upright piano with some \u0026ldquo;prepared\u0026rdquo; felt to accentuate the bounce, Jeffes feels a track with an Afro Cuban Cafe vibe would appeal to Budd\u0026rsquo;s contrariness.\u003cbr \/\u003e\n\u003cbr \/\u003e\nAnd then there\u0026rsquo;s the aforementioned \u0026lsquo;Welcome to London\u0026rsquo;, which got its name as the world started to open up and people were finally allowed to fly again. Jeffes, who touched down on home soil for the first time in a while, was struck by its cinematic John Barry-esque qualities as he took a taxi into West London from Heathrow with the mise-en-sc\u0026egrave;ne of the opulent twilight. The optimism is there, and maybe a little caustic irony too. \u0026ldquo;Robert [Raths] added a layer of nuance which I think is interesting, because many Londoners are not from London originally. So you pitch up to London as an outsider, and you haven\u0026#39;t really found your tribe yet, you get mugged\u0026hellip; and then \u0026lsquo;Welcome to London\u0026rsquo; takes on a more sarcastic resonance.\u0026rdquo;\u0026nbsp;\u003c\/p\u003e\n\u003ciframe style=\"border: 0; width: 100%; height: 472px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2782251903\/size=large\/bgcol=ffffff\/linkcol=333333\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/penguincafe.bandcamp.com\/album\/rain-before-seven\"\u003eRain Before Seven... Penguin Cafe\u003c\/a\u003e\u003c\/iframe\u003e","brand":"Erased Tapes","offers":[{"title":"Default Title","offer_id":44054211756291,"sku":"AMIP-0326LE","price":5280.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0285\/1694\/1956\/files\/a0215151297_10_800ae16a-8aed-4f5d-9924-c00068462744.jpg?v=1688639202"},{"product_id":"the-particles-1980s-bubblegum-lp","title":"The Particles - 1980s Bubblegum (LP)","description":"“(I have) two fantastic singles by The Particles...they are two of my most prized vinyl possessions” – Carrie Brownstein (Sleater Kinney) on NPR\n\nThe Particles formed at the height of the punk movement in Sydney, Australia in 1977, and spent their early years hanging out with punk legends The Saints. But by their first recordings in 1979 they were something else entirely – pioneers of infectiously melodic, playfully subversive indie pop. They deserve to be held up alongside contemporaries such as Orange Juice or Television Personalities, and 1980s Bubblegum makes a strong case for this with the first overview of their sporadic recording career.\n\nGuitarist Peter Williams and vocalist Astrid Spielman were the core of the group, surviving numerous lineups until the band dissolved in the mid 80s. Other bandmates include members of Chapter DIY heroes The Cannanes and fondly-remembered indie pop band The Lighthouse Keepers. The Particles only released three seven inch EPs and a handful of compilation tracks, but their scant recorded work is laden with inventive, irresistible pop hits.\n\nAfter self-releasing two EPs Colour In (1980) and Advanced Colouring (1981), their final EP I Luv Trumpet (1983) was the second ever release on iconic Sydney label Waterfront Records. This makes The Particles unlikely labelmates with the likes of Nirvana, L7 and Henry Rollins, who all went on to release records via Waterfront in Australia in the 90s.\n\nOn 1980s Bubblegum, Chapter Music presents every known recording by the Particles, including digital bonus tracks from the first ever Triple J Live At the Wireless session in 1983. The LP features extensive liner notes based on interviews with bandmembers.\n\nSadly, Astrid Spielman passed away in 2015, but the sheer joyful magic of her and Peter’s music lives on with 1980s Bubblegum.\u003ciframe style=\"border: 0; width: 350px; height: 472px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=659343743\/size=large\/bgcol=ffffff\/linkcol=333333\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/theparticles.bandcamp.com\/album\/1980s-bubblegum\"\u003e1980s Bubblegum by The Particles\u003c\/a\u003e\u003c\/iframe\u003e","brand":"Chapter Music","offers":[{"title":"Default Title","offer_id":44060185854211,"sku":"CH175lp","price":3297.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0285\/1694\/1956\/files\/a3943808421_10.jpg?v=1688884079"},{"product_id":"lutalo-once-now-then-again-cs","title":"Lutalo - Once Now, Then Again (CS)","description":"Growing up in Minnesota, life constantly took multi-instrumentalist and producer Lutalo Jones back and forth across the Mississippi River, through the beating heart of the Twin Cities, from their home in Minneapolis to school in St Paul. In 2021 Lutalo and their partner moved east, to settle among the green peaks of Vermont, having taken ownership of an area of land with the intention of building a small community for themselves. The aim is to accomplish a long-held dream: to live life differently, to invest in and create something tangible that can be passed on to future generations. The to-and-fro of that early life has been replaced by something altogether more steady, a burning desire to not get so caught up in the intensity of the world.\u000b\u000bIt's this overwhelming potency of modernity that ripples through Lutalo's musical work. Their six-song debut EP, Once Now, Then Again, bristles with tension, despite the open laidback nature of the performance. The new EP – which follows a few well-received singles in 2021 and a run of live shows alongside Adrianne Lenker – spans both of Lutalo's contrasting worlds, the songwriting beginning in the Twin Cities before being finished in the serene surroundings of Vermont, and both environments leave their mark on Lutalo's rich and absorbing sound.\u000b\u000bFor now, Lutalo's world consists of new pastures and new beginnings, the search for brightness in spite of all the dark. They remain optimistic in attitude, and steadfast in their belief that change can only happen when you believe in a better future. \"At the same point you also have to recognize that this is also your time to be alive,\" Lutalo says, \"and to try to find beauty in those moments and focus on the smaller details: to watch the water trickle down the stream, to see the ice as it melts from the rooftops.\"\u003ciframe style=\"border: 0; width: 350px; height: 340px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2473401704\/size=large\/bgcol=ffffff\/linkcol=333333\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/lutalo.bandcamp.com\/album\/once-now-then-again-2\"\u003eOnce Now, Then Again by Lutalo\u003c\/a\u003e\u003c\/iframe\u003e","brand":"Winspear","offers":[{"title":"Default Title","offer_id":44060224422147,"sku":"WSP044cass","price":1629.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0285\/1694\/1956\/files\/0031636681_10.jpg?v=1688896974"},{"product_id":"duster-moods-modes-ocean-blue-3xvinyl-7","title":"Duster - Moods, Modes (Ocean Blue 3xVinyl 7\")","description":"Explore the Duster universe on the far superior 45RPM format. This deluxe triple 7” box contains Duster’s first single—1997’s Transmission Flux (including “Stars Will Fall” \u0026 “Orbitron”), 1998’s Apex, Trance-Like (featuring “Four Hours”), plus Stratosphere’s painfully absent “Echo, Bravo” and the lost 2002 outtake “What You’re Doing To Me.” Housed in replica sleeves and placed in a sturdy two-piece box, Moods, Modes also contains a Duster-branded hanky for those who like to accessorize.\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/nnCDybSR-go\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen\u003e\u003c\/iframe\u003e","brand":"Numero Group","offers":[{"title":"Default Title","offer_id":44098464710915,"sku":"NUM721lp-C1","price":5123.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0285\/1694\/1956\/files\/01293817-A043-491A-B2DF-F100A29CD9BA_303cde9c-13fd-46f9-928d-e1ae097bb250.jpg?v=1690197496"},{"product_id":"gezan-with-million-wish-collective-あのち-red-vinyl-lp","title":"Gezan with Million Wish Collective - Anochi (Red Vinyl LP)","description":"ALBUM \"Anochi\" under the name of GEZAN With Million Wish Collective made a spectacular debut at FUJI ROCK FESTIVAL 2021. A cutting-edge form of tribal punk, produced on the theme of the immutable human voice in an era of data and selection. A sound picture scroll that goes back and forth between fantasy and documentary, weaving multiple layers such as round singing and voice, and making a single life form \"Anochi\" emerge in the form of an album with a unique seamlessness. Sixth FULL ALBUM for the first time in three years.\u003cbr\u003e\u003cbr\u003eIzumi Kato on the cover illustration that blinks between the indigenous and the universe. Following the previous work, the recording \u0026 mixing engineer is Naoyuki Uchida, a master of the dub world who is also currently operating GEZAN's live performances.\u003ciframe style=\"border: 0; width: 100%; height: 472px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2287085579\/size=large\/bgcol=ffffff\/linkcol=333333\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/jusangatsu.bandcamp.com\/album\/--7\"\u003e「あのち」 GEZAN with Million Wish Collective\u003c\/a\u003e\u003c\/iframe\u003e","brand":"十三月","offers":[{"title":"Default Title","offer_id":44121096126723,"sku":"JSGM057","price":3850.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0285\/1694\/1956\/files\/a1843630391_10_3cd20b9d-0e03-49f2-8a94-7c6ea109ffa9.jpg?v=1690961224"},{"product_id":"baba-stiltz-paid-testimony-lp","title":"Baba Stiltz - Paid Testimony (LP)","description":"When he‘s not writing or recording, Baba Stiltz immerses in fearless fiction by the likes of Denis\nJohnson and Dodie Bellamy; prose where pedestrian details become transcendent in aggregate and\nthe inner lives of marginal characters are examined as though they were kings. A similar thesis runs\nthrough „Paid Testimony“, the essential second tape of minimalist guitar music from the FilipinoAmerican-Swedish artist.\nIn recent years, Stiltz has made like Lee Hazelwood‘s Cowboy In Sweden in reverse, making annual\npilgrimages from Stockholm to California and reconnecting with his roots via a guitar and a Fostex 4-\ntrack. He‘s drawn to the less glamorous corners of the golden state, an observant habitué of unkempt\nstreets and dive bars stretching from LA to Vacaville. It‘s a long stretch from the jetset techno clubs\nwhere Baba originally plied his musical trade, but it‘s where he finds characters and ideas worth\nwriting about.\nThe characters on „Paid Testimony“ are on the edge and on the run. Surrounded by flawed men with\nbig schemes since childhood, he extrapolates characters who plot bank heists and order milk and\nvodka in AM hours, the type of confrontation- prone characters who „say some shit, make everyone\nuncomfortable and then just split.“ To focus on the rawness\nof this document would discount the humor and sympathy with which he treats his characters, not to\nmention the subtly- psychedelic songwriting recalling David Berman, early Smog, the original indie\nrock minimalist poets.\nOn the final song, Stiltz looks back on the city that raised him, „Stockholm,“ referencing „young\nprofessionals carelessly living“ before adding „I can‘t say I‘m not jealous even though I live my life just\nlike they do.“ There‘s an honesty in the small details revealed on „Paid Testimony“, and a defined\nsense of place, be it Stockholm, Sacramento or some dim barroom across from the Bank Of America.\nBaba doesn‘t quite fit in anywhere. This outsider quality has often been used as a marketing tool, yet\nhere, it lends a writerly aspect to the proceedings, an unreality to the everyday.\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/84FrZgQVFHk\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen\u003e\u003c\/iframe\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/LgEfpp--fl0\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen\u003e\u003c\/iframe\u003e","brand":"Public Possession","offers":[{"title":"Default Title","offer_id":44122997752067,"sku":"PP090","price":4106.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0285\/1694\/1956\/files\/144296_0-Baba-Stiltz-Paid-Testimony-LP.jpg?v=1691051377"},{"product_id":"v-a-the-endless-coloured-ways-the-songs-of-nick-drake-grey-vinyl-2xlp-7","title":"V.A. - The Endless Coloured Ways: The Songs of Nick Drake (Grey Vinyl 2xLP+7\")","description":"The Endless Coloured Ways is a collection of songs by legendary singer\/songwriter, Nick Drake, performed and recorded by over 30 incredible artists from a range of different backgrounds, genres, age groups and audiences. From Fontaines D.C. to Guy Garvey, Aurora to Feist, and Self-Esteem to David Gray, each artist has offered their own incredible take on a timeless classic\"Nick Drake was not that concerned with promoting himself as an artist but I think he would have been overjoyed to hear his art promoted by so many vibrant and talented artists such as the ones we approached. Each track is an example of a fellow artist adopting Nick's art as if it was their own, submitting to the song, and the results prove to me that talent can so often win out over mere skill or 'personality'. We are honoured and so grateful to all our friends, old and new, who took part in the making of this set.\" - Cally Calloman, Bryter Music\"Having initially exchanged a list of our favourite artists and realised how much our tastes overlapped, Cally and I set out on this venture with one simple brief - to ask the artists to ignore the original recording of Nick's in terms of arrangement, production and singing style; basically we were asking them to reinvent the song. First of all it was humbling to hear so many similar responses, saying how important Nick's music was to them, and how much they wanted to be part of this project. But as the results came in one by one, we were staggered by the brilliance and invention that each artist had shown. They had done what we asked - they had made the song their own.\" - Jeremy Lascelles, Chrysalis Records\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/hC59HvJB4PY\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen\u003e\u003c\/iframe\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/ezDU--NeT4c\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen\u003e\u003c\/iframe\u003e","brand":"Chrysalis Records","offers":[{"title":"Default Title","offer_id":44128769999107,"sku":"BRVC75lp-C1","price":5659.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0285\/1694\/1956\/files\/BRC75_6cf7cdf7-fcbd-4709-9c3b-be7ebdb8c566.jpg?v=1691226333"},{"product_id":"ghost-funk-orchestra-night-walker-death-waltz-opaque-red-vinyl-lp","title":"Ghost Funk Orchestra - Night Walker \/ Death Waltz (Opaque Red Vinyl LP)","description":"Back in 2016, producer Seth Applebaum released two EPs that marked the inauguration of the band Ghost Funk Orchestra. ‘Night Walker’ and ‘Death Waltz’ were conceived as one-man-band, reel-to-reel tape recorded experiments that would bring together elements of all the sounds that Seth most adored at the time: tape-saturated drums, gratuitous spring reverb, surfy guitar, Latin-style percussion, odd time signatures, and Spanish-language female vocals. Initially released only in the digital domain and on a short run of cassette tapes, these two EPs that defined the early era of GFO are now finally available together on a single LP via Colemine Records. The tracks have been lovingly remastered by Doug Krebs. We invite you to take a dive into the humble beginnings of a project that has continued to grow, shape shift, and accrue new and exciting sounds for its sonic palette.\u003ciframe style=\"border: 0; width: 350px; height: 472px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=274413656\/size=large\/bgcol=ffffff\/linkcol=333333\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/ghostfunkorchestra.bandcamp.com\/album\/night-walker-death-waltz\"\u003eNight Walker \/ Death Waltz by Ghost Funk Orchestra\u003c\/a\u003e\u003c\/iframe\u003e","brand":"Colemine Records","offers":[{"title":"Default Title","offer_id":44128826917123,"sku":"KCR12008lp-C1","price":3437.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0285\/1694\/1956\/files\/a0712506560_10_8bd9e013-91af-4b1a-9e0d-a95d6b073f57.jpg?v=1691227323"},{"product_id":"karate-time-expired-cacophony-splatter-5x-vinyl-lp-box-set","title":"Karate - Time Expired (Cacophony Splatter 5x Vinyl LP Box Set)","description":"This five LP box includes the Karate's Unsolved, Some Boots, and Pockets albums, a first time vinyl pressing of their Cancel\/Sing EP, and recently unearthed rehearsal recordings of two unreleased tracks.\u003ciframe style=\"border: 0; width: 350px; height: 439px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1514381715\/size=large\/bgcol=ffffff\/linkcol=333333\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/karateallston.bandcamp.com\/album\/some-boots\"\u003eSome Boots by Karate\u003c\/a\u003e\u003c\/iframe\u003e\u003ciframe style=\"border: 0; width: 350px; height: 439px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2715331817\/size=large\/bgcol=ffffff\/linkcol=333333\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/karateallston.bandcamp.com\/album\/unsolved\"\u003eUnsolved by Karate\u003c\/a\u003e\u003c\/iframe\u003e","brand":"Numero Group","offers":[{"title":"Default Title","offer_id":44128911982851,"sku":"NUM215.2lp-C2","price":16269.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0285\/1694\/1956\/files\/81OTbtX7FdL._AC_SL1500_00073a86-4f1d-411c-a791-633bb5a1f76e.jpg?v=1691229710"},{"product_id":"坂本慎太郎-shintaro-sakamoto-できれば愛を-love-if-possible-lp-dl","title":"Shintaro Sakamoto - Love If Possible (LP)","description":"\u003cp\u003eExclusive Mesh-Key release of Sakamoto\u0026#39;s brilliant third solo album, with completely different art from the Japanese release. Comes with full-color inserts with lyric translations, and digital download cards.\u003cbr \/\u003e\n\u003cbr \/\u003e\nAfter 20+ years with psych legends Yura Yura Teikoku, Shintaro Sakamoto\u0026rsquo;s third solo album is a bonafide masterpiece of warped steel guitar, ambient disco and AOR soul.\u003cbr \/\u003e\n\u003cbr \/\u003e\n\u0026ldquo;Like a language of Sakamoto\u0026rsquo;s own\u0026hellip;made with a ship-in-the-bottle-like focus.\u0026rdquo; Pitchfork (7.8)\u003cbr \/\u003e\n\u003cbr \/\u003e\n\u0026ldquo;Love If Possible is the pay-attention-moment. Not enough know. More should know.\u0026rdquo; Under The Radar\u003cbr \/\u003e\n\u003cbr \/\u003e\n\u0026ldquo;Perfectionist pop for the extraterrestrial bachelor pad.\u0026rdquo; Spin\u003c\/p\u003e\n\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/DiF-QiEG4SQ\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen\u003e\u003c\/iframe\u003e","brand":"Mesh-Key","offers":[{"title":"Default Title","offer_id":44163616866563,"sku":"MKY022","price":4371.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0285\/1694\/1956\/files\/a3957194678_10_69d9c310-9ae5-4616-b386-0e8b0e0a7351.jpg?v=1692436074"},{"product_id":"坂本慎太郎-物語のように-2cd","title":"Shintaro Sakamoto - Like A Fable (2CD)","description":"\u003cp\u003eSIDE-A\u003cbr \/\u003e\n01. That Was Illegal\u003cbr \/\u003e\n02. You Still OK?\u003cbr \/\u003e\n03. Like A Fable\u003cbr \/\u003e\n04. You Have Time But I Don\u0026rsquo;t\u003cbr \/\u003e\n05. Sad Errand\u003cbr \/\u003e\n|\u003cbr \/\u003e\nSIDE-B\u003cbr \/\u003e\n01. Star\u003cbr \/\u003e\n02. Floating Weeds\u003cbr \/\u003e\n03. Thickness of Love\u003cbr \/\u003e\n04. One Day\u003cbr \/\u003e\n05. The Whereabouts Of Romance\u003c\/p\u003e\n\n\u003cp\u003eWritten \u0026amp; Produced by Shintaro Sakamoto\u003c\/p\u003e\n\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/NIXKvE_eMyI\" height=\"315\" width=\"560\" allowfullscreen=\"\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" frameborder=\"0\"\u003e\u003c\/iframe\u003e","brand":"Zelone Records","offers":[{"title":"Default Title","offer_id":44178137907459,"sku":"zel-026","price":2860.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0285\/1694\/1956\/files\/zel-027_c982311f-4155-4c9f-b0df-e4c1d1f19a34.jpg?v=1692774466"},{"product_id":"belver-yin-para-mi-madre-lp","title":"Bélver Yin - Para Mi Madre (LP)","description":"Spurred on by emergent footage of a recent live performance, Efficient Space delves deeper into the world of Spanish shoegaze outfit Bélver Yin, now solely helmed by founding member Pedro L. Ortega. An intimate collection of new recordings, Para Mi Madre is a parting gift to his mother, fulfilling a promise made in her final days.\n\nBélver Yin’s story begins at the turn of the ‘90s, blooming from a fixation with British ethereal alt-pop (Cocteau Twins, The Chameleons, The Cure et al.). Utilising guitar, bass and drum machine rhythms to record the cathartic 1991 debut Luz Bel, their quintessentially Mediterranean angle on slow, reverb and echo-laden atmospherics found a home on fleeting label Noisex Music. Despite radio play and concerts around Spain, lack of distribution led to the album being largely overlooked, until Efficient Space’s faithful reissue in 2020.\n\nWith this newfound interest stoking Ortega’s fire, the wealth and strength of Para Mi Madre’s expressive impulses will woo fans and newcomers alike. Patiently moving from pastel hues, sepia-tones and balearic nostalgia, its crystallised instrumentals give a knowing nod to the wide-eyed possibilities of youthful summers as much as they do world-weary respite. Not wallowing in gloom, the deeply personal and spirit-stirring memorandum documents Ortega coming to terms with the loss of his greatest champion.\u003ciframe style=\"border: 0; width: 350px; height: 472px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1389282882\/size=large\/bgcol=ffffff\/linkcol=333333\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/efficientspace.bandcamp.com\/album\/para-mi-madre\"\u003ePara Mi Madre by Bélver Yin\u003c\/a\u003e\u003c\/iframe\u003e","brand":"Efficient Space","offers":[{"title":"Default Title","offer_id":44180646002947,"sku":"ES034","price":3672.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0285\/1694\/1956\/files\/1459cada955dd8f9031df5dd3408e20c.jpg?v=1692871845"},{"product_id":"v-a-i-killed-the-monster-lp","title":"V.A. - I Killed The Monster (LP)","description":"In the late 1980's, Kramer brought Daniel Johnston into his Noise New York recording studio and produced the LP that remains - to this day - his masterpiece; \"1990\". Prior to these recordings (his very first in a \"professional\" studio), Daniel was an underground\/'outsider' artist with an extraordinary catalog of cassette-only releases, a small but infinitely loyal cult following, and a fast-widening range of established artists covering his songs and proclaiming him to be the best songwriter of his generation.\n\nThey were right. \"1990\" (originally released on Shimmy-Disc) brought his rapturous songs to new ears. In American Indie Music, there was the world before \"1990\", and the world after. It was a watershed moment in the musical arts. There was nothing else like it. There still isn't. Daniel's place in history will be studied for centuries to come. He had many disciples, but no peers. His songcraft stands alone in the American songbook.\n\nFollowing the global success of \"1990\", Kramer travelled to West Virginia the following year and produced \"ARTISTIC VICE\", a very different LP of songs featuring a full band that Daniel had been performing concerts with while living at his parent's home. The recordings were made in their garage over the course of 3 days on a barely functional 8-track tape machine. The resulting LP was the perfect follow-up to \"1990\", and set Daniel on a path that would bring him a major label deal with Atlantic Records, and the attention he'd always deserved both as a songwriter and as a visual artist. It wasn't long before his drawings began to appear in art galleries, and eventually his work was featured at the renowned Whitney Biennial. The rest is history.\n\nDaniel left us on September 11, 2019. We will never see the likes of him again, but we can experience his music anew with \"I KILLED THE MONSTER\", available now for the very first time on Vinyl following its initial 2006 CD-only release.\n\nKramer re-Mastered all 21 songs from the original CD, and hand-picked 11 of his favorite songs for this limited-edition Vinyl LP release.\n\nThe Cassette and Download versions include all 21 songs.\n\n(Note: This is the first Cassette release from Shimmy-Disc since the 1990's. We love Cassettes. TAPE, is where it all began. We are thrilled to bring this archival format back to the Shimmy-Disc catalog. Nothing sounds as good as tape, and we have spared no expense in bringing the highest quality product to the avid Cassette collector.)\n\nThis \"Various Artists\" compilation of songs by Daniel Johnston filters the Texas genius's snow-globe sad-pop confections through the mercurial lens of indie rock and anti-folk. Daniel's painfully honest lyrics and gently ecstatic melodies easily lend themselves to the interpretations of others, whether it's the genius collaborations of Danielson \u0026 Sufjan Stevens (\"Worried Shoes\") or Jad Fair \u0026 Kramer (\"True Love Will Find You in the End\"), the honest-to-goodness real-life realities of Kimya Dawson (\"Follow That Dream\") or Jeffrey Lewis (\"Adventures of God As a Young Boy\"), or the proto-psychedelic pop of R. Stevie Moore (\"Cathy Kline\") and home-grown Shimmy-Disc artist Lumberob, or Kramer himself with the definitive version of the song he considers Daniel's very best, \"Bloody Rainbow\".\n\nProduced by Kramer in 2005\/2006, the LP closes with his daughter Tess singing Daniel's seminal tearjerker, \"It's Over\". Recorded when she was 13 years old, it's the perfect song to bring the curtain down on this indispensable LP.\u003c\/p\u003e\u003ciframe style=\"border: 0; width: 350px; height: 472px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=2945672121\/size=large\/bgcol=ffffff\/linkcol=333333\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/shimmy-disc.bandcamp.com\/album\/i-killed-the-monster-the-songs-of-daniel-johnston\"\u003eI KILLED THE MONSTER - The Songs of Daniel Johnston by Various Artists\u003c\/a\u003e\u003c\/iframe\u003e","brand":"Shimmy-Disc","offers":[{"title":"Default Title","offer_id":44185869975811,"sku":"SHIMMY-2014lp","price":1879.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0285\/1694\/1956\/files\/a0071269621_10_40ea1461-d53d-4f4c-bccd-5b66d71cfc85.jpg?v=1693042911"},{"product_id":"v-a-the-endless-coloured-ways-the-songs-of-nick-drake-2cd","title":"V.A. - The Endless Coloured Ways: The Songs of Nick Drake (2CD)","description":"The Endless Coloured Ways is a collection of songs by legendary singer\/songwriter, Nick Drake, performed and recorded by over 30 incredible artists from a range of different backgrounds, genres, age groups and audiences. From Fontaines D.C. to Guy Garvey, Aurora to Feist, and Self-Esteem to David Gray, each artist has offered their own incredible take on a timeless classic\"Nick Drake was not that concerned with promoting himself as an artist but I think he would have been overjoyed to hear his art promoted by so many vibrant and talented artists such as the ones we approached. Each track is an example of a fellow artist adopting Nick's art as if it was their own, submitting to the song, and the results prove to me that talent can so often win out over mere skill or 'personality'. We are honoured and so grateful to all our friends, old and new, who took part in the making of this set.\" - Cally Calloman, Bryter Music\"Having initially exchanged a list of our favourite artists and realised how much our tastes overlapped, Cally and I set out on this venture with one simple brief - to ask the artists to ignore the original recording of Nick's in terms of arrangement, production and singing style; basically we were asking them to reinvent the song. First of all it was humbling to hear so many similar responses, saying how important Nick's music was to them, and how much they wanted to be part of this project. But as the results came in one by one, we were staggered by the brilliance and invention that each artist had shown. They had done what we asked - they had made the song their own.\" - Jeremy Lascelles, Chrysalis Records\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/hC59HvJB4PY\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen\u003e\u003c\/iframe\u003e\u003ciframe width=\"560\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/ezDU--NeT4c\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" allowfullscreen\u003e\u003c\/iframe\u003e","brand":"Chrysalis Records","offers":[{"title":"Default Title","offer_id":44185888751875,"sku":"BRC75cd","price":2390.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0285\/1694\/1956\/files\/BRC75_323b0922-a391-45bf-9f8d-fd0c9b737f79.jpg?v=1693043714"},{"product_id":"rex-c-rose-vinyl-2lp","title":"Rex - C (Rose Vinyl 2LP)","description":"Hovering somewhere at the intersection of Nirvana and Neil Young, Rex exploded—or drifted, rather—onto the slowcore scene in the mid-1990s. Taking its cue from bands like Codeine, which drummer Doug Scharin was a part of, Rex managed to synthesize the dynamic eruptions of grunge, twinkling guitars of folk, and sprawling string arrangements of chamber pop on its seminal 1996 album, C.\n\nIn recording C, Scharin, along with bandmates Curtis Harvey and Phil Sprito, created an untamable and uncategorizable beast. The album’s 11 tracks clock in at an hour and 7 minutes, most often winding from folk warbles to distortion-drenched power chords and back. End-to-end, listening to C feels like being granted access to one of the band’s most unfettered jams.\u003ciframe style=\"border: 0; width: 350px; height: 472px;\" src=\"https:\/\/bandcamp.com\/EmbeddedPlayer\/album=1662200080\/size=large\/bgcol=ffffff\/linkcol=333333\/artwork=none\/transparent=true\/\" seamless\u003e\u003ca href=\"https:\/\/rex-numero.bandcamp.com\/album\/c\"\u003eC by Rex\u003c\/a\u003e\u003c\/iframe\u003e","brand":"Numero Group","offers":[{"title":"Default Title","offer_id":44185996689667,"sku":"NUM913lp-C2","price":4997.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0285\/1694\/1956\/files\/a1437586102_10_235a78a3-442c-4047-aa8e-d2c6b01bf35e.jpg?v=1693047014"}],"url":"https:\/\/meditations.jp\/en\/collections\/indie-alternative.oembed?page=20","provider":"Meditations","version":"1.0","type":"link"}